195 Best Character-driven Movies On Itunes (Page 8)

Staff & contributors

If you’re less about adventurous plots, and more about the emotional journey and relationship arcs, we’ve got you covered. Here are the best character-driven movies and shows to stream right now.

Abel Ferrara's protagonists have always searched for higher meaning in a flawed, messed-up world of pain and violence. If 1992's Bad Lieutenant took Harvey Keitel to church for one of American indie cinema's most spectacular endings, Padre Pio doesn't offer such solace. Ferrara (who's been living and working in Rome for years now) teamed up with Italian screenwriter Maurizio Braucci to direct a period piece that brings together the real life of a Catholic Church saint (the titular Padre Pio) and the rise of socialism after WWI. What seems like a straightforward historical approach turns first gruesome and then profound to capture the contradictions at the heart of Italy as a nation. A character study that breaks free of its biographical chains, Padre Pio shows that Ferrara has still got it, 50 films in. 

Genre: Drama

Actor: Alessandro Cremona, Anna Ferrara, Asia Argento, Brando Pacitto, Cristina Chiriac, Ermanno De Biagi, Federico Majorana, Ignazio Oliva, Luca Lionello, Marco Leonardi, Martina Gatti, Michelangelo Dalisi, Roberta Mattei, Salvatore Ruocco, Shia LaBeouf, Stella Mastrantonio, Vincenzo Crea

Director: Abel Ferrara

Rating: R

There’s an intriguing meta appeal to this drama, the plot of which is a thinly veiled reference to the scandal that erupted around South Korean director Hong Sang-soo and star Kim Min-hee’s extramarital affair. Here, Kim plays an actress who flees to Germany amidst a media storm swirling around a similar relationship and then returns home to skirt prying questions from friends and — maybe — confront her now-distant lover.

But beyond its references to salacious real life, On the Beach at Night Alone is also a fascinating conversational movie, one that explores with gentleness all the messy feelings that Kim is having in her physical and professional exile (offers of acting roles having dried up because of the scandal). That tone isn’t permanent, though, because the film reaches a violently emotional crescendo with two extremely raw and strange outbursts at dinner parties — a strangeness echoed by the lightning bolts of surreality that break up what is otherwise a naturalistic film (and filmography, for Hong). This might make an unconventional entry point if you’ve never seen a Hong film before (he’s averaged two films a year since 2017, so there are plenty of other options), but it’s an illuminating introduction for newcomers all the same, and a fascinating evolution for confirmed fans.

Genre: Drama

Actor: Ahn Jae-hong, Gong Min-jeung, Han Ja-i, Han Jae-yi, Jung Jae-young, Kang Tae-u, Kim Min-hee, Kwon Hae-hyo, Mark Peranson, Moon Sung-keun, Seo Young-hwa, Song Sun-mi

Director: Hong Sang-soo

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After receiving virtually unlimited funding from a wealthy businessman, Lola (played by the always excellent Penelope Cruz) sets out to mount an ambitious adaptation of a bestselling novel. To make her vision work, she employs renowned actors Ivan Torres (Oscar Martinez) and Felix Rivero (Antonio Banderas), knowing full well that their opposite philosophies in art and life will clash. What follows is a series of preps and rehearsals that play out like social experiments in their twistedness, which all in all speak to the outrageousness of film, art, and life itself.

In this Spanish dark comedy, no one is spared from satire—from the idiosyncratic auteur down to the sell-out actor, all are parodied in equal measure, each of their egos broken down in great and hilarious detail.

Genre: Comedy, Drama

Actor: Ana Belén, Antonio Banderas, Daniel Chamorro, Irene Escolar, Isabel García Lorca, José Luis Gómez, Juan Grandinetti, Ken Appledorn, Manolo Solo, María Guinea, Mary Ruiz, Melina Matthews, Mónica Bardem, Nagore Aranburu, Oscar Martinez, Penélope Cruz, Pilar Bergés, Pilar Castro, Sue Flack

Director: Gastón Duprat, Mariano Cohn

Rating: R

Minari is a film written and directed by Lee Isaac Chung, about a Korean-American family in search of the so-called American Dream. It is an intimate drama that is powerful yet quiet, and filled with moments of innocence. With dreamlike scoring, unique characters, and a captivating climax, this movie tugs on the heartstrings, and serves as a great reminder of the beauty of gratitude.

