197 Best Character-driven Movies On Itunes Canada (Page 11)

Staff & contributors

If you’re less about adventurous plots, and more about the emotional journey and relationship arcs, we’ve got you covered. Here are the best character-driven movies and shows to stream right now.

The Two of Us could have been a sweet romantic drama all about lifelong devotion regardless of the circumstances, but instead, first time director Filippo Meneghetti makes it feel more like an unsettling thriller that captures the paranoia and near insanity it feels to be closeted– with Nina having to beg Mado to tell her family, having to hide in what has become her own home, and having to bargain and manipulate her way to Madeleine’s side. Two of Us is quite a stunning debut with such a unique depiction of a lesbian relationship.

Genre: Drama, Romance

Actor: Aude-Laurence Clermont Biver, Barbara Sukowa, Denis Jousselin, Eugenie Anselin, Jérôme Varanfrain, Léa Drucker, Martine Chevallier, Muriel Bénazéraf

Director: Filippo Meneghetti

Rating: NR

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Directed by the award-winning Swedish filmmaker Bjorn Runge and adapted by Jane Anderson from Meg Wolitzer's 2003 novel, The Wife has enjoyed great acclaim since premiering at the 2017 Toronto International Film Festival. The film follows the growing tension between acclaimed author Joseph Castleman and his wife Joan, who works as his secret ghostwriter, as Joseph is set to receive the Nobel Prize in Literature. The direction is clean and careful with Glenn Close giving possibly one of the finest performances of her career as the supportive then increasingly resentful Joan. Emotional and funny at times, The Wife is a profound character exploration, celebrating womanhood and liberation.

Genre: Drama

Actor: Alix Wilton Regan, Anna Azcárate, Annie Starke, Björn Runge, Björn Runge, Carolin Stoltz, Christian Slater, Elizabeth McGovern, Glenn Close, Grainne Keenan, Harry Lloyd, Jan Mybrand, Jane Garioni, Johan Widerberg, John Moraitis, Jonathan Pryce, Karin Franz Körlof, Mattias Nordkvist, Max Irons, Michael Benz, Morgane Polanski, Nick Fletcher, Ossian Skarsgård, Peter Forbes, Richard Cordery, Suzanne Bertish

Director: Björn Runge

Rating: R

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The only Kundera film adaptation frankly hasn’t disproven that the source novel is unfilmable, but The Unbearable Lightness of Being is a pretty decent attempt. While Kundera’s meditations aren’t tackled in full depth, director Philip Kaufman manages to retain enough of the novel’s images to rein in the unwieldy plot, such as Sabina with the mirror, Tereza’s nightmare of naked women, their photography around Sabina’s studio and the black-and-white moment of Prague Spring, where editor Walter Murch adeptly inserts Tereza and Tomas within the historical footage. These images, along with the excellent cast, keep the wistful feeling that haunts Kundera’s novel.

Genre: Drama, Romance

Actor: Anne Lonnberg, Bruce Myers, Clovis Cornillac, Consuelo De Haviland, Daniel Day-Lewis, Daniel Olbrychski, Derek de Lint, Donald Moffat, Erland Josephson, Jacques Ciron, Juliette Binoche, László Szabó, Lena Olin, Leon Lissek, Pascale Kalensky, Pavel Landovský, Pavel Slabý, Stellan Skarsgård, Tomasz Borkowy, Vladimír Valenta

Director: Philip Kaufman

Rating: R

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Being released just a year after 9/11, we weren’t expecting The Quiet American to be critical about America’s intervention in the Vietnam War– the original novel was criticized by the country in its initial release, and the previous 1958 film adaptation revamped the entire story for an anti-communist message. Still, while the film could have expanded on Phuong’s perspective, The Quiet American is well made and surprisingly faithful to the book– willing to delve into author Graham Greene’s cautionary tale on exceptionalism and acknowledging how his prediction has happened in reality, all easily understood through the simple, yet effective metaphor of a love triangle.

