251 Best Depressing Movies to Watch (Page 13)

Have you got the tissues ready? Some of the most memorable watches are the ones that tug at our heart strings. Here are the best depressing movies to stream right now.

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181. Winter Boy, 2022

Dedicated to his father, director Christopher Honoré’s most recent film contemplates the loss of a parent. This endeavor is a deeply personal one. Honoré’s approach acknowledges this– he starts and interjects throughout the whole film with scenes of Lucas confessing his dark emotions. After all, losing one’s father is a difficult theme to talk about, let alone losing one who hasn’t fully expressed their acceptance of your sexuality. It’s easy for Lucas to fall into despair, but Honoré clearly respects the grief of his young protagonist. Even in Lucas’ more risky behavior, the camera is set with a non-judgmental eye. However, Honoré focuses more on hope here. The hope of familial support, of having another tomorrow, and of having a true friend… These are the hopes that await Lucas. These are the promises Honoré makes for those who lost their father.

Genre: Drama

Actor: Anne Kessler, Christophe Honoré, Juliette Binoche, Pascal Cervo, Paul Kircher, Vincent Lacoste, Wilfried Capet

Director: Christophe Honoré

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182. Welcome to the Dollhouse, 1996

Welcome to the Dollhouse tells the story of Dawn, an unpopular seventh-grader mercilessly bullied at school and ignored at home. Her day-to-day is painful to watch; her classmates make fun of her, her teachers never believe her, and her parents punish her, blatantly favoring her other siblings over her. But all this she puts up with, as if going through the murky in-between stage that is adolescence isn't confusing enough. Dawn finds no respite elsewhere, except perhaps in her friend Ralphy (another target of bullying) and her crush, the high schooler Steve.

A Sundance jury winner back in '96, Welcome to the Dollhouse is as darkly funny as it is grim. It takes on a deadpan approach in handling its more serious topics; it doesn't make fun of them so much as it shines them in a new and blinding light. It's difficult to look away from this frank and well-balanced film; a sure good watch for anyone curious to know what it's really like to be a teenage loner.

Genre: Comedy, Drama

Actor: Angela Pietropinto, Bill Buell, Brendan Sexton III, Christina Brucato, Christina Vidal, Daria Kalinina, Elizabeth Martin, Eric Mabius, Heather Matarazzo, Ken Leung, Matthew Faber, Molly Howe, Rica Martens, Richard Gould, Siri Howard, Stacey Moseley, Teddy Coluca, Telly Pontidis, Victoria Davis, Will Lyman

Director: Todd Solondz

Rating: R

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183. The Program, 2024

The Program starts small and intimate, with director Katherine Kubler sharing the story of how she got into a school that turned out to be, in everything but name, a prison. In Ivy Ridge, Kubler and her peers were physically assaulted and subjected to cult-like practices, with most of the kids leaving the institution worse off than better. But soon the diaristic approach gives way to a complex and well-researched investigation of what is known as the “troubled teen industry.” As it turns out, there are plenty of other institutions like Ivy Ridge that scam desperate parents into spending thousands of dollars to incarcerate their kids and hand them over to faux educators. There are times when Kubler’s anger (understandably) gets the better of her and the storytelling, but ultimately, this is a well-made and important account of an overlooked atrocity.

Genre: Documentary

Rating: TV-MA

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184. Take Care of Maya, 2023

It’s a bit on the sensational side, but this Netflix documentary about a family torn apart by the medical industry is fascinating and empathetic enough to bring justice to its delicate subject matter. Director Henry Roosevelt takes care to use as many angles as possible in presenting the documentary’s central mystery —why is the hospital so insistent on separating Maya from her mother Beata?—while also leaving enough room for the audience to come to their own conclusions. I only wish they would probe into that question a bit more and get experts to hypothesize, for instance, what exactly would the hospital get out of allegedly lying and if it’s an occurrence that’s been happening in many places other than Florida. Painting it as a systemic problem might’ve given it more punch, though admittedly, it’s already stirring and powerful as it is.

Genre: Documentary

Director: Henry Roosevelt

Rating: TV-14

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185. Gloomy Sunday, 1999

Tied together by a song that seems to drive people to end their own lives, Gloomy Sunday's tale of polyamorous love torn apart by the advent of the Second World War is one that doesn't operate according to your usual narrative structure. Its stranger elements might not always work with the very real horrors of the Nazis' invasion of Hungary, but the film still expresses this horror in a unique way. Even long before the war begins, this song that joins our three lovers together seems to touch on a sense of doom everybody is feeling—warning signs of Hitler's rise to power that ordinary people seem to have been powerless to stop in time. It's certainly unique for a non-action-driven war film, bathed in tragedy and bitter irony.

