26 Best Discussion-sparking Movies On Max (HBO Max) (Page 2)

Staff & contributors

It’s no coincidence that many of the highest-acclaimed movies are also controversial. Serving beyond entertainment, these stories provoke essential social dialogues. As a case in point, here are the best discussion-sparking movies and shows available to stream now.

Featuring real, in-the-moment footage of operations to rescue young queer individuals from the continuing anti-gay purges in the Chechen Republic, Welcome to Chechnya makes for a demanding but essential call to action. There's a genuine sense of fear that pervades the documentary, not just for those being rescued after being forcibly outed, beaten, and trapped by the people around them, but for the filmmakers themselves, whose operations are built on meager resources and desperate, spur-of-the-moment decisions. It's a remarkably courageous film—one that also presents new ways of keeping sensitive subjects safe through the thoughtful use of deepfake technology, keeping their identities hidden while allowing them to freely express themselves.

Genre: Documentary

Actor: Ramzan Kadyrov, Vladimir Putin, Zelim Bakaev

Director: David France

, 2022

It’s a bold move, centering a drama around a creature as docile as a donkey, but EO pulls it off without ever leaning on the crutch of CGI. Instead, the film makes ingenious use of a hundred-year-old film technique: the Kuleshov effect. By splicing the image of the titular donkey’s placid, expressionless face against visual stimulus, the illusion of a genuine reaction is produced.

But don’t be mistaken: this is no twee Disney-esque tale of anthropomorphism. Inspired by the classic Au Hasard Balthasar, EO tracks the haphazard journey of a former circus donkey across Europe — one that is often depicted in surreal psychedelic reds instead of idyllic picture-book tones, and punctured by more horrors than joys (though we do, thankfully, get to see him munch away on some well-deserved carrot treats). EO’s docility frames him as a kind of holy innocent, making the cruelty meted out to him feel all the more like a grave violation of something sacrosanct. Seeing the world through his oft-neglected perspective also makes this a movie about humans by proxy — a fresh, empathetic approach that, even in its obvious dramatic liberties, makes us meditate on both the depth of experience that may be unfolding in our animal neighbors and our role in shaping it.

Genre: Drama

Actor: Isabelle Huppert, Kateřina Holánová, Lolita Chammah, Lorenzo Zurzolo, Mateusz Kościukiewicz, Sandra Drzymalska, Tomasz Organek, Waldemar Barwiński

Director: Jerzy Skolimowski

Rating: NR

The particulars of the scandal are enough to shock, enrage, and move anyone, but the directors of BS High also put Johnson in the hot seat and skewer the guy until they wring all ego and delusion out of him. The result is a compelling and terrifying look into a con man’s mind. Johnson alternates between justifying and denying his fraudulent ways and even tries to draw empathy from the audience by explaining his upbringing. But cleverly, the directors intercut his wild speeches with heartfelt testimonies from the real victims of this scam: the young recruits who were promised a better life if they played in Johnson’s team, only to be abused and marked for life. It’s impossible not to feel for the young men, who even up until the documentary’s end, wonder out loud how they could possibly move on from such a traumatic experience. 

Genre: Documentary

Director: Martin Desmond Roe, Travon Free

This 1994 animated gem from Studio Ghibli is one of their many environmentally-conscious works. In a world of shape-shifting animals and environmental conservation, Pom Poko beautifully combines folklore, humor, and social commentary to tell a tale of raccoons fighting to save their forest home from human encroachment. The animation is stunning, showcasing Ghibli's signature attention to detail and vibrant visuals. But it's the heartfelt story and lovable characters that really steal the show. Although it is slow-paced, Pom Poko is a thought-provoking and entertaining film that will make you laugh, cry, and appreciate the wonders of nature. 

Genre: Adventure, Animation, Drama, Fantasy

Actor: Akira Fukuzawa, Akira Kamiya, Beichou Katsura, Bunshi Katsura, Gannosuke Ashiya, Kobuhei Hayashiya, Kokondei Shinchou, Kosan Yanagiya, Makoto Nonomura, Megumi Hayashibara, Nijiko Kiyokawa, Norihei Miki, Osamu Kato, Shigeru Izumiya, Shincho Kokontei, Shozo Hayashiya, Takehiro Murata, Yorie Yamashita, Yumi Ichihara, Yuriko Ishida

Director: Isao Takahata

Rating: PG

If you’re familiar with the upscale Chinese restaurant chain owner, or that Chinese boy in old 60s British films, or with his paintings, Aka Mr. Chow might surprise you because they’re one and the same. Born with two names, Zhou Yinghua and Michael Chow, Mr. Chow is just so cool that telling his life story is already interesting. From the tough immigrant experience, living alone as a boy, to his current worldwide success in film, food, and painting, it’s interesting to know that it’s possible. But the documentary dives into it, using the film medium to mirror his own creative style and artistic sensibilities. The film is able to link each of his opinions, not just with his life, but also with the historic changes in his home country. It’s an intriguing approach, if a bit superficial in certain areas, but it’s very entertaining.

Genre: Documentary

Actor: Brian Grazer, Cecilia Zhou, China Chow, Ed Ruscha, Fran Lebowitz, Julian Schnabel, Maximillian Chow, Peter Blake

Director: Nick Hooker

Before “burnout,” “bullshit jobs,” and “quiet quitting” became part of our everyday lexicon, there was a film in the ‘90s that prophesied the rise of these workplace problems. Office Space follows three co-workers who, having had enough of their dreary low-paying jobs, fight back against their company via an embezzlement scheme. 