Genre: Drama, Romance, Thriller, War

Actor: Brendan Fraser, Do Thi Hai Yen, Ferdinand Hoang, George Mangos, Holmes Osborne, Jeff Truman, Kevin Tran, Mathias Mlekuz, Michael Caine, Rade Serbedzija, Robert Stanton, Tzi Ma

Director: Phillip Noyce

Rating: R

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The entirety of Pieces of April takes place on Thanksgiving Day, a busy holiday meant to bring loved ones together. Sure enough, April, the eldest Burns daughter, takes great pains to prepare a nice dinner for her visiting family. But we soon learn that she is motivated less by excitement than by dread: she's long been estranged, disowned even, by her uptight mother, Joy, who is only agreeing to come because she's sick with cancer. April seems to be on a reluctant mission to fix their fraught relationship, but pesky (albeit funny) mishaps, both on her and Joy's end, keep getting in the way. 

Shot digitally and very closely with hand-held cameras, Pieces of April looks as intimate as it feels. It's a snapshot of an era and of a particular family dynamic, one that relatably relies on both love and scorn to keep going. It's an excellent, honest, and underrated gem of a movie.

Genre: Comedy, Drama, Family

Actor: Adrian Martinez, Alice Drummond, Alison Pill, Anney Giobbe, Armando Riesco, Birdie M. Hale, Derek Luke, Isiah Whitlock Jr., Jamari Richardson, John Gallagher Jr., Katie Holmes, Leila Danette, Lillias White, Oliver Platt, Patricia Clarkson, Rusty De Wees, Sally Leung Bayer, Sean Hayes, Sisqó, Stephen Chen, Susan Bruce, Vitali Baganov

Director: Peter Hedges

Rating: PG-13

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When depicting a novel, book adaptations on film, especially earlier on in the medium, tend to be quite lengthy. The film version of Pelle the Conqueror does have this quality, and the storylines that aren’t directly connected to Pelle and Lasse do feel randomly stitched in. But, when this epic film focuses on Pelle and Lasse– their struggles immigrating to another country, dealing with harassment from the Danish majority, and the rare moments of joy once they finally figure things out– it shines. The legendary Max von Sydow and Pelle Hvenegaard (who was one of the many boys named after the title character) share a tender father-son dynamic that easily stirs one’s heart, and it’s all beautifully captured within Denmark’s lovely countryside. Pelle the Conqueror may only adapt the first of four volumes of the iconic Danish novel, but it does compassionately capture the struggles of the country’s impoverished immigrants.

Genre: Drama

Actor: Astrid Villaume, Axel Strøbye, Bjorn Granath, Buster Larsen, Erik Paaske, John Wittig, Kristina Törnqvist, Lars Simonsen, Lena-Pia Bernhardsson, Max von Sydow, Nis Bank-Mikkelsen, Pelle Hvenegaard, Sofie Gråbøl, Thure Lindhardt, Troels Asmussen, Troels Munk

Director: Bille August

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If given the outline of this film, it might be easy to just call it poverty porn. But there’s a genuineness to Mambar Pierrette that keeps this film from sliding into melodrama, a certain subtlety that captures the everyday life in Douala, Cameroon. Filmmaker Rosine Mbakam, who made her start through documentary films, brings her naturalistic style here, placing the titular seamstress front and center as she responds to each and every difficulty that comes her way. And as the flood comes, and so too her troubles, Pierrette Aboheu Njeuthat shines with a subtle charisma, a performance full of dignity for the titular single mother that carved out a life through her craft. Mambar Pierrette might have a familiar neo-realist story, but it’s done well due to its excellent balance.

Genre: Drama

Actor: Cécile Tchana, Fabrice Ndjeuthat, Karelle Kenmogne, Pierrette Aboheu

Director: Rosine Mbakam

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While painfully accurate, Lost in America is a cutting satire of the white-collar mid-life crisis that’s so hilarious, but in a depressing sort of way. When denied his expected promotion and then fired, David Howard (director Albert Brooks) convinces his wife Linda (Julie Haggerty) that they should “drop out of society”, pursuing a freewheeling lifestyle to travel across the country. Brooks and Haggerty lead the film – their back-and-forth dynamic feels compelling, whether they’re arguing, pouting, or tenderly reconciling. And while the couple stays compatible with each other, the film reveals them (and us) at our most shallow.

