73 Best Character-driven Movies On Netflix Australia (Page 4)

Spike Lee burst onto the filmmaking scene with this, his groundbreaking debut feature. Low in budget but high in confidence, She’s Gotta Have It fizzes with unadulterated energy and style, from its kaleidoscopic opening montage of stills depicting life in Brooklyn (where the film is set) to the joyous direct addresses of its credits sequence. The film helped to kick off the independent movie movement in the US, and it’s not hard to see why: Lee and his collaborators (including members of his own family) do so much with so little here. Along with its visual and formal inventiveness — including ample fourth wall breaks and cinematographer Ernest Dickerson’s momentary, audacious switch from black-and-white to vibrant color — She’s Gotta Have It also broke new ground with Nola (Tracy Camilla Johns), the young, Black, unapologetically polyamorous artist whom the film’s forthright exploration of sexuality and feminism is centered on. Lee has since expressed regret about one scene in the film — an ill-judged moment that unavoidably dilutes some of its brilliance — but this aside, She’s Gotta Have It stands overall as a radical, exuberant, and impressively assertive lightning bolt of an entry into the medium that Lee changed forever.

Genre: Comedy, Romance

Actor: Bill Lee, Cheryl Burr, Eric Payne, Erik Dellums, Ernest R. Dickerson, Fab 5 Freddy, John Canada Terrell, Joie Lee, Monty Ross, Raye Dowell, Reginald Hudlin, S. Epatha Merkerson, Spike Lee, Stephanie Covington, Tiziano Cortini, Tommy Redmond Hicks, Tracy Camilla Johns

Director: Spike Lee

Rating: R

This adaptation of a tragedy by Pulitzer Prize-winning playwright August Wilson might retain the mostly minimal setting of its source material — two rooms in a Chicago recording studio — but the searing performances at its heart more than warrant the translation to the big screen. A ferocious Viola Davis plays the titular ‘Mother of the Blues’, a fiery artist whose diva-ness is powerfully revealed to be a matching of the same transactional energy with which she’s treated by her white managers. 

On a steamy day in the roaring 1920s, one of Ma’s recording sessions morphs into a tinderbox of debate on art, race, and these exploitative power dynamics that exist at their intersection. As her band awaits her characteristically late arrival, its members tease, and then bicker, and finally erupt at one another. The youngest musician, Levee (Chadwick Boseman), is the most hot-headed — in his older band-mates’ eyes, he’s an arrogant young upstart with delusions of grandeur, but Levee’s ambitions are powered by real pain, as revealed in a blistering monologue. The film is unabashedly stagy in many respects, a quality that can work both ways — but, ultimately, the crackling current that runs through Davis and Boseman’s acting gives the movie all the blazing, goosebump-inducing immediacy of a live performance.

Genre: Drama, Music

Actor: Chadwick Boseman, Colman Domingo, Daniel Johnson, Dusan Brown, Glynn Turman, Jeremy Shamos, Jonny Coyne, Joshua Harto, Michael Potts, Quinn VanAntwerp, Taylour Paige, Viola Davis

Director: George C. Wolfe

Rating: R

Us and Them follows two former lovers who reminisce and reassess their decade-long relationship over one night. They both seem to be in better places, certainly financially if anything else, but their shared wistfulness for the past threatens to prove otherwise. 

The film was an immediate hit when it was first released in China, and it’s easy to see why. With just the right balance of realism, romance, and comedy, the movie makes for a simple but deeply moving and involving watch. You can’t help but root for the exes to get back together, even though you know as well as they do how minimal the chances of that happening are.

Genre: Drama, Reality, Romance

Actor: Andrew Tiernan, Boran Jing, Dongyu Zhou, Jack Roth, Jing Boran, Liu Di, Liu Qiheng, Qu Zhe Ming, Qu Zheming, Rene Liu, Shi Yufei, Sophie Colquhoun, Su Xiaoming, Tian Zhuangzhuang, Tim Bentinck, Zhang Zixian, Zheming Qu, Zhou Dongyu, Zhuangzhuang Tian

Director: Rene Liu

Rating: Not Rated