84 Best Well-acted Movies On Netflix (Page 3)

Staff & contributors

Usually, a good movie and great performances go hand-in-hand. If you’re looking to be blown away by acting talent, look no further. Here are the best movies and show featuring great acting.

, 2010

Good parents, of course, try to push their children to better outcomes, but abusive parents, under the guise of this idea, turn this into restrictive control, where failure is irredeemable, expectations become orders, and the said child is blamed for everything that goes wrong. Udaan depicts this fraught father-son relationship realistically. It’s a tough watch because of how realistic the abuse was portrayed, but the film soars with the way it doesn’t paint Rohan only as a victim, but rather as a boy able to find his way through empathy and kindness despite the terrible way his father treats him. There’s a sense of genuine hope Udaan has that many other films forget, and it’s an important perspective we should try to remember.

Genre: Drama

Actor: Aayan Boradia, Akshay Sachdev, Anand Tiwari, Jayanta Das, Manjot Singh, Raja Hudda, Rajat Barmecha, Ram Kapoor, Ronit Roy, Sanjay Gandhi, Shashi Sharma, Shaunak Sengupta, Varun Khettry, Vikas Kumar, Vikramaditya Motwane

Director: Vikramaditya Motwane

Rating: Not Rated, R

Monster is a biographical depiction of Aileen Wuornos (Charlize Theron), a prostitute and serial killer who murdered seven men in Florida between 1989 and 1990. The film follows the burgeoning relationship between Wuornos and young Selby Wall (Christina Ricci, in a role based on Wuornos' real-life girlfriend Tyria Moore), as she grows increasingly desperate to provide for her young companion financially. Her desperation and her rage against men, brought on by years of both childhood and adult abuse, leads her down a dark path of murder and theft, even as she struggles to shield Selby from the horror of her crimes. The overwhelming highlight of the film is Theron’s mesmerizing performance as Wuornos—a role that won her a well-deserved Academy Award for Best Actress in 2004. She’s almost unrecognizable and altogether phenomenal as the volatile and increasingly unstable Wuornos, whose ferocity is interwoven with surprising affection for young Selby. This unexpected tenderness lends the film an air of tragic poignancy, and provides a bittersweet portrayal of a severely troubled woman. Very much intended for mature audiences only, Monster is a fascinating recreation of a disturbing yet compelling chapter in the annals of true crime in America.

Genre: Crime, Drama

Actor: Al, Annie Corley, Brett Rice, Bruce Dern, Bubba Baker, Cannonball, Catherine Mangan, Charlize Theron, Christian Stokes, Christina Ricci, Cree Ivey, Glenn R. Wilder, Jesse Stern, Jim R. Coleman, Kaitlin Riley, Kane Hodder, Lee Tergesen, Lyllian Barcaski, Magdalena Manville, Marc Macaulay, Marco St. John, Pruitt Taylor Vince, Romonda Shaver, Rus Blackwell, Scott Wilson, Stephan Jones, Tim Ware

Director: Patty Jenkins

Rating: R

There is a chance we will be known as the generation that perfected mixing the two mediums of movie and theater. Think Hateful 8, Horace & Pete, Wild Tales, and Fences! A movie not only packed with Broadway talent, it's also based on a Pulitzer-winning play by August Wilson. The play element is both strong and visible, the movie is dialogue packed, and takes place almost exclusively in the characters' house, not to mention most of the events happen within the span of a few days. The movie element comes through beautiful aesthetics and rich scenery, as well as some of Hollywood's best talent: Denzel Washington (who is also the director) and Viola Davis. They had both actually won Tony Awards for their performances reviving the play back in 2010. Denzel is a black garbage collector who was once a promising baseball player and a victim of racial discrimination. His psyche is as rich as it is determined and he is used to taking out his deep-rooted feelings of anger on his loved ones. His wife (Davis), his son, and his friends are the targets of this hurt and anger, but they also have a lot to deal with on their own. A beautiful if maybe slow play-movie. Do not watch it expecting "things to happen", but watch it to be mesmerized by the acting, the writing, and the underlying tensions it addresses. 

