383 Best Dark Movies to Watch (Page 4)

Staff & contributors

If you’re ready to unleash your dark side, there are plenty of fantastic picks to enjoy, from pitch black comedy to crime thrillers and dystopian sci-fi. Here are the best and dark-themed movies and shows to stream right now.

Martin Scorsese had just spent a year prepping for The Last Temptation of Christ when Paramount Pictures unceremoniously pulled the plug on the movie just one month before production was due to start. After Hours was Scorsese’s way of exorcising all that disappointment and frustration, and you can feel it: this black comedy vibrates with manic intensity as it charts a night from hell in the life of Paul (Griffin Dunne), a somewhat scuzzy yuppie living in ‘80s New York City.

In keeping with its title — which suggests the movie is suspended in temporal limbo — After Hours feels like it takes place in some mythological hellscape, a demonic underworld in which everyone Paul meets has been sent forth with the express mission to make his life more miserable. Surreal coincidences pile up, deepening his paranoia and turning his simple goal of returning home into a labyrinthine quest for survival on the deserted, rain-soaked streets of SoHo. It’s the kind of celluloid nightmare that terrorizes and thrills you at the same time (a la the Safdie brothers’ best works, which draw inspiration from After Hours). Only a director of Scorsese’s caliber could turn profound professional disappointment into such a win as this.

Genre: Comedy, Drama, Thriller

Actor: Bronson Pinchot, Catherine O'Hara, Charles Scorsese, Cheech Marin, Clarence Felder, Dick Miller, Frank Aquilino, Griffin Dunne, Henry Judd Baker, John Heard, John Spacely, Larry Block, Linda Fiorentino, Margo Winkler, Martin Scorsese, Murray Moston, Paula Raflo, Robin Johnson, Rocco Sisto, Rockets Redglare, Rosanna Arquette, Stephen Lim, Teri Garr, Tommy Chong, Verna Bloom, Victor Argo, Victor Bumbalo, Victor Magnotta, Will Patton

Director: Martin Scorsese

Rating: R

Exploring morality, conscience, and the death penalty, There Is No Evil tells four interconnected stories about men tasked with carrying out executions. The film excels at creating a sense of unease and tension as their reality contends with their beliefs about capital punishment and loyalty to the state. Director Mohammad Rasoulof (known for his films that explore social and political issues in Iran) allows each narrative to center both the subject and the institution, maintaining suspense but never straying from its argument. The sum - and its part - are undeniably profound.

Genre: Drama

Actor: Mahtab Servati

Director: Mohammad Rasoulof

The Sweet Hereafter is the kind of movie that feels very different from the one you might imagine when reading the plot synopsis. The tragic accident at its center doesn’t form a dramatic crescendo as you might be primed to expect — and, despite revolving around a lawsuit, this is no courtroom drama. Instead, the ironically titled The Sweet Hereafter deals with the messy, difficult emotions that come with grief, survival, and blame in the aftermath of a bus crash, with the film largely taking place in a snowy Canadian town rent apart by the loss of nearly all its children in the accident. Ian Holm plays the out-of-town lawyer battling to unite the bereft parents behind a class action lawsuit, all while struggling to deal with the quasi-loss of his own drug-dependent daughter. Non-linear chronology means the before-the-crash and the after intermingle, scene after scene; it’s an unorthodox remix of the way we’re used to seeing this kind of story unfold, but it allows the movie to home in on the complexity of the community’s pain. Unsparing performances, haunting music, and meditative cinematography plunge us into it all, recreating the terrible iciness of grief in a way that is difficult to shake off.

