319 Best Depressing Movies to Watch (Page 14)

Have you got the tissues ready? Some of the most memorable watches are the ones that tug at our heart strings. Here are the best depressing movies to stream right now.

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196. Gaea Girls, 2000

When caught between taking pro wrestling too seriously and looking at it like cosplay martial arts, I lean towards the latter precisely because of cultures like this. This documentary gets in the weeds of starry-eyed trainee aspirations, as well as the physical and psychological disfigurement of those dreams that come one dropkick to the face at a time. Saika Takeuchi getting to debut doesn’t even feel like a victory at all. I wonder how much of this only happened to the extent that it did because there were cameras present; then again, I try not to think about this documentary too much.

Genre: Documentary

Actor: Chigusa Nagayo, Hisako Sasaki, Kaoru Maeda, Meiko Satomura, Saika Takeuchi, Yuka Sugiyama

Director: Jano Williams, Kim Longinotto

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197. Funny Games, 1997

	
See, usually, when American violence in media is critiqued, it’s usually through analytic studies or overly exaggerated lectures stirring moral panic. Instead of doing this, however, auteur Michael Haneke decided to surpass the crime genre, playing with the form and emotions in Funny Games. It’s terrifying, not because it immediately delves into the violence, but because it starts off with an ordinary, innocuous visit, that gradually escalates into an unpredictable home invasion where two teenagers inflict needless violence in such a scary yet spectacular way, even involving the viewer into their shenanigans. Ironically, this led to Haneke creating a shot-for-shot American remake of this same story, but Funny Games’ break in form made Haneke a director to remember, as he started to film outside his native Austria after the standout thriller.Genre: Drama, Horror, Thriller
Actor: Arno Frisch, Christoph Bantzer, Doris Kunstmann, Frank Giering, Stefan Clapczynski, Susanne Lothar, Susanne Meneghel, Ulrich Mühe
Director: Michael Haneke
Rating: R

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198. Doubt, 2008

The 2008 film Doubt offers a haunting peek into the crisis of pedophilia within the Catholic church. Featuring an all-star cast of Amy Adams, Philip Seymour Hoffman, Meryl Streep and Viola Davis, it is more than just a fictional tale. With performances that will make you question your intuition and cast a shadow of doubt on your own instincts, Doubt is a difficult film to grapple with.

I fell in love with this film very early on into the duration of it because it was so honest and it allowed the characters to navigate the nature of their suspicions. With Doubt, however, comes denial, and Viola Davis’s eight-minute monologue is simply smeared with it. Doubt is a fantastic story that has left me stunned for over a decade.

Genre: Drama, Mystery

Actor: Alannah Iacovano, Alice Drummond, Amy Adams, Audrie Neenan, Bernadette Lords, Brian Hopson, Bridget Megan Clark, Carrie Preston, Evan Lewis, Felicia Tassone, Frank Dolce, George Aloi, Gerard Adimando, Helen Stenborg, Jack O'Connell, Jackie Brown, James P. Anderson, Jennifer Lauren DiBella, Jenny Paul, John Costelloe, Jonathan Castillo, Lydia Jordan, Margery Beddow, Marylouise Burke, Matthew Marvin, Meryl Streep, Michael Puzzo, Mike Roukis, Molly Chiffer, Paulie Litt, Philip Seymour Hoffman, Seth Donavan, Steph Van Vlack, Susan Blommaert, Suzanne Hevner, Tom Toner, Valda Setterfield, Viola Davis

Director: John Patrick Shanley

Rating: PG-13

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199. What Will People Say, 2018

	
Nisha, the daughter of conservative Pakistani immigrants in Oslo, finds ways to secretly go out with her Norwegian friends. She goes to parties, plays basketball, and dates.

One day, Nisha’s father catches her with a boy, bringing what he perceives as a great shame to the family. Nisha’s delicate balance is broken, and her family acts drastically: without telling her about their plans, they move her to Pakistan.

