758 Best Character-driven Movies to Watch (Page 32)

Staff & contributors

If you’re less about adventurous plots, and more about the emotional journey and relationship arcs, we’ve got you covered. Here are the best character-driven movies and shows to stream right now.

Within the fantasy of fairytales and folklore, there’s a hint of something true and human wrapped inside, passed down from generation to generation, translated for the imagination of children. The Secret of Roan Inish is inspired by selkie folklore– the seals that shed their skin to become human, though they still yearn for the sea– but writer-director John Sayles brilliantly compares this to the Coneelly’s yearning for their home, the home torn away from them due to the war, and the home that’s denied to them due to the impending eviction. It’s a lovely story, one partly told by stories handed down from grandparents, but it’s made much more beautiful by the way the grandchildren actively participate in getting their home back. The Secret of Roan Inish beautifully depicts the way kids can change a family’s fate when they get to learn more of their heritage.

Genre: Adventure, Drama, Family, Fantasy

Actor: Brendan Conroy, Declan Hannigan, Eileen Colgan, Frankie McCafferty, Jeni Courtney, John Lynch, Mick Lally, Pat Slowey, Susan Lynch

Director: John Sayles

Rating: PG

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The Outrun, which follows Rona as she struggles to acknowledge and eventually overcome her alcoholism, is understandably in shambles. It’s non-linear (our only cues are her hair color) and occasionally fractured to show just how messed up Rona’s headspace is. These decisions may or may not feel necessary to the viewer, but what centers the film and makes it nonetheless worthwhile is Ronan’s performance. She is convincing and compelling as an addict—no overacting here or disrespectful flairs, just a simple performance carried by the weight of her eyes, the pain of gestures, and the occasional creak in her voice. It’s not always clear what’s happening in The Outrun despite its simple plot, but it is always watchable thanks to Ronan’s magnificent turn.

Genre: Drama

Actor: Izuka Hoyle, Lauren Lyle, Nabil Elouahabi, Naomi Wirthner, Paapa Essiedu, Saoirse Ronan, Saskia Reeves, Stephen Dillane

Director: Nora Fingscheidt

Rating: R

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No one likes to be replaced. Even when it gets difficult, hardwork and years put in effort to take and keep these roles makes it feel precious, and that’s exactly how househelp Raquel feels in The Maid. It’s a funny domestic comedy, with a scowling Catalina Saavedra ready to protect the role she’s held onto for years, but Saavedra and writer-director Sebastián Silva crafts an empathetic, realistic character study of a woman so worn down from poverty, power imbalance, and having had no breaks that the rare instance of compassion feels like a threat. La Nana doesn’t quite critique the entire system that keeps Raquel in her role, but it’s a rare film that acknowledges the importance of rest and empathy in order to feel human.

Genre: Comedy, Drama

Actor: Agustín Silva, Alejandro Goic, Andrea García-Huidobro, Anita Reeves, Catalina Saavedra, Claudia Celedón, Claudia Paz, Delfina Guzmán, Juan Pablo Larenas, Luis Dubó, Luis Wigdorsky, Mariana Loyola

Director: Sebastián Silva

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Most sports biopics are centered around winners– their drive, their spirit, and their determination to beat the competition, and maybe win some glory for their respective teams, hometowns, or countries. The Happiest Day in the Life of Olli Mäki instead focuses on a Finnish boxer that lost a match. Shot in 16mm black and white film stock, writer-director Juho Kuosmanen captures the man, not the legend, in sequences that feel like decades-old memories that draws you into his story, his humble character, and the motivations that drive him, a yearning for love rather than bragging rights, trophies, and nationalistic pride. It’s such a charming twist to the genre, one that recognizes a different kind of masculinity. While Mäki might not be the world’s best boxer, this film suggests that he might be one of the happiest, forgoing an important match for a marriage that ended up lasting his lifetime.

Genre: Drama, Romance

Actor: Aaro Airola, Anna Airola, Claes Andersson, Deogracias Masomi, Eero Milonoff, Elma Milonoff, Emilia Jansson, Esko Barquero, Heikki Metsämäki, Iiris Anttila, Jarkko Lahti, Jarmo Kiuru, Joanna Haartti, Joonas Saartamo, Leimu Leisti, Mika Melender, Olli Rahkonen, Oona Airola, Pia Andersson, Salla Yli-Luopa, Tiina Weckström, Viljami Lahti

Director: Juho Kuosmanen

Rating: NR

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Are connections truly fated, completely chosen, or purely circumstantial? The slow tragedy of Henry James’ The Beast in the Jungle hangs entirely on the question, which captivated readers and filmmakers with the concept, including Bertrand Bonello, which forms the foundations of 2023’s The Beast. Bonello lets loose The Beast in the Jungle into an AI playbox of time and space and destiny, transforming the simple examination of human life into a sci-fi epic, a moving period romance, and an existential mystery all at once. It can occasionally feel a bit jumbled up at times, with the way Bonello jumps across lives, but Léa Seydoux and George MacKay hold everything together with their performance, making La Bête deeply striking, if a bit derivative.

