383 Best Dark Movies to Watch (Page 17)

If you’re ready to unleash your dark side, there are plenty of fantastic picks to enjoy, from pitch black comedy to crime thrillers and dystopian sci-fi. Here are the best and dark-themed movies and shows to stream right now.

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241. Welcome to the Dollhouse, 1996

Welcome to the Dollhouse tells the story of Dawn, an unpopular seventh-grader mercilessly bullied at school and ignored at home. Her day-to-day is painful to watch; her classmates make fun of her, her teachers never believe her, and her parents punish her, blatantly favoring her other siblings over her. But all this she puts up with, as if going through the murky in-between stage that is adolescence isn't confusing enough. Dawn finds no respite elsewhere, except perhaps in her friend Ralphy (another target of bullying) and her crush, the high schooler Steve.

A Sundance jury winner back in '96, Welcome to the Dollhouse is as darkly funny as it is grim. It takes on a deadpan approach in handling its more serious topics; it doesn't make fun of them so much as it shines them in a new and blinding light. It's difficult to look away from this frank and well-balanced film; a sure good watch for anyone curious to know what it's really like to be a teenage loner.

Genre: Comedy, Drama

Actor: Angela Pietropinto, Bill Buell, Brendan Sexton III, Christina Brucato, Christina Vidal, Daria Kalinina, Elizabeth Martin, Eric Mabius, Heather Matarazzo, Ken Leung, Matthew Faber, Molly Howe, Rica Martens, Richard Gould, Siri Howard, Stacey Moseley, Teddy Coluca, Telly Pontidis, Victoria Davis, Will Lyman

Director: Todd Solondz

Rating: R

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242. Volver, 2006

	
Pedro Almodovar’s films tend to swing wildly between comedy/farce and melodrama/tragedy. Volver somehow hits the sweet spot right in the middle of all four genres, with an added dose of magical realism. It’s a total joy to watch, which is really saying something since the story touches on murder, adultery, incest, malignant tumors, ghosts, and Penelope Cruz’s derriere. But maybe that’s the magic of Almodovar’s films? He’s able to take dark themes and surround them with bright colors, warm characters, and screwball humor—and really, is there anything better than that?Genre: Comedy, Drama, Mystery, Romance
Actor: Agustín Almodóvar, Antonio de la Torre, Blanca Portillo, Carlos Blanco, Carlos Blanco Vila, Carlos García Cambero, Carmen Maura, Chus Lampreave, Concha Galán, Eli Iranzo, Elvira Cuadrupani, Fanny de Castro, Isabel Ayúcar, Leandro Rivera, Lola Dueñas, Luis Lattanzi, Magdalena Brotto, María Alfonsa Rosso, María Isabel Díaz Lago, Mila Espiga, Natalia Roig, Neus Sanz, Penélope Cruz, Pepa Aniorte, Valeria Vereau, Yohana Cobo, Yolanda Ramos
Director: Pedro Almodoóvar, Pedro Almodóvar
Rating: R

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243. The Settlers, 2023

	
Horse riding. Gunslinging. Revenge and protection. These are notable elements in a Western, Spaghetti or otherwise. But rarely do these movies contemplate the indigenous tribes that originally lived in these desert towns, right before they were chased away and killed by white colonizers. Writer-director Felipe Gálvez Haberle takes these elements to showcase a new perspective in The Settlers, with mestizo Chilean sharpshooter Segundo forced to inflict atrocities onto his fellow native Chileans by the orders of a wealthy Spanish landowner, a British officer, and an American mercenary. The landscapes captured are sublime, the portraits are vignetted, but what’s most striking is the way Gálvez mixes in cinematic Western film style with real life colonial history, dramatic conflict with historical detail on a rarely discussed genocide.Genre: Drama, Western
Actor: Agustín Rittano, Alfredo Castro, Benjamín Westfall, Camilo Arancibia, Heinz K. Krattiger, Luis Machín, Marcelo Alonso, Mariano Llinás, Mark Stanley, Sam Spruell
Director: Felipe Gálvez
Rating: NR

