383 Best Dark Movies to Watch (Page 12)

If you’re ready to unleash your dark side, there are plenty of fantastic picks to enjoy, from pitch black comedy to crime thrillers and dystopian sci-fi. Here are the best and dark-themed movies and shows to stream right now.

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166. The Bequeathed, 2024

Succession, whether that be of family assets or of job titles, is always a tricky situation to navigate– often, those choosing a successor would have to check in with the possible choices next in line in order to make sure there are no resentment, otherwise, it could drive the hillside horror present in The Bequeathed. From passive-aggressive co-workers to mourning relatives, Yoon Seo-ha is having a terrible time dealing with the succession situation, both being resented by a superstitious half-brother for the land and resentful of a co-worker who got promoted before her. It’s so easy to suspect potential rivals, especially when murder strikes those around you, but The Bequeathed also recognizes something scarier– the fear of what you could do with that resentment.

Genre: Crime, Drama, Mystery

Actor: Hyun Bong-sik, Kim Hyun-joo, Park Byung-eun, Park Hee-soon, Park Sung-hoon, Ryu Kyung-soo

Director: Min Hong-nam

Rating: TV-MA

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167. Shining Girls, 2022

Shining Girls is painful to watch. How could it not be, when it follows the serial and brutal murders of female victims? Even when the series is told through the lens of sole survivor Kirby (played by the excellent Elisabeth Moss), we witness the indelible effects of assault and trauma. Kirby’s sense of reality shifts; time is circular and memories are provisional. She’s an unreliable source in her own story.

And yet Shining Girls is also necessary to watch. It’s one of those stories where pain is the point, and it brings you close enough to the scene of the crime that it feels wrong to pull away too soon--not until you pull through the ending.

As always, Moss is unrelentingly intense as she takes us through the deepest corners of the victim she portrays, but a strong supporting cast also rounds off the performances. Jamie Bell is particularly haunting as the yet-to-be-discovered killer.

Genre: Crime, Drama

Actor: Amy Brenneman, Chris Chalk, Elisabeth Moss, Jamie Bell, Phillipa Soo, Wagner Moura

Rating: TV-MA

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168. Secret Sunshine, 2007

	
For better or worse, death strikes us all, fast and unexpectedly. It’s tough enough if the death is caused by ill health or accidents, but when premeditated by another person– it can be easy to lose faith in a higher power. Secret Sunshine depicts a grieving mother trying to start a new life in the countryside, though certain events make it tough to fit in. There’s a well-meaning, long-term bachelor who’s interested in her, though she’s not ready to reciprocate, and there’s townsfolk that would like to invite her to their church, though she’s reluctant to join. There’s curious, gossipy neighbors ready to comment on her every action. Secret Sunshine reveals a darker layer to the countryside towns we retreat to to cope, but it also examines the ways we grieve, cope, and deal with forgiveness, in a community that would prioritize itself at the expense of what's morally right.Genre: Drama
Actor: Cha Mi-kyeong, Do-yeon Jeon, Go Seo-hee, Jang Hye-jin, Jeon Do-yeon, Jo Young-jin, Kang-ho Song, Kim Jong-soo, Kim Mee-kyeong, Kim Mi-hyang, Kim Min-jae, Kim Yeong-jae, Kim Young-jae, Ko Seo-hie, Lee Dong-yong, Lee Hee-jun, Lee Sung-min, Lee Yoon-hee, Mi-kyung Kim, Oh Man-seok, Park Myeong-shin, Park Myung-shin, Seon Jeong-yeop, Seon Jung-yeop, Shin An-jin, Song Kang-ho, Yeom Hye-ran, Yeong-jin Jo
Director: Chang-dong Lee, Lee Chang-dong
Rating: Not Rated, NR

