609 Best Thought-provoking Movies to Watch (Page 22)

Staff & contributors

Challenging movies serve beyond entertainment, pushing us to ask new questions about humanity and the world around us. If you’re hungry for some food for thought, here are the best thought-provoking movies and shows available to stream now.

I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro's Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

Genre: Animation, Drama, Family, Fantasy, Music

Actor: Alfie Tempest, Ariana Molkara, Benjamin Valic, Burn Gorman, Cate Blanchett, Christoph Waltz, David Bradley, Ewan McGregor, Finn Wolfhard, Francesca Fanti, Gregory Mann, John Turturro, Peter Arpesella, Rio Mangini, Ron Perlman, Roy Halo, Scott Martin Gershin, Sky Alexis, Tilda Swinton, Tim Blake Nelson, Tom Kenny

Director: Guillermo del Toro, Mark Gustafson

Rating: PG

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When thinking about one’s family, we tend to remember our parents as parents, and rarely as people of their own. Ethel & Ernest, based on Raymond Briggs’ beloved graphic memoir of his own parents, instead focuses on two ordinary spouses in extraordinary times, sharing some of the day-to-day moments that show their affection, but is clearly marked by the times they’re in, materially and politically. The watercolor design is a cleaner, more modern update of the original illustrations, while Briggs’ handwritten speech bubbles still retain their character through Jim Broadbent’s and Brenda Blethyn’s voices. It’s just a loving, but still honest, depiction of one’s parents, one that makes you think about your own.

Genre: Animation, Drama, War

Actor: Alex Jordan, Brenda Blethyn, Duncan Wisbey, Gillian Hanna, Harry Collett, Jim Broadbent, June Brown, Luke Treadaway, Pam Ferris, Peter Wight, Raymond Briggs, Roger Allam, Simon Day, Virginia McKenna

Director: Roger Mainwood

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The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

Genre: Drama

Actor: Aljoscha Stadelmann, Angela Winkler, Ben Posener, Benoit Peverelli, Brady Corbet, Caroline De Maigret, Chloë Grace Moretz, Claire Tran, Gilles Tschudi, Hanns Zischler, Jakob Köhn, Jerry Kwarteng, Johnny Flynn, Juliette Binoche, Kristen Stewart, Lars Eidinger, Luise Berndt, Nora von Waldstätten, Nora Waldstätten, Ricardia Bramley, Sean McDonagh, Steffen Mennekes, Stuart Manashil

Director: Olivier Assayas

Rating: R

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Inspired by the Spiniak case, Blanquita reimagines the infamous scandal through mirrored interrogations and disorienting viewpoints. Blanquita rewrites the original witness, whose fictional variant, in turn, rewrites the abuse faced by victims as her own. She is transformed from a clueless liar, into someone still a liar, but one that did so when every other possible witness has been discarded for being unreliable, for being too traumatized to go through the judicial process unflinchingly. The film takes on a provocative subject matter, at a time when real life sexual abuse allegations are treated with the same scrutiny Blanca faces. However, Blanquita does so in a way that gives its complexities the weight it deserves. It’s a fascinating thriller, a quandary that tests the idea of ends justifying the means… But it’s one that’s disturbing, given the consequences to each crime.

Genre: Drama

Actor: Alejandro Goic, Alex Quevedo, Amparo Noguera, Claudio Troncoso, Daniela Ramírez, Hernán Lacalle, Jaime Vadell, José Luis Aguilera, Karen Bejarano, Laura López Campbell, Marcelo Alonso, Nelson Polanco, Nicolás Durán, Roberto Farías

Director: Fernando Guzzoni

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Ever wondered how much your life will change when faced with the reality that death is about to come? That’s normal, and not nearly as life-altering as being told you only have a few more moments to live. Because of a terminal illness, Uxbal (Javier Bardem) is driven to this situation and tries to right his wrongs in the wake of modern Barcelona. This melodrama is supercharged by Bardem’s unearthly performance as the story’s only hero, demonstrating the selfless love of a destroyed and dying father to his children – paired with cinematography unlike any other, this film is exceptionally beautiful. Directed by González Iñárritu' (Babel, Birdman, The Revenant).