Thanks to these, plus winning performances across the board, Minari earned plenty of nominations at the 2021 Oscars, with Youn Yuh-jung eventually bagging the Best Supporting Actress award—a monumental first for South Korea.

Genre: Drama, Family

Actor: Alan Kim, Ben Hall, Chloe Lee, Darryl Cox, Debbi Tucker, Ed Spinelli, Eric Starkey, Ernie Robinson, Esther Moon, Han Yeri, Jacob Wade, James Carroll, Jenny Phagan, Kaye Brownlee-France, Noel Kate Cho, Scott Haze, Skip Schwink, Steven Yeun, Tina Parker, Warren Lane, Will Patton, Youn Yuh-jung

Director: Lee Isaac Chung

Rating: PG-13

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South African director John Trengove follows-up his debut The Wound with another take on masculinity, this time set in the States. Manodrome stars Jesse Eisenberg and Adrien Brody as a newbie and a veteran in a support group for men who have been emasculated by women and feminism. That's right, this is a film about incel culture, but one you haven't seen before. In tandem with Taxi Driver, Fight Club, or Joker, Manodrome represents a new era for the incel movie, as it confronts all the terror and aggression feeding into the community head on. Ralphie (Eisenberg) insists that his girlfriend Sal (Odessa Young) keeps their unplanned baby and deep down the rabbit hole he goes. Mental health struggles that have no outlet, worries, disappointment, alienation: all these facets of Ralphie's character come to the fore and bring him to the Manodrome clan, where Dad Dan (Brody) promises two miracles—absolution and acceptance—in exchange for celibacy. Trengove's sophomore feature is a blood-curdling psychological thriller that is not afraid to go to extremes (content warning!) to show that incels are not, in fact, a dorky online minority of youngsters, but a real wound in the body of our patriarchal world.

Genre: Drama, Mystery, Thriller

Actor: Adam Wade McLaughlin, Adrien Brody, Brian Anthony Wilson, Caleb Eberhardt, Ethan Suplee, Evan Jonigkeit, Garrett Richmond, Jesse Eisenberg, Jonah Wharton, Lamar Johnson, Matthew Lamb, Odessa Young, Philip Ettinger, Riley Keough, Sallieu Sesay, Zia Anger

Director: John Trengove

Rating: R

At the height of the 1997 Asian financial crisis, a small Singaporean family scrambles to keep their middle-class status afloat. The parents shave their expenses and work extra-long hours, but their busyness causes them to neglect their misbehaved son. When his misdemeanors prove to be too much, the mother is forced to hire a stay-at-home nanny, and her presence (along with other external pressures) brings about a change in the house. Suddenly, everyone becomes a bit more aware of their limitations and potential, and from this, a shared empathy grows. In other hands, this story might come off as bare and forgettable, but under first-time-feature director Anthony Chen’s helm, Ilo Ilo comes to life in rich detail, thoughtful shots, and captivatingly natural performances. Despite its many heartbreaking scenes, the film rarely dwells in sentiment, and it's this restraint that makes Ilo Ilo all the more gripping to watch. 

Genre: Drama, Family

Actor: Angeli Bayani, Chen Tian Wen, Chen Tianwen, Jialer Koh, Jo Kukathas, Koh Jia Ler, Peter Wee, Stephanie Kiong, Tian Wen Chen, Yann Yann Yeo, Yeo Yann Yann

Director: Anthony Chen

Rating: Not Rated, PG-13

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There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it's also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters' house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood's best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting "things to happen", but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses. 

Genre: Drama

Actor: Christopher Mele, Denzel Washington, Joe Fishel, Jovan Adepo, Lesley Boone, Mykelti Williamson, Russell Hornsby, Saniyya Sidney, Stephen Henderson, Stephen McKinley Henderson, Viola Davis

Director: Denzel Washington

Rating: PG-13

Before he developed his signature dollhouse visual style, Wes Anderson made his feature debut with this lowkey, heartwarming, and decidedly not-symmetrically-perfect comedy about a bunch of misfits. Bottle Rocket isn’t as much of an outlier in its director’s storied filmography as might initially seem, however. Written in partnership with college buddy Owen Wilson — who, along with brothers Luke and Andrew, made his acting debut here — the film is delightfully offbeat and unexpectedly moving in the way we’ve come to expect from Anderson. 

