40 Best Character-driven Movies On Tubi (Page 3)

Staff & contributors

If you’re less about adventurous plots, and more about the emotional journey and relationship arcs, we’ve got you covered. Here are the best character-driven movies and shows to stream right now.

Welcome to the Dollhouse tells the story of Dawn, an unpopular seventh-grader mercilessly bullied at school and ignored at home. Her day-to-day is painful to watch; her classmates make fun of her, her teachers never believe her, and her parents punish her, blatantly favoring her other siblings over her. But all this she puts up with, as if going through the murky in-between stage that is adolescence isn't confusing enough. Dawn finds no respite elsewhere, except perhaps in her friend Ralphy (another target of bullying) and her crush, the high schooler Steve.  

A Sundance jury winner back in '96, Welcome to the Dollhouse is as darkly funny as it is grim. It takes on a deadpan approach in handling its more serious topics; it doesn't make fun of them so much as it shines them in a new and blinding light. It's difficult to look away from this frank and well-balanced film; a sure good watch for anyone curious to know what it's really like to be a teenage loner.

Genre: Comedy, Drama

Actor: Angela Pietropinto, Bill Buell, Brendan Sexton III, Christina Brucato, Christina Vidal, Daria Kalinina, Elizabeth Martin, Eric Mabius, Heather Matarazzo, Ken Leung, Matthew Faber, Molly Howe, Rica Martens, Richard Gould, Siri Howard, Stacey Moseley, Teddy Coluca, Telly Pontidis, Victoria Davis, Will Lyman

Director: Todd Solondz

Rating: R

At first glance, The Madness of King George seemed like a history lesson about King George III. Like plenty of British royalty dramas, the film has all the opulent trappings in its sets and costumes, as well as some of the best actors from the British isles. However, unlike other depictions of the monarchy, the film depicts the king not as a benevolent ruler or oppressive tyrant– instead, King George III is terribly human, with his memory failing, being unsettled by loss, and concern over his health, which involves having to look at his urine. But the historical satire, based on the 1991 stage play, still manages to have the same mockery towards the opportunistic court, while still retaining sympathy for the very nobility it mocks, through original playwright Alan Bennett’s adept writing, as well as the excellent performance of the stacked ensemble cast.

Genre: Comedy, Drama, History

Actor: Adrian Scarborough, Alan Bennett, Amanda Donohoe, Anthony Calf, Barry Stanton, Caroline Harker, Charlotte Curley, Clive Brunt, Colin McPhillamy, Cyril Shaps, David Leon, Dermot Keaney, Geoffrey Palmer, Helen Mirren, Iain Mitchell, Ian Holm, Janine Duvitski, Jeremy Child, Jim Carter, Joanna Hall, John Wood, Julian Rhind-Tutt, Julian Wadham, Michael Grandage, Nicholas Irons, Nicholas Selby, Nick Sampson, Nigel Hawthorne, Paul Corrigan, Peter Woodthorpe, Robert Swann, Roger Ashton-Griffiths, Roger Hammond, Rupert Everett, Rupert Graves, Selina Cadell, Struan Rodger

Director: Nicholas Hytner

Rating: PG-13

As a comedy made in the 80’s all about a gay couple, viewers not familiar with this indie film might expect something tragic, raunchy, or insensitive, but Parting Glances is surprisingly understated. The main relationship is refreshingly treated with the same domesticity as a straight couple would, and the main conflict isn’t concerned with acceptance– after all, Michael and Robert were already accepted by their urban Manhattan community. In writing this, first-time director Bill Sherwood is able to focus on the upcoming long-distance relationship, Michael realizing Robert wants the distance, while Robert feels uncertain over Michael’s feelings for his ex dying from AIDS. The film doesn’t shy away from the touching, but even with the difficult pain of losing parts of the community, it’s still straightforward, unsentimental, and so funny with the witty repartee between the well-written characters. Parting Glances is a true gem.

Genre: Comedy, Drama

Actor: Adam Nathan, Bob Koherr, Cam Brainard, John Bolger, Kathy Kinney, Michael Medeiros, Nicholas Hill, Patrick Tull, Richard Ganoung, Steve Buscemi, Victor Rivers, Yolande Bavan

Director: Bill Sherwood

Rating: NR

Based on the first jury trial in South Korea, Juror 8 tells the story of eight ordinary citizens with different backgrounds who are summoned to be the jurors of a case that's believed to be a murder. These characters who have no background or knowledge in law find themselves able to decide someone's fate. Unlike 12 Angry Men, Juror 8 delivers a lot of cunning and humorous dialogue between the characters. It’s a good mix between comedy and mystery.

