492 Best Dramatic Movies to Watch (Page 21)

Staff & contributors

If your inner drama queen is craving some stimulation and you’re looking for a movie that guarantees all the feels, we’ve got you covered. Here are the best emotionally and narratively dramatic movies and shoes to stream now.

Education isn’t always a guarantee, especially in less privileged areas that are underfunded, overlooked, and underprioritized, in the belief that these kids wouldn’t amount to much in the end. That being said, sometimes, what changes that fate is having a teacher that believed in his students and encouraged them to learn more than what they were expected. Stand and Deliver is a dramatization of the real life Jaime Escalante, who transformed a math program in an east LA high school to the point where his entire class ace California’s calculus test. The film definitely takes some dramatic liberties, but it does capture a sense of his quiet determination, the personality that pushed him to believe in and connect with students differently. While Escalante’s program eventually ended due to admin changes and staff in-fighting, Stand and Deliver is a reminder of the importance of nurturing ganas, or desire, in the classroom.

Genre: Drama

Actor: Andy Garcia, Betty Carvalho, Bodie Olmos, Carmen Argenziano, Edward James Olmos, Estelle Harris, Ingrid Oliu, Irene Olga López, Karla Montana, Lou Diamond Phillips, Manuel Benitez, Mark Phelan, Rosanna DeSoto, Vanessa Marquez, Virginia Paris

Director: Ramón Menéndez

Rating: PG

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To the untrained eye, a TV interview is just that: an interview, a simple (and at times rehearsed) back-to-back between a reporter and a subject. But Scoop is a thrilling reminder of how complex the process actually is, from the legwork to the questioning and even after airing. In the UK, that quest for truth is complicated by stringent palace rules and the fact that the BBC, which McAlister and her colleagues work for, is a publicly funded institution. How free is the free press when a Royal can call off a story, and how far are reporters willing to go to protect it? Scoop is bolstered by a smart script and a wealth of strong performance—Sewell is almost unrecognizable as Prince Andrew and Gillian Anderson is commanding as anchor Emily Maitlis. But the movie won’t be as strong as it is without Piper leading it; she’s relatable and entrancing as she works her way from underestimated underdog to compelling champion.

Genre: Drama

Actor: Alex Waldmann, Amanda Redman, Andrew MacBean, Aoife Hinds, Billie Piper, Charity Wakefield, Charlie Roe, Charlotte Avery, Christopher Fairbank, Colin Wells, Connor Swindells, Gillian Anderson, Gordon Warnecke, Harriet Benson, Jonathan Rhodes, Jordan Kouamé, Kate Fleetwood, Keeley Hawes, Lia Williams, Mark Noble, Mia Threapleton, Nicholas A. Newman, Nicholas Murchie, Paul Popplewell, Raffaello Degruttola, Richard Goulding, Romola Garai, Rufus Sewell, Tim Bentinck, Vangelis Christodoulou, Zach Colton

Director: Philip Martin

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When Mikey Saber’s porn career takes a dip in California, he returns to an estranged wife in Texas, where he meets new and old friends alike and attempts to rebuild his life through a couple of odd jobs. Though Mikey eventually earns his keep, his vanity and eagerness to succeed at all costs threaten to get the best of him.

All this happens against a vibrant backdrop of local sights, beautifully lit and framed by director Sean Baker (The Florida Project, Tangerine). Quaint, naturalistic, and ever-so-subtly political, Red Rocket is another great entry into Baker’s impressions of the vexed American Dream.

Genre: Comedy, Drama

Actor: Bree Elrod, Ethan Darbone, Karren Karagulian, Shih-Ching Tsou, Simon Rex, Suzanna Son

Director: Sean Baker

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Miso may be living day to day on her meager earnings as a cleaner, but she is decidedly content. She insists that all she needs to get by are cigarettes, whiskey, and time with her boyfriend, so when a spike in rent and prices invites her to reassess her priorities, she doesn’t budge. Instead of forgoing these luxuries, she gives up her tiny place and couch surfs with her old bandmates. What follows is a reunion of sorts, where darkly humorous epiphanies are had on both ends about adulthood, responsibilities, and what it really means to be happy in an increasingly indifferent, profit-oriented world.  

Microhabitat treads on very grave themes, and the images it conjures can be unsettling. But it is also surprisingly light on its feet, displaying sharp satire and sweet empathy for its unyielding protagonist. Miso is portrayed with a smartness and softness that evades rational judgment, and this endearment makes the story, especially the ending, all the more painfulul, poignant, and impactful.

