319 Best Depressing Movies to Watch (Page 21)

Have you got the tissues ready? Some of the most memorable watches are the ones that tug at our heart strings. Here are the best depressing movies to stream right now.

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301. Scouts Honor: The Secret Files of the Boy Scouts of America, 2023

Depressingly, Scout's Honor isn't necessarily an exposé about the crimes of the Boy Scouts of America because—as the documentary reminds us—this institution has been caught red-handed many times over since its inception, and yet it evades real accountability. The film is more like a renewed call for justice, with its approach being one of blunt force. This means that the documentary can be sloppy, piling on one case after another without much synthesis, and taking out its anger on one current representative of the Boy Scouts, whom the filmmakers constantly interrupt and interrogate during his interview, That said, it's also hard to object to this kind of approach, as the patterns of abuse become too damning to ignore. Maybe a different film will be able to unpack the systems that allow the Boy Scouts to get away with this, but for now this cry of rage is enough.

Genre: Crime, Documentary

Director: Brian Knappenberger

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302. The Beast in the Jungle, 2023

	
Transporting the Henry James novella to the nightclub, The Beast in the Jungle turns the Edwardian era story into a surreal, escapist drama spanning the last decades of the 20th century. As John and May wait for that all-important event, they lose the importance of everything else, like love, friendship, and family, all to the decadence they only acknowledge as patience. This concept paired with the visuals are interesting, especially since the film also makes the viewer wait with them, drawing out the existential frustration, the fear of a life not lived, and the self-absorption, but the film struggles with the historical events, haphazardly inserting tragedies like the AIDS epidemic for what seems to be no reason.Genre: Drama
Actor: Anaïs Demoustier, Bachir Tlili, Béatrice Dalle, Mara Taquin, Martin Vischer, Tom Mercier
Director: Patric Chiha

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303. RedLife, 2023

	
There’s a sense of disconnectedness in RedLife, as the film isn’t centered on one storyline, but rather two storylines that at first don’t seem connected. Ter, a young snatcher, marries a sex worker named Mild, while Som is a student who aspires to escape her prostitute mom’s poverty, especially after she falls for the more affluent Peach. At first, the film depicts their lives in stunningly framed, slice-of-life moments that captures a different side of Bangkok, one that’s tough to depict, but one people know about. But they do intersect, later on in the movie, in a series of events that leads them trapped in tragedy, despite all they did to escape it. The unexpected twist makes their lives surprisingly poignant, though RedLife’s journey might take too long to get there.Genre: Drama, Thriller
Actor: Banlop Lomnoi, D Gerrard, Karnpicha Pongpanit, Krongthong Rachatawan, Pimvipa Thanarapatvanich, Ray MacDonald, Sumitra Duangkaew, Supitcha Sangkhachinda, Tanapak Jongjaiphar, Thiti Mahayotaruk
Director: Ekalak Klunson

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304. Rain Dogs, 2023

Whether or not its intentionally messy, erratically paced style resonates with you, there's something undeniably special about having a show like Rain Dogs in our current television landscape. Almost aggressively opposed to the idea of comfort viewing and easily marketable drama, the series deals with characters who are at rock bottom for all eight episodes. There's a particular restlessness to its storytelling that keeps it thoroughly unpredictable, and allows Daisy May Cooper and Jack Farthing to play razor-sharp, open-hearted roles without any pretension whatsoever. But Rain Dogs' unique personality also means it can be especially challenging to latch on to its story—especially when the momentum is rarely carried over from one episode to the next. We become trapped in the show's central toxic friendship to the point of overemphasis. And that's a rare, valuable thing, but it can also be much too frustrating.

