275 Best A-list actors Movies to Watch (Page 18)

Staff & contributors

When Hollywood actors select a role based on the strength of a script or director over blockbuster merit, it’s often reflected in the movie and performance quality. Here are the top highly-rated, little-known movies featuring famous faces to stream now.

As the first original Filipino film on Prime Video, Ten Little Mistresses can often feel stuck as an entertaining pitch for a film rather than a fully fleshed out story. Like many mystery-comedies, this is a movie that relies on its star power and its big twists over any convincing narrative or thematic ideas. But oddly enough, the sooner you accept this, the easier the film goes down. As a loud and proud example of camp comedy, even its most ridiculous and incongruous elements feel like an authentic expression of Filipino humor; it never tries to pander to a Western audience that might be expecting something more familiar to their sensibilities. And with a cast this dedicated to out-chewing the scenery from each other, it's hard not to get swept up in the insanity of it all.

Genre: Comedy, Mystery

Actor: Adrianna So, Agot Isidro, Angie Castrence, Arci Muñoz, Carmi Martin, Cherry Pie Picache, Christian Bables, Dolly Dulu, Donna Cariaga, Eugene Domingo, Iana Bernardez, John Arcilla, Kate Alejandrino, Kris Bernal, Pokwang, Sharlene San Pedro

Director: Jun Robles Lana

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In Marlowe, Liam Neeson joins the lofty lineup of actors who have stepped into the shoes of Raymond Chandler's titular detective, famously played by Humphrey Bogart, Robert Mitchum, and Elliott Gould. These are big boots to fill — and, if you’ve been paying attention to Neeson’s career over the last decade or so, you’ll be aware that he hasn’t exactly been stretching himself, dramatically speaking.

But Marlowe is something of a happy anomaly in Neeson’s filmography, because it has more than just adrenaline-pumping ambitions. Written by director Neil Jordan (of Michael Collins fame) and William Monahan (the screenwriter behind The Departed), the 1930s Hollywood-set plot is steeped in noir’s characteristic cynicism, giving it the seductive pull of that well-loved genre. It’s true that a not insignificant portion of the dialogue is so hard-boiled you can see the cracks — a clunkiness that’s repeated in a couple of the phoned-in supporting performances and the movie’s awkward action sequences. However, with a couple of bright spots in the starry cast, handsome production values, and a labyrinthine plot that just about passes muster as homage and not muddle, there are enough noir trappings here to keep the movie slinking along well enough, even if it ultimately isn't nearly as memorable as Marlowe’s previous screen incarnations.

Genre: Crime, Mystery, Thriller

Actor: Adewale Akinnuoye-Agbaje, Alan Cumming, Alan Moloney, Colm Meaney, Daniela Melchior, Danny Huston, Darrell D'Silva, Diane Kruger, François Arnaud, Gary Anthony Stennette, Ian Hart, Jessica Lange, Julius Cotter, Kim DeLonghi, Liam Neeson, Mark Schardan, Michael Garvey, Minnie Marx, Mitchell Mullen, Patrick Muldoon, Roberto Peralta, Seána Kerslake, Stella Stocker, Tony Corvillo

Director: Neil Jordan

Rating: R

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Between the film’s non-existent marketing and Hollywood's ongoing writers' strike, I knew not to expect much from Heart of Stone, Netflix’s latest direct-to-streaming outing. And sure enough, the spy thriller proved to be a mediocre watch. The plot is facile and generic, another one of those attempts at justifying AI and government data breaches. The acting is subpar, which is expected from the ever-stoic Gal Gadot. About the only good thing you can say about it is that it has entertaining action sequences. Gadot is precise and terrifying, a stunt wonder made for the genre. Now if only the acting matched the action, then maybe the film wouldn’t feel as plain and wooden. 