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169. Save Me, 2019

	
For the longest time, religious cults have been an untouchable subject in Korean dramas, especially with some of the crimes that occurred that still remain controversies to this day. Because of this, Save Me is quite a surprise, as it depicts the journey of a girl who moves to town being sucked into and trying to escape a religious cult. It’s an eerie thriller, but it’s one that starts by alternating between the time Im Sang-mi moved to town and the present time from the boys’ perspective, so this and the slow pacing might make it hard for people new to K-dramas to watch. However, the performances are excellent, with both acting veterans and newcomers shining in the moments that they’re given. While the ending was rushed, and they could have gone darker and deeper into the cult, Save Me was a decent attempt at depicting this controversial issue.Genre: Comedy, Crime, Drama
Actor: Baek Soo-jang, Cheon Ho-jin, Esom, Han Seon-hwa, Im Ha-ryong, Jang Do-yeon, Jo Jae-yun, Kim Young-min, Oh Yeon-ah, Seo Young-hwa, Um Tae-goo, Woo Hyeon
Director: Lee Kwon
Rating: TV-PG

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170. Only Lovers Left Alive, 2013

Jim Jarmusch’s latest film is the story of a pair of vampires, Adam and Eve (Tom Hiddleston and Tilda Swinton), married for thousand of years and living thousands of miles apart, subsequently reunited in modern-day Detroit to find Hiddleston in state of disrepair and depression. Their lives are shaken up by the sudden appearance of Swinton’s wayward young vampire sister Ava (Mia Wasikowska) that sets their lives into tumult. It's the type of evenly-paced and wryly amusing dramedy that only Jarmusch could craft. I loved the atmosphere and sensibility of this film, not to mention the various literary allusions along with the dark, somber soundtrack. Less of a narrative and more of a modern-day-vampire-slice-of-life, this is one of those films that gets under skin and stays awhile (and not in a bad way).

Genre: Drama, Romance

Actor: Ali Amine, Anton Yelchin, Aurélie Thépaut, Carter Logan, Ego Sensation, Jeffrey Wright, John Hurt, Marc Codsi, Mia Wasikowska, Slimane Dazi, Tilda Swinton, Tom Hiddleston, Wayne Brinston, Yasmine Hamdan

Director: Jim Jarmusch

Rating: R

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171. On Becoming a God in Central Florida, 2019

	
The American Dream thrives on people who work hard and dream big, even though success is almost never guaranteed. On Becoming a God in Central Florida points this out by brilliantly exposing how capitalist institutions exploit the desperation and naivete of those in need. There is, inevitably, a darkness to the story it tells, even though Krystal tries her best to outwit a system rigged against her. But showrunner Esta Spalding tells it with a campiness and magical weirdness that seems fitting for a show based in sun-soaked Florida. There is no shortage of incredible performances too from reliable veterans like Dunst and Skarsgård to relative newcomers like Théodore Pellerin, who plays the pyramid scheme FAM’s blind devotee. Not only does he hold his own, but his blind (and funny!) fanaticism often steals the show.Genre: Comedy
Actor: Beth Ditto, Kirsten Dunst, Mel Rodriguez, Ted Levine, Théodore Pellerin
Rating: TV-MA

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172. Midnight Mass, 2021

	
From Mike Flanagan, creator of The Haunting anthology, comes Midnight Mass, a miniseries that is just as gory, unsettling, and supernaturally twisted as any Flanagan horror flick. The series follows an ex-convict who returns to his small town just upon the arrival of a mysterious but alluring priest. As inexplicable events start to happen, the townsfolk hang onto the churchman's words, seeking reassurance where they can.

With lots to say about religious fanaticism and perpetual grief, Midnight Mass is part of a new wave of layered and thoughtful scary stories currently dominating the genre. While its stately and meditative pace can be overbearing sometimes, it never runs out of things to shock and unnerve the soul.Genre: Drama, Fantasy, History, Mystery, Sci-Fi & Fantasy
Actor: Alex Essoe, Annabeth Gish, Annarah Cymone, Crystal Balint, Hamish Linklater, Henry Thomas, Igby Rigney, Kate Siegel, Kristin Lehman, Louis Oliver, Matt Biedel, Michael Trucco, Rahul Abburi, Rahul Kohli, Robert Longstreet, Samantha Sloyan, Zach Gilford
Rating: TV-MA