Genre: Drama, History, Romance, War

Actor: András Bálint, Anna Ráckevei, Áron Sipos, Ben Becker, Denis Moschitto, Dorka Gryllus, Erika Marozsán, Ernst Kahl, Ferenc Bács, Ferenc Némethy, Ilse Zielstorff, István Kanizsay, István Mikó, Joachim Krol, Jörg Gillner, Karl Fischer, László I. Kish, Markus Hering, Márta Bakó, Michael Gampe, Rolf Becker, Sebastian Koch, Stefan Weinert, Stefano Dionisi, Ulrike Grote, Veit Stübner, Wanja Mues, Zsuzsa Mányai

Director: Rolf Schübel

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186. Detroit, 2017

John Boyega, Algee Smith, and John Krasinski star in this difficult portrayal of the Detroit 1967 riots, the biggest civil unrest in American history before the 92 L.A. protests. A murderous cop, a band on the verge of breaking big, and a hard-working security guard find their fates intertwined by the events that took place that summer. Detroit blends real-life images with its storytelling. It would be a perfect movie if it wasn't for a scene in which the police brutalize young Black men for finding them in a hotel with two White girls. This scene, while a necessary part of the story, is overstretched and feels almost sadistic, more so because the film was made by a White director, Kathryn Bigelow.Genre: Crime, Drama, History, Thriller
Actor: Alexander Cook, Algee Smith, Andrea Eversley, Anthony Mackie, Ato Blankson-Wood, Austin Hebert, Ben O'Toole, Bennett Deady, Chris Chalk, Chris Coy, Darren Goldstein, Dennis Staroselsky, Ephraim Sykes, Frank Wood, Gary Wilmes, Gbenga Akinnagbe, Glenn Fitzgerald, Hannah Murray, Henry Frost III, Jack Reynor, Jacob Latimore, Jason Mitchell, Jennifer Ehle, Jeremy Strong, John Boyega, John Krasinski, Joseph David-Jones, Kaitlyn Dever, Karen Pittman, Khris Davis, Laz Alonso, Leon G. Thomas III, Lizan Mitchell, Malcolm David Kelley, Mason Alban, Michael Jibrin, Miguel, Nathan Davis Jr., Peyton Alex Smith, Ricardo Pitts-Wiley, Samira Wiley, Timothy John Smith, Tokunbo Joshua Olumide, Tyler James Williams, Will Bouvier, Will Poulter, Zurin Villanueva
Director: Kathryn Bigelow
Rating: R

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187. A Nearly Normal Family, 2023

Any parent would defend their kid in court, though, sometimes it depends on the case. A Nearly Normal Family brings one such Swedish family through a case, as their nineteen year old daughter is accused of murdering a man, four years after the family decides not to prosecute their daughter’s rapist without evidence. The thriller series unfolds into a compelling murder mystery, as the show plays with the family members’ different perspectives that expands and continues the show’s intrigue, even if you think you have it all figured out. And as the investigation continues, the family’s secrets slowly get unveiled, threatening to break the Sandells apart, with their conflicting morals and unresolved trauma. While some viewers might not appreciate the slow burn, it’s an interesting crime thriller-family drama mix that questions how far we’re willing to go for our loved ones.

Genre: Crime, Drama

Actor: Alexandra Karlsson Tyrefors, Björn Bengtsson, Christian Fandango Sundgren, Lo Kauppi, Melisa Ferhatovic

Rating: TV-MA

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188. War Pony, 2023

War Pony is not easy to get through. The film, helmed by first-time directors Riley Kough and Gina Gammell, is slow to move and tackles weighty subjects like poverty, child abuse, and cultural appropriation. You’d be forgiven for asking if it was all too much, especially as the film makes its 12-year-old lead (a stellar LaDainian Crazy Thunder, who plays Matho) perform appalling things children are usually protected from. But ultimately, it also feels necessary. Kough and Gammell co-wrote the script with real-life Rez residents Franklin Sioux Bob and Bill Reddy, whose personal experiences inform much of the film’s story. Additionally, indigenous actors inhabit most of the screen and turn in naturalistic performances, adding to the film’s sense of urgency. And War Pony also weaves traces of magic into its realistic tale, making it an awe-inspiring and beautiful (albeit heavy) watch.