Dignan (Owen Wilson) and Anthony (Luke Wilson) are two drifting, boyish twenty-somethings, although only Anthony seems aware of his directionlessness, as Dignan has graciously developed a 50-year life plan for the two of them (complete with hilariously vague bullet-points such as “Make wise investments” and “Own multiple accommodations”). The means to these ambitious ends is a life of crime — specifically, pulling off grand heists. But Dignan’s meticulousness hasn’t accounted for distractions, and his madcap scheme falls at the first hurdle when Anthony falls in love with a housekeeper at the motel they hide out in (Lumi Cavazos). Their sweet romance is one of the film’s many delights, as is its barrelling deadpan humor, which never betrays the warmth of the Wilson brothers’ heartwarming depiction of ride-or-die friendship.

Genre: Comedy, Crime, Drama

Actor: Andrew Wilson, Antonia Bogdanovich, Brian Tenenbaum, Darryl Cox, Dipak Pallana, James Caan, Jill Parker-Jones, Julio Cedillo, Kumar Pallana, Luke Wilson, Lumi Cavazos, Melinda Renna, Ned Dowd, Owen Wilson, Robert Musgrave, Russell Towery

Director: Wes Anderson

Rating: R

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As heartbroken as you will be after watching this movie, you will feel nothing but triumph in the main actor's debut role. This movie has very little hope to offer the viewer, except the small amount felt every time the main character, Marina, gets up again to fight another day. This film depicts grief in such a profound and personal way within a character who must remain relatively silent and alone most of the movie. You will quickly know why the film is called "A Fantastic Woman".

Genre: Drama

Actor: Alejandro Goic, Aline Kuppenheim, Amparo Noguera, Antonia Zegers, Bárbara Mundt, Cristián Chaparro, Daniela Vega, Eduardo Paxeco, Erto Pantoja, Fabiola Zamora, Francisco González Hermosilla, Francisco Reyes, José Antonio Raffo, Loreto Leonvendagar, Luis Gnecco, Marcial Tagle, Moisés Angulo, Nestor Cantillana, Nicolas Saavedra, Pablo Cerda, Pablo Greene, Paola Lattus, Paulina Hunt, Roberto Farías, Sergio Hernández, Trinidad González

Director: Sebastián Lelio

Rating: 15, R

, 2015

Shrooms director Paddy Breathnach has als dipped his toes in romcoms and thrillers, but this queer Bogota-set drama has a lot of tenderness in its heart. Micro-budget and full of life as the name suggests, Viva is an inspiring story that centers around Jesus (Héctor Medina) and his own individuation. A hairdresser with the talent of a drag performer, he assumes the role of Viva in the weekend cabaret. As warm and open as his father is detached and somber, Jesus is a likeable protagonist with the vulnerability and dedication to follow his dream, that no wonder the film made the Oscar shortlist in 2016.

Genre: Drama

Actor: Héctor Medina, Jorge Perugorría, Laura Aleman, Luis Alberto García, Luis Manuel Alvarez, Mark O'Halloran, Renata Maikel Machin Blanco

Director: Paddy Breathnach

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This movie originally caught my eye for all the attention it got at the Cannes festival, but I assure you, all of the hype is more than warranted. Two Days, One Night takes you on an emotional journey with Sandra, recovering from depression and ready to get back to work, when she discovers that her co-workers, having to choose between receiving a bonus and Sandra keeping her job, hold her fate in their hands. And thus, barely convinced herself and with her husband as her only support, she sets out on an unlikely mission to convince the people to vote against the bonus so that she still has a salary. This movie will strike a chord for anyone who has encountered depression or even simply tried to understand the abstract concept that it is. Marion Cotillard flawlessly portrays through Sandra the desperate struggle of having to put up a fight despite the utter hopelessness that she finds herself drowning in. At strife with herself, watching her try even though every cell in her body has given up, is gut-wrenching and awe-inspiring at the same time. Before long Sandra's fight on the lay-off and on her own hopelessness seem to blur together. Whether she wins, is what keeps you hooked to the very end.

