57 Best Depressing Movies On Cineplex Canada (Page 4)

A residential dispute spirals out of control into full, xenophobia-fueled tragedy in this straightforward and elegantly made film that comes from a now-bygone era of mid-budget dramas for adults. House of Sand and Fog may come off as excessively bleak to viewers today, but it manages to capture a very particular mood of paranoia and distrust common in post-9/11 American cinema. And if nothing else, the film is worth watching for a trio of powerful performances that never resort to overacting: from Iranian actress Shohreh Aghdashloo, English screen legend Ben Kingsley, and an always compelling Jennifer Connelly, who was arguably at the peak of her career in the early 2000s.

Genre: Drama

Actor: Aaron Frazier, Aki Aleong, Al Rodrigo, Ashley Edner, Ben Kingsley, Bonita Friedericy, Brian Reed Garvin, Carlos Gómez, Cooper Thornton, Dan Brinkle, David Carrera, Dennison Samaroo, Frances Fisher, Frank Gallegos, Izabella St. James, Jennifer Connelly, Joe Howard, Jonathan Ahdout, Joyce Kurtz, Karl Makinen, Ken Kerman, Kia Jam, Kim Dickens, Marco Rodriguez, Mark Chaet, Matthew Waite, Max Jansen Weinstein, Michael Papajohn, Namrata Singh Gujral, Nasser Faris, Navi Rawat, Pamela Shaddock, Ray Abruzzo, Ron Eldard, Scott Kinworthy, Scott N. Stevens, Shani Rigsbee, Shohreh Aghdashloo, Spencer Garrett, Tom Reynolds, Zoran Radanovich

Director: Vadim Perelman

From The Babadook director Jennifer Kent comes another horror, although this one is more about the horrors of humanity. Set in 1825 Tasmania, The Nightingale follows Irish settler Clare as she seeks bloody revenge on the monsters who wronged her and her family. She teams up with an Aboriginal guide named Billy to accomplish her goal.

Because of its often violent and disturbing tone (the film is rated R for its potentially triggering scenes), The Nightingale understandably polarized audiences upon its release. But it's also an excellent conversation piece, best watched with friends or anyone up for a discussion-filled movie night.

Genre: Adventure, Drama, History, Thriller

Actor: Aisling Franciosi, Alan Faulkner, Anthony Phelan, Baykali Ganambarr, Ben McIvor, Charlie Jampijinpa Brown, Charlie Shotwell, Christopher Stollery, Damon Herriman, Eloise Winestock, Ewen Leslie, Harry Greenwood, Huw Higginson, James O'Connell, Luke Carroll, Maggie Blinco, Magnolia Maymuru, Matthew Sunderland, Michael Sheasby, Nathaniel Dean, Sam Claflin, Sam Smith

Director: Jennifer Kent

Rating: R

Survivors are often painted in a brave light; they’re applauded for their resilience and toughness, and in the case of school shootings, many of them are also expected to take up arms and fight the good fight. While this is of course laudable, many survivors are simply trying to get by. Unable to process trauma and inexplicable loss, they become withdrawn, depressed, and reckless—not exactly noteworthy traits, but understandable and equally deserving of empathy.

The Fallout shifts the focus on this side of survival by following Vada in the aftermath of a school shooting. Unlike her peers, she fails to cope positively and becomes increasingly self-destructive. But it's through this unsentimental portrayal that The Fallout achieves a frankness and rawness that few films like it have. 

Genre: Drama

Actor: Austin Zajur, Christine Horn, Elliott Roca, Jenna Ortega, John Ortiz, Julie Bowen, Lumi Pollack, Maddie Ziegler, Niles Fitch, Shailene Woodley, Will Ropp, Yindra Zayas

Director: Megan Park

Rating: R

Testament of Youth isn’t totally unique. Plenty of period dramas, even those that are true to life, have a similar approach of capturing the loveliness of a teenage summer vacation to better juxtapose the ugliness of war and how terrible it is to put young adults through it at a time when they should be exploring their lives. But it’s not terribly made– the film gets better as it goes, Max Richter’s excellent score is captivating, and there’s a certain novelty of watching the fresh faces of some of Britain’s biggest actors, even if their better known works have eclipsed this film. Testament of Youth may not be as devastating as war films like Atonement, but it’s a fairly decent watch, if you’re specifically craving for a period drama you haven’t watched before.

