319 Best Depressing Movies to Watch (Page 3)

Full Time is about the Herculean task that is getting through the day. For Julie Roy (the incredible Laure Calamy), that means keeping a job in the city as a single mother living in the suburbs. In this particular week, she has to attend to childcare, work a job below her skill set, apply for a job that actually matches her skill set, and get home before her children's bedtime, all while a transport strike immobilizes the city. 

Protests aside, Julie's reality is an everyday feat some of us don’t even bother to question, but the film—edited and scored like a thriller—makes a vital point about the overlooked difficulties of juggling career, family, and self. 

It's unrelenting, intense, and truly gripping from start to end, kind of like Uncut Gems for the everywoman. It's rare to see social commentary at this pace, but it's also unexpectedly powerful, a necessary portrait of the times.

Genre: Drama, Thriller

Actor: Agathe Dronne, Anne Suarez, Arnaud Maillard, Arnaud Préchac, Bastien Pujol, Bô Gaultier de Kermoal, Carima Amarouche, Cedric Welsch, Christine Kay, Cyril Gueï, Dominique Plaideau, Évelyne El Garby-Klaï, Fabrice Abraham, Geneviève Mnich, Guillaume Vincent, Irina Muluile, Karine Valmer, Laure Calamy, Laurent Pons, Lucie Gallo, Manuel Husson, Mareme N'Diaye, Marina Saura, Mathilde Weil, Michaël Assié, Olivier Faliez, Philippe de Monts, Romain Deloutre, Romain Ogerau

Director: Eric Gravel

Rating: Not Rated

Vortex, Gaspar Noé’s haunting exploration of death and dementia, begins with a dedication: “to all those whose brains will decompose before their hearts.” The statement sets the heartwrenching tone of the film, which follows an elderly couple—one with dementia and the other with a heart ailment—during their last days together. Noé cleverly depicts all this in a split-screen design, which evokes the fractured pattern of old-age thought. 

Noé’s mother struggled with dementia, and Noé’ himself suffered from a brain hemorrhage that nearly killed him, so Vortex is clearly a personal film. But even without knowing this, Vortex feels effortlessly dear and deeply intimate, like it could've only been done by a person with a first-hand experience of this tragedy. At once personal and universal, Vortex is a haunting and inventive ode to love, death, and everything in between.

Genre: Drama

Actor: Alex Lutz, Corinne Bruand, Dario Argento, Françoise Lebrun, Jean-Baptiste Thoret, Nathalie Roubaud, Stephane Derderian

Director: Gaspar Noé

Mike Leigh’s forthright and compassionate depiction of working-class life extends to his period pieces as well. Imelda Staunton is remarkable as Vera Drake, a housekeeper in 1950’s London who quietly performs abortions on the side.

Leigh’s vigilant portrayal of class highlights the stark divide between abortion access for the poor and what is offered to the rich. The storytelling is simple and straightforward, he doesn’t over-sentimentalize or grandstand, but merely depicts conditions as they were. Meanwhile, Staunton’s Vera oozes so much fullness, warmth, and empathy, that the heartbreak that follows is mercilessly palpable. 

Genre: Drama

Actor: Adrian Scarborough, Alan Williams, Alex Kelly, Allan Corduner, Angela Curran, Angie Wallis, Anna Keaveney, Anthony O'Donnell, Billie Cook, Billy Seymour, Chris O'Dowd, Craig Conway, Daniel Mays, Eddie Marsan, Eileen Davies, Elizabeth Berrington, Emma Amos, Fenella Woolgar, Gerard Monaco, Heather Craney, Helen Coker, Imelda Staunton, Jake Wood, James Payton, Jane Wood, Jeffry Wickham, Jim Broadbent, Joanna Griffiths, John Warman, Judith Scott, Leo Bill, Lesley Manville, Lesley Sharp, Liz White, Marion Bailey, Martin Savage, Nicholas Jones, Nicky Henson, Nina Fry, Paul Jesson, Paul Raffield, Peter Wight, Phil Davis, Richard Graham, Robert Putt, Rosie Cavaliero, Ruth Sheen, Sally Hawkins, Sam Troughton, Sandra Voe, Sid Mitchell, Simon Chandler, Sinéad Matthews, Tilly Vosburgh, Tom Ellis, Vincent Franklin, Vinette Robinson, Wendy Nottingham

Director: Mike Leigh

Rating: R

In Playground, we follow seven-year-old Nora as she navigates friends and school. Through her eyes (and often on her eye level), we witness her and her brother trying and often failing to fit in.

