497 Best Challenging Movies to Watch (Page 9)

Staff & contributors

One of the cinema’s most noble roles is to challenge pre-conceived perceptions and tackle difficult questions about humanity and the world. Here are some of the most important and topically challenging movies to stream right now.

When a stranger claiming to be your long lost uncle suddenly announces that he’ll be visiting you, there’s an immediate mystery there: is this man really who he claims he is? The Stranger is centered on that idea, but the way Satyajit Ray expands on his short story transforms this domestic drama into a witty and contemplative dialectic about civil society, Western versus Indian thinking, our ideas of home, and trust in a world that’s forgotten how to do so. Agantuk may not be Ray at his finest, but it’s a great film to end his career on, with a memorable character that encapsulates Ray’s philosophy.

Genre: Drama

Actor: Ajit Banerjee, Bikram Bhattacharya, Dhritiman Chatterjee, Dipankar Dey, Mamata Shankar, Rabi Ghosh, Subrata Chatterjee, Utpal Dutt

Director: Satyajit Ray

The Kings of the World is a surreal coming-of-age movie that follows Rá, Culebro, Sere, Winny, and Nano, street kids who are on their way to claim land that’s rightfully theirs. Their one goal is to finally make a home after living without one for so long, but they’re hindered by the inevitable tragedies that befall kids of their kind: impoverished, alone, and abandoned. The title is ironic, but it also hints at their state of mind: these boys are unstoppable, rabble-rousers who live like there’s no tomorrow. They tear down private property and invade inns not out of spite, necessarily, but out of a knowledge that whatever they do they’re gonna be put down anyway, so they might as well live without rules. Tackling powerful themes like land restitution and youth neglect, The Kings of the World is one of the most agonizing movies you'll ever see. It’s also Colombia’s official Best Foreign Language Film entry in the 2022 Academy Awards.

Genre: Adventure, Drama

Actor: Brahian Acevedo, Carlos Andrés Castañeda, Cristian Campaña, Cristian David Duque, Davison Florez

Director: Laura Mora

Rating: TV-MA

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Focusing squarely on two families and a select few health workers, The First Wave gets intimate access to the fears and anxieties of individuals trying to contend with the effects of the initial outbreak of the coronavirus in New York. That these characters also tend to belong to already vulnerable sectors in the United States isn't a superfluous detail—as director Matthew Heineman illustrates (without the use of detached talking heads interviews) how proper responses to a global pandemic like this one are still hampered by capitalist interests, and racist and xenophobic institutions built into American society. All of these obstacles make every setback and every moment of progress in these characters' lives feel absolutely crucial, making for an emotionally overwhelming experience.

Genre: Documentary, History

Actor: Al Sharpton, Andrew Cuomo

Director: Matthew Heineman

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In The Beasts, the idyllic semi-retirement that a French couple seeks in the Galician countryside — growing organic vegetables, fixing up abandoned farmhouses — devolves into a terrifying slow-burn nightmare. This beautifully shot yet spiritually ugly thriller plunges us straight into an atmosphere of crackling social tension that never abates. We begin after the event that turns local farmer Xan (Luis Zahera) and his brother Loren (Diego Anido) against French transplants Antoine (Denis Ménochet) and Olga (Marina Foïs): the latter two have vetoed the sale of land to a wind turbine company in favor of preserving the village’s rustic character. Incensed by what he sees as the theft of his birthright by an outsider, Xan orchestrates a steadily intensifying campaign of terror against the couple.

Though much slighter than the physically imposing Ménochet, Zahera makes for a profoundly menacing presence, and Xan’s seemingly endless appetite for hostility and vindictiveness charges the film with a deeply unsettling sense of inevitability. His performance alone would mark The Beasts as a standout, but an unexpected switch in character focus late on in the film wrests it out of Xan’s grasp and reorients the movie as a study of grim resolve — making it a film of two equally remarkable halves.

