615 Best Thought-provoking Movies to Watch (Page 25)

Staff & contributors

Challenging movies serve beyond entertainment, pushing us to ask new questions about humanity and the world around us. If you’re hungry for some food for thought, here are the best thought-provoking movies and shows available to stream now.

In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!

Genre: Horror, Mystery

Actor: Bae Yong-geun, Cho Han-cheul, Chun Woo-hee, Do-won Kwak, Han-Cheol Jo, Heo Jin, Hur Jin, Hwang Jung-min, Hwang Seok-jeong, Hwang Suk-jung, Jang So-yeon, Jeon Bae-soo, Jeong-min Hwang, Jo Han-chul, Jo Yeon-hee, Jun Kunimura, Jung-min Hwang, Kim Do-yoon, Kim Hwan-hee, Kim Ki-cheon, Kim Ki-chun, Kwak Do-won, Lee Jung-eun, Lee Seon-hee, Lee Sun-hee, Lee Yong-nyeo, Moon Chang-gil, Park Seong-yeon, Park Sung-yeon, So-yeon Jang, Son Kang-gook, Sung-yeon Park, Woo-hee Chun, Yoo Soon-woong, 赵汉哲

Director: Hong-jin Na, Na Hong-jin

Rating: Not Rated, TV-MA

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Consisting almost entirely of a single camera angle and long stretches of either silence or mundane conversation, The Plains makes for a particularly challenging—but incredibly unique—example of slow cinema. While its premise may seem almost too minimalist for its own good, the way the film is set up immediately draws us toward how distant people in the present day can be to each other despite our urbanized society. Stuck in this car with these two characters, one becomes hyperaware of how things are both moving too quickly and too slowly, and how so much of life is made up of the in-between moments. The film's fiction elements eventually break the docudrama illusion a little too bluntly (mainly through some suspiciously structured dialogue), but by then one should be too invested to want to get off.

Genre: Documentary, Drama

Actor: Andrew Rakowski, Cheri LeCornu, David Easteal, Inga Rakowski

Director: David Easteal

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Elisabeth Moss is in it. Calling The One I Love a romantic-comedy, looking it up, or trusting anyone else about it -- especially my review, will ruin this film for you. Just watch it. If one's penchant is typically opposed to titles with 'love' in them, then it's for you. Just hit 'play', or 'start', or whatever. The initial wtf-ness that attracted me to it is compelled further by excellent acting. And Elisabeth Moss is in it.

Genre: Comedy, Drama, Romance

Actor: Charlie McDowell, Elisabeth Moss, Jennifer Spriggs, Kiana Cason, Mark Duplass, Marlee Matlin, Mary Steenburgen, Mel Eslyn, Sean O'Malley, Ted Danson

Director: Charlie McDowell

Rating: R

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Partially based on the 860-page memoir, "A White House Diary", and on the actual audio recordings Claudia Alta Taylor Johnson made during her time as first lady, The Lady Bird Diaries is an intimate reworking of a past we still know very little about. Told from the vantage point of First Lady Johnson candidly and in detail, the audio track shapes the whole film. All the archival footage is nicely complemented by hand-drawn animations to fit the missing images, but all the visuals are always in service of the narration. In this way, the documentary becomes a piece of history and an archive in itself, its illustrative functions – a crucial storytelling tool for posteriority.

Genre: Documentary

Director: Dawn Porter

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Meditative, slow, and peppered with mysticism and subtle humour, Syndromes and a Century is a truly unique Thai drama. With a male and female doctor as the central protagonists, the story is split into two settings, in different hospitals and 40 years apart. This is not a plot-driven movie by any means. Patiently paced scenes weave together the protagonists’ memories with their current lives, in a hypnotic thread that touches on Buddhist themes as it explores the timeless human experiences of love, relationships, illness, and death.

The movie was originally intended to be a tribute to the parents of writer and director Apichatpong Weerasethakul, himself the son of physicians who worked in a hospital. Though he went on to claim that the movie took a different path eventually, it does recall the enigmatic spirit and ethereal quality of childhood memories. Despite—or maybe thanks to—the absence of narrative, Syndromes and a Century remains a beguiling watch from start to finish.

Genre: Drama, Romance

Actor: Jaruchai Iamaram, Jenjira Pongpas, Nantarat Sawaddikul, Sakda Kaewbuadee, Sophon Pukanok

Director: Apichatpong Weerasethakul

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When it comes to being a drama with a cohesive and understandable message, Swing Kids falters, and doesn’t make it clear whether or not the film advocates for either pro-capitalist or pro-communist ideas– understandably so, considering how to this day, the peninsula remains split in part due to foreign intervention. The film is a bit too long, and struggles to juggle multiple tones, being a violent war drama, slapstick comedy, and fun tap-dancing musical all at once. But, when the film revels in dance and celebrates the connections made through it, the film shines, creating an incredible sonic soundscape composed entirely of rhythmic taps and sweeping brass, with the five leads dancing in pure joy. Swing Kids is not perfect, but it has heart and it recognizes the waste and tragedy of the human side that is lost due to war.