Genre: Action, Drama, Thriller

Actor: Alia Bhatt, Archie Madekwe, BD Wong, Enzo Cilenti, Gal Gadot, Giulia Innocenti, Glenn Close, Jamie Dornan, Jing Lusi, Joe Reisig, Jon Kortajarena, Jónas Alfreð Birkisson, Luca Fiamenghi, Mark Ivanir, Matthias Schweighöfer, Neran Persaud, Paul Ready, Roy Sampson, Sophie Okonedo, Thomas Arnold

Director: Tom Harper

Rating: PG-13

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Set at a time when humans can travel as far into space as Jupiter, Spaceman looks delightfully retro-futuristic. It’s as if the people and tech of the ‘60s were transported to a faraway future where things like long-haul space flights and nebulous pink clouds exist, and so visually, Spaceman is not tiring to look at. Unfortunately, the same cannot be said about most of the film’s other elements, including its dialogue and story. Jakub is sent to space to collect mysterious ancient dust, but since we never know why he should exactly, it never feels consequential if at all necessary. In fact, this is less about his mission than it is about coming to terms with existential truths like pain, loss, and love. And what better way to confront all that than with a wise primordial arachnid? Now, the idea of a therapy session between a spaceman and a spider sounds intriguing enough, and with strong enough writing, it could fly. But the dialogue is too sparse to be thought-provoking. The main message, that you should appreciate what you have while you have it, is also too simple to carry the weight of this expansive film, especially since we have very few details about the story and character to go on with. But Sandler, Carrey Mulligan (who plays his wife), and even Paul Dano (who voices the spider) do the best with what they can, and if anything, you leave the film stunned by the visuals and moved by their empathetic performances.

Genre: Adventure, Drama, Science Fiction

Actor: Adam Sandler, Carey Mulligan, Isabella Rossellini, Jessica Bechyňová, John Flanders, Kunal Nayyar, Lena Olin, Marian Roden, Mikuláš Čížek, Paul Dano, Sinéad Phelps, Sunny Sandler, Zuzana Stivínová

Director: Johan Renck

Rating: R

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Whodunnits are the cornerstone of murder mysteries, and their occasional resurgence is usually a reprieve from films with more complicated structures and twists. See How They Run gives the Agatha Christie mystery spoof a go, dissecting the cozy mystery conventions anew. With quirky British humor, solid acting, and good period-piece visuals, the familiarity and predictability culminate into an easy, well-paced watch. With no desire to reinvent the genre, the film seems to implore its audience to indulge in self-indulgence. Enjoy watching a piece of cinema for the sake of it.

Genre: Comedy, Crime, Mystery, Thriller

Actor: Adrien Brody, Angus Wright, Ania Marson, Charlie Cooper, David Oyelowo, Gregory Cox, Harris Dickinson, Jacob Fortune-Lloyd, Lucian Msamati, Maggie McCarthy, Paul Chahidi, Pearl Chanda, Philip Desmeules, Pippa Bennett-Warner, Reece Shearsmith, Ruth Wilson, Sam Rockwell, Saoirse Ronan, Shirley Henderson, Sian Clifford, Tim Key, Tolu Ogunmefun

Director: Tom George

Rating: PG-13

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Proof that even the most tired tropes (which the holiday genre is arguably entirely made up of at this point) can still be warm and enjoyable with above-average craft and a fun cast, Candy Cane Lane avoids the monotony that tends to plague other Christmas movies. Which isn't to say that the film is a new classic—it still concludes too easily and doesn't give its more emotional side the space to breathe. But with an entertaining fantasy premise (specifically, a sort of scavenger hunt based on The Twelve Days of Christmas) bolstered by strong visual effects and supporting actors who have been given free rein to improvise, the movie stays dynamic and lightly humorous, if a little lacking in substance.

