710 Best Discussion-sparking Movies to Watch (Page 16)

The Earth Is Blue as an Orange chronicles the lives of a single mother and her four children as they live in the war-torn Donbas region of Ukraine. Despite the constant threat of violence, the family finds solace in the arts (more specifically in filmmaking). While striving for normalcy in these tumultuous times, they channel their efforts into creating a film about the effect of war on their family. Even as they try to lead individual lives, nurturing this collective project, bombs, debris, and their reality is unavoidable. 

This film is a moving testament to the power of art, creativity, and hope in the darkest times. 

Genre: Documentary, Drama

Director: Iryna Tsilyk

The late, great William Friedkin’s final film is staged with all the military precision of its naval court setting. We never leave the courtroom from the moment we’re plunged into it — the first minute — meaning the contentious action around which the film revolves happens only in our imagination, spurred on by the competing accounts of Lieutenant Maryk (Jake Lacy) and Commander Queeg (Kiefer Sutherland). Maryk is accused of mutiny, but, as he tells it, he only seized command from Queeg during a typhoon because he feared that the Commander was experiencing an episode of mental instability that would endanger the lives of everyone onboard. 

The lack of flashbacks to this crucial moment places the burden of bearing out the truth on the cast, which includes Jason Clarke as Maryk’s lawyer, Monica Raymund as Queeg’s counsel, and Lance Reddick — the naturally authoritative late actor to whom the film is dedicated — as the judge. The film's lack of visual pizzazz is to its advantage, then, because it allows this excellent cast (and Friedkin’s searing script) to flex under the full, burning gaze of the spotlight. Clarke, in particular, emerges as the standout as the reluctant navy lawyer — a man caught between the impulse to expose one truth and conceal another.

Genre: Drama, TV Movie, War

Actor: Dale Dye, Denzel Johnson, Elizabeth Anweis, Francois Battiste, Gabe Kessler, Gina Garcia, Jake Lacy, Jason Clarke, Jay Duplass, Kiefer Sutherland, Lance Reddick, Lewis Pullman, Monica Raymund, Stephanie Erb, Tom Riley

Director: William Friedkin

Rating: PG-13

An arguably tough watch, The Accused fluctuates between crime and courtroom drama, eschewing any kind of sentimentality in its storytelling. No place for pity where trauma reigns: the fact that the film is based on a real case of as gang rape means little in a world were that's still a daily occurrence. The Accused knows it well and invests its two protagonist with all the anger in the world, hoping the justice system will be on the right side of history at once: that of women. Two amazing leads set the bar very high: Jodie Foster and Kelly McGillis who plays prosecutor Kathryn Murphy. Together, they make a powerful duo of heated performances that embody the contradictions of being a woman under patriarchy.

Genre: Crime, Drama

Actor: Allan Lysell, Andrew Kavadas, Ann Hearn, Antony Holland, Babs Chula, Bernie Coulson, Carmen Argenziano, Christianne Hirt, Dana Still, David Sheridan, Denalda Williams, Deryl Hayes, Frances Flanagan, Freda Perry, Garry Chalk, Garwin Sanford, Jerry Wasserman, Jodie Foster, Kelly McGillis, Kevin McNulty, Kim Kondrashoff, Leo Rossi, Linda Darlow, Marsha Andrews, Michele Goodger, Mike Winlaw, Pamela Martin, Peter Bibby, Peter Van Norden, Rebecca Toolan, Rose Weaver, Scott Paulin, Stephen Dimopoulos, Stephen E. Miller, Steve Antin, Terry David Mulligan, Tom Heaton, Tom McBeath, Tom O'Brien, Veena Sood, Walter Marsh, Woody Brown

Director: Jonathan Kaplan

Rating: R

Since we live in a society, interacting with authority is inescapable. Terrestrial Verses depict fairly mundane day-to-day interactions– getting a birth certificate, settling a traffic violation, or attending a job interview– but through nine vignettes framed with a static camera, aimed at a person trying to negotiate with someone more powerful just outside the frame, these mundane interactions become satirically absurd. For those unfamiliar with the ideology behind the regime, these interactions are just so annoying. But for those in the know, the doublespeak in the dialogue reflects how finicky and arbitrary the rules set by the authoritarian regime are, and celebrates the wit and ingenuity of the ordinary people that have to navigate them. Terrestrial Verses seems utterly mundane at first, but it proves to be smart, incisive, and deeply insightful.