Genre: Drama, War

Actor: A.J. Simmons, Doh Kyung-soo, Hye-soo Park, Jared Grimes, Jeong-se Oh, Joo Hae-eun, Kim Kyu-baek, Kim Min-ho, Kim Min-jae, Kyung-soo Do, Lee Da-wit, Lee Kyu-sung, Matthew D'Arcy, Oh Gyeong-hwa, Oh Jeong-se, Oh Jung-se, Park Hye-su, Park Hyeong-su, Park Hyoung-soo, Park Jin-joo, Ross Kettle

Director: Hyeong-Cheol Kang, Kang Hyoung-chul, Kang Hyung-chul

Rating: TV-14

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At two hours and nearly 30 minutes, Stonewalling is quite long. The third film from spouses Ryuji Otsuka and Huang Ji takes place in slow, slice-of-life moments, centered around a female lead that mostly doesn’t actively make choices for her own life, so it can feel frustrating to watch. But as the film unfolds, Lynn’s passivity turns out to be the tragically familiar surrender of today’s working class. Lynn tries to make choices to pay out her mother’s debt, to ensure that she’s not indebted herself, through jobs that commodify her youth, her beauty, and even her body, but each move consequently limits her next options. She tries to bargain for other solutions, but it turns out these solutions were never there in the first place. All she can do is quietly adapt, with each failed promise culminating into a baby’s cry.

Genre: Drama

Actor: Cui Chu, Huang Xiaoxiong, Liu Long, Xiao Zilong, Yao Honggui

Director: Huang Ji, Ryuji Otsuka

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Silver Dollar Road isn’t a new story– it’s one of many that comes as a consequence of systematic Black land loss that continues to happen to this day. Director Raoul Peck tells it in a new way, completely focusing on the Reels family and hearing their story entirely, from the initial confusion to two of the homeowners’ incarceration, and remembering the good old days when they used to enjoy the land. The land dispute has escalated to years of harassment, imprisonment, and being taken advantage of from opportunistic legal counsel. While it could have benefitted from from detailed legal proceedings, Silver Dollar Road still powerfully depicts an intimate family story that outlines the systemic racism enabling Black land loss today.

Genre: Documentary

Actor: Kim Renee Duhon, Mamie Reels Ellison

Director: Raoul Peck

Rating: PG

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Don't let the title and poster fool you—Riders of Justice isn't the testosterone-filled action flick you'd expect going in (though it does get ridiculous at some points). It centers on deployed military man Markus, played by the appropriately masculine Mads Mikkelsen, who has to return home to his teenage daughter Mathilde after his wife dies in an accident. Instead of coping normally and sticking with his daughter to get through the tragedy, he goes down a rabbit hole discovering how the accident that killed his wife is more than just bad luck and may have been collateral damage from a gang orchestrating an assassination.

Surprisingly, director Anders Thomas Jensen injects this violent film with a lot of gentle moments about trauma and togetherness. Mikkelsen and the rest of the cast play off of each other very well, using dark humor to bring together a bunch of characters who are, in oversimplified terms, "fucked up but trying their best."

It may seem like the guns, blood, and badass moments are a front for this film that, at its core, shows men who badly need therapy banding together to cope with the harshness of life. Extremely funny and deeply moving, it qualifies as a heartwarming Christmas movie, believe it or not.

Genre: Action, Comedy, Drama, Thriller

Actor: Albert Rudbeck Lindhardt, Alice E. Bier Zandén, Anders Nyborg, Andrea Heick Gadeberg, Anne Birgitte Lind, Anne Fletting, Christina Ibsen Meyer, Gustav Dyekjær Giese, Gustav Lindh, Henrik Noël Olesen, Jacob Ulrik Lohmann, Jesper Groth, Jesper Ole Feit Andersen, Johanne Dal-Lewkovitch, Kaspar Velberg, Klaus Hjuler, Lars Brygmann, Mads Mikkelsen, Morten Suurballe, Natasja Crone, Nicolas Bro, Nikolaj Lie Kaas, Omar Shargawi, Peder Holm Johansen, Raivo Trass, Rigmor Ranthe, Rikke Louise Andersson, Roland Moller

Director: Anders Thomas Jensen

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A great example that you don't necessarily need millions of dollars to deliver something technically brilliant, Residue takes a simple story of a man coming home and layers its images and sound design together until it becomes something else entirely. And even with its aesthetic sophistication, the performances behind it still come off as nothing less than genuine—as if writer/director Merawi Gerima was filming a documentary or just a bunch of people hanging out in their neighborhood. The film's experimental nature does, unfortunately, somewhat get in the way of the protagonist having a more well-defined worldview or philosophy to his own filmmaking. But overall the film remains an entirely unique gem for anybody willing to tru something different.

Genre: Drama

Actor: Dennis Lindsey, Derron "Rizo" Scott, Jacari Dye, Obinna Nwachukwu, Taline Stewart

Director: Merawi Gerima

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Many people have forgotten that representation and diversity in media isn’t meant just to fill a quota or to signal virtue– the push for it is in response to the way many of these stories were silenced, repressed, and shut out. Lilies might have been overlooked for quite a while, but its 2023 restoration has thankfully enabled more viewers to watch the tale of an imprisoned gay man finally telling his story, turning the tables on a long overdue confession. Michel Marc Bouchard adapts his play through this play-within-a-film, with director John Greyson playing with the confession booth as a viewing booth for both the bishop and the audience to get fully immersed in a love triangle a century ago, juxtaposed with motifs of martyred Catholic saints and French lilies and fire. Lilies is a well-crafted and deeply emotional masterpiece.

Genre: Drama, Fantasy, Romance

Actor: Alain Gendreau, Aubert Pallascio, Brent Carver, Danny Gilmore, Gary Farmer, Ian D. Clark, Jason Cadieux, John Dunn-Hill, Khanh Hua, Marcel Sabourin, Matthew Ferguson, Michel Marc Bouchard, Pierre Leblanc, Rémy Girard, Robert Lalonde

Director: John Greyson

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