Genre: Drama, Romance, Science Fiction

Actor: Alice Barnole, Bertrand Bonello, Dasha Nekrasova, Elina Löwensohn, George MacKay, Guslagie Malanda, Isabelle Prim, Julia Faure, Laurent Lacotte, Léa Seydoux, Lukas Ionesco, Marta Hoskins, Martin Scali, Rémi Canaple, Tiffany Hofstetter, Xavier Dolan

Director: Bertrand Bonello

Rating: NR

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When depicting a person known best for an advocacy, you have to be accurate to their story, but it’s rare to see a biopic match the ideas of that advocacy in its direction. It’s because of this that the HBO film Temple Grandin is great. While made for TV, it’s not a by-the-numbers biopic that just depicts the academic’s life straight. No, instead, the film experiments with visual ways to depict her unique visual intelligence– as Grandin’s autism also granted her photogenic memory, an above-average instinct for mechanical smarts, and a focus and drive to understand that’s not as shakable as other neurotypical academics. This novel approach matches the very advocacies she lived throughout her life– the systematic, more humane treatment in slaughterhouses, and the idea that autism doesn’t mean deficiency, it just needs support to allow that different intelligence to thrive.

Genre: Drama, History

Actor: Barry Tubb, Blair Bomar, Brady Coleman, Carl Savering, Catherine O'Hara, Charles Baker, Cherami Leigh, Claire Danes, David Blackwell, David Born, David Strathairn, Gabriel Luna, Gerry Robert Byrne, Joe Nemmers, Julia Ormond, Kurt Cole, Melissa Farman, Michael D. Conway, Nicole Holt, Richard Dillard, Rick Espaillat, Tamara Jolaine, Toby Metcalf, Xochitl Romero

Director: Mick Jackson

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Education isn’t always a guarantee, especially in less privileged areas that are underfunded, overlooked, and underprioritized, in the belief that these kids wouldn’t amount to much in the end. That being said, sometimes, what changes that fate is having a teacher that believed in his students and encouraged them to learn more than what they were expected. Stand and Deliver is a dramatization of the real life Jaime Escalante, who transformed a math program in an east LA high school to the point where his entire class ace California’s calculus test. The film definitely takes some dramatic liberties, but it does capture a sense of his quiet determination, the personality that pushed him to believe in and connect with students differently. While Escalante’s program eventually ended due to admin changes and staff in-fighting, Stand and Deliver is a reminder of the importance of nurturing ganas, or desire, in the classroom.

Genre: Drama

Actor: Andy Garcia, Betty Carvalho, Bodie Olmos, Carmen Argenziano, Edward James Olmos, Eliot, Estelle Harris, Graham Galloway, Ingrid Oliu, Irene Olga López, Karla Montana, Lou Diamond Phillips, Lydia Nicole, Manuel Benitez, Mark Phelan, Rosanna DeSoto, Vanessa Marquez, Virginia Paris, Will Gotay

Director: Ramón Menéndez

Rating: PG

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There are some connections that transcend definition, becoming more important and fundamental to one’s life than that of a romantic relationship. Not many people are lucky to have experienced it, but nevertheless it’s true. Soulmate is the Korean adaptation of the 2016 Chinese directorial debut, and while it’s faithful to the source material, there’s a focus to this rendition that elevates the film, with a greater emphasis on the titular soulmates rather than the boy that tore them apart. Because of this, Soulmate is much more emotionally devastating, neatly shifting some character revelations in order to grant the weight each moment deserves.

Genre: Drama, Romance

Actor: Byeon Woo-seok, Heo Ji-na, Hyun Bong-sik, Jang Hye-jin, Jeon So-nee, Kang Mal-geum, Kim Da-mi, Lee Suk-hyeong, Nam Yoon-su, Oh Min-ae, Park Choong-seon, Park Seong-yeon

Director: Min Yong-keun

Rating: NR

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Generally, a mentorship is a great way to find guidance and direction, but rarely do we discuss the importance of finding the right mentor– or the right mentors– and that it sometimes takes a while to find a great fit. Searching for Bobby Fischer is about real-life child chess prodigy Josh Waitzkin, but rather than depicting the straightforward mentorship plot we’ve seen in many sports films before, the film captures the journey of a boy who needs both the freedom and the structure for his chess career. Searching for Bobby Fischer does take on the tone and style typical of these child prodigy biopics, but Waitzkin’s story is worth telling, especially for children trying to find their own voice outside of their guardians.

