598 Best Thought-provoking Movies to Watch (Page 12)

This incredible documentary is about the elusive Iranian artist Bahman Mohassess, whose work has the uniqueness of a Picasso or a Salvador Dalí.

But unlike his European counterparts, most of Mohassess’ work has been destroyed. Some in the aftermath of the Islamic Revolution in Iran but most, interestingly, by the artist himself.

After the revolution, he went into exile. For 40 years his whereabouts remained unknown — until an Iranian filmmaker based in Paris tracked him in a hotel in Rome.

Very early in the film, director Mitra Farahani points out that Mohassess died half an hour after one of their filming sessions.

The urgency of their conversations, the genius of Mohassess and his relationship to his art, and the uniqueness of the untold story of his life, all make this more than just another documentary. It’s a work of immeasurable historic value.

Genre: Documentary

Director: Mitra Farahani

Rating: Unrated

There are connections we make in this lifetime that we expect to be ephemeral, especially in a new city, but sometimes these connections end up being the most meaningful relationship to us. For Jun in Comrades, Almost a Love Story, street smart Qiao is that connection. As she teaches Xiao Jun in Hong Kong city life, they both edge closer to being lovers and Hongkongers, but not quite enough to receive the title. And as fate separates them and fate (and Teresa Teng) brings them together, Comrades, Almost a Love Story crafts quite a memorable romance that stems from a shared dream of finally moving up in the world.

Genre: Drama, Romance

Actor: Adrian Kwan, Baat Leung-Gam, Christopher Doyle, Crystal Suen Ah-Lei, Eric Tsang, Irene Tsu, Joe Cheung Tung-Cho, Kristy Yang, Leon Lai, Maggie Cheung

Director: Peter Chan

As time goes by, the youth doesn’t recognize how connected they are to previous tragedies, more so when it comes to war. Some even say that they have no part in it. Nobuhiko Obayashi’s later years have been preoccupied in countering this idea. Casting Blossoms to the Sky is the first of Obayashi’s anti-war trilogy, with the film inviting its audience to follow a journalist rediscovering the city of Nagaoka after the 2011 Tohoku earthquake. There’s a certain dreamlike approach to the way the various war stories are weaved together, with vibrant frames, simple CGI, and prominent green screen that grants some distance between the audience and the actual wartime reality, but it’s no less potent as Reiko interviews those that remember the scars of the past, and the rituals, practices, and art they’ve taken up in response. Casting Blossoms is a depressing story about war and disaster, one that is a tough one to watch. But it never forgets the humanity, the kindness and love that allowed Japan to recover, the very qualities we must protect and remember in ourselves.

Genre: Drama, Fantasy, War

Actor: Akira Emoto, Bengal, Chōei Takahashi, Hirona Yamazaki, Hiroshi Inuzuka, Kanae Katsuno, Koji Ishikawa, Mansaku Ikeuchi, Masahiro Takashima, Masao Kusakari, Masayuki Yui, Mayuu Kusakari, Minami Inomata, Misako Renbutsu, Naoyuki Morita, Natsuki Harada, Saki Terashima, Seina Suzuki, Shiho Fujimura, Shirô Namiki, Sumiko Fuji, Takahito Hosoyamada, Takashi Sasano, Takehiro Murata, Takuro Atsuki, Tomoko Hoshino, Tōru Shinagawa, Toshie Negishi, Toshinori Omi, Toshio Kakei, Tsurutaro Kataoka, Yasuko Matsuyuki, Yuto Kobayashi

Director: Nobuhiko Obayashi

“It is better to live miserable than to die happy,” or so says one of the characters in Jia Zhangke’s anthology film A Touch of Sin. On its surface, the “sin” referenced in the title might pertain to the acts of murder that the four protagonists commit, but in the context of China’s rapidly changing capitalist landscape (a theme explored in the director’s other pictures), it reveals itself as a malady shared by Chinese laborers treated as dispensable resources by the powers-that-be. Murder, then, is explored as an extremity, the effectual breaking point of people no longer able to contain the injustice within themselves. Beneath the splatters of blood is a plea for empathy and understanding, at once remorseful and full of conviction.