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173. Kaala Paani, 2023

	
There’s a lot happening in Netflix’s first Hindi survival thriller series Kaala Paani. The main plot follows the discovery of a new disease with inky rashes that confounds scientists and policymakers, which would remind viewers of the botched response towards COVID-19, but there are multiple subplots including a love story with a traumatized former nurse, a family drama between separated parents and children, and the ecological commentary on the indigenous population that survived the disease once before. But Kaala Paani is able to balance these plots, tweaking the series’ disease to visually carry the show’s science in order to dedicate more weight to each subplot. It allows showrunner Sameer Saxena to play with more philosophical themes, and allows his compelling cast to play with more complex and dynamic roles.Genre: Drama
Actor: Amey Wagh, Arushi Sharma, Ashutosh Gowariker, Chinmay Mandlekar, Mona Singh, Sukant Goel, Vikas Kumar
Director: Amit Golani, Sameer Saxena
Rating: TV-MA

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174. Institute Benjamenta, or This Dream People Call Human Life, 1995

	
Upon the first few minutes of Institute Benjamenta, or This Dream People Call Human Life, it’s obvious that the Brothers Quay’s first live-action film is highly unusual. First, it’s entirely black and white, with embellished, serif subtitles translating the initial German. Second, many of the film’s shots take the form of moody, gothic close-ups, reminiscent of 1920s silent films, like when Johannes examines his new pupil’s health, or when Lisa directs Jakob with an animal’s hoof next to his cheek. And third, the plot itself is strange, as the students are taught not to think anything of themselves, with only Jakob questioning their instruction. But there’s a certain beauty in the surreal approach the Brothers Quay takes in adapting the Swiss-German novel, a certain intuitive feel that allows the story to expand past its stilted movement, restrained frames, and the school’s oppressive tutelage. Institute Benjamenta is bizarre, but it’s undeniably a fascinating film, even at its most disturbing.Genre: Drama
Actor: Alice Krige, César Saratxu, Daniel Smith, Gottfried John, Jonathan Stone, Joseph Alessi, Mark Rylance, Peter Lovstrom, Uri Roodner
Director: Stephen Quay, Timothy Quay

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175. In the Company of Men, 1997

	
It’s both sad and amazing that a film about toxic masculinity and corporate culture released in the ‘90s remains relevant today. In the Company of Men is about two incels who exact polite revenge on women by attacking a deaf office worker named Christine (Stacy Edwards). Of course, things don’t go exactly as planned since this is the kind of film that twists and turns in unexpected curves. It’s also the kind that can fly with the barest of budgets, proving that sometimes all you need is a blistering script, skilled performers, and an eye for what visually works to make an effective film. In the Company of Men is a black comedy, so it’s not always easy to watch, but it’s profoundly thought-provoking as it asks relevant questions about the violence of fragile masculinity, the entitlement of supposed “nice guys,” the soul-sucking cruelty of corporations, and the dog-eat-dog-world of modern-day capitalism. That a small team can pack all these big ideas in its modestly budgeted indie is a wonder in itself.Genre: Comedy, Drama
Actor: Aaron Eckhart, Emily Cline, Jesse D. Goins, Mark Rector, Matt Malloy, Michael Martin, Stacy Edwards
Director: Neil LaBute
Rating: R

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176. Huesera: The Bone Woman, 2023

Huesera: The Bone Woman might not be the scariest film horror fans would see, but it does strike at the heart of the scary experience of motherhood. Through eerie sounds of breaking bones and weirdly contorted hands at the edge of beds, the film depicts new mother Valeria being haunted by the titular spirit, despite her prayer to the Virgin Mary. Valeria pleads for her husband and family to listen, though each time she does becomes proof of her faults as a mother. The terror in newcomer Natalia Solián’s face makes it all feel believable, but it’s the folk-inspired imagery of first-time feature director Michelle Garza Cervera that turns this film into a feminist masterpiece.

