173 Best Character-driven Movies On Itunes Canada (Page 8)

Staff & contributors

If you’re less about adventurous plots, and more about the emotional journey and relationship arcs, we’ve got you covered. Here are the best character-driven movies and shows to stream right now.

Theeb is set in the Hejaz (now part of Saudi Arabia) on the eve of the Great Arab Revolt against the Ottoman Empire in 1916 — but you don’t need to be clued up on its historical backdrop, because its protagonist isn’t. Jacir Eid plays the titular adolescent (the name meaning “wolf”), the youngest son of a now-dead Bedouin leader. When his older brother Hussein (Hussein Al-Sweilhiyeen) is called upon to help guide a suspiciously tense British soldier (Jack Fox) to a well, Theeb disobeys an order to stay put and follows them into the unforgiving desert. Then, tragedy strikes in the middle of nowhere, throwing him into an uneasy alliance with an enemy, without whom he won't survive the treacherous journey home.

Era-ending political machinations are unfolding all around him, but Theeb lends the film his childlike perspective so that it plays out more like the coming-of-age story of a young cub than a Lawrence of Arabia-style epic. Even as it boldly subverts that classic, though, Theeb's cinematography mirrors the haunting, hostile beauty of David Lean’s film — making the desert feel as much a character as the boy. Deftly balancing a sense of earth-shattering personal stakes with one of looming historical portent, Theeb earned a well-deserved nomination at the 2016 Oscars.

Genre: Adventure, Drama, Thriller

Actor: Hassan Mutlag, Hussein Salameh, Jacir Eid, Jack Fox, Marji Audeh

Director: Naji Abu Nowar

Based on the real-life experience of director Elegance Bratton, who was himself a Black gay marine soldier during the “don’t ask, don’t tell” period in the US, The Inspection documents the behind-the-scenes cruelty that goes on in training the armed forces. Specifically, it inspects how institutions like the marines are hardwired to promote a certain kind of masculinity and how people like Bratton, perennially in the margins, respond, react, and fight back. 

It’s moving and artful but also lighthearted and humorous, finding light even in the darkest corners. It’s self-contradictory that way, but the film is all the better and nuanced for it. Gabriel Union’s performance is also worth noting here; in a career-defining turn, she transforms into a character at once so hateful and loving, you’ll be hard-pressed not to give her your full attention onscreen.

Genre: Drama

Actor: Aaron Dominguez, Andrew Kai, Aubrey Joseph, Becky Boxer, Bokeem Woodbine, Daniel Williamson, Eman Esfandi, Gabrielle Union, Jered Meeks, Jeremy Pope, McCaul Lombardi, Nicholas Logan, Raúl Castillo, Steve Mokate, Tyler Merritt, Wynn Reichert

Director: Elegance Bratton

Rating: R

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The Banshees of Inisherin is an Irish dark comedy film that begins with the breakup of longtime friends Pádraic (Colin Farrell) and Colm (Brendan Gleeson). Averse to the sudden split, Pádraic tries to repair their relationship, but instead of achieving goodwill, he inadvertently sets off even more unrest in their little town of Inisherin. Set in 1923 against the backdrop of the Irish Civil War, the film doubles as a fable about the consequences of war. 

The last time Farrell and Gleeson were together was in the expert thriller In Bruges, and their reunion in The Banshees of Inisherin shows how powerful and chemistry-filled their pairing is. Theirs is a knockout turn, but it's also far from the only good thing in the movie. Packed with gorgeously lush images of rural Ireland, strong performances from an all-Irish cast, and a whipsmart script from writer-director Martin McDonagh, The Banshees of Inisherin is an impactful watch that will give you lots to unpack long after the credits roll. 

Genre: Comedy, Drama

Actor: Aaron Monaghan, Barry Keoghan, Brendan Gleeson, Bríd Ní Neachtain, Colin Farrell, David Pearse, Gary Lydon, Jon Kenny, Kerry Condon, Pat Shortt, Sheila Flitton

Director: Martin McDonagh

Rating: R

One woman’s main character syndrome reaches shocking lows in this vicious Norwegian satire of social-media-era narcissists. Signe (Kristine Kujath Thorp) and her artist boyfriend Thomas (Eirik Sæther) are a deeply toxic couple who torture everyone around them with their constant, petty one-upmanship. When he lands a flashy magazine spread, though, Signe’s usual tactics for slyly redirecting attention her way don’t cut it anymore, and so this compulsive liar takes drastic action and begins overdosing on pills banned for their serious dermatological side effects.