Genre: Drama, Romance

Actor: Ahn Jae-hong, An Jae-hong, Cho Soo-hyang, Choi Deok-moon, Esom, Hwang Mi-young, Jang Sung-kyu, Kang Jin-ah, Kim Hee-won, Kim Jae-hwa, Kim Jae-rok, Kim Kuk-hee, Kim Yae-eun, Lee Seong-wook, Lee Sung-wook, Lee Yo-sup, Lee Yong-nyeo, Park Ji-young, Woo Moon-gi

Director: Jeon Go-woon

Rating: Not Rated

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In this romantic drama, James Ivory adapts E.M. Forster's novel Maurice. Set in the early 20th century, Maurice Hall befriends Clive Durham while studying at Cambridge. Clive is rich, handsome, endlessly charming—and in love with Maurice. The two’s relationship blossoms quietly as they steal intimate moments in lush pastures and empty hallways. Fans of Call Me By Your Name will recognize some of the most tender and tense scenes, wherein Clive and Maurice lie together in the grass, surrounded only by weeds and flowers, as if they were the only two lovers left in the world. 

But their love story is stunted and complicated by notions of class and etiquette in an oppressive, conservative England. This is a coming-of-age story in which Maurice must ask himself not only who he is, but also who he wants to become, and how to live an earnest, honest life in the light.

Genre: Drama, Romance

Actor: Alan Foss, Alan Whybrow, Arthur Whybrow, Barry Foster, Ben Kingsley, Billie Whitelaw, Breffni McKenna, Catherine Rabett, Christopher Hunter, Denholm Elliott, Harriet Thorpe, Helena Bonham Carter, Helena Michell, Hugh Grant, James Wilby, Jean-Marc Barr, John Elmes, Judy Parfitt, Julian Wadham, Kitty Aldridge, Maria Britneva, Mark Payton, Mark Tandy, Matthew Sim, Michael Jenn, Miles Richardson, Olwen Griffiths, Orlando Wells, Patrick Godfrey, Peter Eyre, Philip Fox, Phillada Sewell, Phoebe Nicholls, Richard Warner, Rupert Graves, Serena Gordon, Simon Callow

Director: James Ivory

Rating: R

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Dear Ex is a family drama that explores LGBT+ issues in contemporary Taiwan. As much as it is a movie about how people cope with loss, it’s a powerful, heartwarming, and intimate portrait of the relationship between Jay and Song Zhengyuan and all the obstacles they face.

While the themes of Dear Ex are heavy, the director makes the viewing experience easier for the audience thanks to humorous and witty dialogue. Meanwhile, the history between Jay and Song Zhengyuan’s relationship unfolds in a very beautiful, almost poetic way, and by the end of the movie, we understand that everyone gets their own kind of forgiveness. The way the characters effortlessly show that love is something beyond genders is admirable, and it is great to see how everyone gets their own kind of forgiveness whether it's from themselves or from others by the end of the movie.

Genre: Comedy, Drama, Romance

Actor: Ai-Lun Kao, Clover Kao, Danny Liang, Fang Wan, Hsieh Ying Shiuan, Hsieh Ying-xuan, Hsin-Ling Chung, Hsu Chih-yen, Joseph Huang, Mag Hsu, Ping-Ya Tai, Roy Chiu, Spark Chen, Ting-Chien Wu, Wanfang, Yang Li-yin, Ying-Xuan Hsieh

Director: Chih-Yen Hsu, Hsu Chih-yen, Mag Hsu

Rating: TV-MA

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This heartbreaking Russian drama takes place in Leningrad six months after the end of the war. A boy is asked to do an impression of an animal, any animal, but the boy stands still. "Just do a dog then", one person says, to which another remarks "he's never seen one, they've all been eaten."

In this bleak context, two friends meet again and try to restart their lives. Masha is a soldier who has just come back from the war in Berlin, and Iya, a tall woman nicknamed "Beanpole", is a nurse who suffers from PTSD episodes that freeze her body. Both characters, so brilliantly acted, personify the thin line between desperation and hopefulness in this difficult but incredibly well-made drama.

Genre: Drama, War

Actor: Alyona Kuchkova, Andrey Bykov, Galina Mochalova, Igor Shirokov, Konstantin Balakirev, Kseniya Kutepova, Olga Dragunova, Timofey Glazkov, Vasilisa Perelygina, Veniamin Kac, Viktoria Miroshnichenko, Viktoriya Miroshnichenko

Director: Kantemir Balagov

Rating: Not Rated, Unrated

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When German forces occupy Paris in 1942, a close-knit Jewish family tearfully sends their two youngest sons, Jo and Maurice, to escape the city on foot, with promises that they will all eventually be reunited in the Free Zone in the South. Told from the perspective of Jo – and based on the 1973 memoir of Joseph Joffo – what follows is a story of adventure, discovery, loss, love and the resilience of family bonds. A tapestry of cherished memories woven together with traumatic ones, the tone shifts again and again as Jo and his brother reach the bright shores of Nice––before they are driven to hiding again. Above all else, this is a story about the power of a family’s love, and of children who rise against the odds by their own courage and tenacity.