Genre: Drama, Horror, Mystery

Actor: Aida López, Alfonso Dosal, Emilram Cossío, Enoc Leaño, Gina Morett, Martha Claudia Moreno, Mayra Batalla, Mercedes Hernández, Natalia Solián, Pablo Guisa Koestinger, Samantha Castillo, Sonia Couoh

Director: Michelle Garza Cervera

Rating: NR

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177. Home School,

At Home School, the parents take the entrance exam before signing away their children's freedom to the staff of this prestigious boarding school. But the promise of an elite education becomes a nightmare when the students have to endure the school's unorthodox curriculum. Unlike her schoolmates, Maki enrolls through a scholarship, purposely applying to find her missing brother.

Joining the growing number of dark school dramas examining harsh societal norms in Thailand, Home School delivers mystery and suspense through the isolated, remote grounds of the school. In the first four episodes alone, the Headmaster's abstract rules, devious staff, and sinister punishments set up a promising series

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178. Griselda, 2024

	
With the success of Narcos, Netflix has created multiple shows about drugs in Latin America to the point that the genre is a tad oversaturated, but with Sofia Vergara heading the miniseries on the real-life cocaine queenpin, Griselda is one that you have to watch. Unlike other depictions of Blanco, Vergara’s series puts her front and center, focusing on the initial struggles it took for her to be taken seriously and the darkness that emerged once she got her way. And of course, Vergara is fantastic, sliding into the drama with an ease that makes us want to see more. While the show isn’t fully accurate, and six episodes are too short to tackle her decades-long rule, Griselda nonetheless is compelling television.Genre: Crime, Drama
Actor: Alberto Ammann, Alberto Guerra, Christian Tappán, Juliana Aidén Martinez, Martín Rodríguez, Sofia Vergara, Vanessa Ferlito
Rating: TV-MA

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179. Green Room, 2015

This is the follow-up film by the director of the (also) excellent and intense Blue Ruin. Like that film, Green Room often subverts genre expectations. The basic premise: a lefty punk band winds up taking a show at a skinhead club because they are desperate for cash. The show goes well, but afterward the band accidentally witnesses something they shouldn’t have and are trapped in the club’s green room. This film is brutal and intense, especially because you actually care about what happens to the characters. Bonus: Sir Patrick Stewart plays the leader of the skinhead organization, and gives a subtle yet effectively sinister performance. While some truly horrific acts of violence occur (especially in the back-half of the film) they really do serve the story. Still, there are a handful of scenes that may require more sensitive viewers to cover their eyes. You have been warned.

Genre: Crime, Horror, Thriller

Actor: Alia Shawkat, Anton Yelchin, Brent Werzner, Callum Turner, David Thompson, David W. Thompson, Eric Edelstein, Imogen Poots, Jeremy Saulnier, Joe Cole, Joseph Bertót, Kai Lennox, Lj Klink, Macon Blair, Mark Webber, Mason Knight, Michael Draper, October Moore, Patrick Stewart, Samuel Summer, Taylor Tunes

Director: Jeremy Saulnier

Rating: R

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180. Exhuma, 2024

	
For the longest time, land was where people formed strength in community, where people were born, lived, died, and was buried in, but it was also how empires grew in power, often at the expense of the people that came before. Exhuma is centered in a haunted burial site of a Korean family that migrated due to the war, but as the shamans try to unearth the casket, they also uncover the psychospiritual ways in which Japan colonized Korea– haunting the land with their own ghosts, dividing its people through belief, and leaving deep scars that hasn’t yet been fully recovered from. While the double exorcism situation can be a tad confusing, Exhuma nonetheless elevates this folk horror drama with their respect and attention to detail for Korean shamanism.Genre: Horror, Mystery, Thriller
Actor: Baek Seung-chul, Choi Min-sik, Choi Moon-kyoung, Hong Seo-jun, Jang Ui-don, Jeon Jin-gi, Jung Yun-ha, Kim Go-eun, Kim Jae-chul, Kim Ji-an, Kim Min-jun, Kim Sun-young, Kim Tae-jun, Lee Da-wit, Lee Do-hyun, Lee Eun-joo, Lee Jong-goo, Lee Young-lan, Park Jae-wan, Park Jeong-ja, Park Ji-il, Rikiya Koyama, Yoo Hai-jin
Director: Jang Jae-hyun
Rating: NR

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