What Will People Say is based on its director and writer Iram Haq’s own experience being kidnapped to Pakistan and going back to Norway at age 16.Genre: Drama
Actor: Adil Hussain, Assad Siddique, Ekavali Khanna, Farrukh Jaffar, Jan Gunnar Røise, Jannat Zubair Rahmani, Kjersti Elvik, Lalit Parimoo, Maria Bock, Maria Mozhdah, Rohit Saraf, Sara Khorami, Sheeba Chaddha, Sunakshi Grover, Trine Wiggen
Director:  Iram Haq
Rating: 12

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200. Tokyo Fist, 1995

	
When reading the premise, Tokyo Fist seems, at first glance, like the primordial eclectic mix of Challengers and Fight Club, with tennis swapped for boxing, and with sweat swapped for bruises. The film is entirely centered on a love triangle spurred on by a sport, with both players out to settle their rivalry, triggered again by a girl. However, being directed by cyberpunk horror auteur Shinya Tsukamoto, Tokyo Fist takes on a more visceral approach, with repressed resentment only able to be released through beating the hell out of each other, beating the hell out of themselves, and through bloodying both their fists and their opponents’ faces. It gets avant garde at certain moments, but Tokyo Fist is a sports horror ahead of its time, and an unexpected, underrated film from the man behind cult classic Tetsuo: the Iron Man.Genre: Action, Drama, Thriller
Actor: Chu Ishikawa, Julie Dreyfus, Kaori Fujii, Koichi Wajima, Kôji Tsukamoto, Naomasa Musaka, Naoto Takenaka, Nobu Kanaoka, Shinya Tsukamoto, Tokitoshi Shiota, Tomorowo Taguchi
Director: Shinya Tsukamoto

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201. The Woman in the Wall, 2023

	
On the surface, The Woman in the Wall is immediately scary. It’s riddled with jumpscares, shrieks, haunting Latin songs, blood-hued flashbacks, and, of course, incessant Catholic and Gothic imagery. But while it’s effective as a horror, it’s more meaningful as a tribute to the survivors of the Magdalene Laundries, that is, Catholic convents where nuns took care of “wayward women,” which ranged from teen girls who’ve engaged in premarital sex to prostitutes. They’re often abused and forced to work long hours, and in the case of some pregnant women, their babies were taken away from them as punishment for their sins. That’s what happened all those years ago to Lorna (Ruth Wilson), who’s never learned how to cope with her loss and trauma in the years since the laundries were banned in ‘96. She becomes the main suspect in the case of a murdered priest, and the more we learn about it, the more we question Lorna’s memories and recollections. Is she capable of this brutality? Where is her baby? And what does the detective, played ably by Daryl McCormack, have to do with all this? The show can seem too much at first, but it weaves all these questions and prickly themes deftly by the end.Genre: Crime, Mystery
Actor: Abby Fitz, Daryl McCormack, Dermot Crowley, Frances Tomelty, Hilda Fay, Mark Huberman, Ruth Wilson, Simon Delaney
Rating: TV-MA

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202. Santa sangre, 1989

	
With an acrobat in a sanitarium, elephant trunks spouting blood, and a religious cult whose patron saint is a rape victim, Santa Sangre isn’t going to be an easy watch, especially with the avant-garde direction of the iconic Alejandro Jodorowsky. It’s tough to watch the explicit scenes, both of Fenix’s childhood circus reality and his adult hallucinations, with the hallucinations visually recalling his childhood trauma. But through these terrifying, freaky images, Jodorowsky takes his own memories and crafts it into a twisted, but deeply personal psychosexual nightmare, confronting the exploitative nature of faith and family through various circus acts. Santa Sangre is one of its kind.Genre: Drama, Horror, Thriller
Actor: Adan Jodorowsky, Axel Jodorowsky, Blanca Guerra, Brontis Jodorowsky, Faviola Elenka Tapia, Gloria Contreras, Gustavo Aguilar Tejada, Guy Stockwell, Héctor Ortega, Hilario 'Popitekus' Vargas, Jacobo Lieberman, Jesús Juárez, Joaquín García Vargas, Sabrina Dennison, Sergio Bustamante, Teo Jodorowsky, Teo Tapia, Thelma Tixou, Valérie Crouzet, Zonia Rangel Mora
Director: Alejandro Jodorowsky
Rating: NC-17