Genre: Drama

Actor: Christopher Mele, Denzel Washington, Jason Silvis, Joe Fishel, Jovan Adepo, Lesley Boone, Mykelti Williamson, Russell Hornsby, Saniyya Sidney, Stephen Henderson, Stephen McKinley Henderson, Viola Davis

Director: Denzel Washington

Rating: PG-13

After years of documentaries covering Thailand’s controversial issues, some of which have been temporarily banned by the Ministry of Culture, Nontawat Numbenchapol takes a step into feature film in Doi Boy. The plot covers plenty of the topics he’s previously depicted– immigration, prostitution, and corruption– but it unfolds naturally into a slow-paced, but moving drama where an undocumented sex worker tries to find home. Awat Ratanapintha as Sorn excellently leads this journey, but Arak Amornsupasiri as reluctant cop Ji, and Bhumibhat Thavornsiri as passionate activist Wuth also make their mark. While the film doesn’t delve into the intricate intersectionality, it feels like that’s part of the point. The notion of a nation doesn’t care about people’s dreams, even if that dream is for the nation to be better.

Genre: Drama, Romance, Thriller

Actor: Arak Amornsupasiri, Awat Ratanapintha, Bhumibhat Thavornsiri, Ornjira Lamwilai, Panisara Rikulsurakan, Teerawat Mulvilai

Director: Nontawat Numbenchapol

Based on the real-life experience of director Elegance Bratton, who was himself a Black gay marine soldier during the “don’t ask, don’t tell” period in the US, The Inspection documents the behind-the-scenes cruelty that goes on in training the armed forces. Specifically, it inspects how institutions like the marines are hardwired to promote a certain kind of masculinity and how people like Bratton, perennially in the margins, respond, react, and fight back. 

It’s moving and artful but also lighthearted and humorous, finding light even in the darkest corners. It’s self-contradictory that way, but the film is all the better and nuanced for it. Gabriel Union’s performance is also worth noting here; in a career-defining turn, she transforms into a character at once so hateful and loving, you’ll be hard-pressed not to give her your full attention onscreen.

Genre: Drama

Actor: Aaron Dominguez, Andrew Kai, Aubrey Joseph, Becky Boxer, Bokeem Woodbine, Daniel Williamson, Eddie Plaza, Eman Esfandi, Gabrielle Union, Jered Meeks, Jeremy Pope, McCaul Lombardi, Nicholas Logan, Raúl Castillo, Steve Mokate, Tyler Merritt, Wynn Reichert

Director: Elegance Bratton

Rating: R

Inspired by the Spiniak case, Blanquita reimagines the infamous scandal through mirrored interrogations and disorienting viewpoints. Blanquita rewrites the original witness, whose fictional variant, in turn, rewrites the abuse faced by victims as her own. She is transformed from a clueless liar, into someone still a liar, but one that did so when every other possible witness has been discarded for being unreliable, for being too traumatized to go through the judicial process unflinchingly. The film takes on a provocative subject matter, at a time when real life sexual abuse allegations are treated with the same scrutiny Blanca faces. However, Blanquita does so in a way that gives its complexities the weight it deserves. It’s a fascinating thriller, a quandary that tests the idea of ends justifying the means… But it’s one that’s disturbing, given the consequences to each crime.

Genre: Drama

Actor: Alejandro Goic, Alex Quevedo, Amparo Noguera, Claudio Troncoso, Daniela Ramírez, Hernán Lacalle, Jaime Vadell, José Luis Aguilera, Karen Bejarano, Laura López Campbell, Marcelo Alonso, Nelson Polanco, Nicolás Durán, Roberto Farías

Director: Fernando Guzzoni

, 2023

COVID-19 raised concerns about sanitation and cleanliness, but in a society that just banned discrimination against “impure” castes seventy years ago, these concerns feel reminiscent of previous caste prejudice. Writer-director Anubhav Sinha presents this social inequity through Bheed, a black-and-white drama set in a fictional checkpoint as the lockdown restricted travel between different Indian states. As the people in the checkpoint wait for the updated government regulations, tensions rise between the officers and the travelers, as the stuck migrants worry about hunger, thirst, and infection. While it’s definitely a heavy film to watch, this film doesn’t exploit the pandemic as fodder for drama. Instead, Bheed realistically portrays how a crisis like COVID-19 exacerbates existing social inequity.

Genre: Drama

Actor: Aditya Srivastava, Ashutosh Rana, Bhumi Pednekar, Dia Mirza, Kritika Kamra, Omkar Das Manikpuri, Pankaj Kapur, Rajkummar Rao, Veerendra Saxena

Director: Anubhav Sinha

An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.

