249 Best Depressing Movies to Watch (Page 17)

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R

First shown in 2021 Madrid International Film Festival, Support Group Olympus made its US debut early 2023 through Prime Video. Given the wacky premise, it was easy to assume that the film would be humorous, and there are moments when its dry humor shines. However, the film takes a more contemplative approach, as the unchanging gods refuse to change, though they crave the status and power they used to have. This slow-paced approach feels appropriate, and had the film’s internal logic worked, the film could have contemplated the changes that happened not just to the gods, but to human livelihood as well. It’s definitely a unique story that needed more work on its execution.

Genre: Comedy, Drama

There's a way to get tragedy right, in a way that keeps the drama engaging even as bad things continue to happen. The Damned Don't Cry gets its approach half-right, with the lead performances by Aïcha Tebbae and Abdellah El Hajjouji remaining sturdy all throughout, and never slipping into easy histrionics. But as the cycle of misfortune continues plaguing their characters, the filmmaking itself doesn't give us anything more to latch onto, with little progression in their arcs and a frustrating lack of insight into the very promising central relationship. There's no mistaking the film's good intentions, but the message arrives in an unfortunately clunky manner.

Genre: Drama

Actor: Abdellah El Hajjouji, Aïcha Tebbae, Antoine Reinartz

Director: Fyzal Boulifa

From the Ashes is based on the real life fire tragedy, but upon searching, Netflix hasn’t mentioned which exact fire it was talking about. It’s possibly inspired by the 2002 Mecca girls' school fire, with the strict all-girl’s school, the closed gates and unattended cigarette, but the film starts off with a disclaimer saying that the characters and certain aspects of the story are fictional. One would think, with the freedom the film granted itself through fiction, the film would dare to critique certain controversial aspects of the tragedy that needs to be talked about – like the implications of emergency services being hindered due to modesty, or whether the media speculation was fair, or even the lack of safety regulations that the school administration failed to implement. Instead, most of the film plays out like an investigation, seemingly placing blame on fictional students, you know, the victims, for being the reason one fictional student wasn’t able to escape. Sure, it’s all fiction, but this is just not right.

Genre: Drama, Thriller

Actor: Adwaa Fahad, Aisha Al Rifaie, Alshaima'a Tayeb, Darin Al Bayed, Khairia Abu Laban

Director: Khalid Fahad

Christmas is a common setting for romance stories, because it’s obviously the best time to warm up… if you know what we mean. (Warm drinks, sweet treats, and snuggling with loved ones, of course.) Christmas as Usual seems to go along that vein, as Thea brings home her fiancé Jashan to meet the parents, and he tries to impress her family, as these family Christmas romances tend to go. This obviously brings about the relatable romantic troubles that anyone can empathize with, so it’s a bit of a shock when Thea’s Norwegian family treats Jashan so badly that it seems more insidious than good ol’ concern over their daughter. Had the story been approached with more sensitivity, Christmas as Usual would have been outstanding, but its current version never really questions the racism of the Norwegian family, or the passive way Thea just lets it all happen.

Genre: Comedy, Drama, Romance

Actor: Erik Follestad, Ida Ursin-Holm, Jonas Strand Gravli, Kanan Gill, Mads Sjogard Pettersen, Marit Andreassen, Veslemøy Mørkrid

Director: Petter Holmsen