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203. Sankofa, 1993

	
While most are familiar with Hollywood depictions of the transatlantic slave trade, there were also other countries that depicted this terrible time period, including countries from the African continent. Ethiopian filmmaker Haile Gerima self-funded and self-distributed Sankofa in its initial release, but despite the lack of screens, it still managed to become a landmark classic thankfully restored. Like plenty of films on the topic, Gerima creates a harrowing depiction of the slave owners’ evil, but unlike others, it’s more interested in the difficult dynamics between the enslaved, the ways they sought refuge and freedom in each other, and the inner lives of the community they shared despite the terror, all through Gerima’s striking images and the masterfully mixed soundscape, both in the soundtrack and various accents. It’s not perfect, and it’s definitely not easy to watch, but Sankofa has a distinct vision that needs to be seen.Genre: Drama, Fantasy, History, Science Fiction
Actor: Afemo Omilami, Alexandra Duah, Kofi Ghanaba, Mutabaruka, Mzuri, Nick Medley, Oyafunmike Ogunlano, Reggie Carter, Reginald Carter
Director: Haile Gerima

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204. Red Rocket, 2021

When Mikey Saber’s porn career takes a dip in California, he returns to an estranged wife in Texas, where he meets new and old friends alike and attempts to rebuild his life through a couple of odd jobs. Though Mikey eventually earns his keep, his vanity and eagerness to succeed at all costs threaten to get the best of him.

All this happens against a vibrant backdrop of local sights, beautifully lit and framed by director Sean Baker (The Florida Project, Tangerine). Quaint, naturalistic, and ever-so-subtly political, Red Rocket is another great entry into Baker’s impressions of the vexed American Dream.

Genre: Comedy, Drama

Actor: Bree Elrod, Ethan Darbone, Karren Karagulian, Shih-Ching Tsou, Simon Rex, Suzanna Son

Director: Sean Baker

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205. O-Bi, O-Ba: The End of Civilization, 1985

	
The thought of the end of the world and everything as we know it is scary, but going through it, and somehow surviving, can be a much more depressing idea. What do you do now? O-Bi, O-Ba: The End of Civilization is aptly titled, as its characters remain stuck inside a dome after a nuclear war, but the way the survivors’ hopes are warped, manipulated, and used against them can feel eerily familiar, and the way Piotr Szulkin unpacks this through Soft’s journey crafts a bleak, yet necessary examination of the fantasies we need in order to live in peace.Genre: Drama, Science Fiction
Actor: Adam Ferency, Elżbieta Zającówna, Henryk Bista, Jerzy Stuhr, Kalina Jędrusik, Krystyna Janda, Leon Niemczyk, Marek Walczewski, Mariusz Dmochowski
Director: Piotr Szulkin

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206. Monsieur Lazhar, 2012

	
After the sudden death of a teacher, 55-year-old Algerian immigrant Bachir Lazhar is hired at an elementary school in Montreal. Struggling with a cultural gap between himself and his students at first, he helps them to deal with the situation, revealing his own tragic past. A strong portrait without any weird sentimentality. 11-year-old actress Sophie Nélisse makes her brilliant debut.Genre: Comedy, Drama
Actor: André Robitaille, Brigitte Poupart, Daniel Gadouas, Danielle Proulx, Denise Lamontagne, Émilien Néron, Evelyne de la Chenelière, Francine Ruel, Gabriel Verdier, Jose Arandi, Judith Baribeau, Jules Philip, Louis Champagne, Marie Charlebois, Marie-Ève Beauregard, Mohamed Fellag, Nathalie Costa, Nico Lagarde, Nicole-Sylvie Lagarde, Sophie Nélisse, Stéphane Demers, Vincent Millard
Director: Philippe Falardeau
Rating: PG-13