Genre: Drama, War

Actor: Abraham Attah, Ama K. Abebrese, Andrew Adote, Cary Joji Fukunaga, Cornelius Keagon, David Dontoh, Emmanuel 'King Kong' Nii Adom Quaye, Emmanuel Affadzi, Emmanuel Nii Adom Quaye, Francis Weddey, Fred Nii Amugi, Grace Nortey, Idris Elba, John Arthur, Jude Akuwudike, Kobina Amissah Sam, Kurt Egyiawan, Nana Mensah, Nataliah Andoh, Opeyemi Fagbohungbe, Richard Pepple, Ricky Adelayitor

Director: Cary Fukunaga, Cary Joji Fukunaga

Rating: Not Rated

With its origins as a full-length rock monologue, it's understandable if Tick, Tick... Boom! comes off as overly concerned with its protagonist's personal anxieties and not the larger social and health crises happening right outside his door. But while it really doesn't offer much insight into the AIDS epidemic, or even the art scene of 1990s New York, the helplessness that Jonathan Larson feels in the face of his own inability to save the world comes off as honest expression nonetheless. Andrew Garfield and a strong cast that includes Robin de Jesús and Vanessa Hudgens give purpose and energy to this somewhat messy character study that still manages to land its emotional beats.

Genre: Drama, Music

Actor: Adam Pascal, Alex Lacamoire, Alexandra Shipp, André De Shields, Andrew Garfield, Bebe Neuwirth, Ben Levi Ross, Bernadette Peters, Beth Malone, Bradley Whitford, Brian Stokes Mitchell, Chad Beguelin, Chita Rivera, Christopher Jackson, Chuck Cooper, Danielle Ferland, Danny Burstein, Daphne Rubin-Vega, Derrick Delgado, Eddy Lee, Ehizoje Azeke, Eisa Davis, Elizabeth Chestang, Gizel Jimenez, Howard McGillin, Ilia Jessica Castro, Jeanine Tesori, Jelani Alladin, Joanna Adler, Joe Iconis, Joel Grey, Joel Perez, Jonathan Larson, Jonathan Marc Sherman, Joshua Henry, Judith Light, Judy Kuhn, Kate Rockwell, Ken Holmes, Kurt Crowley, Lane Napper, Laura Benanti, Lin-Manuel Miranda, Luis A. Miranda Jr., Marc Shaiman, Mason Versaw, Matthew Sklar, Micaela Diamond, Michaela Jaé Rodriguez, Nick Blaemire, Phillipa Soo, Phylicia Rashād, Renée Elise Goldsberry, Ricardo Zayas, Richard Kind, Robin de Jesús, Roger Bart, Ryan Vasquez, Shaina Taub, Sheila Tapia, Stephen Schwartz, Stephen Sondheim, Stephen Trask, Steven Levenson, Tariq Trotter, Tom Kitt, Utkarsh Ambudkar, Vanessa Hudgens, Wilson Jermaine Heredia

Director: Lin-Manuel Miranda

Rating: PG-13

When categorizing Lars von Trier's oeuvre, critics speak of a "Depression Trilogy" bookended by Antichrist and Nymphomaniac, but Melancholia is the one that really embodies the concepts and worries nested at the heart of this project. The Danish director may be known for his provocative approach to filmmaking and disregard of taboos, but with this film, he makes room for vulnerability. On the character of Justine (Dunst) he places the weight of the world, only after allowing her to be weak, small, and socially unacceptable at her own wedding celebration. A rather subversive decision, but vesting these expectations in someone as wide-ranging as Kirsten Dunst assures an absolute win, even if there remain some questionable characteristics that align too well with abstract male fantasies of what a woman in distress would look like.

Genre: Drama, Science Fiction

Actor: Alexander Skarsgård, Brady Corbet, Charlotte Gainsbourg, Charlotte Rampling, Christian Geisnæs, Jesper Christensen, John Hurt, Katrine A. Sahlstrøm, Kiefer Sutherland, Kirsten Dunst, Stellan Skarsgård, Udo Kier

Director: Lars von Trier

Rating: R

The colloquial phrase "May-December" refers to romantic partners with a large age gap, but leave it to Todd Haynes to craft a poetic and unsettling world out of this (slightly troubling) banality of life. His new film is loosely based on the real case of Mary Kay Letourneau, who in 1997 was convicted as a sex offender after being caught having a relationship with a minor, a student of hers, 12 years old (22 years her junior). May December begins twenty years after the tabloid scandal surrounding the marriage of Joe and Gracie has died down. Elizabeth, an actress, is conducting research in preparation to play Gracie in a film production, but she doesn't know what to expect. Alongside her, we are welcomed into the family home, meet their teenage children, sit through their family dinners, marvelling at the levity and nonchalant atmosphere in the air. Something is missing, or at least that's what Elizabeth suspects. A psychological drama-thriller-black comedy, May December is impossible to pin down. A profound film on human confusion, identities, and past traumas, it unites two of the best Hollywood stars, Julianne Moore and Natalie Portman, in a delightfully eerie play of doubling and revelations.