Genre: Comedy, Drama, Mystery

Actor: Baek Soo-jang, Cha Mi-kyeong, Cho Soo-hyang, Choi Ri, Choi Young-woo, Go Seo-hee, Jeong Do-won, Jo Han-chul, Kim Hak-seon, Kim Hak-sun, Kim Mi-kyoung, Kim Sun-young, Kwon Hae-hyo, Lee Kyoo-hyung, Lee Yeong-jin, Lee Yong-i, Lee Yong-yi, Moon So-ri, Park Hyung-sik, Park Jae-wan, Park Jin-young, Pierce Conran, Rie Young-zin, Ryu Deok-hwan, Seo Hyun-woo, Seo Jeong-yeon, Seo Jin-won, Seo Jung-yeon, Seo Young-ju, Shim Dal-gi, Yeom Hye-ran, Yoo Soon-woong, Yoon Kyung-ho, Yum Dong-hun

Director: Hong Seung-wan

Rating: Not Rated

Never has evil been so darn fun to watch. Bridget (Linda Fiorentino) is such a captivating villainess, you'll actually find yourself rooting for her at times in this noirish take on..., I don't know what, but it involves drug money, double-crosses, lots of witty repartee and cat-and-mouse manipulation that will make your stomach hurt. The script is tight, the acting is all testosterone driven and crisp and you'll hear some choice words come from nice guy Bill Pullman (as Bridget's husband Clay) that you never imagined he could say. Peter Berg (Mike) is fantastic as the guy's guy determined to earn his Alpha-dog badge by subduing the fierce and wickedly intelligent heroine, Bridget. Fiorentino won a BAFTA award for her performance and was nominated, along with Director John Dahl, for several others. The movie did not qualify under Academy rules for the Oscars, but it would have been a strong contender.

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Anne Flanagan, Bill Nunn, Bill Pullman, Bill Stevenson, Dean Norris, Donna W. Scott, Herb Mitchell, J.T. Walsh, Jack Shearer, Linda Fiorentino, Michael Raysses, Mik Scriba, Peter Berg, Walter Addison, Zack Phifer

Director: John Dahl

Rating: R

Shattered Glass tells the unbelievably true story of Stephen Glass, a popular and promising young journalist at The New Republic. Stephen's storytelling skills are sought out not just by his admiring colleagues but by other publications as well, so when a rival journalist from Forbes finds holes in one of Stephen's stories, no one takes the accusation seriously at first—except perhaps for Charles Lane, Stephen's editor. Immune to Stephen's charms, Charles digs for the truth and tries, despite an alarming lack of support, to pursue what's right.

Set in the '90s, Shattered Glass may be a throwback to old-school journalism, but its ideas about the integrity of facts still hold water, especially in an age fraught with rampant disinformation.

Genre: Drama, History

Actor: Andrew Airlie, Bill Rowat, Brett Watson, Brittany Drisdelle, Caroline Goodall, Cas Anvar, Chad Donella, Chloe Sevigny, Christian Tessier, Hank Azaria, Hayden Christensen, Howard Rosenstein, Isabelle Champeau, Jamie Elman, Linda E. Smith, Louis-Philippe Dandenault, Luke Kirby, Lynne Adams, Mark Blum, Mark Camacho, Melanie Lynskey, Michele Scarabelli, Morgan Kelly, Owen Roth, Pauline Little, Peter Sarsgaard, Pierre Leblanc, Rosario Dawson, Russell Yuen, Simone-Elise Girard, Steve Zahn, Ted Kotcheff, Terry Simpson

Director: Billy Ray

Rating: PG-13

Watch this if you like weird movies. And don't be fooled by the first half, which serves just to set Jesse Eisenberg's character and the monotone life he leads. It's the calm before the storm, during which that character is attacked by a violent gang and decides to take self-defense classes in an unusual club. This is a movie about modern manhood and how it can lead to some pretty strange situations. Great performance from Eisenberg as usual.