Genre: Comedy, Drama

Actor: Daisy May Cooper, Fleur Tashjian, Jack Farthing, Ronkẹ Adékoluẹjo

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305. Eye of the Storm, 2023

Eye of the Storm may not directly address COVID-19, but the film clearly draws similarities to the latest pandemic with the 2003 outbreak of the SARS virus. Panic, confusion, and miscommunication over the latest news are shared experiences between the two. These experiences are seen between the interlocking stories of the people quarantined in the hospital, and it’s easy to feel the fear and frustration surrounding them all. The film presents the issues of the overwhelmed healthcare system quite well, but its last moments leave a lot unresolved. While the film figures out the virus’ origin in its universe, the film leaves the healthcare workers’ stories hanging. It understandably reflects the uncertainty present with COVID-19, but it makes the film’s ending feel unsatisfying.

Genre: Drama, Family

Actor: Angel Lee, Chen Chia-kuei, Chia-Kuei Chen, Chloe Xiang, Chun-Chih Huang, Hsieh Ying Shiuan, Jing-Hua Tseng, Lou Yi-an, Simon Hsueh, Tseng Jing-hua, Tzu-Chien Kuo, Wang Bo-chieh, Yung-Cheng Chang

Director: Chun-Yang Lin

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306. Downwind, 2023

	
While most people were aware about the devastating atomic bombs dropped on Hiroshima and Nagasaki, less people knew about the continued nuclear testing during the Cold War that occurred on American soil. Downwind shines a light on this in the usual documentary fashion, but it’s an important discussion to have, as the state government deemed nuclear testing in a cheaper place more urgent than the lives of the native Americans living near the plantation, and as the death of one of Hollywood’s leading men unable to even change this. While it was interesting to hear from Hollywood stars, Downwind works best in discussion with the Shoshone Nation, who bore the brunt of the consequences of nuclear fallout.Genre: Documentary
Actor: Lewis Black, Mark Dickson Deans, Martin Sheen, Michael Douglas, Patrick Wayne
Director: Douglas Brian Miller, Mark Shapiro

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307. Sound of the Police (2023)

The depressing reality when it comes to a documentary like Sound of the Police is that new, equally damning examples of state-sponsored violence—perpetrated by cops against vulnerable citizens—will likely continue to pop up at a pace that films just can't keep up with. And that eyewitness reports spread throughout social media will provide even more horrific (and necessary) images that movie studios may not be willing to show on screen. But while this film feels more like a basic crash course on racist American policing (touching on its roots in slavery, sympathetic media portrayals of cops, and the importance of cameras today), it still touches on most of the essential arguments that should leave anybody with a heart in disgust. There may not be much of a through line or a proper conclusion here, but it's still good to be reminded of the kind of tyranny that Black America lives through today.

Genre: Documentary

Director: Stanley Nelson, Valerie Scoon

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308. In the Morning of La Petite Mort, 2023

Frankly, In the Morning of La Petite Mort is not as provocative nor as erotic as implied by the title. Sure, there are sex scenes, with plenty of nude shots. But these scenes come about silently, nearly without dialogue, with a lack of passion in between most of the lovers, a lack of connectedness. It’s no less visceral, though, as it mirrors the same disconnection the characters feel, being at the margins of Taipei. While it’s sometimes muddled with certain subplots, the haunting, strikingly-shot images stirs some compassion, especially with the cast’s performances, but the indirect approach makes the film feel unclear and sometimes unrealistic.

Genre: Drama

Actor: Cres Chuang, Huei-ling Jan, Ivy Yin, Jieh-Wen King, Tzu-Chiang Wang, Yun-Chih Wang, Yûsuke Fukuchi

Director: Yu-Lin Wang

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309. Black Ice, 2023

What Black Ice lacks in comprehensive research about the structures that maintain institutionalized racism inside major hockey leagues, it partly makes up for with one painful testimonial after another. This is a documentary that aims for the personal and the emotional over the intellectual—still an effective strategy as the film makes its point through repetition, to show just how commonplace racism is within hockey culture. And though it begins to feel somewhat plain in its execution (and without as much momentum leading into its concluding statements), Black Ice makes for a fiery, impassioned wake-up call especially to Canada's own seemingly "progressive" racial politics.