Genre: Drama

Actor: Andrew Sardella, Anthony Heald, Austin Pendleton, Ben Kingsley, Bobby Fischer, Caroline Yeager, Chelsea Moore, Dan Hedaya, David Paymer, Hal Scardino, Joan Allen, Joe Mantegna, John Bourgeois, Josh Kornbluth, Josh Mostel, Laura Linney, Laurence Fishburne, Maria Ricossa, Max Pomeranc, Michael Nirenberg, Nathan Carter, R.D. Reid, Robert Stephens, Steven Randazzo, Tom McGowan, Tony De Santis, Tony Shalhoub, Vasek Simek, William Colgate, William H. Macy

Director: Steven Zaillian

Rating: PG

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This gripping legal drama is based on a case we still don’t know the truth of — which might make it seem like a pointless exercise, were it not for the fact that it’s infectiously fascinated by greater questions than whether wealthy socialite Claus von Bülow (Jeremy Irons) really did attempt to kill wife Sunny (Glenn Close), who was left comatose by the mysterious event. After being convicted, Claus recruited for his appeal then-hotshot lawyer Alan Dershowitz (Ron Silver), now better known for personal allegations and his defense of men even more nefarious than Claus. Reversal follows the tricky legal argument-crafting process, embedding us with Dershowitz’s elite team as they meticulously comb through the prosecution’s theory to find the hairline crack they need to break the case open.

But why go to all this effort to exonerate an unlikeable and frustratingly enigmatic man like Claus, whom Dershowitz apparently doesn’t even believe himself? While we’re morbidly fascinated by unknowable cases like this, it’s the passion of the defense that’s really puzzling — something Reversal shrewdly gets as it wrestles with the ethical arguments for and against Dershowitz’s involvement, making for a pre-courtroom drama whose power extends beyond that of the particular case it documents.

Genre: Drama

Actor: Alan Pottinger, Annabella Sciorra, Bill Camp, Brian Delate, Bruno Eyron, Christine Baranski, Christine Dunford, Constance Shulman, Edwin McDonough, Ericka Klein, Felicity Huffman, Fisher Stevens, Frank Stellato, Frederick Neumann, Glenn Close, Gordon Joseph Weiss, Jack Gilpin, Jad Mager, JD Cullum, Jeremy Irons, Jessika Cardinahl, Johann Carlo, Julie Hagerty, Keith Reddin, Larry Sherman, Leo Leyden, LisaGay Hamilton, Malachy McCourt, Mitchell Whitfield, Redman Maxfield, Ron Silver, Sarah Fearon, Stephen Mailer, Tom Wright, Uta Hagen

Director: Barbet Schroeder

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There are a striking number of similarities between Priscilla and director Sofia Coppola’s earlier offering, Marie Antoinette: both revolve around 14-year-old girls hand-picked to be partners to more powerful men in long-unconsummated relationships, and both girls are emotionally cut adrift and forced to live in gilded cages. But where Coppola’s Barbie-pink historical biopic is punkily anachronistic and riotous, Priscilla is a far more muted affair. There are no wild parties at Graceland as there were at Versailles; instead, Priscilla’s emotional isolation, thousands of miles away from her family, is made disconcertingly clear in shots of the infatuated teenager (played by Cailee Spaeny) anxiously ruminating alone in endless lavish rooms while the decade-older King (Jacob Elordi) plays away. Elvis’ emotional manipulation of Priscilla is conveyed subtly but inescapably — and the full sickening, insidious effect comes to the fore thanks to Spaeny’s astonishing performance. Based on Priscilla Presley’s own memoir, this is a bubble-bursting biopic, and it’s so compelling and painfully immersive that we never feel, even for a moment, like we’re watching the B side — instead, Spaeny and Coppola convincingly assert that this was the real story all along.

Genre: Drama, Romance

Actor: Alanis Peart, Ari Cohen, Cailee Spaeny, Conni Miu, Dagmara Domińczyk, Dan Abramovici, Dan Beirne, Deanna Jarvis, E. Fegan DeCordova, Emily Mitchell, Gwynne Phillips, Jacob Elordi, Jorja Cadence, Josette Halpert, Kamilla Kowal, Kelaiah Guiel, Kelly Penner, Luke Humphrey, Lynne Griffin, Mary Kelly, Olivia Barrett, R Austin Ball, Rodrigo Fernandez-Stoll, Sarah Dodd, Stephanie Moore, Stephanie Moran, Tim Dowler-Coltman, Tim Post

Director: Sofia Coppola

Rating: R

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