The film is an unfiltered account of their formative years, and possibly a reflection of our own. Commercials and kid-friendly media would have us believe that childhood is simple and pure, but the truth is it isn’t exempt from the major pitfalls of humanity. Children will mimic whatever they see, reasonable or otherwise, and the resulting order won’t always be ideal. Case in point: in the schoolyard, free of adult supervision, Nora and her peers push and tease and harass one another. 

It’s painful but relatable, a microcosm of our own complicated world, and though the film doesn’t shy away from the cruelties of bullying, it’s also filled with moments of empathy and warmth.

Genre: Drama

Actor: Anne-Pascale Clairembourg, Karim Leklou, Laura Verlinden, Sandrine Blancke, Simon Caudry

Director: Laura Wandel

It's heartbreaking to realize that Happening, a film set in 1960s France tracking a young woman's journey to dangerously and desperately terminating her pregnancy, is still very much relevant and relatable to this day. Around the world, abortion is still inaccessible, if not completely illegal, and women still struggle to lay full claim to their bodies. A lot of girls grow up with pregnancy statistics meant to instill fear, but Happening brings all that to brilliant life in intimate and unrestrained detail. The fears and wants of our protagonist Anne (played precisely by Anamaria Vartolomei) are palpable throughout. Nothing is held back in this film, and if you find yourself sick in parts, then it has achieved its goal of realistically conveying what it's like to stay alive in a society that fails to recognize your needs. 

Genre: Drama, History

Actor: Alice de Lencquesaing, Anamaria Vartolomei, Anna Mouglalis, Cyril Metzger, Édouard Sulpice, Fabrizio Rongione, Francois Loriquet, Isabelle Mazin, Julien Frison, Kacey Mottet Klein, Leïla Muse, Leonor Oberson, Louise Chevillotte, Louise Orry-Diquéro, Luàna Bajrami, Madeleine Baudot, Pio Marmaï, Sandrine Bonnaire

Director: Audrey Diwan

Rating: R

This story of a filmmaker who stayed in Aleppo, Syria during the war, got married then had a child called Sama, is a mix of difficult and inspiring.

There are stories of unsurmountable loss, as the filmmaker’s husband is one of the 30 remaining doctors in Aleppo (a city of almost 5 million), and she films many of the victims that come to his hospital. But while this is happening, there are also uplifting stories of resilience and rare but profound moments of laughter and joy.

We’re growing too sensitized to violence in Syria, and this movie, possibly the most intimate account of the war, can stir back a much-needed awareness of the injustices that take place.

When things get really bad in the documentary, it’s hard not to wonder where the humanity is in all of this. You quickly realize that it’s right there, behind the camera, in Sama and her mother’s will to live.

Genre: Documentary, War

Actor: Hamza Al-Khateab, Sama Al-Khateab, Waad Al-Kateab, Waad Al-Khateab

Director: Edward Watts, Waad Al-Kateab, Waad Al-Khateab

Rating: TV-PG

In The Sun, a family of four is dealt with tragedy after tragedy, beginning with the younger sun A-ho's sudden incarceration. The mother is sympathetic but the father all but shuns him as he chooses to throw all his affection to A-hao, the older brother, and his med school pursuits instead. Themes of crime, punishment, family, and redemption are then explored in gorgeous frames and mesmerizing colors with director Chung Mong-hong doubling as the film's cinematographer. 

Despite itself, The Sun never falls into cliche melodrama territory. Its heavy themes are undercut by naturalistic acting and poetic shots, resulting in a deeply emotional but balanced film. Rich in meaning and beauty, The Sun will surely stay with you long after your first watch.