Genre: Comedy, Family, Fantasy

Actor: Aidan Kennedy, Ali Astin, Amanda Schoonover, Amy Johnston, Anjelah Johnson-Reyes, Catherine Dent, Chris Redd, D.C. Young Fly, Danielle Pinnock, David Alan Grier, Eddie Murphy, Genneya Walton, Iman Benson, James DuMont, Jenly Crespo, Jillian Bell, Kelly Younger, Ken Marino, Kevin Olusola, Kimberly Christian, Kirstin Maldonado, Lombardo Boyar, Madison Thomas, Matthew Sallee, Mitch Grassi, Nick Offerman, Preston Galli, Reginald Hudlin, Riki Lindhome, Robin Thede, Scott Hoying, Stephen Tobolowsky, Tallie Brinson, Thaddeus J. Mixson, Tiago Roberts, Timothy Simons, Tracee Ellis Ross, Trevante Rhodes

Director: Reginald Hudlin

Rating: PG

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To Catch a Killer feels like a limited series shrunken down to fit a movie’s runtime: its many ideas, though potentially compelling on their own, are so underserved by the breezy treatment here that they lose all value. The film wants to hit every hot button — misogyny in the police force, demagoguery on TV news channels, high-level corruption, white supremacy, and the mental health crisis — but its frantic box-ticking makes it feel like a speed-run of topical issues rather than anything genuinely reflective. 

The characters feel similarly underdeveloped, not least star Shailene Woodley’s, a Clarice Starling wannabe who winds up delivering emotional counseling to the film’s bafflingly motivated serial killer in just one of many implausible scenes. Add to that the cringe-inducing dialogue, which is crammed to bursting point with clunky metaphors, and you can call off the manhunt —  the script is the real killer here.

Genre: Crime, Drama, Mystery, Thriller

Actor: Adam LeBlanc, Alain Chanoine, Alex Gravenstein, Arthur Holden, Ben Mendelsohn, Benz Antoine, Bobby Brown, Chip Chuipka, Christian Jadah, Christian Paul, Christine Rodriguez, Daniel Brochu, Darcy Laurie, Dawn Lambing, Dusan Dukic, Erniel Baez, Frank Schorpion, Heidi Foss, Jason Cavalier, Joan Hart, Jovan Adepo, Karine Dion, Kevin Woodhouse, Lesley Pahl, Leyda Aleyli, Lilou Roy-Lanouette, Luc Morissette, Marcello Bezina, Mark Antony Krupa, Mark Camacho, Mark Day, Martyne Musau, Matt Langton, Maurizio Terrazzano, Michael Cram, Michael Dozier, Nabil Khatib, Nir Guzinski, Patrick Émmanuel Abellard, Patrick Labbé, Paul Ash, Ralph Ineson, Richard Zeman, Rosemary Dunsmore, Sean Tucker, Shailene Woodley, Ted Pluviose, Teneisha Collins

Director: Damián Szifron

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Yet another drama designed to be emotional without actually doing the heavy lifting to get us invested, Prisoner's Daughter takes the easy way out at every turn, mistaking its use of capital-I Issues and dramatic plot points for substantial writing. This doesn't mean that the film itself isn't still watchable and competently performed (by a typically strong Brian Cox, but especially by Kate Beckinsale); it just fails to make a statement about any of its disparate parts mashed together. At the end of the day, it feels as if the film doesn't have enough faith in the already complex and difficult relationship at its center, so it attempts to dress it up with prison, cancer, drug addicts, and epilepsy—which only cheapens what's already there.

Genre: Drama, Mystery, Thriller

Actor: Brian Cox, Christopher Convery, Chuti Tiu, Cinthia Moura, Ernie Hudson, Jon Huertas, Kate Beckinsale, Mark Kubr, Mark Oliver Everett, Tyson Ritter, Yonel Dorelis

Director: Catherine Hardwicke

Rating: R

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, 2024

Sometimes, after a demanding work week, you want to watch a low-stakes, enjoyable movie with just enough plot to enjoy. Heist comedy Lift tries to be that film, with Kevin Hart as a smooth criminal who steals art in order to keep art from undeserving owners and improve the artist’s revenue from their work. It’s an interesting twist to the Robin Hood stereotype, one that could have hinted at concerns of screen artists last year when its release date was originally scheduled for. That being said, the film throws this idea away when Kevin Hart and his team are now forced to participate in a risky heist due to the Interpol. The events that play out amount to a fairly generic caper, but there are far better heist films to spend your weekend watching, with far better plots and stunts.