Genre: Drama, Thriller

Actor: David Menéndez, Denis Ménochet, Federico Pérez Rey, Luis Zahera, Luisa Merelas, Machi Salgado, Marie Colomb, Marina Fois, Xavier Estévez

Director: Rodrigo Sorogoyen

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, 2022

Filled with dense conversations about classical music and cryptic suggestions of a guilty conscience, Tár makes for a challenging watch that rewards patient viewing. The film is ultimately a study of power in an industry built on preserving centuries-old traditions—which makes the character of Lydia Tár, as a queer woman and as a proud, egotistical conductor, such an anomaly in this world. Certain strange choices by the end notwithstanding, this is a movie that leaves itself wide open to interpretation to its view on karma, accountability, and cycles of power. And Cate Blanchett is as good as the awards say: fully immersed in Lydia's ways of arrogant self-preservation, and twitching at every ambient noise that reminds her how fake she truly is.

Genre: Drama, Music

Actor: Adam Gopnik, Alec Baldwin, Alexandra Montag, Allan Corduner, Alma Löhr, André Röhner, Anselm Bruchholz, Artjom Gilz, Cate Blanchett, Chalee Sricharoen, Christoph Tomanek, Constanze Sandmann, Diana Birenytė, Dorothea Plans Casal, Ed White, Frank Röth, Jasmine Leung, Jessica Hansen, Johann von Bülow, Johanne Murdock, Johannes Pfeiffer, Julian Glover, Juliane Kettschau, Kaela Solene Spranger, Kenneth Won, Kitty Watson, Lee Sellars, Lucie Pohl, Lydia Schamschula, Marie-Anne Fliegel, Marie-Lou Sellem, Mark Strong, Mila Bogojevic, Murali Perumal, Nina Hoss, Noémie Merlant, Phongphairoj Lertsudwichai, Prapruttam Khumchat, Razvan Popescu, Sam Douglas, Sarah Bauerett, Somiko Singha-Sila, Songha Choi, Sophie Kauer, Sorawith Sorinchaipaisal, Sydney Lemmon, Sylvia Flote, Tamaki Steinert, Tanutt Tanavoravongsa, Tatjana Reuter, Teresa Philomena Schild, Tilla Kratochwil, Vincent Riotta, Vivian Full, Xenia Assenza, Zethphan Smith-Gneist

Director: Todd Field

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A foreign film on par with City of God, and carrying its heritage of naturalistic performances and raw stories. Sin Nombre will take you into a world filled with gut wrenching violence, heart-breaking loss, and non-stop suspense. And while definitely a tough watch, it reports the horrors of immigration with humane and sometimes hopeful outlook. The profound and epic redemption in this movie will leave you thinking about it for days.

Genre: Action, Crime, Drama, Thriller

Actor: Édgar Flores, Benny Emmanuel, Catalina López, Damayanti Quintanar, Diana García, Diana García, Edgar Flores, Felipe Castro, Gabino Rodríguez, Gerardo Taracena, Guillermo Villegas, Héctor Jiménez, Harold Torres, Héctor Jiménez, Juan Pablo Arias Barron, Karla Cecilia Alvarado, Kristian Ferrer, Kristyan Ferrer, Leonardo Alonso, Lilibeth Flores, Luis Fernando Peña, Luis Fernando Peña, Marcela Feregrino, Marcela Macias, Marco Antonio Aguirre, Mary Paz Mata, Memo Villegas, Noé Hernández, Paulina Gaitán, Paulina Gaitan, Tenoch Huerta, Tenoch Huerta Mejía

Director: Cary Fukunaga, Cary Joji Fukunaga

Rating: R

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Our Children opens at the harrowing end of the true story it’s based on: with the image of a distraught mother (Émilie Dequenne) in a hospital bed, begging a police officer to ensure that her children — who have just predeceased her — are buried in Morocco. From this ominous beginning, the film rewinds into a jarringly sunny flashback of lovebirds Murielle (Dequenne) and Mounir (Tahar Rahim) to tell this horrifying story from the start.