Genre: Crime, Drama, Family

Actor: Apple Wu, Chang Han, Chen Yi-wen, Chen Yiwen, Chen-Ling Wen, Chien-Ho Wu, Chih-ju Lin, Greg Hsu, Guan-Ting Liu, Han Chang, Huang Hsin-Yao, Ivy Yin, Ko Shu-Chin, Kuan-Ting Liu, Li-Tung Chang, Liao Hui-Jen, Lin Chih-ju, Liu Kuan-ting, Lung Shao-Hua, Ming-Shuai Shih, Samantha Ko, Samantha Shu-Chin Ko, Shao-Huai Chang, Shih Ming-shuai, Shu-Chin Ko, Shu-qin Ke, Siu Wa Lung, Wang Ko-Yuan, Wen Chen-ling, Wu Chien-ho, Wu Tai-ling, Yi-Wen Chen, Yin Shin

Director: Chung Mong-hong, Mong-Hong Chung

Rating: N/A

To Leslie follows the eponymous Leslie (Andrea Riseborough), a Southern woman who finds herself at the bottom of the barrel after finally using up every penny of her $190k lottery win. Out of work, friends, and family, she drowns herself in alcohol—that is until a kind soul in the form of motel owner Sweeney (Marc Maron) takes her in and gives her a shot.

To Leslie starts off a bit slow, and its premise may seem like it’ll give way to weepiness, but it’s worth sticking by till the end. The film only gets better, especially with the arrival of Maron, whose presence lends the film a much-needed buoyancy. It's also worth noting that unlike many of its kind, To Leslie avoids the poverty porn trap by depicting issues like addiction and indigence with nuance, honesty, and humanity.

Genre: Crime, Drama

Actor: Alan Trong, Alan Wells, Allison Janney, Andre Royo, Andrea Riseborough, Arabella Grant, Blake Robbins, Brandee Steger, Catfish Jean, Chris Coy, Derek Phillips, Drew Youngblood, Jack O'Connor, James Landry Hébert, Jeanette O'Connor, John Gilbert, Juan Carlos Cantu, Lauren Letherer, Mac Brandt, Maggie Carney, Marc Maron, Matt Lauria, Micah Fitzgerald, Owen Teague, Paula Rhodes, Pramod Kumar, Scott Peat, Scott Subiono, Sewell Whitney, Stephanie Wong, Stephen Root, Tom Virtue

Director: Michael Morris

Rating: R

Named for all the connections that form a functioning society, Threads is a harrowing look at what might happen when those ties are rent apart by nuclear war. This British TV movie — released during the Cold War — so violently seized on the nuclear anxieties of the time that its premiere was dubbed “the night the country didn’t sleep.” Depressingly, it hasn’t lost that initial resonance, and so it remains a panic attack-inducing watch.

Threads begins in the kitchen-sink vein of a Ken Loach movie. In the northern industrial town of Sheffield, a young couple from different social classes (Reece Dinsdale and Karen Meagher) discover they’re about to be parents — but looming above their small-scale drama are the clouds of war, as televisions and radios blare out the details of escalating tensions between the US and the USSR. And then, it happens: the town is strategically bombed, and Threads unfurls into an unrelenting nightmare. In the documentary-like approach that follows, it spares no graphic or emotional detail, charting both the personal devastation caused by the bomb and the annihilating impact of the nuclear holocaust on all the vital infrastructure we take for granted. In short, one of the bleakest, most terrifying movies ever made.

Genre: Drama, Horror, Science Fiction, War

Actor: Ashley Barker, Brian Grellis, David Brierly, Dean Williamson, Ed Bishop, Harry Beety, Henry Moxon, Jane Hazlegrove, Joe Belcher, June Broughton, Karen Meagher, Lesley Judd, Maggie Ford, Michael O'Hagan, Nat Jackley, Patrick Allen, Peter Faulkner, Phil Rose, Reece Dinsdale, Richard Albrecht, Rita May, Ruth Holden, Steve Halliwell, Ted Beyer

Director: Mick Jackson