175 Best Character-driven Movies On Itunes Canada (Page 6)

Director Thomas Vinterberg (The Hunt) reunites with Mads Mikkelsen to tell the story of four teachers going through a mid-life crisis. They’re not sad, exactly—they have homes and jobs and are good friends with each other—but they’re not happy either. Unlike the ebullient youth they teach, they seem to have lost their lust for life, and it’s silently eating away at them, rendering them glassy-eyed and mechanic in their everyday lives. 

Enter an experiment: what if, as one scholar suggests, humans were meant to fulfill a certain alcohol concentration in order to live as fully and present as possible? The teachers use themselves as the subjects and the tide slowly starts to turn to mixed effects. Are they actually getting better or worse?

With an always-satisfying performance by Mikkelsen and an instant classic of an ender, it’s no surprise Another Round took home the award for Best Foreign Film in the 2020 Academy Awards.

Genre: Comedy, Drama

Actor: Albert Rudbeck Lindhardt, Christiane Gjellerup Koch, Diêm Camille G., Dorte Højsted, Frederik Winther Rasmussen, Helene Reingaard Neumann, Lars Ranthe, Mads Mikkelsen, Magnus Millang, Magnus Sjørup, Maria Bonnevie, Martin Greis-Rosenthal, Mercedes Claro Schelin, Michael Asmussen, Morten Thunbo, Niels Jørgensen, Per Otto Bersang Rasmussen, Silas Cornelius Van, Susse Wold, Thomas Bo Larsen

Director: Thomas Vinterberg

Rating: 0, Not Rated

At once intimate and sweeping, A Thousand and One seamlessly weaves Inez's personal turmoil and familial troubles with the systemic inequality that was rampant in '90s New York. The hideous faces of gentrification, poverty, and police brutality are constantly appearing in the film, not merely because they lend weight to the story, but because they are inevitable for people like Inez. People who, despite their best efforts at achieving upward mobility are continually pushed down by self-serving institutions. 

It's easy for social issue dramas like this to buckle under the weight of their lofty goals, but nothing about A Thousand and One feels forced. Just the opposite, the film has an authentic quality to it—almost documentary-like in its precise depiction of Harlem throughout the years. It's deeply personal and achingly tender, and everything else—the social commentary and the political beats—stems from that specificity. 

Genre: Crime, Drama

Actor: Adriane Lenox, Amelia Workman, Aven Courtney, Bianca LaVerne Jones, Delissa Reynolds, Emmy Harrington, Jennean Farmer, Josiah Cross, Naya Desir-Johnson, Rudolph Giuliani, Terri Abney, Teyana Taylor, William Catlett

Director: A.V. Rockwell

Rating: R

Even a director of William Friedkin’s caliber had his work cut out for him with this remake of the towering 1957 drama tracking a jury's fraught deliberations in an apparently open-and-shut murder trial. Wisely, he changes little: most of the incisive dialogue remains the same, and the film still only takes place in one sweltering room on New York’s hottest day.

There are some key differences, though: namely, in a few of the characters (most notably Mykelti Williamson’s ex-Nation of Islam member Juror #10, who helps update the story to the '90s) and the intensification of the ensemble’s star power. The all-star quality of the cast is never wielded to call attention to itself, though; everyone, from James Gandolfini and William Petersen to Tony Danza and Edward James Olmos is on fine character acting form here. Replacing the unforgettable Henry Fonda is Jack Lemmon (exuding warmth and good sense) as the principled lone dissenter who calmly wages a war of words with George C. Scott’s bigoted Juror #3 to give real justice a chance. The 1957 version is admittedly a timeless classic, but Friedkin's version isn't very far off from reaching its predecessor’s dazzling heft — plus, this stands as a compelling argument that every era should have its own 12 Angry Men.

Genre: Crime, Drama, TV Movie

Actor: Armin Mueller-Stahl, Courtney B. Vance, Dorian Harewood, Douglas Spain, Edward James Olmos, George C. Scott, Hume Cronyn, Jack Lemmon, James Gandolfini, Mary McDonnell, Mykelti Williamson, Ossie Davis, Tony Danza, Tyrees Allen, William Petersen

Director: William Friedkin

Rating: PG-13

Good movies usually aren't lengthy movies, unless we're talking about cases like Toni Erdmann. It's a supremely smart German-Austrian comedy that depicts the story of a Father-Daughter tandem in light of life’s weirdest, most inconvenient moments. Deciding to visit his daughter on a whim after his dog dies, Winfried (Peter Simonischek)—a man known for his outrageous pranks and many a disguise—flies to Bucharest. Ines (Sandra Huller), the daughter, buzzing with work to the brim in a very challenging job, to say the least, isn’t impressed. This leads to even more uncomfortable encounters as the estranged father poses as the title character, life coach to the disapproving daughter’s boss. On top of being a shrewdly observed and relevant movie, the brilliant writing by Maren Ade crafts something thoroughly enjoyable and heartfelt here, highlighting the importance of family bond in an oddly sweet way, and criticizing modern-day work ethic and the toll its taking on us. The beginning is a bit slow, but if you're a bit patient you will be surprised how much this movie will reward you.