Genre: Action, Crime, Drama

Actor: Baoqiang Wang, Han Dong, Jiang Wu, Jin Zhang, Li Meng, Lu Liu, Luo Lanshan, Qiang Wang, Wang Baoqiang, Wang Hongwei, Wang Qiang, Zhang Jiayi, Zhang Jin, Zhao Tao

Director: Jia Zhangke

Though only currently available on Prime Video Philippines, Carlo Francisco Manatad's critically acclaimed drama boasts the kind of directorial vision and technical brilliance that deservedly kept it on the international festival circuit throughout 2021 and 2022—and that deserves to be seen around the world. Through textured cinematography and sound design, and art direction that situates its story halfway between reality and a dazed state of mind, Whether the Weather Is Fine isn't so much a factual retelling of life after Typhoon Haiyan but a meditation on what home and freedom mean to those who no longer seem to have it.

Manatad's background in experimental short filmmaking shines through in how the film seems comprised of so many irregular parts, but the emotional through line is unmistakable. Three incredible performances—from Daniel Padilla, Charo Santos-Concio, and Rans Rifol—illustrate the different ways that people try to escape or cling to hope in the wake of devastation. It's the furthest thing from "resilience porn," as the different perspectives of these characters clash and inevitably push each other away. And while that might not sound like the film offers a constructive point of view on disaster management, its intense psychological focus feels like something we haven't seen on screen before.

Genre: Drama

Actor: Charo Santos-Concio, Daniel Padilla, Francis Magundayao, Johnny Manahan, Joji Alonso, Mercedes Cabral, Nico Antonio, Rans Rifol

Director: Carlo Francisco Manatad

The end of the world, of course, forces people to contemplate one’s life purpose, the choices they made, and the opportunities they chose over others. Andrei Tarkovsky examines this idea in The Sacrifice– juxtaposing a hypothetical third World War with main character Alexander’s choices, the choices that led him to a successful acting career, but also led him to regret that he hasn’t done more to take action, until the deal he made with a cross between the Christian God and pagan sacrifice. The ideas are philosophically heavy, marked with Tarkovsky’s dreamlike imagery, long takes, and slow pacing, but it feels much more personal considering the sacrifice he made in leaving his family to create his last two films abroad. The Sacrifice is a masterful meditation on life itself, a deeply moving anti-war film that was a decent send-off of one of the greatest filmmakers ever to have existed.

Genre: Drama

Actor: Allan Edwall, Erland Josephson, Guðrún Gísladóttir, Helena Brodin, Jan-Olof Strandberg, Jane Friedmann, Susan Fleetwood, Sven Wollter, Tintin Anderzon, Tommy Kjellqvist, Valérie Mairesse

Director: Andrei Tarkovsky

The Royal Hotel sees Hanna (Julia Garner) and Liv (Jessica Henwick) resorting to take up a dire live-in job behind the bar in a remote desert part of Western Australia. Although they're warned that they'd "have to be okay with a little male attention" in the outcast mining town, their financial precarity overrides the potential fear. Curiously enough, the fiction film is based on a real story, already told in the 2016 documentary Hotel Coolgardie by Pete Gleeson, but The Assistant director Kitty Green pulls no punches when representing how suffocating it must feel to be encircled by such unmediated male aggression. The brawls, the spilled beer, the c-word as a greeting all form the unnerving paraphernalia of life then and there. For Australian independent film devotees, there is actor Toby Wallace, who reprises his bad boy role from Babyteeth, and he's joined by the ranks of Herbert Nordrum (The Worst Person in the World) and an utterly terrifying Hugo Weaving (The Matrix).