Genre: Drama, War

Actor: Émile Berling, Batyste Fleuria, Batyste Fleurial, Bernard Campan, César Domboy, Candide Sanchez, César Domboy, Christian Clavier, Coline Leclère, Dorian Le Clech, Elsa Zylberstein, Émile Berling, Eric Bougnon, Etienne Chicot, Fred Epaud, Frédéric Epaud, Holger Daemgen, Ilian Bergala, Jocelyne Desverchère, Joël Dupuch, Kev Adams, Luc Palun, Lucas Prisor, Patrick Bruel, Pierre Kiwitt, Vincent Nemeth

Director: Christian Duguay

Rating: Not Rated

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Welcome to the Dollhouse tells the story of Dawn, an unpopular seventh-grader mercilessly bullied at school and ignored at home. Her day-to-day is painful to watch; her classmates make fun of her, her teachers never believe her, and her parents punish her, blatantly favoring her other siblings over her. But all this she puts up with, as if going through the murky in-between stage that is adolescence isn't confusing enough. Dawn finds no respite elsewhere, except perhaps in her friend Ralphy (another target of bullying) and her crush, the high schooler Steve.  

A Sundance jury winner back in '96, Welcome to the Dollhouse is as darkly funny as it is grim. It takes on a deadpan approach in handling its more serious topics; it doesn't make fun of them so much as it shines them in a new and blinding light. It's difficult to look away from this frank and well-balanced film; a sure good watch for anyone curious to know what it's really like to be a teenage loner.

Genre: Comedy, Drama

Actor: Angela Pietropinto, Bill Buell, Brendan Sexton III, Christina Brucato, Christina Vidal, Daria Kalinina, Elizabeth Martin, Eric Mabius, Heather Matarazzo, Ken Leung, Matthew Faber, Molly Howe, Rica Martens, Richard Gould, Siri Howard, Stacey Moseley, Teddy Coluca, Telly Pontidis, Victoria Davis, Will Lyman

Director: Todd Solondz

Rating: R

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We mostly think of objects as just stuff to buy, to sell, to give, and to throw away, but for many musicians, their instruments are quite important to them. The Red Violin takes it to the extreme– with the titular instrument infused with the life force of a human– but the film justifies this passion, the pain, and the cost through one of the most beautiful violin scores ever made, and through an ambitious series of vignettes spanning across four centuries and five countries. As the object passes hands, and the owners live, and play, and die, The Red Violin suggests that while these artists’ lives are fleeting, there’s still something human and important in chasing the sublime, and this instrument is just proof of it.

Genre: Drama, Music, Mystery, Romance, Thriller

Actor: Anita Laurenzi, Arthur Denberg, Carlo Cecchi, Clotilde Mollet, Colm Feore, Dany Laferrière, David Gant, David La Haye, Dimitri Andreas, Don McKellar, Dorothée Berryman, Eva Marie Bryer, Florentín Groll, Gregory Hlady, Greta Scacchi, Herman Meckler, Hong Tao, Irene Grazioli, James Bradford, Jason Flemyng, Jean-Luc Bideau, Jody Shapiro, Johannes Silberschneider, Joshua Bell, Julian Richings, Monique Mercure, Rainer Egger, Rémy Girard, Russell Yuen, Samuel L. Jackson, Samuele Amighetti, Sandra Oh, Stuart Yung Sai-Kit, Sylvia Chang, Sylvia Stewart, Tommaso Puntelli, Wang Xiaoshuai, Wolfgang Böck, Zifeng Liu

Director: François Girard

Rating: R

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The Western had its heyday in the 60s, but the decades have proven that there’s still stories from the deserts that we haven’t heard yet, and gems that twist the genre on its head. The Proposition is a unique Western, being from the East, in Australia where the Brits have started to form colonies. As the British Empire builds society, and the police start to enforce the King’s justice, writer Nick Cave and director John Hillcoat crafts a bloody tale, where promises between men are betrayed for the State, where vengeance can only be met through brutality, and where the line between civility and savagery is drawn and moved by the will of an angry majority. The Proposition is quite violent, but it’s performed well, scored by a moody, moving soundtrack, and it surprisingly contemplates Australia’s bloody past.

Genre: Action, Adventure, Crime, Drama, Thriller, Western

Actor: Bogdan Koca, Boris Brkic, Bryan Probets, Danny Huston, David Gulpilil, David Vallon, David Wenham, Emily Watson, Gary Waddell, Guy Pearce, Iain Gardiner, Jeremy Madrona, John Hurt, Leah Purcell, Mick Roughan, Noah Taylor, Oliver Ackland, Ralph Cotterill, Ray Winstone, Richard Wilson, Robert Morgan, Tom Budge, Tom E. Lewis

Director: John Hillcoat

Rating: R

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Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

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