Genre: Action, Comedy, Crime

Actor: Amit Dhut, Andrew Wilson, Billy Magnussen, Burn Gorman, Caroline Loncq, David Proud, Erol Ismail, Gary Fannin, Gerard Monaco, Gordon Alexander, Gugu Mbatha-Raw, Jacob Batalon, Jean Reno, Jess Liaudin, Kevin Hart, Kim Yun-jee, Oli Green, Paul Anderson, Ross Anderson, Roy McCrerey, Russ Bain, Sam Worthington, Úrsula Corberó, Vincent D'Onofrio, Viveik Kalra

Director: F. Gary Gray

Rating: PG-13

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Family Switch is a film clearly built to give its ensemble fun acting opportunities, with Jennifer Garner and Ed Helms being given excuses to loosen up more than expected, and Brady Noon and Emma Myers (arguably the movie's MVP) moving beyond mere imitation into more full-bodied performances as adults seeing through their kids' eyes. Unfortunately, the rest of the film saddles them with uninteresting situations that never take the body-switching aspect to more clever territory. Whatever mutual understanding that's learned by the end feels contrived, with the Christmas setting feeling especially tacked on—leaving these otherwise talented actors little to anchor their performances on.

Genre: Comedy, Family, Fantasy

Actor: Adam Lustick, Andrew Bachelor, Anwar Jibawi, Austin Boyce, Bashir Salahuddin, Benjamin Flores Jr., Bob Stephenson, Brady Noon, Carl McDowell, Chloé Wepper, Connor Finnerty, Cyrus Arnold, Dan Finnerty, Ed Helms, Emma Myers, Fortune Feimster, Hannah Stocking, Helen Hong, Howie Mandel, Ilia Isorelýs Paulino, Jason Rogel, Jennifer Garner, Lauren Ash, Mark McGrath, Matthias Schweighöfer, Naomi Ekperigin, Ned Bellamy, Paul Scheer, Pete Holmes, Preston Galli, Punam Patel, Ravi Kapoor, Rita Moreno, Rivers Cuomo, Ryan James, Scott Shriner, Sebastian Quinn, Vanessa Carrasco, Xosha Roquemore

Director: McG

Rating: PG

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Playing the lead in an addiction drama has long been shorthand for “I’m a serious actor,” but that’s not something Florence Pugh needs to convince us of, especially not when the drama is as contrived as A Good Person is. Though it has a solid foundation from which to explore worthy subjects — Pugh’s character Allison begins abusing painkillers after accidentally causing the death of two people in a car accident —  writer-director Zach Braff overstuffs the film with too many distractingly histrionic happenings for a compelling reflection on guilt and forgiveness to really emerge.

What’s more, any potential A Good Person has is squandered by the film’s frequent and bizarre tonal swerves from tearjerking sincerity to generational comedy, a jarring effect mimicked by the soundtrack’s wild veering from moody melodies to bright piano music in a single cut. Though Pugh does her customary excellent work here, she’s ultimately undermined by all the overlong, transparently manufactured, and downright whiplash-inducing melodrama around her.