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244. The Proposition, 2005

	
The Western had its heyday in the 60s, but the decades have proven that there’s still stories from the deserts that we haven’t heard yet, and gems that twist the genre on its head. The Proposition is a unique Western, being from the East, in Australia where the Brits have started to form colonies. As the British Empire builds society, and the police start to enforce the King’s justice, writer Nick Cave and director John Hillcoat crafts a bloody tale, where promises between men are betrayed for the State, where vengeance can only be met through brutality, and where the line between civility and savagery is drawn and moved by the will of an angry majority. The Proposition is quite violent, but it’s performed well, scored by a moody, moving soundtrack, and it surprisingly contemplates Australia’s bloody past.Genre: Action, Adventure, Crime, Drama, Thriller, Western
Actor: Bogdan Koca, Boris Brkic, Bryan Probets, Danny Huston, David Gulpilil, David Vallon, David Wenham, Emily Watson, Gary Waddell, Guy Pearce, Iain Gardiner, Jeremy Madrona, John Hurt, Leah Purcell, Mick Roughan, Noah Taylor, Oliver Ackland, Ralph Cotterill, Ray Winstone, Richard Wilson, Robert Morgan, Tom Budge, Tom E. Lewis
Director: John Hillcoat
Rating: R

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245. The Program, 2024

The Program starts small and intimate, with director Katherine Kubler sharing the story of how she got into a school that turned out to be, in everything but name, a prison. In Ivy Ridge, Kubler and her peers were physically assaulted and subjected to cult-like practices, with most of the kids leaving the institution worse off than better. But soon the diaristic approach gives way to a complex and well-researched investigation of what is known as the “troubled teen industry.” As it turns out, there are plenty of other institutions like Ivy Ridge that scam desperate parents into spending thousands of dollars to incarcerate their kids and hand them over to faux educators. There are times when Kubler’s anger (understandably) gets the better of her and the storytelling, but ultimately, this is a well-made and important account of an overlooked atrocity.

Genre: Documentary

Rating: TV-MA

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246. The President, 2014

	
When the country rises in rebellion against your dictatorial rule, we imagine that could be quite difficult. After a series of failures and atrocities committed to keep power, no one in the world would empathize with the dictator in question. Doing exactly this, however, made for a striking movie in The President. Never naming an actual country, but based generally on real world revolutions, the film plucks a dictator and his grandson into the poverty that his regime has inflicted upon its people. It’s quite cathartic to see the two reap the karmic consequences of what the dictator has done, but it’s also thought-provoking, as the film straightforwardly demonstrates the way revolution eventually takes cyclical form, especially for the movements that allowed the very atrocities they sought to end. It’s not a film with an easy-to-match metaphor, though, given the production country and the director Mohsen Makhmalbaf’s home country, one could guess certain influences, but The President nonetheless is a striking portrait of a city violently changing hands.Genre: Drama
Actor: Dachi Orvelashvili, Ia Sukhitashvili, Lasha Ramishvili, Misha Gomiashvili, Zura Begalishvili
Director: Mohsen Makhmalbaf

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247. The Lesson, 2023

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

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248. November, 2017

	
There’s plenty of things happening in folk horror film November. With devils snatching livestock, magical automatons called kratts, and trying to trick the Plague while in the form of a pig, love surely can’t bloom strong in these circumstances. And this would be correct, but the way this tragic romance unfolds is through eerie, yet captivating, black-and-white dream sequences made up bits and pieces of Estonian folklore, and the film shines best when focused on these sequences. The love triangle will be familiar, but the approach, the offbeat humor, and the raw practical effects would be bewitching until the end.Genre: Drama, Fantasy, Horror, Romance
Actor: Arvo Kukumägi, Dieter Laser, Ester Kuntu, Heino Kalm, Jörgen Liik, Katariina Unt, Meelis Rämmeld, Rea Lest
Director: Rainer Sarnet