Genre: Drama, Romance

Actor: Adelfa Calvo, Ailie Ye, Alain Hernández, Ana Wagener, Annabel Totusaus, Cheikh Ndiaye, Cheng Taishen, Diaryatou Daff, Dunia Montenegro, Eduard Fernandez, Félix Cubero, George Chibuikwem Chukwuma, Guillermo Estrella, Hanaa Bouchaib, Isaac Alcayde, Javier Bardem, Jin Luo, Karra Elejalde, Luo Jin, Manolo Solo, Maricel Álvarez, Nasser Saleh, Rubén Ochandiano, Sophie Evans, Taisheng Chen, Tomás del Estal, Violeta Pérez

Director: Alejandro G. Iñárritu, Alejandro González Iñárritu

Rating: R

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COVID-19 raised concerns about sanitation and cleanliness, but in a society that just banned discrimination against “impure” castes seventy years ago, these concerns feel reminiscent of previous caste prejudice. Writer-director Anubhav Sinha presents this social inequity through Bheed, a black-and-white drama set in a fictional checkpoint as the lockdown restricted travel between different Indian states. As the people in the checkpoint wait for the updated government regulations, tensions rise between the officers and the travelers, as the stuck migrants worry about hunger, thirst, and infection. While it’s definitely a heavy film to watch, this film doesn’t exploit the pandemic as fodder for drama. Instead, Bheed realistically portrays how a crisis like COVID-19 exacerbates existing social inequity.

Genre: Drama

Actor: Aditya Srivastava, Ashutosh Rana, Bhumi Pednekar, Dia Mirza, Kritika Kamra, Omkar Das Manikpuri, Pankaj Kapur, Rajkummar Rao, Veerendra Saxena

Director: Anubhav Sinha

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An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.

Genre: Drama, War

Actor: Abraham Attah, Ama K. Abebrese, Andrew Adote, Cary Joji Fukunaga, Cornelius Keagon, David Dontoh, Emmanuel 'King Kong' Nii Adom Quaye, Emmanuel Affadzi, Emmanuel Nii Adom Quaye, Francis Weddey, Fred Nii Amugi, Grace Nortey, Idris Elba, John Arthur, Jude Akuwudike, Kobina Amissah Sam, Kurt Egyiawan, Nana Mensah, Nataliah Andoh, Opeyemi Fagbohungbe, Richard Pepple, Ricky Adelayitor

Director: Cary Fukunaga, Cary Joji Fukunaga

Rating: Not Rated

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A classic text of English literature classes is handsomely brought to life in this screen translation of the still-radical play An Inspector Calls. The Birlings, a wealthy industrialist family thriving in 1912 England, have a cozy family celebration shattered by the arrival of a police inspector investigating the suicide of a young working-class woman. But that’s not the only bubble that’s burst: as Inspector Goole (David Thewlis) interviews the family — gradually revealing the part each played in forcing the woman to such a desperate state — he holds a mirror up to the casual cruelty and entitlement with which the Birlings move through the world. Part of what makes JB Priestley’s original play so enduring is how these characters are used as a wider metaphor for their social classes, and that translates with delicate but undeniable force here. A damning indictment of individualism and blind privilege on original publication in 1945, this is a story that retains the same relevance and power today.

Genre: Crime, Drama, Mystery, Thriller, TV Movie

Actor: Chloe Pirrie, Chrissie Chow, David Thewlis, Donnie Yen, Eric Tsang, Finn Cole, Flora Nicholson, Hans Zhang, Herman Yau, Karena Ng, Ken Stott, Kyle Soller, Lam Ka-tung, Liu Yan, Louis Koo, Lucy Chappell, Miranda Richardson, Raymond Wong, Sophie Rundle, Teresa Mo, Wanda Opalinska

Director: Aisling Walsh, Herman Yau, Raymond Wong

Rating: TV-PG

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, 2004

Director Wong Kar-Wai made this loose sequel to one of the best films ever made, his 2000 classic In the Mood for Love. Much of the story is set around Christmas eve.