Genre: Comedy, Drama

Actor: Alex Wolff, Brian Rojas, Celeste O'Connor, Chinaza Uche, Drew Gehling, Florence Pugh, Ignacio Diaz-Silverio, Jackie Hoffman, Jessie Mueller, Lauren Yaffe, Molly Shannon, Morgan Freeman, Nichelle Hines, Oli Green, Ryann Redmond, Sydney Morton, Toby Onwumere, Victor Cruz, Zoe Lister-Jones

Director: Zach Braff

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Built entirely around the star power of its lead performers, A Very Good Girl does, indeed, provide ample opportunities for both Kathryn Bernardo and Dolly de Leon to chew the scenery with wild abandon. But even their most campily delivered one-liners are only entertaining in the moment, as the film twists itself into increasingly complicated (and still oddly sanitized) knots to keep its thrills going. It ends with an incredibly muddled view of the kinds of violence perpetrated by the wealthy and the less fortunate, as if the studio funding the movie prevented it from becoming the bolder, edgier story it seems to want to be.

Genre: Comedy, Drama, Thriller

Actor: Althea Ruedas, Ana Abad-Santos, Angel Aquino, Chie Filomeno, Dolly de Leon, Donna Cariaga, Gabby Padilla, Gillian Vicencio, Iwa Moto, Jake Ejercito, Joji Vitug, Kaori Oinuma, Kathryn Bernardo

Director: Petersen Vargas

Rating: NR

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A movie based on a theme park ride is always going to be a marketing exercise, but what’s remarkable about Haunted Mansion is how uninterested it is in even pretending to be anything more. Amazon, Yankee Candle, CVS, Baskin Robbins, Burger King: you could fill a mall with the list of brands shamelessly name-dropped in the movie. Gallingly, the cast are even forced to do double duty as brand ambassadors during some of the movie’s most determined efforts at poignancy — oof.

Not even an ensemble featuring the comedic-dramatic chops of LaKeith Stanfield, Rosario Dawson, Tiffany Haddish, Danny DeVito, Owen Wilson, and Chase Dillon (the best of the bunch) can make such naked cash-grabs feel organic. What’s more, though, Haunted Mansion depressingly asks so little of its cast that there aren’t really any opportunities for them to counterbalance these embarrassing moments with anything approaching compelling. Adding to its struggles are the mansion’s sludgy color palette (which renders every scene unremarkable, no matter how moving or spooky it’s supposed to be) and the fact that it somehow feels rushed even at an overlong two hours. Though you can appreciate director Justin Simien’s efforts at elevating the material into something coherent, Haunted Mansion feels as lifeless as the ghosts that fill it.

Genre: Comedy, Family, Fantasy, Horror

Actor: Alisa Harris, Amy Parrish, Andrew Morgado, Anthony Burrell, Arielle Prepetit, Ashley John, Ayane Azevedo, Ben Bladon, Bryan McClure, Chad Crumley, Charity Jordan, Charles Black, Chase W. Dillon, Chenise Johnson, Christopher Winchester, Clarence White III, Creek Wilson, Cruz Abelita, D. Jerome Wells, Dan Levy, Danny DeVito, Derrick James Moss, Don Stallings, Edward Zhu, Elisabeth Lagrande, Erika Coleman, Erion Brandon WIlliams, Fedor Steer, Glendon Ray Hobgood, Gralen Bryant Banks, Hasan Minhaj, Hector Machado, Helene Henry, Ian Covell, J.R. Adduci, Jamie Lee Curtis, Jared Leto, Jared Simon, Jo Koy, John Curran, Joseph Miller, Julie Nalibov, Kailie Sanders, Kamran Shaikh, Kat Montes, Kathi Callahan, Kay Galvin, Keiko Bell, Kurt Yue, Lakeith Stanfield, Lindsay Lamb, Lorenzo Beronilla, Lumar Christopher Leblanc III, Manuel Perkins, Marcus Otis Hubbard, Marilu Henner, Mike Benitez, Nico Gomez, Owen Wilson, Paul Michael Robertson, Rachel Pitner, Raianna Brown, Rick Andosca, Rosario Dawson, Rowan Joseph, Sebastien Soudais, Steve Zissis, Terence Mathews, Terence Rosemore, Tiffany Haddish, Tony Paone, Tracy Goode, William Calvert, Winona Ryder

Director: Justin Simien

Rating: PG-13

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