758 Best Character-driven Movies to Watch (Page 38)

Staff & contributors

If you’re less about adventurous plots, and more about the emotional journey and relationship arcs, we’ve got you covered. Here are the best character-driven movies and shows to stream right now.

Sure, it takes a special type of crazy to try to make it in the movies, especially if you’ve been at it for ten years without any sort of premiere, but the strangely persistent four-man production of Why Don’t You Play in Hell? takes this to even crazier heights, involving a yakuza gang war and potentially their lives. Writer-director Sion Sono infuses his signature gore with much more playful comedy, slinging together chaotic action scenes through the pure power of cool, and the entire roster’s enthusiasm for cinema is just so infectious, it’s compelling to watch, even when the plotlines don’t fully mesh well. Why Don't You Play in Hell? is such a fun tribute to gritty action filmmaking.

Genre: Action, Comedy, Drama

Actor: Akaji Maro, Akihiro Kitamura, Akira Yamamoto, Daisuke Kuroda, Denden, Donpei Tsuchihira, Fumi Nikaido, Gen Hoshino, Hakase Suidobashi, Hideo Nakaizumi, Hiroki Hasegawa, Hiroyuki Onoue, Itsuji Itao, Jun Kunimura, Jyonmyon Pe, Kazuki Namioka, Kenjirou Ishimaru, Kyōko Enami, Megumi Kagurazaka, Mickey Curtis, Motoki Fukami, Nanoka Hara, Ōmiya Ichi, Riko Narumi, Shimako Iwai, Shinichi Tsutsumi, Tak Sakaguchi, Taro Suwa, Tasuku Nagaoka, Tetsu Watanabe, Tomochika, Tsugumi

Director: Sion Sono

Rating: NR

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The Two of Us could have been a sweet romantic drama all about lifelong devotion regardless of the circumstances, but instead, first time director Filippo Meneghetti makes it feel more like an unsettling thriller that captures the paranoia and near insanity it feels to be closeted– with Nina having to beg Mado to tell her family, having to hide in what has become her own home, and having to bargain and manipulate her way to Madeleine’s side. Two of Us is quite a stunning debut with such a unique depiction of a lesbian relationship.

Genre: Drama, Romance

Actor: Aude-Laurence Clermont Biver, Barbara Sukowa, Denis Jousselin, Eugenie Anselin, Jérôme Varanfrain, Léa Drucker, Martine Chevallier, Muriel Bénazéraf

Director: Filippo Meneghetti

Rating: NR

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In the vein of classic 80s films, Totally Killer is an homage to the genres that got its heyday in the decade. This film happens to be a serial killer mystery, a time-travel sci-fi adventure, and a teen comedy all at once. With mentions of Back to the Future and Molly Ringwald, the new addition to the Prime Video’s current horror roster makes a throwback to when these genres were at its peak. But these throwbacks aren’t just for style – like how true crime rehashes old cases for content, the small town of Vernon still rehashes the serial murders for entertainment, as if stuck and unable to move on from its glory days. Admittedly, this film does the same sin. Plenty of the twists and turns can feel predictable to those familiar with 80s movies. But the multi-genre mix still feels like a fun ride, even when it contradicts the point it’s making.

Genre: Comedy, Horror, Science Fiction

Actor: Alex Pychtin, Amy Goodmurphy, Andrew Barber, Andy Thompson, Anna Diaz, Brendan O'Brien, Charlie Gillespie, Conrad Coates, Eliza Norbury, Ella Choi, Fred Henderson, Jeremy Monn-Djasgnar, Jonathan Potts, Julie Bowen, Kelcey Mawema, Kevin Osea, Kiernan Shipka, Kimberly Huie, Liana Liberato, Lochlyn Munro, Madeleine Kelders, Nathaniel Appiah, Olivia Holt, Pam Kearns, Patti Kim, Randall Park, Shahrokh Ferdowsi, Stephi Chin-Salvo, Tate Chernen, Tommy Europe, Troy Leigh-Anne Johnson, Valin Shinyei, Vanessa Prasad, Zachary Gibson

Director: Nahnatchka Khan

Rating: R

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Directed by the award-winning Swedish filmmaker Bjorn Runge and adapted by Jane Anderson from Meg Wolitzer's 2003 novel, The Wife has enjoyed great acclaim since premiering at the 2017 Toronto International Film Festival. The film follows the growing tension between acclaimed author Joseph Castleman and his wife Joan, who works as his secret ghostwriter, as Joseph is set to receive the Nobel Prize in Literature. The direction is clean and careful with Glenn Close giving possibly one of the finest performances of her career as the supportive then increasingly resentful Joan. Emotional and funny at times, The Wife is a profound character exploration, celebrating womanhood and liberation.