Signe's Munchausen-esque actions have their desired effect: the physically dramatic results instantly make her the center of attention — but not indefinitely. As she craves increasingly bigger spotlights, the film toggles between reality and scenes from her imagination, including a morbid sexual fantasy in which her funeral proves so popular the priest becomes a bouncer, turning away sobbing mourners whom Signe noticed hadn’t visited her in hospital. The rampant narcissism on display here is at turns hilarious and excruciating: Sick of Myself’s sharp social observation skills make it feel, in places, like a movie by cringe-master Ruben Östlund. That stomach-turning effect carries through to the ending, which darkly suggests that, for someone like Signe, even narcissism itself is a condition that can be weaponized for attention.

Genre: Comedy, Drama

Actor: Alexander Berg, Anders Danielsen Lie, Andrea Bræin Hovig, Eirik Sæther, Erlend Mørch, Fanny Vaager, Fredrik Stenberg Ditlev-Simonsen, Guri Hagen Glans, Håkon Ramstad, Henrik Mestad, Ingrid Vollan, Jonas Bakke, Kristine Kujath Thorp, Kristoffer Borgli, Mohammad Afzal, Robert Skjærstad, Sarah Francesca Brænne, Seda Witt, Steinar Klouman Hallert, Terje Strømdahl

Director: Kristoffer Borgli

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Remarkably, Steven Soderbergh was only 26 years old when he directed this coolly assured debut, the searingly candid script of which he also wrote in just eight days. Despite the pornographic implications of its title, this is more concerned with exploring whether honesty — not sex — is the means to real intimacy. In fact, the only nakedness glimpsed here is of the emotional kind, as twenty-something drifter Graham’s (James Spader) total aversion to lying has an infectious influence on everyone around him.

The primary recipient of that disarming effect is Ann (Andie MacDowell), the wife of Graham’s old college buddy who is blasé about sex and neurotic about everything else. Talking to Graham has a therapeutic effect on her, but he takes something else away from conversation: chronically impotent, he simulates the sexual experience by conducting erotically themed interviews with women on videotape. Preferring to sublimate his desires through his camcorder, Spader’s physically aloof character is a disturbingly prescient one for what it suggested then about technology’s future impact on human relationships. That Soderbergh managed to conduct such a complex psychosexual drama all through dialogue — on his first feature, no less — makes him exceedingly worthy of the record this earned him of the youngest solo Palme d’Or-winning director ever.

Genre: Drama

Actor: Alexandra Root, Andie MacDowell, David Foil, Earl T. Taylor, James Spader, Laura San Giacomo, Peter Gallagher, Ron Vawter, Steve Brill, Steven Brill

Director: Steven Soderbergh

Rating: R

A great example of frank, emotionally honest filmmaking with three totally vulnerable lead performances, Passages takes a subject that can so easily be reduced into clichés—infidelity—and approaches it with a genuine sense of melancholy. It can still be frustrating to watch fully developed adults refuse to communicate more clearly about their feelings, but director and co-writer Ira Sachs also understands the nuanced gender dynamic that informs some of these bad decisions. Tomas understands that his commitment to Martin may not give him the "easy" satisfaction of a traditional romance, but there is also a sense that his attraction to Agathe (supposedly the first time he's truly fallen for a woman) might be more of an impulsive attempt to settle for something safer, something that he has more control over.

Ben Whishaw is reliably sympathetic as Martin, and Adèle Exarchopoulos carries herself with the unembellished authenticity that many of the best French actors do. And Franz Rogowski makes Tomas both entirely pathetic and still so very heartbreaking in the predicament he's put himself into. There are no cheap histrionics or outbursts of emotion here—just performers living fully within each moment and selling us on the situation they're in.

Genre: Drama, Romance

Actor: Adèle Exarchopoulos, Arcadi Radeff, Ben Whishaw, Caroline Chaniolleau, Erwan Kepoa Falé, Franz Rogowski, Olivier Rabourdin, Radostina Rogliano, Théo Cholbi, William Nadylam

Director: Ira Sachs

Rating: NR

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As the third instalment in Paul Schrader's "man in a room" trilogy after First Reformed (2017) and The Card Counter (2021), Master Gardner rounds up the issues at stake in a most profound way. For anyone who's seen a film either scripted by Schrader (such as Taxi Driver) or directed by him, there will be no surprises here: lost men, despairing men, men who are desperate to believe in something. But the salvation of love lurks around the corner and the new film makes no exception. An unconventional couple, Joel Edgerton and Quintessa Swindell (as Maya) make up the beating heart of this suspenseful drama with an emotional push and pull delivered in small doses. What could have been a kitschy, insensitive work blossoms into a treatise on how gentle the harshness of life can be. 

