319 Best Depressing Movies to Watch (Page 11)

Have you got the tissues ready? Some of the most memorable watches are the ones that tug at our heart strings. Here are the best depressing movies to stream right now.

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151. Ratcatcher, 1999

What Lynne Ramsay's Ratcatcher intentionally refuses to give you by way of plot or resolution, it more than makes up for in sharp visuals, a beautifully sparse score, and an unscratchable feeling of restlessness. It's a downer for sure, watching 12-year-old James hounded by guilt as he navigates the mundane bleakness of his everyday life. But in every detail and in every interaction he has in this rundown scheme in Glasgow is a window into the simple joys James wishes he could be enjoying. The more trouble the boy walks into, the more the guitar string tightens, and the more you wish something could finally break the cycle. There's still beauty even in these conditions, Ratcatcher tells us—but it isn't right that anyone should have to live like this.

Genre: Drama

Actor: Jackie Quinn, James Ramsay, John Comerford, Leanne Mullen, Lisa Taylor, Mandy Matthews, Mick Maharg, Molly Innes, Robert Farrell, Rory McCann, Tommy Flanagan

Director: Lynne Ramsay

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152. On My Skin, 2018

	
This Netflix production is based on a case that rocked public opinion in Italy. Stefano Cucchi was arrested for a minor drug charge and died five days later from police brutality.

The movie takes its time to expose what Cucchi went through, which might lead some viewers to find On My Skin slow, and rightfully so. Thinking about the issues at hand here, it’s easy to understand why the director made that choice. In fact, Italians’ complex relationship with the Carabinieri, a division of the Italian army that carries out domestic policing, is delicate to explain and requires meticulous unveiling.

Nominated to nine David di Donatello Awards (the equivalent of the Academy Awards in Italy), of which it won three.Genre: Drama
Actor: Aleksandros Memetaj, Alessandro Borghi, Alessio De Persio, Andrea Lattanzi, Andrea Mautone, Antonio Gargiulo, Aurora Casavecchia, Bernardo Casertano, Daniela Amato, Daniele Amendola, Dora Romano, Elisa Casavecchia, Elodie Treccani, Emanuele Cerman, Federico Tocci, Francesca Tomassoni, Gaetano Aronica, Giuseppe Ragone, Italo Amerighi, Jasmine Trinca, Marco Giuliani, Massimiliano Tortora, Mauro Conte, Max Tortora, Michele Botrugno, Milvia Marigliano, Orlando Cinque, Paolo D Bovani, Pietro Faiella, Roberta Sferzi, Roberto Galano, Rodolfo Bigotti, Stefano Miglio, Vincenzo Tanassi, Walter Nestola
Director: Alessio Cremonini
Rating: TV-MA

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153. My Lovely Boxer, 2023

In the era of behind-the-athlete documentaries, the timing of a series like My Lovely Boxer is perfect. The series follows a young boxing prodigy, Lee Kwon-Sook (Kim So-Hye), who suddenly disappears at the height of her career to escape the toxicity of her home life and avoid becoming commodified as a boxer. In its first two episodes, it's clear that this isn't about the sport itself. Rather, as Kwon-Sook and sports agent Kim Tae-Young (Lee Sang-yub) cross paths, the exploitative practices in the sports industry are quickly exposed, showing the disconnect between sports as a profession - both a passion and a way to make ends meet - and sports as entertainment at any cost. The show wastes no time glamourizing an athlete's life but instead illuminates every dark corner waiting to make a quick buck. And like the tell-all documentaries, the horrors behind the scenes are upsetting, but keep you watching.

Genre: Drama

Actor: Kim Hyeong-mook, Kim Jin-woo, Kim So-hye, Lee Sang-yeob, Park Ji-hwan

Director: Choi Sang-yeol, Hong Eun-mi

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154. It’s a Sin, 2021

Emotional and increasingly hard to watch over its five episodes, It's a Sin nevertheless reminds us about an aspect of the AIDS crisis that often gets buried underneath accounts of suffering and injustice. We're shown a truly supportive, joyful community that wasn't simply engaging in shallow pleasures, but helping each other become their best selves. This optimism at the beginning gives the miniseries an even more tragic quality, as these characters struggle to recover from the initial shock and confusion of the spread of this disease. It's a smartly paced and economical show that that still manages to show off the talents of a brilliant cast—in particular, Olly Alexander, Callum Scott Howells, and a star-making turn from Lydia West going toe-to-toe with the exceptional Keeley Hawes in a scene-stealing guest role.