Genre: Drama

Actor: Anjeliq Aurora, Ashley Shelton, Jordan Robinson

Director: Gina Gammell, Riley Keough

Rating: R

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189. The Reader, 2008

The Reader is a German-American drama from 2008, based on the best-selling novel by author Bernhard Schlink. The storyline begins with adult Michael (Ralph Fiennes) reminiscing about his adolescence in post-World War II Berlin and his fateful relationship with an older woman named Hannah (Kate Winslet). 15-year old Michael is beset by Scarlet Fever and helped off the street one day by Hannah. Taken into her care, they soon begin a passionate affair, quickly forsaking family and friends for every opportunity to ensconce themselves in a world of lust and desire. As their time together progresses, Hannah begins urging Michael to read to her daily—to which he draws from many classic novels and delights in their rich interchange.
Hannah suddenly disappears from Michael’s life, however, only reappearing several years later when young law student Michael is stunned to find her facing a World War II war-crimes tribunal. Tied to a real-life series of trials against former Auschwitz employees, The Reader is a strikingly original and exceptionally well-made film that is recommended to those who appreciate sophisticated, emotionally mannered cinema.Genre: Drama, Romance
Actor: Alexandra Maria Lara, Benjamin Trinks, Bruno Ganz, Burghart Klaussner, Carmen-Maja Antoni, David Kross, Fabian Busch, Florian Bartholomäi, Hannah Herzsprung, Heike Hanold-Lynch, Jeanette Hain, Jürgen Tarrach, Karoline Herfurth, Kate Winslet, Kirsten Block, Lena Olin, Linda Bassett, Ludwig Blochberger, Margarita Broich, Marie Gruber, Martin Brambach, Matthias Habich, Moritz Grove, Ralph Fiennes, Susanne Lothar, Sylvester Groth, Vijessna Ferkic, Volker Bruch
Director: Stephen Daldry
Rating: R

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190. Pelle the Conqueror, 1987

When depicting a novel, book adaptations on film, especially earlier on in the medium, tend to be quite lengthy. The film version of Pelle the Conqueror does have this quality, and the storylines that aren’t directly connected to Pelle and Lasse do feel randomly stitched in. But, when this epic film focuses on Pelle and Lasse– their struggles immigrating to another country, dealing with harassment from the Danish majority, and the rare moments of joy once they finally figure things out– it shines. The legendary Max von Sydow and Pelle Hvenegaard (who was one of the many boys named after the title character) share a tender father-son dynamic that easily stirs one’s heart, and it’s all beautifully captured within Denmark’s lovely countryside. Pelle the Conqueror may only adapt the first of four volumes of the iconic Danish novel, but it does compassionately capture the struggles of the country’s impoverished immigrants.Genre: Drama
Actor: Astrid Villaume, Axel Strøbye, Bjorn Granath, Buster Larsen, Erik Paaske, John Wittig, Kristina Törnqvist, Lars Simonsen, Lena-Pia Bernhardsson, Max von Sydow, Nis Bank-Mikkelsen, Pelle Hvenegaard, Sofie Gråbøl, Thure Lindhardt, Troels Asmussen, Troels Munk
Director: Bille August

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191. Parasyte: The Grey, 2024

With Sweet Home and Stranger Things, we weren’t surprised that Netflix opted to create a live-action Parasyte, but we were surprised it comes from the other side of the sea. Based on the iconic Japanese manga, Parasyte: The Grey is a Korean spin-off with different characters but the same titular aliens, with a more serious approach to the concept. The series alternates between the Grey Team, the leading government agency that aims to eradicate the alien parasites at all cost, and with Jeong Su-in, who, like the original Shinichi Izumi, co-exists with her parasite, as they try to figure out their strange existence. Fans of the original might be disappointed at the lack of humor, but some viewers might appreciate the unflinching, gruesome way The Grey deals with the parasitic nature of human society, as well as the gross and scary transformations these aliens make of their hosts.Genre: Action & Adventure, Drama, Sci-Fi & Fantasy
Actor: Jeon So-nee, Kim In-kwon, Koo Kyo-hwan, Kwon Hae-hyo, Lee Jung-hyun
Director: Yeon Sang-ho
Rating: TV-MA

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192. Our Friend, 2021

Dakota Johnson and Casey Affleck star in this comedy-drama as a small-town couple, one of whom gets diagnosed with a terminal illness. Their best friend (Jason Segel) puts his life on hold and moves in with them, picking up the husband when he faints at the hospital, shaving his head in solidarity with the wife, and even taking care of the dog who also gets sick.