Genre: Comedy, Drama

Actor: Allie McCulloch, Andrea Frankle, Charles Green, Charles Melton, Chris Tenzis, Cory Michael Smith, D.W. Moffett, Drew Scheid, Elizabeth Yu, Gabriel Chung, Hailey Wist, Hans Obma, Joan Reilly, Jocelyn Shelfo, Julianne Moore, Julie Ivey, Kelvin Han Yee, Lawrence Arancio, Natalie Portman, Piper Curda, Zachary Branch

Director: Todd Haynes

Rating: R

This sensitive and elegantly crafted melodrama recognizes that a death in the family doesn't have to lead to the same expressions of mourning we expect from movies; there might not be any real sadness at all. But when different family members come together again and bring their own personal conflicts with them, suddenly everyone else's little griefs fill the space, and the road to recovery becomes even messier. Little Big Women understands all this with an understated touch and brilliant, naturalistic performances from its cast. It makes for a loving tribute to the generations of tough and complicated women who often hold a family together.

Genre: Drama, Family, Romance

Actor: Buffy Chen, Chang Han, Chen Shu-fang, Chen Yan-Fei, Chia-Kuei Chen, Ding Ning, Grace Chen Shu-Fang, Han Chang, Honduras, Hsieh Ying Shiuan, Hsieh Ying-xuan, Janine Chang, Lung Shao-Hua, Sara Yu, Siu Wa Lung, Sun Ke-Fang, Vivian Hsu, Weber Yang

Director: Joseph Chen-Chieh Hsu, Joseph Hsu

Rating: N/A

Jaane Jaan is one of those thrillers where you hope that the main characters would get away with murder. Based on the 2005 Japanese novel, the Hindi adaptation still has the cat-and-mouse dynamic between the relentless detective and math genius protecting the suspect, along with their elaborate chess-like mind games. However, the film changes a major plot point from the novel, and without spoiling too much, it turns the math teacher, now named Naren, into a less sympathetic character. Given today’s sensibilities, it’s easy to understand why the change was made. After all, just because someone’s a genius, it doesn’t mean that they’re someone to be admired. Jaane Jaan still keeps up the exciting thrills and suspense of the original novel, but in making its changes, it becomes unclear who the film is rooting for.

Genre: Crime, Drama, Thriller

Actor: Jaideep Ahlawat, Kareena Kapoor Khan, Karma Takapa, Lin Laishram, Naisha Khanna, Saurabh Sachdeva, Suhita Thatte, Ujjwal Chopra, Vijay Varma

Director: Sujoy Ghosh

Rating: R

When your dad is single, and he isn’t in a relationship with someone else, naturally, a kid would wonder about their real biological mother. Hi Nanna is a take on this familiar tale, though Shouryuv’s directorial debut makes it feel brand new by telling the love story in a way a father would tell his daughter– mindful of the audience, so slightly embellished, but no less sweet. By doing so, it makes the viewers yearn for the lost love before raising our hopes and revealing the possibility of getting it back, especially with the natural chemistry of Nani and the striking Mrunal Thakur.

Genre: Drama, Family, Romance

Actor: Angad Bedi, Baby Kiara Khanna, Jayaram, Mrunal Thakur, Nani, Nassar, Neha Sharma, Priyadarshi Pullikonda, Ritika Nayak, Shilpa Tulaskar, Shruti Haasan

Director: Shouryuv

Remember the creepy blind nun from the Spanish horror film Veronica? While many nun-related horror films have nuns as its horror element, this time it’s the nun that gets spooked in Sister Death. The new release expands on her backstory, taking the story back in history, in her start as a novitiate in the former convent, a location that’s been changed after the terrors inflicted towards the nuns during the Spanish Civil War. While the film doesn’t delve that deeply, focusing instead on the slowly building up the film’s terror, there is something here about the hidden violence and covered-up trauma that still haunt the Catholic church in Spain, especially to those that have taken vows. Director Paco Plaza meticulously frames each terrific sequence with the isolating doubt in one’s faith that Narcisa experiences.

Genre: Drama, Horror

Actor: Almudena Amor, Antonio Duque, Arantza Vélez, Aria Bedmar, Chelo Vivares, Consuelo Trujillo, Luisa Merelas, Maru Valdivielso, Olimpia Roch, Sandra Escacena, Sara Roch

Director: Paco Plaza