Genre: Comedy, Drama

Actor: Lydia West, Olly Alexander

Director: Peter Hoar

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155. In the Bedroom, 2001

	
While surpassed by the masterpiece Tár, Todd Field already garnered critical acclaim by his first feature debut In The Bedroom all the way back in 2001. The story is a familiar revenge drama that we might have heard from stories from small towns, but the way Field captures it is fascinating, with its challenging, layered dialogue, and the juxtaposed young and old love hinting at both couples’ insecurities, jealousy, and possessiveness, particularly with regards to the potential college graduate Frank has. It’s slow-paced, haunting, and Tom Wilkinson and Sissy Spacek share a sense of heartbreaking intimacy only true couples can wield against each other. In The Bedroom showed us Todd Field’s brilliant filmmaking that we hope to see more soon.Genre: Drama, Thriller
Actor: Celia Weston, Daran Norris, Erin Barksdale, Frank T. Wells, Justin Ashforth, Karen Allen, Kevin Chapman, Marisa Tomei, Nick Stahl, Ronald Russell, Sissy Spacek, Tom Wilkinson, Veronica Cartwright, William Mapother, William Wise
Director: Todd Field
Rating: R

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156. Drugstore Cowboy, 1989

	
You can tell Drugstore Cowboy was written by someone who has been through drug abuse and incarceration himself. This is the kind of film that has to be lived, not researched. It’s realistic, sure, and it gets at the interiority of a drug user with ease. But there is no judgment to be found here, no preachy criticism or misguided glorification of a hardened lifestyle. Bob (Matt Dillon) and his wife Dianne (Kelly Lynch) have created a nomadic, transient life that allows them to live on drugstore lootings one district at a time, while looking out for each other and the other couple they live with, Rick (James LeGros) and Nadine (Heather Graham). They chose this outlaw life, and because of the agency the film affords them, there is joy to be found despite their difficulties. It’s an authentic story, elevated by imaginative editing, a jazzy, heart-thumping score, and believable performances by a quartet of capable actors.Genre: Crime, Drama
Actor: Beah Richards, Eric Hull, George Catalano, Grace Zabriskie, Gus Van Sant, Heather Graham, James Le Gros, James Remar, Kelly Lynch, Matt Dillon, Max Perlich, Michael Parker, Ray Monge, Robert Lee Pitchlynn, Ted D'Arms, William S. Burroughs
Director: Gus Van Sant
Rating: R

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157. Biutiful, 2010

Ever wondered how much your life will change when faced with the reality that death is about to come? That’s normal, and not nearly as life-altering as being told you only have a few more moments to live. Because of a terminal illness, Uxbal (Javier Bardem) is driven to this situation and tries to right his wrongs in the wake of modern Barcelona. This melodrama is supercharged by Bardem’s unearthly performance as the story’s only hero, demonstrating the selfless love of a destroyed and dying father to his children – paired with cinematography unlike any other, this film is exceptionally beautiful. Directed by González Iñárritu' (Babel, Birdman, The Revenant).

Genre: Drama, Romance

Actor: Adelfa Calvo, Ailie Ye, Alain Hernández, Ana Wagener, Annabel Totusaus, Cheikh Ndiaye, Cheng Taishen, Diaryatou Daff, Dunia Montenegro, Eduard Fernandez, Félix Cubero, George Chibuikwem Chukwuma, Guillermo Estrella, Hanaa Bouchaib, Isaac Alcayde, Javier Bardem, Jin Luo, Karra Elejalde, Luo Jin, Manolo Solo, Maricel Álvarez, Nasser Saleh, Rubén Ochandiano, Sophie Evans, Taisheng Chen, Tomás del Estal, Violeta Pérez