It might seem like just another terminal illness drama, but Our Friend is based on a true story, and it’s as much about the illness as it is about how to be there for people, and reversely, the power of people being there for you.

Genre: Comedy, Drama, Romance

Actor: Ahna O'Reilly, Azita Ghanizada, Casey Affleck, Chandler Head, Cherry Jones, Dakota Johnson, Denée Benton, Gerald Brodin, Gwendoline Christie, Hali Everette, Isabella Kai, Jacinte Blankenship, Jake Owen, Jason Bayle, Jason Segel, Jennifer Pierce Mathus, Jeronimo Spinx, John McConnell, Lindsey Reimann, Marielle Scott, Mark Costello, Michael Papajohn, Mike Lutz, Paige King, Reed Diamond, Richard Speight Jr., Ritchie Montgomery, Sampley Barinaga, Susan Williams, T.C. Matherne, Violet McGraw

Director: Gabriela Cowperthwaite

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193. Lost in America, 1985

While painfully accurate, Lost in America is a cutting satire of the white-collar mid-life crisis that’s so hilarious, but in a depressing sort of way. When denied his expected promotion and then fired, David Howard (director Albert Brooks) convinces his wife Linda (Julie Haggerty) that they should “drop out of society”, pursuing a freewheeling lifestyle to travel across the country. Brooks and Haggerty lead the film – their back-and-forth dynamic feels compelling, whether they’re arguing, pouting, or tenderly reconciling. And while the couple stays compatible with each other, the film reveals them (and us) at our most shallow.

Genre: Comedy, Drama

Actor: Albert Brooks, Art Frankel, Bob Hughes, Candy Ann Brown, Charles Boswell, Donald Gibb, Garry Marshall, Herb Nanas, James L. Brooks, Julie Hagerty, Larry King, Maggie Roswell, Michael Cornelison, Michael Greene, Priscilla Cory, Radu Gavor, Raynold Gideon, Rex Reed, Tom Tarpey

Director: Albert Brooks

Rating: R

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194. House of Sand and Fog, 2003

A residential dispute spirals out of control into full, xenophobia-fueled tragedy in this straightforward and elegantly made film that comes from a now-bygone era of mid-budget dramas for adults. House of Sand and Fog may come off as excessively bleak to viewers today, but it manages to capture a very particular mood of paranoia and distrust common in post-9/11 American cinema. And if nothing else, the film is worth watching for a trio of powerful performances that never resort to overacting: from Iranian actress Shohreh Aghdashloo, English screen legend Ben Kingsley, and an always compelling Jennifer Connelly, who was arguably at the peak of her career in the early 2000s.

Genre: Drama

Actor: Aaron Frazier, Aki Aleong, Al Rodrigo, Ashley Edner, Ben Kingsley, Bonita Friedericy, Brian Reed Garvin, Carlos Gómez, Cooper Thornton, Dan Brinkle, David Carrera, Dennison Samaroo, Frances Fisher, Frank Gallegos, Izabella St. James, Jennifer Connelly, Joe Howard, Jonathan Ahdout, Joyce Kurtz, Karl Makinen, Ken Kerman, Kia Jam, Kim Dickens, Marco Rodriguez, Mark Chaet, Matthew Waite, Max Jansen Weinstein, Michael Papajohn, Namrata Singh Gujral, Nasser Faris, Navi Rawat, Pamela Shaddock, Ray Abruzzo, Ron Eldard, Scott Kinworthy, Scott N. Stevens, Shani Rigsbee, Shohreh Aghdashloo, Spencer Garrett, Tom Reynolds, Zoran Radanovich

Director: Vadim Perelman

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195. Every Body, 2023

Even with its haphazard construction and occasionally unnecessary and corny flourishes (what's with all the mellowed-out covers of pop songs?), there's a sense of intense, sincere pride and joy that shines through Every Body's many testimonials. Intersex people are barely represented whether in media or in legislation, and countless people still have very little understanding of what intersex is. But while this subject is usually viewed as uncomfortable—and this documentary definitely doesn't hold back in explaining the various ways intersex people are mutilated and mentally abused just to force them to conform to the gender binary—the film grounds everything by showing us how its main characters are as ordinary, creative, and full of good humor as the rest of us. So as Every Body skips through various aspects of the intersex experience, even its disorganization takes on the charm of a simple chat with friends. And either way, the discussions held here are the stuff of real courage—demanding our attention and earning our respect.

Genre: Documentary

Actor: Alicia Roth Weigel, Julie Cohen, River Gallo, Sean Saifa Wall, Steven Crowder

Director: Julie Cohen

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