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249. Miracle Workers, 2023

	
What does corporate heaven, the Dark Ages, the Oregon Trail, and a post-apocalyptic world have in common? Nothing, except that they are all settings for each season of Miracle Workers. The eccentric comedy anthology series plays out somewhat like a set of extended Saturday Night Live skits, with one of its youngest writers Simon Rich running the show, but the absurd humor works as Rich juxtaposes today’s modern behavior in these novel settings each season. It’s quirky and light on its feet, focusing on silly situations, but through these short episodes, Miracle Workers do create miracles in the way Daniel Radcliffe, Steve Buscemi, and Geraldine Viswanathan’s characters resolve to make a meaningful change, despite terrible circumstances. It’s not as in-depth and profound as The Good Place, but it’s funny and surprisingly witty, dealing with ideas about what’s good and how to get the will to do it.Genre: Comedy, Drama
Actor: Daniel Radcliffe, Geraldine Viswanathan, Jon Bass, Karan Soni, Steve Buscemi
Rating: TV-MA

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250. In Order of Disappearance, 2014

	
This movie is pretty much in every regard a Norwegian Kill Bill. It’s a dark gory comedy where, naturally, the substitute for Uma Thurman doing damage is an emotionless Stellan Skarsgård.

After his son is killed by a drug gang, Skarsgård’s character, fresh off a win of a “citizen of the year” award, embarks on a ruthless journey to track and kill the murderers. This takes place in one of the most remote areas in Norway, where the main character works as a snowplow driver. You guessed it, some people will get snowplowed.

Seems familiar? That’s because this year it was turned into a horribly sub-par American movie called Cold Pursuit, with, ugh, Liam Neeson.Genre: Action, Comedy, Crime, Thriller
Actor: Anders Baasmo Christiansen, Arben Bala, Arthur Berning, Atle Antonsen, Birgitte Hjort Sørensen, Birgitte Hjort Sorensen, Bjørn Moan, Bruno Ganz, David Sakurai, Espen Reboli Bjerke, Gard B. Eidsvold, Goran Navojec, Hildegun Riise, Jack Moland, Jakob Oftebro, Jan Gunnar Røise, Jon Øigarden, Jon Øigarden, Julia Bache-Wiig, Kåre Conradi, Kristofer Hivju, Leo Ajkic, Martin Furulund, Miodrag 'Miki' Krstović, Miodrag Krstović, Ola G. Furuseth, Pål Sverre Hagen, Peter Andersson, Sergej Trifunović, Stellan Skarsgård, Stig Henrik Hoff, Thomas Hildebrand, Tobias Santelmann
Director: Hans Petter Moland
Rating: R

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251. In Limbo, 2023

There’s a pretty clever twist that happens early in the pilot that shows how much promise In Limbo has, but it never really builds on that or matches its level of suspense. But the fact that the remaining episodes are still entertaining and enlightening in their own right speaks to the series' quality. It ambitiously (though not always delicately) handles thorny topics like suicide, depression, interracial relationships, and childhood trauma, all while making you laugh at its dry sense of humor. And moving things along is a genuinely intriguing mystery that leaves you wanting more after each episode. It could be smoother, but In Limbo is another entry into the ever-growing stack of worthwhile dark Aussie comedies.