Director: Alejandro G. Iñárritu, Alejandro González Iñárritu

Rating: R

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158. Birds of Passage, 2018

	
Organized crime and drug dealing has been a topic of many a film, sometimes even glamorizing the whole endeavor, but rarely do these depictions acknowledge the weight it can do to a culture, particularly indigenous cultures. Birds of Passage is a film about drug dealers, but it’s a much more distinct take, tackling Colombia’s reputation for the drug trade through the lens of an indigenous group that hasn’t been totally colonized, that still keeps its language, rituals, and legends, but is still pushed to the brink due to far more lucrative reasons. It does take fairly familiar plot points, but Birds of Passages transforms the narco crime drama with a different direction.Genre: Crime, Drama
Actor: Carmiña Martínez, Greider Meza, José Acosta, José Vicente, Natalia Reyes
Director: Ciro Guerra, Cristina Gallego

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159. Bheed, 2023

COVID-19 raised concerns about sanitation and cleanliness, but in a society that just banned discrimination against “impure” castes seventy years ago, these concerns feel reminiscent of previous caste prejudice. Writer-director Anubhav Sinha presents this social inequity through Bheed, a black-and-white drama set in a fictional checkpoint as the lockdown restricted travel between different Indian states. As the people in the checkpoint wait for the updated government regulations, tensions rise between the officers and the travelers, as the stuck migrants worry about hunger, thirst, and infection. While it’s definitely a heavy film to watch, this film doesn’t exploit the pandemic as fodder for drama. Instead, Bheed realistically portrays how a crisis like COVID-19 exacerbates existing social inequity.

Genre: Drama

Actor: Aditya Srivastava, Ashutosh Rana, Bhumi Pednekar, Dia Mirza, Kritika Kamra, Omkar Das Manikpuri, Pankaj Kapur, Rajkummar Rao, Veerendra Saxena

Director: Anubhav Sinha

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160. Welcome to Chechnya, 2020

Featuring real, in-the-moment footage of operations to rescue young queer individuals from the continuing anti-gay purges in the Chechen Republic, Welcome to Chechnya makes for a demanding but essential call to action. There's a genuine sense of fear that pervades the documentary, not just for those being rescued after being forcibly outed, beaten, and trapped by the people around them, but for the filmmakers themselves, whose operations are built on meager resources and desperate, spur-of-the-moment decisions. It's a remarkably courageous film—one that also presents new ways of keeping sensitive subjects safe through the thoughtful use of deepfake technology, keeping their identities hidden while allowing them to freely express themselves.

Genre: Documentary

Actor: Ramzan Kadyrov, Vladimir Putin, Zelim Bakaev

Director: David France

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161. Totally Under Control, 2020

It may not teach us anything that we don't already know by now, but the documentary Totally Under Control—filmed in secret, in defiance of the Trump administration—still stands as a valuable historical document so that the same mistakes can be avoided in the future. Boiled down to simple terms by doctors and other experts, the film's explanation of the United States' failure to adequately contain their own COVID-19 outbreak is always science- and fact-oriented first. And in its own classy, level-headed way, the film emphasizes that every politician, celebrity, and media outlet has a crucial part to play in making sure nobody panics and chases any counterproductive agendas. It should be obvious by now that we're all on the same team.

Genre: Documentary

Actor: Alex Gibney, Andrew Cuomo, Anthony Fauci, Barack Obama, Deborah Birx, Donald Trump, Jared Kushner, Joe Kennedy III, John R. Bolton, Michael Bowen, Mike Pence, Narendra Modi, Scott Becker, Taison Bell