What follows is much less obviously dramatic: Our Children shifts into slow-burn psychological thriller territory as we watch the gradual breaking down of Murielle at the hands of Mounir’s adoptive father André (Niels Arestrup), a wealthy white doctor who has used his status to insinuate himself into the lives of Mounir and his family back home in Morocco. This is a very subtle study of manipulation, one that hinges entirely on the performances of the trio, who fill with nuance roles that could easily have been tabloid caricatures. Above all, though, this is Dequenne’s film, and it’s the devastating ways she shows the life gradually being sucked out of Murielle that makes Our Children so difficult to shake off.

Genre: Drama, Romance

Actor: Baya Belal, Claire Bodson, Émilie Dequenne, Mounia Raoui, Niels Arestrup, Redouane Behache, Stéphane Bissot, Tahar Rahim

Director: Joachim Lafosse

Rating: NR

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While the mixed reception of its near-faithful American remake Vanilla Sky might make some viewers pause, there’s an intuitive brilliance in the Spanish original Open Your Eyes that isn’t easy to translate. Sure, the apparent differences help– it’s shorter and less complicated, and Cesar’s face turns more grotesque than David’s does. But what’s startling about Open Your Eyes is the way writer-director Alejandro Amenábar guides the camera through its various shifts, creating a more subtle and gradual realization that something is wrong, and thus, a more terrifying dream turned nightmare. Amenábar has later deemed the film as his worst, saying it was written when he didn't know much about life, but, in our opinion, Abre Los Ojos still holds up as a groundbreaking existential sci-fi simulation, one that still puzzles and captivates years after.

Genre: Drama, Science Fiction, Thriller

Actor: Chete Lera, Eduardo Noriega, Fele Martínez, Gérard Barray, Ion Gabella, Jorge de Juan, Joserra Cadiñanos, Miguel Palenzuela, Najwa Nimri, Pedro Miguel Martínez, Penélope Cruz, Pepe Navarro, Tristán Ulloa, Walter Prieto

Director: Alejandro Amenábar

Rating: R

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Many people would rather see happy, positive depictions of people like them, but sometimes, it’s important to see the sides that we don’t really like to see, but should have some awareness of, in order to address them. It’s because of this director Lee Tamahori initially thought that adapting the Maori novel Once Were Warriors would end up as a flop– the novel depicts the worst sides of modern Maori people, as disenfranchisement pushed many to poverty, alcoholism, and abuse. However, Tamahori ended up crafting a fierce, intense debut by focusing on Beth Heke and her children– granting more screentime to their healing rather than their suffering. Once Were Warriors isn’t an easy watch. Tamahori makes the alienation, the rage, and the hardship feel palpable. But he mostly reminds people to return to their roots, returning to one’s culture to truly heal as a society, and this is why Once Were Warriors proved to be one of the best films ever made from New Zealand.

Genre: Drama

Actor: Calvin Tuteao, Cliff Curtis, George Henare, Ian Mune, Julian Arahanga, Mamaengaroa Kerr-Bell, Pete Smith, Rena Owen, Taungaroa Emile, Temuera Morrison

Director: Lee Tamahori

Rating: R

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Before gay marriage and gay adoption was legalized in America, people had plenty of hurdles to jump over when their same sex partner died. Partners weren’t guaranteed visits to their loved one, weren’t permitted to visit them at their last hours. They were the last to be informed and the last to be asked about their medical records, even though they would be the best source of knowledge after living together. Same sex parents weren’t guaranteed custody of their partner’s children. In The Family may depict these previous experiences in a dry, straightforward way for nearly three hours, but it’s a needed, respectful approach, with the lived-in knowledge of the quiet cruelties that was enforced just a decade ago.

Genre: Drama

Actor: Conan McCarty, Harriett D. Foy, Juliette Angelo, Lisa Altomare, Patrick Wang, Peter Hermann, Sebastian Banes, Susan Kellermann, Trevor St. John

Director: Patrick Wang

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