Genre: Comedy, Drama

Actor: Alexandru Papadopol, Andrei Mateiu, Bryan Jardine, Cezara Dafinescu, Cosmin Pădureanu, Dana Marineci, Daniel Filipescu, Hadewych Minis, Hans Löw, Hartmut Stanke, Ingrid Bisu, Ingrid Burkhard, Irene Rindje, John Keogh, Julischka Eichel, Jürg Löw, Klara Höfels, Luana Stoica, Lucy Russell, Manu Sabo, Manuela Ciucur, Michael Wittenborn, Miriam Rizea, Nicolas Wackerbarth, Niels Bormann, Ozana Oancea, Peter Simonischek, Radu Bânzaru, Ruth Reinecke, Sandra Hüller, Sava Lolov, Thomas Loibl, Trystan Putter, Ursula Renneke, Valentin Popescu, Victoria Cocias, Victoria Malektorovych, Vlad Ivanov

Director: Maren Ade

Rating: R

The Last Duel propped high expectations as the Closing Film at the 2021 Venice Film Festival, but its theatrical release later that year proved to be a flop. Ridley Scott blamed it on millennials, but both critics and streaming audiences have been much more favorable than moviegoers. As a film, it's a rather monumental project: quite a dark period piece set in Medieval France, dealing with harsh and offensive themes. Or better said, it deals with ethics and morality through these harsh and offensive themes. There are many ways where this could have gotten wrong—and it's evident from the labels that have been circulating from the very beginning, that Scott has made his "MeToo" movie—but the truth is much more nuanced. From Eric Jager's 2004 book to a script co-written by Ben Affleck, Matt Damon, and (most importantly) the astute Nicole Holofcener, The Last Duel is really the best of both worlds: action-packed and devoted to the right side of history.

Genre: Action, Drama, History

Actor: Adam Driver, Adam Nagaitis, Alex Lawther, Ben Affleck, Bosco Hogan, Brian F. Mulvey, Brontis Jodorowsky, Bryony Hannah, Caoimhe O'Malley, Chloe Harris, Christian Erickson, Clare Dunne, Clive Russell, Harriet Walter, Ian Pirie, Jodie Comer, John Kavanagh, Julian Firth, Marton Csokas, Matt Damon, Michael McElhatton, Nathaniel Parker, Oliver Cotton, Paul Bandey, Peter Hudson, Sam Hazeldine, Serena Kennedy, Shane Lynch, Simone Collins, Stephen Brennan, Tallulah Haddon, Thomas Silberstein, Tyrone Kearns, William Houston, Zeljko Ivanek, Zoé Bruneau

Director: Ridley Scott

Rating: R

The Breadwinner is as beautiful as it is heartbreaking. The animation is magical as it seamlessly jumps back and forth between Parvana's stark reality and richly detailed fantasy. It's a wonder to just look at, but it's a tapestry brought to life by the story at the center of it. 

Set in 2001, at the height of Taliban rule in Afghanistan, the film follows Parvana, a young girl driven to desperate measures to keep her family alive. Because of the violent restrictions imposed on women (they’re not allowed to buy, sell, study, or practically do anything without a male chaperone), Parvana disguises herself as a boy so she can work for a living. The more she gets away with it, the bolder her attempts get. It's a story of survival and standing up, but it's also a sobering reminder of what fundamentalism is capable of doing (or more accurately, ruining). As long as cruel systems like this are taking place in the world, Breadwinner remains essential viewing for all.

Genre: Animation, Drama, Family, War

Actor: Ali Badshah, Ali Hassan, Ali Kazmi, Kane Mahon, Kanza Feris, Kawa Ada, Laara Sadiq, Lily Erlinghauser, Noorin Gulamgaus, Nora Twomey, Patrick McGrath, Reza Sholeh, Saara Chaudry, Salaman Hamidkohzad, Shaista Latif, Soma Bhatia, Soma Chhaya

Director: Nora Twomey

Rating: PG-13

A24 + Steve Buscemi = ?. 