Genre: Documentary

Actor: Jashvina Shah, P.K. Subban, Sarah Nurse, Willie O'Ree

Director: Hubert Davis

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310. Deliver Me, 2024

We don’t like to think about it, but there are children around the world recruited into organized crime, and sometimes, it leads to violent tragedies, the very kind we want to protect our children from. Deliver Me is a Swedish miniseries based on the best-selling novel of the same name that explores how a teen delinquent enters this vicious world. The series starts with the aftermath of an attempted murder– with Dogge holding a gun in his hands and his best friend Billy bleeding out in front of him. The cops in charge, led by Farid, hope to help him, by gaining more information about the gang they were recruited into, but it’s not an easy investigation. It’s depressing, especially when Dogge is so convinced he’d get off scot-free, and the issue is clearly important. But it also doesn’t stand out, as the series pulls off the same Netflix flair we’re already used to.

Genre: Drama, Mystery

Actor: Ane Dahl Torp, Ardalan Esmaili, Henrik Norlen, Jhullian Carlsson, Mahmut Suvakci, Yusra Warsama

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311. Nganù, 2023

Despite its ambition to be a more serious piece of drama, Nganù is unfortunately held back either by a general lack of technical polish (sometimes leading to unintentional comedy within its dead-serious subject matter), or the misjudged attempt to feel grander than it should. When the film sticks to painful, ugly, intimate human drama, it actually starts to command attention. There's a striking lack of romantic sentiment to this story of a horrible person trying to redeem himself, as the film's many handheld camera shots capture its best performers at their nastiest (or most defiant)—showing us that the road to healing isn't actually as easy as it seems in Hollywood movies. Nganù sticks to its strict sense of morality, which is the best thing it could have done.

Genre: Drama

Actor: Alenne Menget, Azah Melvine, Hakeem Kae-Kazim, Kang Quintus, Muriel Blanche

Director: Kang Quintus

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312. All My Puny Sorrows, 2023

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

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313. The Seeding, 2024

	
With inconsistent pacing and a deeply unpleasant protagonist, it’s hard to recommend The Seeding to every viewer. It’s really slow-paced, deeply uncomfortable, and it starts with, of all things, a baby eating a finger. But there’s an interesting style to this arthouse horror, a marriage of desert survival thriller and folk horror that restricts all possible modes of escape through its claustrophobic canyon. As Wyndham gradually discovers a secret community driven back to primitive instincts, director Barnaby Clay inverts the idea of what it means to be one’s fundamental self. Most viewers might not appreciate the story, and the ideas aren’t as cohesive as it could be, but horror fans looking for something new in the genre might find The Seeding fairly interesting.Genre: Horror, Thriller
Actor: Alex Montaldo, Charlie Avink, Kate Lyn Sheil, Scott Haze, SoKo, Thatcher Jacobs
Director: Barnaby Clay
Rating: R

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314. Support Group Olympus, 2021

First shown in 2021 Madrid International Film Festival, Support Group Olympus made its US debut early 2023 through Prime Video. Given the wacky premise, it was easy to assume that the film would be humorous, and there are moments when its dry humor shines. However, the film takes a more contemplative approach, as the unchanging gods refuse to change, though they crave the status and power they used to have. This slow-paced approach feels appropriate, and had the film’s internal logic worked, the film could have contemplated the changes that happened not just to the gods, but to human livelihood as well. It’s definitely a unique story that needed more work on its execution.

Genre: Comedy, Drama

Director: Jimmy Francis

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315. The Damned Don't Cry, 2023

There's a way to get tragedy right, in a way that keeps the drama engaging even as bad things continue to happen. The Damned Don't Cry gets its approach half-right, with the lead performances by Aïcha Tebbae and Abdellah El Hajjouji remaining sturdy all throughout, and never slipping into easy histrionics. But as the cycle of misfortune continues plaguing their characters, the filmmaking itself doesn't give us anything more to latch onto, with little progression in their arcs and a frustrating lack of insight into the very promising central relationship. There's no mistaking the film's good intentions, but the message arrives in an unfortunately clunky manner.

Genre: Drama

Actor: Abdellah El Hajjouji, Aïcha Tebbae, Antoine Reinartz, Jonathan Genet

Director: Fyzal Boulifa

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