757 Best Character-driven Movies to Watch (Page 44)

Staff & contributors

If you’re less about adventurous plots, and more about the emotional journey and relationship arcs, we’ve got you covered. Here are the best character-driven movies and shows to stream right now.

Admittedly, being released in theaters a month after Immaculate, The First Omen can almost be accused of being derivative, with similar protagonists, plots, and themes. However, unlike Immaculate, this film captures a bit of the 1970s horror style that was best seen in the original 1976 Omen film, with the paranoia, the investigations, the Eastman Kodak-inspired color grading, and the number of the devil now depicted in striking modern images and clearer digital definition. And, considering that the Roe decision was overturned two years ago, the idea of a forced virgin conception is a great way to reintroduce Gen Z to the horror franchise, as the prequel, and today’s women, now have to deal with religion and authority reducing women only into vessels. The First Omen is a timely adaptation that takes familiar horror tropes and executes them well.

Genre: Horror

Actor: Alessandra Fallucchi, Andrea Arcangeli, Anton Alexander, Bill Nighy, Charles Dance, Dobrila Stojnic, Dora Romano, Eva Ras, Ishtar Currie Wilson, James Swanton, María Caballero, Mario Opinato, Mia McGovern Zaini, Michelangelo Dalisi, Milena Božić, Miodrag Rakočević, Nell Tiger Free, Nicole Sorace, Rachel Hurd-Wood, Ralph Ineson, Sônia Braga, Sylvia Panacione, Tawfeek Barhom

Director: Arkasha Stevenson

Rating: R

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If you wanted to watch an epic historical drama about the three assassination attempts against the first emperor of China, 2002’s Hero is the better known, and better acclaimed, choice. Nevertheless, the drama that depicted this four years earlier, the Emperor and the Assassin, is a fairly decent watch, with nearly three hours to parse out Ying Zheng’s career with extravagant production design and excellent performances to marvel at. The film is also slightly more accurate, taking its characters from actual historical record. The Emperor and the Assassin may not be perfect– it’s aggressively sepia-tinged, and it does struggle to maintain the plot’s focus– but it depicts the history well, regardless.

Genre: Drama, History

Actor: Chen Kaige, Ding Haifeng, Gong Li, Li Hongtao, Li Qiang, Li Xuejian, Lü Xiaohe, Pan Changjiang, Sun Zhou, Wang Qian-Yuan, Zhang Fengyi, Zhao Benshan, Zhiwen Wang, Zhou Xun

Director: Chen Kaige

Rating: R

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When the system messes with you personally, it’s such a powerful fantasy to be able to settle things with your own hands. To be strong enough to retaliate, and once things are settled, to be strong enough to be left alone, not to be messed with. The Black Book depicts this revenge fantasy, reminiscent of Liam Neeson’s Taken, albeit with corrupt police. The Nigerian action thriller isn’t afraid to go hard, with threats of splitting a person in half by a table saw, dramatic shoot-outs, and fight sequences. However, what makes the thriller work is that all these action sequences are intended to be the reckoning of corrupt institutions. There are some messy parts, certain shots that included some bad takes. Despite this, The Black Book still proves to be entertaining enough to forgive these mishaps.

Genre: Action, Mystery, Thriller

Actor: Ade Laoye, Alex Usifo Omiagbo, Bimbo Akintola, Bimbo Manuel, Femi Branch, Iretiola Doyle, Richard Mofe-Damijo, Sam Dede, Shaffy Bello

Director: Editi Effiong

Rating: R

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Watch this if you like weird movies. And don't be fooled by the first half, which serves just to set Jesse Eisenberg's character and the monotone life he leads. It's the calm before the storm, during which that character is attacked by a violent gang and decides to take self-defense classes in an unusual club. This is a movie about modern manhood and how it can lead to some pretty strange situations. Great performance from Eisenberg as usual.

Genre: Action, Comedy, Drama, Thriller

Actor: Alessandro Nivola, Apollo Bacala, Caroline Amiguet, Dallas Edwards, Davey Johnson, David Zellner, Frederic Spitz, Hauke Bahr, Imogen Poots, Jason Burkey, Jesse Eisenberg, Josh Fadem, Katherine Smith-Rodden, Leland Orser, Lena Friedrich, Louis Robert Thompson, Mike Brooks, Phillip Andre Botello, Steve Terada

Director: Riley Stearns

Rating: R

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Ballet has always captivated with its grace and poise, so of course it captivated cinema as well, with classics such as The Red Shoes and Black Swan centered on the dance, the culture, and of course, the drama. The juxtaposition of the ideal feminine form and the ugliness of competition, the sabotage, and the objectification are regular topics, but The American adds the national identity into its themes, tackling the anxieties of a young American in an academy that isn't friendly to outsiders. It's stunning. It gives justice to the journey of the real ballerina Joy Womack, portrayed excellently by Talia Ryder with breathtaking ease, and given dramatic flourish through the direction of James Napier Robertson. While it doesn’t quite surpass classic ballet films, Joika proves that real life ballet can be more emotional, more traumatic than any drama made about the dance.