Genre: Drama

Actor: Alix Wilton Regan, Anna Azcárate, Annie Starke, Björn Runge, Björn Runge, Carolin Stoltz, Christian Slater, Elizabeth McGovern, Glenn Close, Grainne Keenan, Harry Lloyd, Jan Mybrand, Jane Garioni, Johan Widerberg, John Moraitis, Jonathan Pryce, Karin Franz Körlof, Mattias Nordkvist, Max Irons, Michael Benz, Morgane Polanski, Nick Fletcher, Ossian Skarsgård, Peter Forbes, Richard Cordery, Suzanne Bertish

Director: Björn Runge

Rating: R

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The only Kundera film adaptation frankly hasn’t disproven that the source novel is unfilmable, but The Unbearable Lightness of Being is a pretty decent attempt. While Kundera’s meditations aren’t tackled in full depth, director Philip Kaufman manages to retain enough of the novel’s images to rein in the unwieldy plot, such as Sabina with the mirror, Tereza’s nightmare of naked women, their photography around Sabina’s studio and the black-and-white moment of Prague Spring, where editor Walter Murch adeptly inserts Tereza and Tomas within the historical footage. These images, along with the excellent cast, keep the wistful feeling that haunts Kundera’s novel.

Genre: Drama, Romance

Actor: Anne Lonnberg, Bruce Myers, Clovis Cornillac, Consuelo De Haviland, Daniel Day-Lewis, Daniel Olbrychski, Derek de Lint, Donald Moffat, Erland Josephson, Hana Maria Pravda, Jacques Ciron, Jean-Claude Bouillon, Juliette Binoche, László Szabó, Lena Olin, Leon Lissek, Pascale Kalensky, Pavel Landovský, Pavel Slabý, Philip Kaufman, Stellan Skarsgård, Tomasz Borkowy, Vladimír Valenta

Director: Philip Kaufman

Rating: R

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Being released just a year after 9/11, we weren’t expecting The Quiet American to be critical about America’s intervention in the Vietnam War– the original novel was criticized by the country in its initial release, and the previous 1958 film adaptation revamped the entire story for an anti-communist message. Still, while the film could have expanded on Phuong’s perspective, The Quiet American is well made and surprisingly faithful to the book– willing to delve into author Graham Greene’s cautionary tale on exceptionalism and acknowledging how his prediction has happened in reality, all easily understood through the simple, yet effective metaphor of a love triangle.

Genre: Drama, Romance, Thriller, War

Actor: Brendan Fraser, Do Thi Hai Yen, Ferdinand Hoang, George Mangos, Holmes Osborne, Jeff Truman, Kevin Tran, Mathias Mlekuz, Michael Caine, Rade Serbedzija, Robert Stanton, Tzi Ma

Director: Phillip Noyce

Rating: R

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When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Genre: Drama

Actor: Akari Takaishi, Ayumu Nakajima, Azuki Terada, Daiken Okudaira, Denden, Go Ayano, Hana Kino, Haru Iwakawa, Hiroshi Tachi, Kentaro Sakaguchi, Kotone Hanase, Lily Franky, Mai Fukagawa, Masami Nagasawa, Nana Mori, Ron Mizuma, Ryusei Yokohama, Shinobu Terajima, Shun Sugata, Suon Kan, Takuya Wakabayashi, Tetsushi Tanaka, Yuina Kuroshima, Yukiya Kitamura

Director: Michihito Fujii

Rating: PG-13

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As an adaptation of the one-character play, it’s a delight to see Pauline Collins as Shirley Valentine rip into the signature monologue through fourth wall breaks– ranting, bantering, and raving to us about the unique follies of mundane domesticity. Collin maintains the same comedic timing and wittiness of the titular character that has captivated Liverpool, and then London, at the time. However, while critics found it easy to dismiss the script as a series of superficial, stagy ramblings, Valentine genuinely searches for life purpose, for herself, for her soul, confronting her younger aspirations, the box she was essentially crammed into due to marriage expectations, and the life that she sacrificed for family’s sake. Shirley Valentine may not have gotten the acclaim succeeding female mid-life crisis films have gotten, but it’s an underrated classic comedy that many can enjoy.