Genre: Drama

Actor: Alberta Watson, Allegra Denton, Arsinée Khanjian, Brooke Johnson, Bruce Greenwood, David Hemblen, Devon Finn, Earl Pastko, Gabrielle Rose, Ian Holm, Kirsten Kieferle, Marc Donato, Maury Chaykin, Mychael Danna, Peter Donaldson, Sarah Polley, Sarah Rosen Fruitman, Simon Baker, Stephanie Morgenstern, Tom McCamus

Director: Atom Egoyan

Rating: R

Prophet’s Prey is a documentary on the sect known as Fundamentalist Latter-Day Saints and its leader, Warren Jeffs. Claiming to have inherited a direct connection to God, Jeffs has used this pretext to control a closed society of thousands of individuals on a shockingly personal level, as well as marry dozens of underage girls and harvest the community’s financial resources on behalf of “the church.”

The subject is deftly handled by filmmaker Amy Berg (Deliver Us From Evil). Here she presents most of the story via interviews with the people whose tenacity was instrumental in exposing  Jeffs. Woven throughout the film, too, is the haunting, disembodied voice of Jeffs himself, in recorded words to his followers, along with film footage of present-day FLDS communities. What emerges is the picture of a terrifying madman who still wields a disturbing amount of power over thousands of active congregants. Absolutely riveting.

Genre: Crime, Documentary, History

Actor: Nick Cave

Director: Amy J. Berg

Rating: TV-14

Wise, superbly acted, and gorgeously put together, all of these apply to Nightmare Alley. In a world where remakes are more in vogue than needed, Guillermo del Toro shows us how it's done. A sumptuous tale of a man's rise and fall guarantees some spectatorial pleasure, but having both Bradley Cooper and Cate Blanchett in the same film (plus unsung genius Toni Collette and all-round-favorite Willem Dafoe) pushes us into talent overload, in the best possible way. In addition to its thrilling plot and studded cast, Nightmare Alley is also psychologically literate enough to make a carnival out of the human soul. It's no surprise that in 2022, it got four Oscar nominations, including Best Picture where it certainly would have had my vote.

Genre: Crime, Drama, Thriller

Actor: Bill MacDonald, Bradley Cooper, Caleb Ellsworth-Clark, Calvin Desautels, Cate Blanchett, Catherine McGregor, Charles Langille, Clifton Collins Jr., Clyde Whitham, Dan Lett, Dani Klupsch, Daniel Falk, Danny Waugh, David Hewlett, David Strathairn, Dian Bachar, Holt McCallany, James Collins, Jesse Buck, Jim Beaver, Lara Jean Chorostecki, Lili Connor, Linden Porco, Mark Povinelli, Martin Julien, Mary Steenburgen, Matthew MacCallum, Natalie Brown, Paul Anderson, Perry Mucci, Peter MacNeill, Richard Jenkins, Romina Power, Ron Perlman, Rooney Mara, Sarah Mennell, Stephen McHattie, Tim Blake Nelson, Tim Post, Toni Collette, Troy James, Vikki Ring, Walter Rinaldi, Will Conlon, Willem Dafoe

Director: Guillermo del Toro

Rating: R

A very intelligent and nuanced movie that relentlessly asks unpleasant questions. It's a story about a woman seeking freedom by turning away from her own family and finding something she did not expect. The main character of the movie, Martha, is taken in by a cult and the movie depicts how this experience shapes and warps her life, thoughts, and actions. The time she spent with the cult ultimately also shapes her own personality, which raises questions about her identity and the place she now fits in. Every actor is well cast, and especially Elizabeth Olsen (playing Martha) puts on a stand-out performance, which proves that she is an actor to watch out for in the years to come.

Genre: Drama, Mystery, Thriller

Actor: Adam David Thompson, Allen McCullough, Brady Corbet, Christopher Abbott, Elizabeth Olsen, Gregg Burton, Hugh Dancy, John Hawkes, Julia Garner, Lauren Molina, Louisa Krause, Maria Dizzia, Sarah Paulson, Tobias Segal

Director: Sean Durkin

Rating: R

Forgoing the typical catastrophic approach to the apocalypse, writer, star, and director Don McKellar opts for a grounded tone in Last Night, a film about the end of the world. In it, various Torontonians figure out how best to celebrate and mourn their final hours on Earth. While McKellar’s character Patrick originally planned to spend the day alone, he finds himself gravitating to Sandra (Sandra Oh), a stranger who he gets to know in a series of conversations.