Genre: Comedy, Drama

Actor: Albert Brooks, Art Frankel, Bob Hughes, Candy Ann Brown, Charles Boswell, Donald Gibb, Garry Marshall, Herb Nanas, James L. Brooks, Julie Hagerty, Larry King, Maggie Roswell, Michael Cornelison, Michael Greene, Priscilla Cory, Radu Gavor, Raynold Gideon, Rex Reed, Tom Tarpey

Director: Albert Brooks

Rating: R

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A great example of a documentary that covers a marginalized community without imposing the gaze of a detached, "superior" filmmaker, Last Days at Sea chronicles daily life in a Filipino fishing town but remembers to contrast its images of hardship with the care of a community. There are times when the film's director, Venice Atienza, might insert herself into the picture a little too much, but for the most part this movie feels uniquely co-authored by the people it follows on screen. A subtle sadness permeates through every interaction, as memories are brought up of those who used to live here, and as those who remain acknowledge that everyone is fated to leave the warmth and safety of the town at some point—an injustice if ever there was one.

Genre: Documentary

Actor: Cleofe Betonio, Cresente Betonio, Emibie Paño, Florecita Paño, John Russel Rey Paño

Director: Venice Atienza

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Penélope Cruz and Javier Bardem star in this mystery by Asghar Farhadi, the Iranian Oscar-winning director of A Separation and The Salesman. When Laura returns to her small Spanish hometown with her two daughters, she is greeted with the warm welcome worthy of someone who once was a loved member of the community. However, when an event concerning one of her daughters happens at a wedding, secrets come to the surface about her history that threaten the fabric of the whole village. Laura is masterfully played by Penélope Cruz, who seems to shift gears in this Spanish-language movie. Farhadi is outside of his usual territory, but he does what he does best: deliver a rich, thrilling family drama.

Genre: Crime, Drama, Mystery, Thriller

Actor: Barbara Lennie, Carla Campra, Eduard Fernandez, Elvira Minguez, Inma Cuesta, Iván Chavero, Jaime Lorente, Javier Bardem, Jordi Bosch, Jose Angel Egido, Mar del Corral, Penélope Cruz, Ramon Barea, Ricardo Darín, Roger Casamajor, Sara Salamo, Sergio Castellanos, Vicente Vergara

Director: Asghar Farhadi

Rating: R

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Blue Bayou is a powerful film about a Korean-American man threatened with deportation from the only country he has ever known. Antonio LeBlanc is a hard-working mechanic living in a small town in Louisiana with his wife, Kathy, and their young daughter Jessie. Blue Bayou is a beautifully made film with compelling performances from Chon, Vikander, and the rest of the cast. The film is heartbreaking and hopeful, offering a powerful message about the importance of family and belonging. Justin Chon's direction is assured and confident as he captures the beauty of the Louisiana Bayou and aptly conveys Antonio's isolation and loneliness. He brings a strong sense of empathy and humanity to the material.

Genre: Drama

Actor: Alicia Vikander, Altonio Jackson, Emory Cohen, Geraldine Singer, Jeremy Sande, Jim Gleason, Justin Chon, Linh Dan Pham, Mark O'Brien, Martin Bats Bradford, Randy Austin, Renell Gibbs, Rhonda Johnson Dents, Susan McPhail, Sydney Kowalske, Sylvia Grace Crim, Tyler Henry, Vondie Curtis-Hall

Director: Justin Chon

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When it comes to British period dramas, aristocrats are rarely portrayed as Black until relatively recently, with colorblind casting tending to focus more on acting talent rather than how race would affect and shape a character. That being said, while rarely acknowledged, Black descendants of British aristocracy actually did exist, and one of whom has been depicted in Belle. With the excellent Gugu Mbatha-Raw making her film breakthrough here, Belle reckons with the difficult questions of race and sex in 18th century Britain, contemplating the real woman’s options in a world determined entirely by blood and inheritance, a discussion brushed aside in other period dramas, but one that should be examined. While director Amma Asante does take plenty of liberties in the actual facts, she also excellently balances both the fictional romance and the historical realities Dido Elizabeth Belle had faced, making both parts as compelling and as essential as each other.