In the far future, people take a train to the world of 2046, where no sadness or sorrow can be experienced. No one has ever returned from that world except for a lonely Japanese writer, who narrates the first part of the film.

There are four acts to the story and as is common to Wong Kar-Wai, they are listed in non-chronological order. Not that you will care but 2046 is far from confusing. Instead, it functions as a dazzling visual poem on unreciprocated love.

Genre: Drama, Fantasy, Romance, Science Fiction

Actor: Akina Hong, Akina Hong Wah, Ben Yuen, Ben Yuen Foo-Wah, Benz Kong To-Hoi, Berg Ng, Carina Lau, Chang Chen, Chen Chang, Ching Siu-Lung, Dong Jie, Farini Cheung, Farini Cheung Yui-Ling, Faye Wong, Gong Li, Jie Dong, Li Gong, Maggie Cheung, Maggie Cheung Man-Yuk, Ping Lam Siu, Ronny Ching Siu-Lung, Siu Ping-lam, Takuya Kimura, Thongchai McIntyre, Tony Leung Chiu-Wai, Zhang Ziyi, Ziyi Zhang

Director: Kar-Wai Wong, Wong Kar-wai

Rating: R

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When Russian director Vitaly Mansky is commissioned by the North Korean government to make a documentary about an average Pyongyang child, he follows their every guideline. Except the end result, Under The Sun, is the complete opposite of what they had intended. For example starting every take earlier than they thought, he makes the documentary about the watchdogs around the child and other mechanisms of propaganda. He uses quiet storytelling to expose how brainwashing in a fascist regime takes place, and how the people caught in it function. May just be the smartest, most important film you can watch on North Korea.

Genre: Documentary

Actor: Hye-Yong, Kim Jong-un, Lee Zin-Mi, Oh-Gyong, Yu-Yong

Director: Vitaliy Manskiy, Vitaly Mansky

Rating: Not Rated

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Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Genre: Drama

Actor: Andy Roy, Daewon Song, Danny Glover, Finn Wittrock, Isiain Lalime, Jamal Trulove, Jello Biafra, Jimmie Fails, John Ozuna, Jonathan Majors, Mari Kearney, Mike Epps, Rob Morgan, Thora Birch, Tichina Arnold, Tonya Glanz

Director: Joe Talbot

Rating: R

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Sunday Beauty Queen starts with a basic but startling fact: there are about 190,000 Filipina domestic workers in Hong Kong. They toil for six days a week, with little breaks in between, but on Sundays, the one day they are given rest, they choose to take part in a fabulous beauty pageant.  

More than just a mere show, the pageant is a source of joy and relief for the migrant workers who, despite earning significantly more abroad than they would back home, are mired in a host of problems, including discrimination, loneliness, and underemployment. Because of the Philippines’ and Hong Kong’s stringent statutes, some helpers are also forced to go into hiding, unsure of who will protect them each time.

It’s to director Baby Ruth Villarama’s credit that the film feels both like a criticism and celebration of this migrant reality. She exposes the rotten system that forces these women to flee their country but doesn’t forget to highlight the humanity that keeps them going. This result of this deft balance is a story that is just as warm and exacting as any old home. 

Genre: Documentary, Drama

Actor: Cherrie Mae Bretana, Hazel Perdido, Leo Selomenio, Mylyn Jacobo, Rudelyn Acosta

Director: Baby Ruth Villarama

Rating: 0

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Beautifully directed and blessed to be led by the wonderfully gentle and curious dog Zeytin, Stray commits to its unique point of view by reimagining Istanbul as a place made up of cars, torsos, and trash on the street. Such constraints on one's filmmaking might make it seem like director Elizabeth Lo is in the perfect position to manipulate her animal characters in order to get the "story" she wants, but it genuinely never feels that way. If anything, Zeytin is the one who pulls Lo into orbit, and there's a sense that the director is simply recording what the dog is revealing to us about human beings' daily rituals and how they end up creating structure, culture, and (sadly) outcasts from this culture.

Genre: Documentary

Director: Elizabeth Lo

Rating: NR

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