In “Lean on Pete,” Buscemi plays a guy called Del Montgomery (of course), who is a racetrack horse owner in Portland, Oregon. He befriends a kid, Charley (Charlie Plummer in an amazing performance), who had been abandoned by his family and is new to Portland. 

Together they take care of Montgomery’s only horse, until the kid discovers that the horse is set to be slaughtered. He embarks on an impossible journey across the U.S. to try to save the horse while also looking for his family. 

This movie flew under most peoples’ radars. It is truly amazing. If you like “Lean on Pete” you should watch other A24 gems like “Lady Bird” or “The Florida Project.”

Genre: Adventure, Drama

Actor: Alison Elliott, Amy Seimetz, Ayanna Berkshire, Bob Olin, Charlie Plummer, Chloë Sevigny, Chloe Sevigny, Chris Ihlenfeldt, Dana Millican, Dennis Fitzpatrick, Frank Gallegos, Heath Lourwood, Jason Rouse, Joseph Bertót, Julia Prud'homme, Justin Rain, Kurt Conroyd, Kyle Stoltz, Lewis Pullman, P.E. Ingraham, Rachael Perrell Fosket, Robert J. Olin, Rusty Tennant, Steve Buscemi, Steve Zahn, Teyah Hartley, Travis Fimmel

Director: Andrew Haigh

Rating: 15, R

Florence Pugh broke through with her powerhouse performance here as Katherine, a young woman who is “sold” into a coldly transactional marriage with a cruel and impotent merchant in 1800s Northern England. Lady Macbeth seems to begin as one thing — a gloomy period tale of oppression and feminist rebellion — but, on the strength of Pugh’s performance, pivots into an even bleaker subversion of that initial impression, the kind we haven’t really seen before.

When her disinterested husband takes a long leave of absence to tend to some business affairs, Katherine does more than just defy his command that she stay indoors: she begins an unabashed affair with one of her husband’s gruff groomsmen (Cosmo Jarvis), who ignites in her an obsessive passion that brings out her dark side. She’ll stop at nothing to remove any obstacles in the couple’s way — but, while her initial targets are arguably quite deserving of their fate, her scheme soon implicates the innocent. The creeping revelation that all the cruelty Katherine has been subjected to has brutalized her in turn comes as a shock, but this dramatic overturning of our expectations is made chillingly real by Pugh’s fierce, unfaltering performance.

Genre: Drama

Actor: Bill Fellows, Christopher Fairbank, Cliff Burnett, Cosmo Jarvis, David Kirkbride, Finn Burridge, Florence Pugh, Golda Rosheuvel, Ian Conningham, Kema Sikazwe, Naomi Ackie, Nicholas Lumley, Paul Hilton, Rebecca Manley

Director: William Oldroyd

Rating: R

Earnest, beautiful, and tender, Luca Guadagnino's Bones and All is many things: a road trip movie that sweeps the midwest deserts of 1980s America; a coming-of-age story that brings together two outsiders into an understanding world of their own; and a cannibal film that is unflinchingly flesh deep in its depiction of the practice. Bizarrely, these seemingly disparate elements work harmoniously to create a film that you won't soon forget, not least because of its rawness. 

As the aforementioned outsiders, Maren and Lee (Taylor Russell and Timothée Chalamet, respectively) are bewitching—individually sure but especially when they're together. They have a bond that is quite difficult to replicate onscreen, charged as it is with so much chemistry and warmth. The background players also bring their a-game when called for, especially Mark Rylance as the disturbing stalker Sully, Michael Stuhlbarg as the creepy but good-willed Jake, and Chloë Sevigny as Maren's stark mad mother. 

It's worth repeating that this movie goes all in on the gore, so steer clear if you don't have the heart for these sorts of things. But if you do, the viewing experience is rewarding. Bones and All is as romantic as they get, and rather than bury its message, the many layers on top of its core serve as a meaningful puzzle to unpack and unravel long after the credits roll.

Genre: Drama, Horror, Romance

Actor: Andre Holland, Anna Cobb, Brady Gentry, Chloe Sevigny, Christine Dye, David Gordon Green, Hannah Barlow, Jake Horowitz, Jenny McManus, Jessica Harper, Johanna McGinley, Madeleine Hall, Marcia Dangerfield, Mark Rylance, Michael Stuhlbarg, Sean Bridgers, Taylor Russell, Timothée Chalamet, Tom O'Brien

Director: Luca Guadagnino

Rating: R