Genre: Drama

Actor: Andrzej Andrzejewski, Andrzej Kłak, Borys Szyc, Charlotte Ubben, Dariusz Majchrzak, Diane Kruger, Edyta Torhan, Karolina Gruszka, Maciej Nawrocki, Marek Kasprzyk, Natalia Osipova, Natasha Alderslade, Oleg Ivenko, Robert Gulaczyk, Talia Ryder, Tomasz Kot

Director: James Napier, James Napier Robertson

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In this sweet-natured British comedy filmed mostly in black and white, Marek is a Polish boy who lives with his alcoholic father in London. He meets Tomo, a kid from the British Midlands who escaped his family and came to London alone.

They form a friendship that this movie follows for a few days. With nowhere to stay, Tomo moves in with Marek without Marek’s father noticing. The two end-up plotting a scheme that turns things around both for them and for the styling of the movie.

Genre: Comedy, Drama

Actor: Elisa Lasowski, Huggy Leaver, Ireneusz Czop, Kate Dickie, Mark Monero, Perry Benson, Piotr Jagiello, Steven Hillman, Thomas Turgoose, Trevor Cooper

Director: Shane Meadows

Rating: Not Rated

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College seems to be teeming with possibility, in a more substantial way than adulthood or high school feels, since for many people, it’s the only time where one lives alone and makes decisions for their lives selfishly. Shithouse captures that moment with a candid sentimentality, all marked by a shared late night that changes the way the whole college life feels. Cooper Raiff captures this time of a freshman uncertainty with actual palpable emotions, acting, writing, and directing with a freshness that filmmakers aspire to but never seem to get on screen, and it’s this mumblecore-inspired feature debut that made him a filmmaker to look out for. Shithouse is pure college nostalgia.

Genre: Comedy, Drama, Romance

Actor: Abby Quinn, Adam Foster Ballard, Adan Rocha, Amy Landecker, Ashley Padilla, Ayo Edebiri, Chinedu Unaka, Chris Kleckner, Colin McCalla, Cooper Raiff, Denny McAuliffe, Dylan Gelula, Eva Victor, Grant Harling, Jay Duplass, Joy Sunday, Juan Wood, Leonora Pitts, Logan Miller, Mallory Low, Nick Saso, Olivia Scott Welch, Tessa Hope Slovis, Tre Hall, Will Youmans

Director: Cooper Raiff

Rating: R

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She Taught Love has a familiar romance film plotline– a guy that’s lost meets a girl that sets him straight, and through a course of a connection, they challenge each other’s perspective to become better people– but there’s a naturalness to the conversations writer and male lead Darrell Britt-Gibson creates through his performance, casual, genuine moments that is pairs well with easy, relaxed vibe formed by director Nate Edwards. It’s gorgeously graded, meticulously framed, with slow zoom-ins and pans that gradually switch between aspect ratios to create a sense of openness or restriction, depending on the moment. And with Arsema Thomas’ unshakeable poise as female lead, She Taught Love feels elegant in a way not many indie romance films are.

Genre: Drama, Romance

Actor: Alexander Hodge, Angela Elayne Gibbs, Arsema Thomas, D'Arcy Carden, Darrell Britt-Gibson, Edwin Lee Gibson, Hayley Law, Kevin Carroll, Kwame Patterson, Natasha Marc, Taissa Farmiga, Treisa Gary

Director: Nate Edwards

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This taut chamber piece about NSA whistleblower Reality Winner (yes, that’s her real name) is based on the FBI’s account of her interrogation one June day in 2017. “Based on” doesn’t quite capture Reality’s exhaustive commitment to the facts, though, because this movie is essentially a dramatic reading of a verbatim transcript of the FBI agents’ recording that day. The only time it breaks with reality is when it reaches a redacted portion of the transcript, at which point characters glitch out of view, leaving us staring into the blank set around them. Otherwise, every cough, false start, and even every off-topic remark is recreated with exacting precision here, lending the film a paradoxically stilted, slightly stagy air. But rather than pull you out of the proceedings, Reality’s palpable artificiality only immerses us into the uneasy tension and surreality that its anxious protagonist must have been feeling that day.