Last Night is more like Before Sunrise than The Day After Tomorrow in that way, filled as it is with thought-provoking dialogue and interesting insights into everyday characters. Whether it was intentional or due to the obviously limited budget, the decision to leave out details like why the world is ending and how is a clever one since it allows us to hyperfocus on everyone's psyche and inner workings. There is desperation, longing, and anxiety, but also relief, gratitude, and joy. 

If you’re watching it for the first time, you’ll be delighted to find surprise stars populate this lo-fi production—apart from McKellar and Oh, well-regarded auteurs Sarah Polley (Stories We Tell) and David Cronenberg (Crimes of the Future) also make welcome appearances. 

Genre: Comedy, Drama, Romance

Actor: Arsinée Khanjian, Bob Martin, Bruce McDonald, Bryan Renfro, Callum Keith Rennie, Chandey Michaels, Charmion King, Darren O'Donnell, David Cronenberg, Don McKellar, François Girard, Geneviève Bujold, Jackie Burroughs, Jessica Booker, Karen Glave, Kirsten Johnson, Michael Barry, Michael McMurtry, Regan Moore, Roberta Maxwell, Robin Gammell, Sandra Oh, Sarah Polley, Tom McCamus, Tracy Wright, Trent McMullen

Director: Don McKellar

Rating: R

Four Lions is as black and as dark as a movie can ever get, mixing cultural relevancy with humor and ridiculousness. It is insensitive to Islam, insensitive to terrorism and insensitive to the viewer. But it is hilarious. The director spent three years talking to Imams, terrorism experts and basically everyone. The result? A legit 97 minutes that will dazzle even extremists with its knowledge of Islam and the accuracy of its lines. Needless to say that it will upset quite a few people, but that is always a good sign for black comedy movies, right?

Genre: Comedy, Crime, Drama

Actor: Adeel Akhtar, Adil Mohammed Javed, Alex MacQueen, Arsher Ali, Benedict Cumberbatch, Craig Parkinson, Darren Boyd, Jonathan Maitland, Julia Davis, Kayvan Novak, Kevin Eldon, Marcus Garvey, Nigel Lindsay, Preeya Kalidas, Riz Ahmed, Shameem Ahmad, Waleed Elgadi, Wasim Zakir, Will Adamsdale

Director: Chris Morris, Christopher Morris

Rating: R

Bad Lieutenant is no misnomer: Harvey Keitel’s policeman really is one of NYPD’s worst. Already corrupt, abrasive, and abusive at the film’s outset, the movie chronicles his coked-out descent into total depravity after he’s called to investigate a heinous crime amid rapidly worsening personal circumstances. The brilliance of Bad Lieutenant is therefore a counterintuitive one: as awful as the Lieutenant is, we can’t help but feel emotionally involved because, in Keitel’s bravura performance, we can see the glint of pain — and thus of a person — within.

Always one for provocation, director Abel Ferrara pushes our empathy to — and maybe even beyond — its natural limits, only to break with the film’s hitherto unrelenting grit and dangle the glinting possibility of transcendent redemption in front of us. Anyone familiar with Catholic guilt cinema (movies like Martin Scorsese’s Who’s That Knocking At My Door and Mean Streets) will instantly recognize the same undercurrent running through Bad Lieutenant — even if Ferrara takes the idea of juxtaposing the profane with the sacred to the extreme here.