Genre: Drama, Mystery, Thriller

Actor: Alex Malone, Barbara Lowing, Baykali Ganambarr, Bree Bain, Bruce R. Carter, Daniel Henshall, Herbert Nordrum, Hugo Weaving, James Frecheville, Jessica Henwick, Julia Garner, Kate Cheel, Patrick Frost, Toby Wallace, Ursula Yovich, Valerie Berry

Director: Kitty Green

Rating: R

To plenty of countries around the globe, democracy has become so ubiquitous that we forget it’s relatively new, at least relative to the rest of human history. Bhutan is one of the last countries that became a democracy, and writer-director Pawo Choyning Dorji chose to depict a slice of how they made the shift in The Monk and the Gun. As Tashi sets out to obtain two weapons for his mentor, and Ron seeks a specific antique gun, Dorji presents slice-of-life moments of the beautiful Bhutan countryside, intercut with the subtle ways tradition still persists amidst modernity, and the funny ways change can clash with culture. It’s no wonder The Monk and the Gun was chosen as the Bhutanese entry for the Best International Feature at the 96th Academy Awards.

Genre: Drama

Actor: Choeying Jatsho, Deki Lhamo, Pema Zangmo Sherpa, Tandin Sonam, Tandin Wangchuk

Director: Pawo Choyning Dorji

If you’ve ever seen a movie by kings of social realism Ken Loach or the Dardenne brothers, you’ll recognize the cinematic tradition The Measure of a Man is coming from, but if you haven’t, don’t fear. The filmmaking here isn’t complicated, academic, or laden with references — in fact, the opposite is true. Stylistically pared back, the intensely modern and human story at the movie’s center expands to fill the frame so we have nowhere else to look.

With a disabled son to provide for, middle-aged Thierry (Vincent Lindon) desperately searches for a job, undergoing several state-required indignities — such as practice interview sessions in which fellow jobseekers critique everything from his body language to his tone of voice — just for a shot at being able to pay his bills. So many scenes and conversations here are palpably laden with the anxieties of real life, both economic and personal. And yet, for all the dehumanization and desperation clouding its edges, Measure of a Man isn’t a hopeless movie. We’re reminded by happy scenes at home just how rich Thierry’s life is, unemployed or not — but it's perhaps his moral compass, which begins to twitch when he takes a security job with an unscrupulous corporate employer, that’s most heartening of all.

Genre: Drama

Actor: Christophe Rossignon, Karine de Mirbeck, Mathieu Schaller, Soufiane Guerrab, Vincent Lindon, Xavier Mathieu, Yves Ory

Director: Stéphane Brizé

As black a comedy as they come. Nick Naylor (superbly portrayed by Aaron Eckhart) is the chief spokesperson for tobacco and shows the world why smoking is as key to protect as any other liberal value. This movie is funny, smart, thoughtful and raises some good questions about the ego, the morale and what we leave behind, from unexpected sides.

Genre: Comedy, Drama

Actor: Aaron Eckhart, Aaron Lustig, Adam Brody, Aloma Wright, Brian Palermo, Bruce French, Cameron Bright, Catherine Reitman, Christopher Buckley, Connie Ray, Courtney Taylor Burness, Dana E. Glauberman, Daniel Travis, David Koechner, David O. Sacks, Dennis Miller, Earl Billings, Elon Musk, Eric Haberman, Eva La Dare, J.K. Simmons, Jeff Witzke, Joan Lunden, Jordan Garrett, Katie Holmes, Kim Dickens, Marc Scizak, Maria Bello, Marianne Muellerleile, Mary Jo Smith, Melora Hardin, Michael Mantell, Nancy O'Dell, Rachel Thorp, Renée Graham, Richard Speight Jr., Rob Lowe, Robert Duvall, Robert Malina, Roy Jenkins, Sam Elliott, Sean Patrick Murphy, Spencer Garrett, Terry James, Timothy Dowling, Todd Louiso, William H. Macy

Director: Jason Reitman

Rating: R