That anxiety is contagious, thanks to the movie’s clinical style and central performance. The camerawork is largely unblinking, moving in uncomfortably close on Reality (Sydney Sweeney) as two FBI agents (Josh Hamilton and Marchánt Davis) subject her to their bizarre hot-cold interrogation, which ranges from seemingly friendly inquiries about her dog to jugular-aimed questions about the allegations against her. Sweeney shoulders all this pressure remarkably well, deftly keeping us as much in the dark as Winner tried to keep the FBI in — which makes not knowing the real story a benefit, rather than a barrier, to watching Reality.

Outside of Sweeney’s commanding performance, Reality feels somewhat limited by its absolute loyalty to the FBI’s transcript, though. Much of the film’s 83-minute runtime is dedicated to recreating the text, which leaves only a few minutes at the end for it to express its own point of view on Winner’s actions. Though these scant moments make for a compelling reframing of the charges against Winner, they feel overshadowed by and separate from the movie’s rigorous devotion to the transcript, which ultimately means Reality can’t quite transcend its status as merely an interesting filmmaking curio.

Genre: Drama, Thriller

Actor: Allan Anthony Smith, Benny Elledge, Bill Maher, John Way, Josh Hamilton, Marchánt Davis, Sydney Sweeney, Tucker Carlson

Director: Tina Satter

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The movie follows Martha (Vanessa Kirby), a young wife who loses her baby in a failed home birth. She tries her best to trudge through the aftermath of loss, but her coping attempts prove to be near impossible, not least because her husband Sean (Shia LaBeouf) and mother Liz (Ellen Burstyn) continually domineer every aspect of her life.

Pieces of a Woman is harrowing and heartbreaking, with the actors giving their all in this realistic and revealing drama. But it's Kirby's performance as the unraveled yet apathetic Martha that is the film's immediate standout, rightfully earning her a Best Actress nomination at the 2021 Academy Awards.

Genre: Drama

Actor: Alain Dahan, Benny Safdie, Domenic Di Rosa, Ellen Burstyn, Frank Schorpion, Gayle Garfinkle, Harry Standjofski, Harry Strandjofski, Iliza Shlesinger, Jimmie Fails, Leisa Reid, Molly Parker, Sarah Snook, Sean Tucker, Shia LaBeouf, Steven McCarthy, Tyrone Benskin, Vanessa Kirby, Vanessa Smythe

Director: Kornél Mundruczó, Kornél Mundruczó

Rating: R

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When Émilie finds a new roommate in Camille, she also gains a friend and a lover. Still, the parameters of their relationship are never quite sure, causing a complicated chasm that both divides and arouses them. Eventually, they meet Nora, who brings her own desires and insecurities into the mix. Experimentation ensues as the film follows the trio coming into their own as sexual and human beings. Shot in rich black and white against the backdrop of Paris' urban Les Olympiades neighborhood, Paris, 13th District is a finely balanced film that never overstays its welcome in the contrasting ideas it takes on. Classic love stories offset modern setups of romance, while fast-paced city life levels out the uncertainty of its inhabitants. Paris, 13th District is an engaging watch, not despite but because of its bold attempt to be many things at once.

Genre: Drama, Romance

Actor: Anaïde Rozam, Carl Malapa, Fabienne Galula, Geneviève Doang, Jeanne Disson, Jehnny Beth, Jules Benchetrit, Lucie Zhang, Lumina Wang, Makita Samba, Nicolas Godart, Noémie Merlant, Patrick Guérineau, Raphaël Quenard, Soumaye Bocoum, Stephen Manas, Tony Harrisson, Yves Yan

Director: Jacques Audiard

Rating: R

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There are horrors in the world that people have faced, and if they survive, they live with the trauma for a long, long time. But what happens when the perpetrator of that trauma has moved on? What happens when they resolve to be better, and pursue a different path? Our Father, the Devil is a psychological drama where an African refugee has to deal with seeing the warlord that once destroyed her entire village, but it unfolds in such a unique way, with the riveting Babetida Sadjo living a split life between her chef and caretaking career in the day, and being tormented by the past at night. It’s a fascinating portrait, one that we haven’t seen in a while, of a traumatized refugee granted the rare opportunity to exact retribution.

Genre: Drama, Mystery, Thriller

Actor: Babetida Sadjo, Franck Saurel, Jennifer Tchiakpe, Martine Amisse, Patrice Tepasso, Souleymane Sy Savane

Director: Ellie Foumbi

Rating: NR

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