Genre: Drama

Actor: Alain Eloy, Baptiste Sornin, Batiste Sornin, Ben Hamidou, Catherine Salée, Christelle Cornil, Christelle Delbrouck, Fabrizio Rongione, Laurent Caron, Marion Cotillard, Morgan Marinne, Myriem Akeddiou, Myriem Akheddiou, Olivier Gourmet, Philippe Jeusette, Pili Groyne, Simon Caudry, Tom Adjibi, Yohan Zimmer

Director: Jean-Pierre Dardenne, Luc Dardenne

Rating: PG-13

Theeb is set in the Hejaz (now part of Saudi Arabia) on the eve of the Great Arab Revolt against the Ottoman Empire in 1916 — but you don’t need to be clued up on its historical backdrop, because its protagonist isn’t. Jacir Eid plays the titular adolescent (the name meaning “wolf”), the youngest son of a now-dead Bedouin leader. When his older brother Hussein (Hussein Al-Sweilhiyeen) is called upon to help guide a suspiciously tense British soldier (Jack Fox) to a well, Theeb disobeys an order to stay put and follows them into the unforgiving desert. Then, tragedy strikes in the middle of nowhere, throwing him into an uneasy alliance with an enemy, without whom he won't survive the treacherous journey home.

Era-ending political machinations are unfolding all around him, but Theeb lends the film his childlike perspective so that it plays out more like the coming-of-age story of a young cub than a Lawrence of Arabia-style epic. Even as it boldly subverts that classic, though, Theeb's cinematography mirrors the haunting, hostile beauty of David Lean’s film — making the desert feel as much a character as the boy. Deftly balancing a sense of earth-shattering personal stakes with one of looming historical portent, Theeb earned a well-deserved nomination at the 2016 Oscars.

Genre: Adventure, Drama, Thriller

Actor: Hassan Mutlag, Hussein Salameh, Jacir Eid, Jack Fox, Marji Audeh

Director: Naji Abu Nowar

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Most people aspire to have families, deciding to form their own by marrying, bearing children, and if fertility makes that impossible, adopting one. The Official Story is centered on upper middle class Alicia, who’s already made the idyllic family life, with the last piece completed with her adoption of Gaby, but there are secrets held from her, or rather, there are realities that she chose not to listen to because of the painful implications. Writer-director Luis Puenzo juxtaposes the family secret to the violent ones the Argentine junta government kept from its citizens. It's not a subtle comparison– Puenzo makes it obvious– but it's an effective one, as Alicia has to reckon with the fact that she lies in bed with a stranger, as Argentina has to reckon with the remaining junta members and enablers.

Genre: Drama, History

Actor: Analia Castro, Andrea Tenuta, Aníbal Morixe, Carlos Weber, Chela Ruíz, Chela Ruiz, Chunchuna Villafañe, Chunchuna Villafane, Fabián Rendo, Guillermo Battaglia, Héctor Alterio, Héctor Alterio, Hugo Arana, Lidia Catalano, María Luisa Robledo, Marcos Woinsky, Maria Luisa Robledo, Norma Aleandro, Oscar Ferrigno Jr., Pablo Rago, Patricio Contreras, Paula Canals

Director: Luis Puenzo

Rating: Not Rated, NR

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Based on the real-life experience of director Elegance Bratton, who was himself a Black gay marine soldier during the “don’t ask, don’t tell” period in the US, The Inspection documents the behind-the-scenes cruelty that goes on in training the armed forces. Specifically, it inspects how institutions like the marines are hardwired to promote a certain kind of masculinity and how people like Bratton, perennially in the margins, respond, react, and fight back. 

It’s moving and artful but also lighthearted and humorous, finding light even in the darkest corners. It’s self-contradictory that way, but the film is all the better and nuanced for it. Gabriel Union’s performance is also worth noting here; in a career-defining turn, she transforms into a character at once so hateful and loving, you’ll be hard-pressed not to give her your full attention onscreen.

Genre: Drama

Actor: Aaron Dominguez, Andrew Kai, Aubrey Joseph, Becky Boxer, Bokeem Woodbine, Daniel Williamson, Eman Esfandi, Gabrielle Union, Jered Meeks, Jeremy Pope, McCaul Lombardi, Nicholas Logan, Raúl Castillo, Steve Mokate, Tyler Merritt, Wynn Reichert

Director: Elegance Bratton

Rating: R

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The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

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