Genre: Comedy, Romance

Actor: Alison Steadman, Anna Keaveney, Bernard Hill, Cardew Robinson, Catherine Duncan, George Costigan, Geraldine Griffiths, Gillian Kearney, Joanna Lumley, John Hartley, Julia McKenzie, Ken Sharrock, Marc Zuber, Matthew Long, Pauline Collins, Ray Armstrong, Sylvia Syms, Tom Conti, Tracie Bennett

Director: Lewis Gilbert

Rating: R

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After a long life lived in a home one chose, it can be hard to uproot your entire life, especially in a country that seems diametrically opposed in manners and values. Before his American produced hits like Brokeback Mountain and Life of Pi, Ang Lee made his debut through Pushing Hands, a film entirely shot in America but produced from Taiwan, exploring from the Chinese perspective the generational conflict between Asian immigrants and the mainlander parents that they brought to have a good life. It’s humorous at certain moments, with the steady demeanor of Chu contrasted to everyone around him, but Pushing Hands stems from the understanding of someone who’s directly lived through it, unfolding into a thoughtful, sentimental drama that quickly established Lee’s directorial voice.

Genre: Comedy, Drama

Actor: Chit-Man Chan, Deb Snyder, Fanny De Luz, Haan Lee, Lung Sihung, Sihung Lung, Wang Bozhao, Wang Hung-Chang, Wang Lai

Director: Ang Lee

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Films about drug dealing aren't particularly new, but the way Pusher delves into their lives feels different– more realistic than glamorous, somewhat like a guerrilla documentary, with the handheld camera as a silent, unnamed witness. As the camera follows low-level dealer Frank through the course of a week, Kim Bodnia skillfully garners empathy with the way he holds himself through the pressure, and does the opposite when he does the same wrongs that were done to him. The story itself may be simple, but writer-director Nicolas Winding Refn made his mark through this debut, inadvertently creating a franchise and influencing Danish cinema.

Genre: Action, Crime, Drama

Actor: Gordon Kennedy, Gyda Hansen, Jesper Lohmann, Karsten Schrøder, Kim Bodnia, Lars Bom, Laura Drasbæk, Levino Jensen, Lisbeth Rasmussen, Liv Corfixen, Mads Mikkelsen, Michael Hasselflug, Nicolas Winding Refn, Peter Andersson, Slavko Labović, Thomas Bo Larsen, Vanja Bajicic, Zlatko Burić

Director: Nicolas Winding Refn

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Empirical truth is something that is observable, objective, and verifiable. However, without the ability to observe, one must find other means to obtain a set of observations– repeated, consistent answers to eventually parse out the reality. One must obtain proof. Proof is an Australian drama about a blind photographer named Martin, who uses his photos to get multiple viewpoints of what was present in that specific moment. Writer-director Jocelyn Moorhouse brilliantly uses that idea to craft a character that wields objectivity in order to protect himself and keep himself distant, as seen through the way he instantly trusts Andy due to his straightforward demeanor, and the way he attempts to drive away his housekeeper Celia to get her to see the worst of him, instead of the idealized, perhaps fetishized, image she creates of him. Proof challenges the photograph as a medium of truth, as well as the idea of complete honesty and trust in another person.

Genre: Drama, Romance

Actor: Belinda Davey, Cliff Ellen, Daniel Pollock, Frank Gallacher, Frankie J. Holden, Geneviève Picot, Heather Mitchell, Hugo Weaving, Jeffrey Walker, Russell Crowe, Saskia Post

Director: Jocelyn Moorhouse

Rating: R

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