Director: Alex Gibney, Ophelia Harutyunyan, Suzanne Hillinger

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162. The Peasants, 2023

	
After Loving Vincent, DK and Hugh Welchman’s iconic oil paint animation initially seems like old hat, but this time the style is actually more fitting for their second feature. As an adaptation of the iconic Polish novel, The Peasants had to live up to the book’s reputation as the Nobel-winning depiction of the Polish countryside, one of the first to take an intimate look into the lives of the commonfolk, their customs, beliefs, and traditions. The Welchmans’ naturalist, impressionist art style lines up with the way the original Chłopi was inspired by these movements, as does L.U.C’s selection of mesmerizing, haunting Polish folk songs. While the plot is a tad cliché, it only does so in the way folklore tends to weave the same threads. It just so happens that the threads in The Peasants lead to violent ends.Genre: Animation, Drama, History
Actor: Andrzej Konopka, Andrzej Mastalerz, Anna Grzeszczak, Cezary Łukaszewicz, Cyprian Grabowski, Dorota Stalińska, Ewa Kasprzyk, Hugh Welchman, Jadwiga Wianecka, Jarosław Gruda, Julia Wieniawa, Kamila Urzędowska, Klara Bielawka, Lech Dyblik, Maciej Musiał, Małgorzata Kożuchowska, Małgorzata Maślanka, Marek Pyś, Mariusz Kiljan, Mariusz Urbaniec, Mateusz Rusin, Matt Malecki, Mirosław Baka, Piotr Srebrowski, Robert Gulaczyk, Sonia Bohosiewicz, Sonia Mietielica, Szymon Kukla, Tomasz Więcek
Director: DK Welchman,  Hugh Welchman
Rating: R

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163. Secret Sunshine, 2007

	
For better or worse, death strikes us all, fast and unexpectedly. It’s tough enough if the death is caused by ill health or accidents, but when premeditated by another person– it can be easy to lose faith in a higher power. Secret Sunshine depicts a grieving mother trying to start a new life in the countryside, though certain events make it tough to fit in. There’s a well-meaning, long-term bachelor who’s interested in her, though she’s not ready to reciprocate, and there’s townsfolk that would like to invite her to their church, though she’s reluctant to join. There’s curious, gossipy neighbors ready to comment on her every action. Secret Sunshine reveals a darker layer to the countryside towns we retreat to to cope, but it also examines the ways we grieve, cope, and deal with forgiveness, in a community that would prioritize itself at the expense of what's morally right.Genre: Drama
Actor: Cha Mi-kyeong, Do-yeon Jeon, Go Seo-hee, Jang Hye-jin, Jeon Do-yeon, Jo Young-jin, Kang-ho Song, Kim Jong-soo, Kim Mee-kyeong, Kim Mi-hyang, Kim Min-jae, Kim Yeong-jae, Kim Young-jae, Ko Seo-hie, Lee Dong-yong, Lee Hee-jun, Lee Sung-min, Lee Yoon-hee, Mi-kyung Kim, Oh Man-seok, Park Myeong-shin, Park Myung-shin, Seon Jeong-yeop, Seon Jung-yeop, Shin An-jin, Song Kang-ho, Yeom Hye-ran, Yeong-jin Jo
Director: Chang-dong Lee, Lee Chang-dong
Rating: Not Rated, NR

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164. Save Me, 2019

	
For the longest time, religious cults have been an untouchable subject in Korean dramas, especially with some of the crimes that occurred that still remain controversies to this day. Because of this, Save Me is quite a surprise, as it depicts the journey of a girl who moves to town being sucked into and trying to escape a religious cult. It’s an eerie thriller, but it’s one that starts by alternating between the time Im Sang-mi moved to town and the present time from the boys’ perspective, so this and the slow pacing might make it hard for people new to K-dramas to watch. However, the performances are excellent, with both acting veterans and newcomers shining in the moments that they’re given. While the ending was rushed, and they could have gone darker and deeper into the cult, Save Me was a decent attempt at depicting this controversial issue.Genre: Comedy, Crime, Drama
Actor: Baek Soo-jang, Cheon Ho-jin, Esom, Han Seon-hwa, Im Ha-ryong, Jang Do-yeon, Jo Jae-yun, Kim Young-min, Oh Yeon-ah, Seo Young-hwa, Um Tae-goo, Woo Hyeon
Director: Lee Kwon
Rating: TV-PG

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165. Sami Blood, 2017

	
This coming-of-age story starts in the present time, where Elle Marja, now a grandmother, reluctantly goes to her sister's funeral held by her old indigenous Sámi community in Northern Sweden. Understanding her reluctance requires going back to when Elle Marja was 14 and was preparing to go to boarding school with her little sister. These schools were racist establishments meant to integrate the Sámi children into Swedish culture and language, while at the same time limiting their prospects of seeking further education. Elle Marja and her sister chose to respond to this discrimination in two completely different ways that this movie explores without judgment. The central performance of the young girl is incredible.Genre: Drama
Actor: Ánne Biret Somby, Maj-Doris Rimpi, Olle Sarri
Director: Amanda Kernell

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