Genre: Comedy, Drama

Actor: Babak Karimi, Farzin Mohades, Gohar Kheyrandish, Hossein Soleymani, Majid Salehi, Reza Behboudi, Sadaf Asgari, Sara Bahrami

Director: Ali Asgari, Alireza Khatami

Prepare to be captivated by the bittersweet tale of Strawberry and Chocolate, a 1994 Cuban film that immerses you in the complexities of friendship, love, and societal taboos. Set against the backdrop of Havana, the movie beautifully explores the relationship between an earnest university student and a sophisticated gay artist. With its poignant storytelling engrossing itself in the socio-political climate of Cuba, the film delves into themes of identity, acceptance, and the clash between tradition and individuality. Powerful and emotionally resonant, the vibrant Cuban culture is expertly woven into the narrative, transporting you to the heart of Havana's vibrant streets. 

Genre: Comedy, Drama

Actor: Francisco Gattorno, Jorge Perugorría, Mirta Ibarra, Vladimir Cruz

Director: Juan Carlos Tabío, Tomás Gutiérrez Alea

Based on the true story of the last French woman executed by guillotine, Story of Women depicts wartime survival under the Vichy regime. While men were sent to fight in the war, women in France stayed home, in a country occupied by the Nazis, with their government collaborating with the Axis powers they were supposedly at war with. Marie-Louise Giraud is one such woman. Like her country, she is pushed to do crimes forbidden by the state, first for kindness, but eventually for comfort, but only she gets the death penalty for 27 abortions, when only a few Vichy officials have been tried for crimes against humanity, which includes the deportation of seventy thousand Jews to concentration camps. The contrast is made much more poignant with Isabelle Huppert and Claude Chabrol’s creative partnership.

Genre: Drama

Actor: Caroline Berg, Dani, Dominique Blanc, Evelyne Didi, Franck de la Personne, François Cluzet, François Maistre, Guillaume Foutrier, Henri Attal, Isabelle Huppert, Jacques Brunet, Jean-Michel Noirey, Lolita Chammah, Marie Bunel, Marie Trintignant, Nils Tavernier, Pierre-François Dumeniaud, Sylvie Flepp, Vincent Gauthier

Director: Claude Chabrol

There’s a scene early in the documentary when present-day Michael J. Fox, who famously suffers from Parkinson’s Disease, swaggers along a street and greets a fan, only to stumble at that very moment and have people surround him with concern. Instead of giving into their pity or pretending nothing happened, he cooly tells the fan, “It was so nice meeting you, you knocked me off of my feet!” This brief moment tells you all you need to know about the ‘80s icon—Fox refuses to be a victim. Still is his brilliant and admirable attempt at telling his well-known story on his own terms. It covers everything from his childhood and early work in Hollywood to his life-changing roles in Family Ties, Teen Wolf, and most memorably, Back to the Future. It also sheds light on Fox's life as a husband, father, and Parkinson's sufferer. Director Davis Guggenheim (An Inconvenient Truth) does a genius job of using faceless reenactments and cuts from films and TV shows to accompany Fox’s narration, which pumps the film with a dynamism that matches Fox’s resilient spirit. Urgent, clever, and exciting, Still is one of the rare celebrity biographies that serves a higher purpose than just recounting a famous person's life. Anyone who understands the importance of constantly moving and evolving will appreciate this film's existence.

