18 Best Movies to Watch In Vietnamese

Leaving a life you’ve always known isn’t easy, but more so if you’ve been born into organized crime, having followed the footsteps of a parent. The Beat That My Heart Skipped is a remake of 1978 American film Fingers, but reversed– The film brings a real estate broker to piano rather than the other way around. With the lessons bringing Tom back to the music his mother loved and dedicated her life for, Tom reconnects to a childhood hope, and connects with teacher Miao Lin, with music bridging where words cannot, due to the language barrier. Tme and the desperation his current life begets, of course, threatens to keep him for it. The Beat That My Heart Skipped takes a more visceral and neo-noir approach, but the balance between Tom’s relationship with his dad and his love makes his decision over a new path all the more compelling.

Genre: Crime, Drama, Music

Actor: Aure Atika, Emmanuelle Devos, Gilles Cohen, Jonathan Zaccaï, Justine Le Pottier, Linh Dan Pham, Mélanie Laurent, Niels Arestrup, Romain Duris

Director: Jacques Audiard

Rating: NR

If you like any of the following: Irish accents, Woody Harrelson, Pulp Fiction, or dark comedy;  then this is the movie for you. This mix of violence, mafia, existential talk, and painfully comical situations might not be for everyone, but it has every component to make its target audience very pleased. And given how chaotic and crazy it can get, it should be enjoyed one take at a time, focusing on each delightful scene rather than the overall plot. Directed by Martin McDonagh, Seven Psychopaths makes a perfect comeback after In Bruges, without veering very much from it (consequently if you like this movie make sure you check out In Bruges too).

Genre: Comedy, Crime

Actor: Abbie Cornish, Amanda Warren, Brendan Sexton III, Christian Barillas, Christine Marzano, Christopher Gehrman, Christopher Walken, Colin Farrell, Crispin Glover, Frank Alvarez, Gabourey Sidibe, Harry Dean Stanton, Helena Mattsson, James Landry Hébert, John Bishop, Johnny Bolton, Joseph Lyle Taylor, Kevin Corrigan, Kiran Deol, Linda Bright Clay, Long Nguyen, Martin McDonagh, Michael Pitt, Michael Stuhlbarg, Olga Kurylenko, Patrick O'Connor, Richard Wharton, Ronnie Gene Blevins, Sam Rockwell, Samantha Cutaran, Tai Chan Ngo, Tom Waits, Woody Harrelson, Zeljko Ivanek

Director: Martin McDonagh

Rating: R

What strikes most people about The Vertical Ray of the Sun is how idyllic Tran Anh Hung captures Hanoi, Vietnam’s capital– lush greens, the summer sunshine softened by mosquito nets, scored by the birds and the neighborhood kids and a mix of early 00s soft rock and traditional Vietnamese songs. These visuals are so beautiful that it distracts from fairly turbulent conflicts in the three relationships present in the film, the unfulfilled desires they feel, some totally forbidden, some stemming from past generations, which makes the PG rating all the more surprising. But even as the drama unfolds, the feeling of a languid summer afternoon never fades, painting the melodramatic troubles under a peaceful veneer, made subtle and humorous with the way the sisters joke, make innuendoes, and decide on family matters together.

Genre: Drama, Romance

Actor: Chu Hung, Do Thi Hai Yen, Doan Viet Ha, Le Khanh, Le Tuan Anh, Le Vu Long, Ngo Quang Hai, Nhu Quynh, Tran Nu Yên-Khê

Director: Tran Anh Hung

Rating: PG-13

Being released just a year after 9/11, we weren’t expecting The Quiet American to be critical about America’s intervention in the Vietnam War– the original novel was criticized by the country in its initial release, and the previous 1958 film adaptation revamped the entire story for an anti-communist message. Still, while the film could have expanded on Phuong’s perspective, The Quiet American is well made and surprisingly faithful to the book– willing to delve into author Graham Greene’s cautionary tale on exceptionalism and acknowledging how his prediction has happened in reality, all easily understood through the simple, yet effective metaphor of a love triangle.