Genre: Crime, Drama

Actor: Bianca Hunter, Bo Dietl, Bob Murphy, Brian McElroy, Dana Dee, Darryl Strawberry, Ed Kovens, Eddie Daniels, Frank Adonis, Frankie Acciarito, Frankie Thorn, G. Elvis Phillips, Gene Canfield, Harvey Keitel, Heather Bracken, Iraida Polanco, Jaime Sánchez, John Steven Jones, Larry Mullane, Leonard L. Thomas, Minnie Gentry, Nicholas De Cegli, Paul Calderon, Paul Hipp, Peggy Gormley, Penelope Allen, Phil Neilson, Robin Burrows, Stella Keitel, Stephen Chen, Victor Argo, Victoria Bastel, Vincent Laresca, Zoë Lund

Director: Abel Ferrara

To Kill a Tiger should not be an easy watch. It’s about the gang rape of 13-year-old Kiran, a girl whose small village has shunned and blamed her for “not knowing better,” and who is being forced by community leaders to marry her abuser to “erase the stain” on herself. But instead of leaning on sensationalism, Director Nisha Pahuja tells Kiran’s story with so much care and sensitivity that it feels refreshing and ultimately inspiring to watch. Pahuja hones in on Kiran’s relationship with her father, Ranjit, who stands by her daughter despite the pressure imposed by his community to do otherwise. The filmmakers note that he’s the rare man to pursue justice for his wronged daughter, and we can see through intimate conversations among the villagers, lawmakers, and social workers how brave and novel Kiran and Ranjit’s journey is. To Kill a Tiger is not an easy watch, but under Pahuja’s deft direction, the discomfort feels necessary, and the relationships heart-aching but uplifting.

Genre: Documentary

Director: Nisha Pahuja

There is nothing quite like The Substance right now. It’s unsubtle, it’s provocative, and its satirical humor can be a hit or miss for some viewers, but it strikes at the one thing that’s fundamental to everyone, that can make or break their lives, yet that is rarely given grace and consideration– that is the body. Legions of people have yearned for youth and beauty, but The Substance systematically outlines how much these have been intertwined with our livelihoods, opportunities, and identities, and how other entities would capitalize on this yearning and push many of us to take that out, suck that out, literally, from ourselves. The Substance does this all with insane, frenetic energy.

Genre: Drama, Horror, Science Fiction, Thriller

Actor: Andrew Desmond, Ashley Lambert, Christian Erickson, Coralie Fargeat, Demi Moore, Dennis Quaid, Edward Hamilton-Clark, Gore Abrams, Gregory Defleur, Hugo Diego Garcia, Jonathon Carley, Margaret Qualley, Matthew Géczy, Matthew Luret, Michael Corbett, Nathan Rippy, Olivier Raynal, Oscar Lesage, Philip Schurer, Ranjani Brow, Robin Greer, Shane Sweet, Stephen Apostolina, Tiffany Hofstetter, Tom Morton, Vincent Colombe, Yann Bean

Director: Coralie Fargeat

Rating: R

Rosetta begins fiercely, with a shaky handheld camera chasing the eponymous teenager (Émilie Dequenne) as she storms across a factory floor and bursts into a room to confront the person she believes has just lost her her job. The film seldom relents from this tone of desperate fury, as we watch Rosetta — whose mother is a barely functioning alcoholic — fight to find the job that she needs to keep the two alive.

As tough as their situation is, though, Rosetta’s fierce sense of dignity refuses to allow her to accept any charity. A stranger to kindness and vulnerability, her abject desperation leads her to mistake these qualities for opportunities to exploit, leading her to make a gutting decision. But for all her apparent unlikeability, the movie (an early film from empathy endurance testers the Dardenne brothers) slots in slivers of startling vulnerability amongst the grimness so that we never lose sight of Rosetta’s ultimate blamelessness. Its profound emotional effect is corroborated by two things: that it won the Palme d’Or at Cannes, and that it helped usher in a law protecting the rights of teenage employees in its setting of Belgium.

Genre: Drama

Actor: Anne Yernaux, Bernard Marbaix, Émilie Dequenne, Fabrizio Rongione, Florian Delain, Frédéric Bodson, Mireille Bailly, Olivier Gourmet, Sophia Leboutte, Valentin Traversi

Director: Jean-Pierre Dardenne, Luc Dardenne

Rating: R