Genre: Drama, Romance, Thriller

Actor: Amy Le, Eduardo Losan, Esai Morales, Ja'Quan Monroe-Henderson, Jared Bankens, Joel Edgerton, Matt Mercurio, Quintessa Swindell, Rick Cosnett, Sean Richmond, Sigourney Weaver, Suzette Lange, Timothy McKinney, Victoria Hill

Director: Paul Schrader

Rating: R

Of the many violence-inflected black comedies that Pulp Fiction spawned, Grosse Pointe Blank ranks among the best. Though it’s patently inspired by Tarantino’s magnum opus — John Cusack plays a sardonic, amoral hitman, and the film features bursts of stylized violence and a retro soundtrack — it never feels derivative. The film finds its own identity as a quirky romcom when Cusack’s character, Martin Blank, returns to his hometown for a 10-year high-school reunion on the advice of his terrified therapist (Alan Arkin).

Martin is experiencing professional disillusionment as part of the quarter-life crisis that often takes hold when one realizes it’s been a whole decade since high school. His profession puts a darkly comic spin on that convention, but the film doesn’t treat that element entirely flippantly. Unlike Martin — and so many of the film’s Pulp Fiction-inspired brethren — Grosse Pointe Blank isn’t nihilistic, but quite sincerely romantic. Its hybrid nature and surprising heart come to the fore in Martin’s renewed relationship with the girlfriend he jilted at prom: Debi (Minnie Driver), now a ska-loving radio DJ. Cusack and Driver have sparkling chemistry, which makes the sincerity with which their characters grapple with the possibility of a second chance at happiness all the more absorbing to watch.

Genre: Action, Comedy, Drama, Romance, Thriller

Actor: Alan Arkin, Ann Cusack, Barbara Harris, Belita Moreno, Benny Urquidez, Bill Cusack, Bobby Bass, Carlos Jacott, Dan Aykroyd, David Barrett, Doug Dearth, Hank Azaria, Jenna Elfman, Jeremy Piven, Joan Cusack, John Cusack, K. Todd Freeman, Michael Cudlitz, Minnie Driver, Mitchell Ryan, Steve Pink

Director: George Armitage

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The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

Genre: Drama

Actor: Aljoscha Stadelmann, Angela Winkler, Ben Posener, Benoit Peverelli, Brady Corbet, Caroline De Maigret, Chloë Grace Moretz, Claire Tran, Gilles Tschudi, Hanns Zischler, Jakob Köhn, Jerry Kwarteng, Johnny Flynn, Juliette Binoche, Kristen Stewart, Lars Eidinger, Luise Berndt, Nora von Waldstätten, Nora Waldstätten, Ricardia Bramley, Sean McDonagh, Steffen Mennekes, Stuart Manashil

Director: Olivier Assayas

Rating: R

Vague statement alert: Burning is not a movie that you “get”; it’s a movie you experience. Based on a short story by Murakami, it’s dark and bleak in a way that comes out more in the atmosphere of the movie rather than what happens in the story. Working in the capital Seoul, a young guy from a poor town near the North Korean border runs into a girl from his village. As he starts falling for her, she makes an unlikely acquaintance with one of Seoul’s wealthy youth (played by Korean-American actor Steven Yeun, pictured above.) This new character is mysterious in a way that’s all-too-common in South Korea: young people who have access to money no one knows where it came from, and who are difficult to predict or go against. Two worlds clash, poor and rich, in a movie that’s really three movies combined into one - a character-study, a romance, and a revenge thriller.

Genre: Drama, Mystery, Thriller

Actor: Ah-in Yoo, Ban Hye-ra, Cha Mi-Kyung, ChoI Seung-ho, Jang Won-hyung, Jeon Jong-seo, Jeon Seok-chan, Jeong Da-yi, Jong-seo Jun, Jun Jong-seo, Kim Shin-rock, Kim Shin-rok, Kim Sin-rock, Kim Soo-kyung, Lee Bong-ryeon, Lee Joong-ok, Lee Soo-jeong, Min Bok-gi, Moon Sung-keun, Ok Ja-yeon, Song Duk-ho, Soo-Kyung Kim, Steven Yeun, Yoo Ah-in

Director: Chang-dong Lee, Lee Chang-dong

Rating: Not Rated

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A young lawyer has to defend a murderer after passing the bar only three months prior in this satisfying German drama. To make matters worse, the victim happens to be his mentor, a wealthy and seemingly kind-hearted business man. As for the perpetrator, he refuses to say a single word. Caspar, the lawyer, is from a German-Turkish background, which is a hint to where the complexity of this legal drama lies: in Germany's history and racial legacy. The Collini Case is satisfying to a fault, but if you’re looking for substance-filled entertainment, this is some of the best you’ll get.