Office Space makes the most out of its indie budget as it mostly takes place in the cramped quarters of a company, effectively bottling us into the cubicled windowless world of the characters. But the real beauty of the film is in the details, from its quick zingers and thoughtful takes on the essence of work down to its elaborate “planning to plan” scheme in the background and the employees’ forced politeness singing happy birthday to their boss. Modern viewers will notice that Office Space sits right in between the dystopian thriller Severance and the beloved sitcom The Office—a dark comedy that highlights the necessity of humanity in everyday work. 

Genre: Comedy, Drama

Actor: Ajay Naidu, Alexandra Wentworth, Ali Wentworth, Barbara George-Reiss, Charissa Allen, David Herman, Diedrich Bader, Gabriel Folse, Gary Cole, Greg Pitts, Jack Betts, Jackie Belvin, Jennifer Aniston, Jennifer Jane Emerson, Jesse De Luna, Joe Bays, John C. McGinley, Kinna McInroe, Kyle Scott Jackson, Michael McShane, Mike Judge, Orlando Jones, Paul Willson, Richard Riehle, Ron Livingston, Rupert Reyes, Spencer Kayden, Stephen Root, Todd Duffey, Tom Schuster

Director: Mike Judge

Rating: R

, 2021

This Japanese animated film employs a gorgeous blend of CGI and traditional animation—as well as intricately orchestrated original songs—to present a plausible simulation of virtual reality where people are truly free to do anything. Belle might not be as careful with its characters and the difficult situations they're put into "off-screen," but this is still ultimately an optimistic movie. Director Mamoru Hosoda suggests that uniting ordinary people through the internet won't actually lead to chaos. Instead, it'll help each of us become more empathetic of people around the world. And while that means Belle is still a sci-fi fantasy story more than anything, the film's wondrous images and music make it feel good to dream.

Genre: Animation, Drama, Family, Music, Science Fiction

Actor: Asami Miura, Fuyumi Sakamoto, Kaho Nakamura, Ken Ishiguro, Kenjiro Tsuda, Kōji Yakusho, Lilas Ikuta, Mami Koyama, Mamoru Miyano, Michiko Shimizu, Mitsuru Miyamoto, Ryo Narita, Ryoko Moriyama, Shota Sometani, Sumi Shimamoto, Taichi Masu, Takeru Satoh, Tina Tamashiro, Toshiyuki Morikawa, Yoshimi Iwasaki

Director: Mamoru Hosoda

Survivors are often painted in a brave light; they’re applauded for their resilience and toughness, and in the case of school shootings, many of them are also expected to take up arms and fight the good fight. While this is of course laudable, many survivors are simply trying to get by. Unable to process trauma and inexplicable loss, they become withdrawn, depressed, and reckless—not exactly noteworthy traits, but understandable and equally deserving of empathy.

The Fallout shifts the focus on this side of survival by following Vada in the aftermath of a school shooting. Unlike her peers, she fails to cope positively and becomes increasingly self-destructive. But it's through this unsentimental portrayal that The Fallout achieves a frankness and rawness that few films like it have. 

Genre: Drama

Actor: Austin Zajur, Christine Horn, Elliott Roca, Jenna Ortega, John Ortiz, Julie Bowen, Lumi Pollack, Maddie Ziegler, Niles Fitch, Shailene Woodley, Will Ropp, Yindra Zayas

Director: Megan Park

Rating: R

Alexandra, daughter of Nancy Pelosi, has been working as an documentary filmmaker for HBO for more than 20 years now and the theme of her newest work does not surprise. Turning the camera on several Jan Sixers, she asks them about that day, and whether their belief in Trump and the conservatives has changed following their jail time. Her way of being in the film, though, is very present: physically and with her voice. Pelosi places herself not just as an interviewer, but as an interlocutor, probing their statements and more often than not exclaiming "You still believe in X?!" in one way or another. The Insurrectionist Next Door is colloquial, it's comedic tragedy with a hope to bridge the gap between two opposing political beliefs: a synecdoche for America as a whole.

Genre: Documentary

Director: Alexandra Pelosi

Rating: PG-13

From its title and premise, the hope for this kind of documentary would be for it to show some respect for the people who died from the Floridian opioid epidemic. At the very least, the film should dissuade people from the crimes documented here, by emphasizing the consequences of these actions. American Pain does not do this. It’s interesting to view how quickly the business gets out of hand for these unethical entrepreneurs – director Darren Foster reveals each development with enough style and flourish to be entertaining – but the film is clearly more fascinated with how the twins got away with drug dealing for so long. It’s a fun watch… if you forget people died from the events of this film.

Genre: Documentary

Director: Darren Foster

Rating: TV-MA

If you’ve ever been puzzled by “Greek life”, this documentary will go some way to demystifying that somewhat baffling phenomenon of American college culture. Bama Rush follows four hopefuls as they “rush” the University of Alabama’s sororities, a TikTok-viral weeklong recruitment process so cutthroat some candidates spend months preparing for it. The documentary digs deep into why these young women put so much time, energy, and money into joining what the film hints is a largely unforgiving and reductive element of campus life. What it finds is pretty affecting: they’re really just looking for acceptance and belonging.

Threaded throughout are director Rachel Fleit’s reflections on her own history with those motivations, having grown up with alopecia. Though it does illustrate that rushing isn’t so dissimilar from other quests for acceptance, this parallel is sometimes clunkily drawn — and can seem somewhat self-indulgent in places, given the documentary’s comparatively surface-level exploration of more systemic issues. A late development shifts Bama Rush into an even deeper self-reflexive mode, as the film itself becomes a contentious issue in the process it’s documenting. Despite its flaws, turns like this — and its participants’ extraordinary candor — help make Bama Rush an often illuminating look into an opaque world. 

Genre: Documentary, Drama

Director: Rachel Fleit