Genre: Drama, History, War

Actor: Alexandra Roach, Alicia Vikander, Anna Chancellor, Charlotte Hope, Colin Morgan, Daisy Waterstone, Dominic West, Emily Watson, Hayley Atwell, Heather Nicol, Henry Garrett, Jenn Murray, Joanna Scanlan, Jonathan Bailey, Josh Taylor, Kit Harington, Laura Elsworthy, Miranda Richardson, Naomi Everson, Niamh Cusack, Nicholas Farrell, Nicholas Le Prevost, Taron Egerton, Teresa Churcher, Xavier Atkins

Director: James Kent

Rating: PG-13

After the sudden death of a teacher, 55-year-old Algerian immigrant Bachir Lazhar is hired at an elementary school in Montreal. Struggling with a cultural gap between himself and his students at first, he helps them to deal with the situation, revealing his own tragic past. A strong portrait without any weird sentimentality. 11-year-old actress Sophie Nélisse makes her brilliant debut.

Genre: Comedy, Drama

Actor: André Robitaille, Brigitte Poupart, Daniel Gadouas, Danielle Proulx, Denise Lamontagne, Émilien Néron, Evelyne de la Chenelière, Francine Ruel, Gabriel Verdier, Jose Arandi, Judith Baribeau, Jules Philip, Louis Champagne, Marie Charlebois, Marie-Ève Beauregard, Mohamed Fellag, Nathalie Costa, Nico Lagarde, Sophie Nélisse, Stéphane Demers, Vincent Millard

Director: Philippe Falardeau

Rating: PG-13

Yu Katayama lives in a remote village with a garbage disposal business that's slowly turning into a landfill. When his childhood friend Misaki Nakai returns to the village, she encourages Yu to make a better life for himself despite his mother's gambling and the village ostracizing him. The Village is a slow-burning film interested in Yu's struggles as an outcast and in discussing the takeover of small villages for capitalistic industrial motives. The film is shot beautifully with dark, brooding visuals and lingering shots of Yu's quiet intensity throughout the film. Unfortunately, secondary characters are not fully developed outside of their interactions with Yu, causing the film to feel flat outside of pivotal moments. An evocative idea with parts more memorable than the whole.

Genre: Drama

Actor: Arata Furuta, Daiken Okudaira, Hana Kino, Haru Kuroki, Naomi Nishida, Ryusei Yokohama, Sakuma Ryuto, Shidô Nakamura, Tetta Sugimoto, Wataru Ichinose

Director: Michihito Fujii

Rating: R, TV-MA

Based on the novel by Women Talking author Miriam Toews, this adaptation of All My Puny Sorrows holds clear reverence for its source material but falls short of making a case for its existence as a film. Toews's prose—significant parts of which writer/director Michael McGowan has kept intact in the dialogue—may be appropriate for a book that allows full internal access to its narrator, but on film her words come across as overly articulate and artificial, even if they speak beautiful, harsh truths about grief. And without a defined visual identity or proper flow of ideas to back up its admittedly complex characters (played with authentic tenderness and force by Alison Pill, Sarah Gadon, and Mare Winningham), the film ends up stuck in its own darkness, unable to give a proper form to all its thoughts.

Genre: Drama

Actor: Alison Pill, Aly Mawji, Amybeth McNulty, Boyd Banks, Donal Logue, Elizabeth Saunders, Mare Winningham, Marin Almasi, Martin Roach, Michael Musi, Mimi Kuzyk, Morgan Bedard, Racine Bebamikawe, Sarah Gadon

Director: Michael McGowan

Rating: R