Genre: Crime, Drama, Thriller

Actor: Alexandra Maria Lara, Anne Haug, Axel Moustache, Bettina Lohmeyer, Catrin Striebeck, Elyas M'Barek, Esther Maria Pietsch, Falk Rockstroh, Felix Everding, Franco Nero, Frederik Götz, Hannes Wegener, Heiner Lauterbach, Ilknur Boyraz, Jannis Niewöhner, Levi Kirchhoff, Ludwig Simon, Lutz Blochberger, Manfred Zapatka, Margarethe Tiesel, Max Wagner, Omid Memar, Peter Prager, Pia Stutzenstein, Rainer Bock, Sabine Timoteo, Sandro Di Stefano, Sina Reiß, Stefano Cassetti, Stephan Schad, Tara Fischer, Thomas Limpinsel, Thomas Stecher, Tom Jahn

Director: Marco Kreuzpaintner

Rating: Not Rated

Somewhere in Queens has the familiar feel of an indie dramedy. It’s intimate and unassuming, casually funny and effortlessly moving. It has the low-key charm that evades more large-scale productions, lending the film that rare poignancy that makes something feel special. 

All these boost an otherwise simple story of family and acceptance. Couple Leo and Ange (a very compelling Ray Romano and Laurie Metcalf) are getting on in years, and watching them navigate the common pitfalls of people their age is both funny and heartwarming to watch. This is cleverly paralleled with their son Sticks’ (Jacob Ward) coming-of-age journey, which is just as expected but tender as ever. 

Theirs is a tight-knit family that fights as much as they love, and watching them in a modest production like this isn't just feel apt but authentic and dear too, like an old family picture come to life.

Genre: Comedy, Drama

Actor: Caryn Richman, Danny Garcia, David St. Louis, Elizabeth Yu, Erik Griffin, Geoffrey Owens, J. C. MacKenzie, Jackson Pace, Jacob Ward, James Ciccone, Jennifer Esposito, Jennifer Simard, Joe Caniano, Jon Manfrellotti, June Gable, Karen Lynn Gorney, Katie Kreisler, Lauren Biazzo, Laurie Metcalf, Matt Romano, P. J. Byrne, Ray Romano, Sadie Stanley, Sebastian Maniscalco, Seth Barrish, Tony Lo Bianco

Director: Ray Romano

Rating: R

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If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy;  then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).

Genre: Comedy, Crime

Actor: Abbie Cornish, Amanda Warren, Brendan Sexton III, Christian Barillas, Christine Marzano, Christopher Gehrman, Christopher Walken, Colin Farrell, Crispin Glover, Frank Alvarez, Gabourey Sidibe, Harry Dean Stanton, Helena Mattsson, James Landry Hébert, John Bishop, Johnny Bolton, Joseph Lyle Taylor, Kevin Corrigan, Kiran Deol, Linda Bright Clay, Long Nguyen, Martin McDonagh, Michael Pitt, Michael Stuhlbarg, Olga Kurylenko, Patrick O'Connor, Richard Wharton, Ronnie Gene Blevins, Sam Rockwell, Samantha Cutaran, Tai Chan Ngo, Tom Waits, Woody Harrelson, Zeljko Ivanek

Director: Martin McDonagh

Rating: R

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This coming-of-age story starts in the present time, where Elle Marja, now a grandmother, reluctantly goes to her sister's funeral held by her old indigenous Sámi community in Northern Sweden. Understanding her reluctance requires going back to when Elle Marja was 14 and was preparing to go to boarding school with her little sister. These schools were racist establishments meant to integrate the Sámi children into Swedish culture and language, while at the same time limiting their prospects of seeking further education. Elle Marja and her sister chose to respond to this discrimination in two completely different ways that this movie explores without judgment. The central performance of the young girl is incredible.

Genre: Drama

Actor: Ánne Biret Somby, Maj-Doris Rimpi, Olle Sarri

Director: Amanda Kernell

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Running on Empty is a movie that covers many timely themes including capitalism, education, and social class. It tells the story of a family who have to go on the run and hide their true identity for the rest of their lives. Director Sidney Lumet’s light touch on heavy topics gives the movie a tender and intimate atmosphere throughout. Aside from the great script, River Phoenix's performance is definitely one of the biggest highlights of this movie, where he successfully delivers a restrained yet fascinating performance. Christine Lahti and Judd Hirsch also give a top-notch performance that adds to the movie’s thrill. In short, Running on Empty is the kind of movie that shows there is courage in running away when it's the right thing to do.

Genre: Crime, Drama, Romance

Actor: Alice Drummond, Angela Pietropinto, Augusta Dabney, Bobo Lewis, Burke Pearson, Christine Lahti, Daniel Dassin, David Margulies, Donna Hanover, Ed Crowley, Elżbieta Czyżewska, Herb Lovelle, Jenny Lumet, Jonas Abry, Judd Hirsch, Justine Johnston, L.M. Kit Carson, Leila Danette, Lynne Thigpen, Marcia Jean Kurtz, Martha Plimpton, Michael Boatman, River Phoenix, Ronnie Gilbert, Sloane Shelton, Steven Hill, William Foeller

Director: Sidney Lumet

Rating: PG-13

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