Genre: Documentary

Actor: Angela Galanopoulos, Annabelle Fox, Aquinnah Fox, Chad Sayn, Christopher Lloyd, Crispin Glover, Danny Irizarry, David Diamond, David Letterman, Donna Lysell, Eric Stoltz, Gary David Goldberg, Gene Siskel, Hannah Galway, Jason Calder, Jay Leno, Johnny Carson, Justine Bateman, Larry David, Liam Raymond Dib, Meredith Baxter, Michael J. Fox, Michael McDonald, Muhammad Ali, Rick Pearce, Robert Zemeckis, Roger Ebert, Sam Fox, Schuyler Fox, Shayn Walker, Siobhan Murphy, Steven Spielberg, Thomas F. Wilson, Tracy Pollan, Woody Harrelson

Director: Davis Guggenheim

Nakedness has been demonized or at least, has been considered inappropriate outside of certain situations. One such situation is the sauna, as the steam and high heat is considered therapeutic, especially in colder regions. In her directorial debut, Anna Hints documents the Estonian smoke sauna, not just as a cultural tradition, but as a sanctuary for women to bare their bodies and their troubles. The women are, of course, naked, but the sauna’s smoke and darkness obscures and keeps identities hidden, focusing on their stories and allowing a glimpse of women’s bodies at their most natural, without the sexualization often placed with the male gaze. Smoke Sauna Sisterhood is a refreshing take, one where plenty of women can finally see themselves in.

Genre: Documentary

Actor: Eda Veeroja, Elsa Saks, Eva Kübar, Kadi Kivilo, Maria Meresaar, Marianne Liiv, Merit Kask

Director: Anna Hints

Based on the 1976 novel of the same name, Ordinary People is an emotionally wrought film about a family on the brink of collapse. Upon the tragic death of eldest son Buck, the youngest and now only son Conrad (Hutton) reluctantly enters psychiatric care while his mother, Beth (Mary Tyler Moore), tries to force things back to the way they were with overwhelming positivity. Keeping things together as best he can is the father Calvin (Donald Sutherland), who is battling demons of his own. Before films like Good Will Hunting and shows like 13 Reasons Why made tropes like “caring therapist” and “angsty teen” into the cliches they are now, it was films like Ordinary People that broke barriers and dared to put up a mirror to our stark realities. Things like grief and depression, as well as strained parenthood and unhappy families, were taboo back day in the day, so it was somewhat of a miracle that Ordinary People didn’t just talk about them openly, but started a discourse surrounding them that continues to this day.

Genre: Drama

Actor: Adam Baldwin, Basil Hoffman, Dinah Manoff, Donald Sutherland, Elizabeth McGovern, Fredric Lehne, James B. Sikking, Judd Hirsch, M. Emmet Walsh, Mariclare Costello, Mary Tyler Moore, Quinn K. Redeker, Timothy Hutton

Director: Robert Redford

Rating: R

There’s an intriguing meta appeal to this drama, the plot of which is a thinly veiled reference to the scandal that erupted around South Korean director Hong Sang-soo and star Kim Min-hee’s extramarital affair. Here, Kim plays an actress who flees to Germany amidst a media storm swirling around a similar relationship and then returns home to skirt prying questions from friends and — maybe — confront her now-distant lover.

But beyond its references to salacious real life, On the Beach at Night Alone is also a fascinating conversational movie, one that explores with gentleness all the messy feelings that Kim is having in her physical and professional exile (offers of acting roles having dried up because of the scandal). That tone isn’t permanent, though, because the film reaches a violently emotional crescendo with two extremely raw and strange outbursts at dinner parties — a strangeness echoed by the lightning bolts of surreality that break up what is otherwise a naturalistic film (and filmography, for Hong). This might make an unconventional entry point if you’ve never seen a Hong film before (he’s averaged two films a year since 2017, so there are plenty of other options), but it’s an illuminating introduction for newcomers all the same, and a fascinating evolution for confirmed fans.

Genre: Drama

Actor: Ahn Jae-hong, Gong Min-jeung, Han Ja-i, Han Jae-yi, Jung Jae-young, Kang Tae-u, Kim Min-hee, Kwon Hae-hyo, Mark Peranson, Moon Sung-keun, Seo Young-hwa, Song Sun-mi

Director: Hong Sang-soo