Genre: Drama

Actor: Alan McKenna, Alex Jennings, Andrew Woodall, Daniel Wilde, Emily Watson, Gugu Mbatha-Raw, James Northcote, James Norton, Matthew Goode, Miranda Richardson, Natasha Williams, Penelope Wilton, Sam Reid, Sarah Gadon, Tom Felton, Tom Wilkinson

Director: Amma Asante

Rating: PG

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When something like a World War happens, the generation that grew up at the time inevitably would be changed, and this change sticks to that generation, even if the ones that follow don’t immediately understand. The Last Suit is centered on this idea, but it does so through a relatively lighthearted and humorous way, as Abraham Bursztein goes on a cross-continental trip to see a childhood friend from the war, and meet people with different perspectives along the trip. With at least six different languages, two different timelines, and a compelling protagonist, The Last Suit is a new take on the Holocaust that might be a tad too sentimental for some viewers, but is a poignant reminder of the history that still haunts the world today.

Genre: Drama

Actor: Ángela Molina, Cristóbal Pinto, Jacek Lenartowicz, Jan Mayzel, Julia Beerhold, Karolina Porcari, Martín Piroyansky, Michał Sikorski, Miguel Ángel Solá, Natalia Verbeke, Norma Argentina, Olga Bołądź

Director: Pablo Solarz

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Never has evil been so darn fun to watch. Bridget (Linda Fiorentino) is such a captivating villainess, you'll actually find yourself rooting for her at times in this noirish take on..., I don't know what, but it involves drug money, double-crosses, lots of witty repartee and cat-and-mouse manipulation that will make your stomach hurt. The script is tight, the acting is all testosterone driven and crisp and you'll hear some choice words come from nice guy Bill Pullman (as Bridget's husband Clay) that you never imagined he could say. Peter Berg (Mike) is fantastic as the guy's guy determined to earn his Alpha-dog badge by subduing the fierce and wickedly intelligent heroine, Bridget. Fiorentino won a BAFTA award for her performance and was nominated, along with Director John Dahl, for several others. The movie did not qualify under Academy rules for the Oscars, but it would have been a strong contender.

Genre: Crime, Drama, Mystery, Romance, Thriller

Actor: Anne Flanagan, Bill Nunn, Bill Pullman, Bill Stevenson, Dean Norris, Donna W. Scott, Herb Mitchell, J.T. Walsh, Jack Shearer, Linda Fiorentino, Michael Raysses, Mik Scriba, Peter Berg, Walter Addison, Zack Phifer

Director: John Dahl

Rating: R

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Survivors are often painted in a brave light; they’re applauded for their resilience and toughness, and in the case of school shootings, many of them are also expected to take up arms and fight the good fight. While this is of course laudable, many survivors are simply trying to get by. Unable to process trauma and inexplicable loss, they become withdrawn, depressed, and reckless—not exactly noteworthy traits, but understandable and equally deserving of empathy.

The Fallout shifts the focus on this side of survival by following Vada in the aftermath of a school shooting. Unlike her peers, she fails to cope positively and becomes increasingly self-destructive. But it's through this unsentimental portrayal that The Fallout achieves a frankness and rawness that few films like it have. 

Genre: Drama

Actor: Austin Zajur, Christine Horn, Elliott Roca, Jenna Ortega, John Ortiz, Julie Bowen, Lumi Pollack, Maddie Ziegler, Niles Fitch, Shailene Woodley, Will Ropp, Yindra Zayas

Director: Megan Park

Rating: R

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