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207. Microhabitat, 2018

Miso may be living day to day on her meager earnings as a cleaner, but she is decidedly content. She insists that all she needs to get by are cigarettes, whiskey, and time with her boyfriend, so when a spike in rent and prices invites her to reassess her priorities, she doesn’t budge. Instead of forgoing these luxuries, she gives up her tiny place and couch surfs with her old bandmates. What follows is a reunion of sorts, where darkly humorous epiphanies are had on both ends about adulthood, responsibilities, and what it really means to be happy in an increasingly indifferent, profit-oriented world.

Microhabitat treads on very grave themes, and the images it conjures can be unsettling. But it is also surprisingly light on its feet, displaying sharp satire and sweet empathy for its unyielding protagonist. Miso is portrayed with a smartness and softness that evades rational judgment, and this endearment makes the story, especially the ending, all the more painfulul, poignant, and impactful.

Genre: Drama, Romance

Actor: Ahn Jae-hong, An Jae-hong, Cho Soo-hyang, Choi Deok-moon, Esom, Hwang Mi-young, Jang Sung-kyu, Kang Jin-ah, Kim Hee-won, Kim Jae-hwa, Kim Jae-rok, Kim Kuk-hee, Kim Yae-eun, Lee Seong-wook, Lee Sung-wook, Lee Yo-sup, Lee Yong-nyeo, Park Ji-young, Woo Moon-gi

Director: Jeon Go-woon

Rating: Not Rated

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208. Mario, 2018

	
When striving towards your life goal, some concessions have to be made in order to get there, e.g. you would forgo some wants in order to fulfill that higher purpose. But how much are you willing to sacrifice? Mario is a sports drama about an aspiring football player that wants to make it higher up in the league, but it’s also a queer drama, since to be that professional means to stick to a rigid notion of masculinity for the fans, for the sponsors, and sometimes for fellow homophobic teammates competing against them. At two hours, the naturalistic depiction of Mario’s experience might be a tad too long for some viewers, but the film understands the fear, the pressure, and the compromises gay athletes are forced to go through.Genre: Drama, Romance
Actor: Aaron Altaras, Beat Marti, Doro Müggler, Jessy Moravec, Julian Koechlin, Jürg Plüss, Max Hubacher
Director: Marcel Gisler
Rating: NR

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209. Lost and Found, 1996

	
At one of the world’s largest shipping hubs, packages (and sometimes people) can get easily lost. It can be disheartening to lose something important, but that’s why it’s important to remember to check the lost and found. Through the titular niche industry, writer-director Lee Chi-Ngai crafts a existential love story that intertwines the lost souls of Hong Kong with a mournful melancholy marked with each repetition of Dance Me to the End of Love. It’s beautiful and depressing, and yet somehow Lee manages to tie all of the pieces together eloquently into something hopeful, despite the inevitable, if abrupt, ending.Genre: Drama, Romance
Actor: Alan Mak, Cheung Tat-Ming, Henry Fong, Hilary Tsui, James Yuen, Joe Ma, Jordan Chan, Josie Ho, Joyce Tang Lai-Ming, Kelly Chen, Maria Cordero, Michael Wong, Moses Chan, Steven Ma, Takeshi Kaneshiro, Teddy Chan
Director: Lee Chi-Ngai

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210. Last Flight Home, 2022

Even with its occasional technical hitches and structural rough edges (maybe because of how personal it is), Last Flight Home makes for a difficult but important look at the process of assisted death. The most important insight this documentary offers is how often and how certainly family patriarch Eli Timoner gives his consent to his family to help him die. It may be hard to fathom such a thing especially if one comes from a tightly-knit family or collectivist culture, but Last Flight Home emphasizes how this decision does come from a place of love, constant communication, and deep self-reflection.

Genre: Documentary

Director: Ondi Timoner

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