Genre: Action, Comedy, Drama, Thriller

Actor: Alessandro Nivola, Apollo Bacala, Caroline Amiguet, Dallas Edwards, Davey Johnson, David Zellner, Frederic Spitz, Hauke Bahr, Imogen Poots, Jason Burkey, Jesse Eisenberg, Josh Fadem, Katherine Smith-Rodden, Leland Orser, Lena Friedrich, Louis Robert Thompson, Mike Brooks, Phillip Andre Botello, Steve Terada

Director: Riley Stearns

Rating: R

This taut chamber piece about NSA whistleblower Reality Winner (yes, that’s her real name) is based on the FBI’s account of her interrogation one June day in 2017. “Based on” doesn’t quite capture Reality’s exhaustive commitment to the facts, though, because this movie is essentially a dramatic reading of a verbatim transcript of the FBI agents’ recording that day. The only time it breaks with reality is when it reaches a redacted portion of the transcript, at which point characters glitch out of view, leaving us staring into the blank set around them. Otherwise, every cough, false start, and even every off-topic remark is recreated with exacting precision here, lending the film a paradoxically stilted, slightly stagy air. But rather than pull you out of the proceedings, Reality’s palpable artificiality only immerses us into the uneasy tension and surreality that its anxious protagonist must have been feeling that day.

That anxiety is contagious, thanks to the movie’s clinical style and central performance. The camerawork is largely unblinking, moving in uncomfortably close on Reality (Sydney Sweeney) as two FBI agents (Josh Hamilton and Marchánt Davis) subject her to their bizarre hot-cold interrogation, which ranges from seemingly friendly inquiries about her dog to jugular-aimed questions about the allegations against her. Sweeney shoulders all this pressure remarkably well, deftly keeping us as much in the dark as Winner tried to keep the FBI in — which makes not knowing the real story a benefit, rather than a barrier, to watching Reality.

Outside of Sweeney’s commanding performance, Reality feels somewhat limited by its absolute loyalty to the FBI’s transcript, though. Much of the film’s 83-minute runtime is dedicated to recreating the text, which leaves only a few minutes at the end for it to express its own point of view on Winner’s actions. Though these scant moments make for a compelling reframing of the charges against Winner, they feel overshadowed by and separate from the movie’s rigorous devotion to the transcript, which ultimately means Reality can’t quite transcend its status as merely an interesting filmmaking curio.

Genre: Drama, Thriller

Actor: Allan Anthony Smith, Benny Elledge, Bill Maher, John Way, Josh Hamilton, Marchánt Davis, Sydney Sweeney, Tucker Carlson

Director: Tina Satter

In Fatih Akin’s In the Fade, Katja is seeking justice after the killings of her Turkish husband and their young son in a terrorist bomb attack. Diane Kruger in the role of Katja delivers a powerful and rather grueling performance, for which she was awarded Best Actress at Cannes Film Festival. Her grief is vivid and forces viewers to bear witness to her inescapable pain. In the Fade also won the Golden Globe Award for Best Foreign Language Film, beating astonishing films such as Andrey Zvyagintsev’s Loveless. This moving story about a fearless woman determined to take justice into her own hands to fight the cruelty of others delivers a message that needs to be heard.

Genre: Crime, Drama, Thriller

Actor: Adam Bousdoukos, Aysel Iscan, Denis Moschitto, Diane Kruger, Edgar Selge, Hanna Hilsdorf, Henning Peker, Johannes Krisch, Karin Neuhäuser, Laurens Walter, Numan Acar, Samia Chancrin, Şiir Eloğlu, Ulrich Brandhoff, Ulrich Tukur, Uwe Rohde, Yannis Economides

Director: Fatih Akin

Rating: R

You know Anthony Hopkins as the evil Hannibal Lecter, but in this film he gives a warm and heartfelt performance portraying real life New Zealand motorcycle legend Burt Munro who set a land speed record in 1967 on a hand-built 1920 Indian. It's a story of never giving up on your dream even in the face of ridicule and opposition. Hopkins' performance turns what could have been just another schmaltzy formulaic story line into true gold. You'll be cheering for Burt/Anthony by the end!

Genre: Adventure, Drama, History

Actor: Aaron Murphy, Alison Bruce, Annie Whittle, Anthony Hopkins, Antony Starr, Bruce Greenwood, Campbell Cooley, Charles Halford, Charles Pierard, Chris Bruno, Chris Williams, Christopher Lawford, Craig Hall, Daniel Sing, Diane Ladd, Eric Pierpoint, Gavin Grazer, Greg Johnson, Iain Rea, James Gaylyn, Jessica Cauffiel, Joe Howard, Juliana Bellinger, Latham Gaines, Mark Ruka, Michael Mantell, Mick Rose, Morgan Lund, Patrick John Flueger, Paul Rodríguez, Saginaw Grant, Tessa Mitchell, Tim Shadbolt, Todd Emerson, Walton Goggins, Wesley Dowdell, William Lucking

Director: Roger Donaldson

Rating: PG-13