Genre: Comedy, Drama

Actor: Aaron Fa'aoso, Bob Morley, Emma Harvie, Georgina Naidu, Jane Harber, Lena Cruz, Russell Dykstra, Ryan Corr, Shabana Azeez

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252. He Loves Me… He Loves Me Not, 2002

	
With plenty of old men having extramarital affairs, taking advantage of younger women and leaving them forlorn in love, it can feel deceptively easy to take sides in the first forty minutes of He Loves Me... He Loves Me Not. Who wouldn’t side with Angélique, especially with the innocent, childlike face of Audrey Tautou? And yet, when the twist occurs, the film fills the gaps in totally unexpected ways, gradually escalating to a terrible and sad conclusion about this seemingly romantic girl. It’s hard to further talk about He Loves Me... He Loves Me Not without getting into spoiler territory, so if this is the first time you’ve heard of the movie, go and watch it without any context.Genre: Drama, Romance, Thriller
Actor: Audrey Tautou, Clément Sibony, Élodie Navarre, Eric Savin, Isabelle Carré, Samuel Le Bihan, Sophie Guillemin, Vania Vilers
Director:  Laetitia Colombani

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253. Fan Girl, 2020

	
In the years since Fan Girl's original release in the Philippines, its ultimate message and execution has become polarizing: is it enough that the film shows the corruption of a parasocial relationship into an abusive one, without offering much hope? Is its vision of justice actually constructive or disappointingly limited? No matter where you fall, it's exciting that a movie can stir up these kinds of questions through a bizarre dynamic between characters, in a place that's clearly set somewhere between reality and delusion. The narrative is circular and frustrating for a reason—a constant push and pull as the titular fan girl keeps getting drawn back into the celebrity's orbit—and the film only grows more disturbing with each repetition.Genre: Drama, Thriller
Actor: Bea Alonzo, Camille Penaverde, Charlie Dizon, Gie Onida, Micko Laurente, Milo Elmido Jr., Mina Cruz, Paulo Avelino, Sheenly Gener
Director: Antoinette Jadaone
Rating: PG-13

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254. Culprits, 2023

Before, then, and now — these are the three points in time that twisty TV heist thriller Culprits zips between. That remixed chronology (the convergent point of which is an audacious £100 million robbery) is both a strength and a stumbling block for the series. While it helps liven things up, it also takes some getting used to, which means the first episode requires more effort than expected as we work to get our bearings. By the time we’re on Culprits’ wavelength, though, the other attractions of the show reveal themselves: an intrigue-infused plot, charismatic characters, and adrenaline-pumping action.

The one constant in this whirlwind is David (Nathan Stewart-Jarrett) — or Joe, or Muscle, all names he goes by depending on the timeline. A London-dwelling bodyguard recruited to undertake a mega-heist by shady mastermind Dianne (Gemma Arterton), we actually meet him long after it’s (seemingly) completed. Now living in Washington and sporting a just-passable American accent, he’s a family man who goes by Joe and bears no signs of his criminal past. Piecing together the puzzle of his transformation — and the threats that have somehow followed him across the globe — is Culprits’ greatest pull, one that wouldn’t be possible without its nonlinear storytelling, an initial hurdle that’s worth jumping over.

Genre: Crime, Drama

Actor: Eddie Izzard, Gemma Arterton, Kamel ElBasha, Kevin Vidal, Kirby Howell-Baptiste, Nathan Stewart-Jarrett, Ned Dennehy, Niamh Algar, Tara Abboud

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255. Calvary, 2014

This is one of those movies people should watch without any prior knowledge. But if you must, it's about a small town priest (Brendan Gleeson) who is threatened with horrible events by a mysterious member of his perish. Dealing with the threat, the priest is also faced with both the various and never ending problems of his church as well as issues with his own family. Excruciatingly beautiful and extremely well-written.

Genre: Drama

Actor: Aidan Gillen, Anabel Sweeney, Brendan Gleeson, Chris O'Dowd, David McSavage, David Pearse, David Wilmot, Declan Conlon, Domhnall Gleeson, Dylan Moran, Gary Lydon, Isaach De Bankolé, Isaach De Bankolé, Kelly Reilly, Killian Scott, M. Emmet Walsh, Marie-Josée Croze, Marie-Josée Croze, Mark O'Halloran, Mícheál Óg Lane, Orla O'Rourke, Owen Sharpe, Pat Shortt

Director: John Michael McDonagh

Rating: R

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