Genre: Drama, Romance, Thriller, War

Actor: Brendan Fraser, Do Thi Hai Yen, Ferdinand Hoang, George Mangos, Holmes Osborne, Jeff Truman, Kevin Tran, Mathias Mlekuz, Michael Caine, Rade Serbedzija, Robert Stanton, Tzi Ma

Director: Phillip Noyce

Rating: R

In another country, you can forge a completely different life from the one you had in your hometown. For closeted LGBTQ+ individuals, moving to a more tolerant society allows you to explore facets of your sexuality that wasn’t possible previously. In Goodbye Mother, first generation immigrant Nau Van is confronted with the secrets he hid from his hometown, the secret that isn’t a secret in America. The conflict plays out in a familiar fashion, going through plenty of the usual experiences that coming out entails, but, while these are familiar, Goodbye Mother tugs at the reality Asian immigrants experience, and does so in a sweet and empathetic way.

Genre: Drama, Romance

Actor: Hồng Ánh, Hồng Đào, Lãnh Thanh, Lê Thiện, Võ Điền Gia Huy

Director: Trinh Dinh Le Minh

Many movies try to be nostalgic, but few have come as close as Between the Temples. Directed by Nathan Silver, it channels classics like The Graduate, Harold and Maude, and early Woody Allen dramedies without trying too hard. It has the grain, patina, and camera movements of 60s and 70s movies, and its central love story--though not quite shocking now--might’ve been subversive then. But more than just a pleasant trip to the past, Between the Temples is a reassuring film about the deep and healing bond two people can forge amidst grief and loneliness. It also tackles faith and tradition without being preachy or stifling. Many scenes can feel overwhelming, but the moments after feel cathartic, even if—as in religion and as in life—they rarely give you a sure answer.

Genre: Comedy, Drama

Actor: Annie Hamilton, Carol Kane, Caroline Aaron, Dolly de Leon, Jason Schwartzman, Lindsay Burdge, Matthew Shear, Pauline Chalamet, Robert Smigel, Stephen Lack

Director: Nathan Silver

Rating: R

Last Days in Vietnam is a documentary that recounts the final weeks of the conflict in 1975, as North Vietnamese forces surged toward Saigon and U.S personnel anxiously awaited word of an evacuation plan. At the time, U.S. Ambassador Graham Martin was reluctant to accept defeat, and delayed a U.S. withdrawal in his (rapidly diminishing) hopes that a solution could be reached. Once the fall of Saigon became imminent, U.S. diplomatic, military and intelligence personnel were left piecing together a bare bones plan to escape via military helicopter support. The moral dilemma they soon faced was the harsh reality of leaving behind so many South Vietnamese citizens who had supported the American effort—many of whom faced likely imprisonment and/or death. Featuring remarkable footage and first-hand accounts from many involved, the film recounts those final days of chaos and confusion in stunningly dramatic fashion. Director Rory Kennedy has put together a gripping and emotionally compelling film that balances broad historical exposition with concise detail related to the evacuation complexities—all of it punctuated by remarkable examples of bravery and heroism.

Genre: Documentary, War

Actor: Henry Kissinger, Juan Valdez, Richard Nixon, Stuart Herrington

Director: Rory Kennedy

Rating: Not Rated

Not to be confused with the old racist Disney movie, Song of the South is a carefully crafted historical epic based on the classic Vietnamese novel. Set in 1940s Vietnam, French colonial rule hangs over the main story, with the young An searching for his father after a tragic loss. It’s beautifully shot, capturing South Vietnam’s culture in ethereal countryscapes, blatantly nationalistic moments, and excellently choreographed fight sequences. Huynh Hao Khang also depicts An with a charm and charisma that makes his journey the most interesting to watch. However, his journey meanders halfway through, with each change in travel companion unsteadily shifting the tone of the film. Song of the South is an intriguing watch, but the structure, humor, and the CGI distracts from the poignancy of the original novel’s story.

Genre: Drama, Family, War

Actor: Công Ninh, Hồng Ánh, Mai Tài Phến, Trấn Thành, Tuấn Trần, Tuyền Mập

Director: Nguyễn Quang Dũng

Like its governor having many wives, The Last Wife has too many elements left unsatisfied. To its credit, it has lovely scenery, costumes, and set design that matches the era. With Linh forced into a marriage to pay off her father’s debts, reuniting with a childhood love, the film also had the erotic potential of Lady Chatterley’s Lover, with a thrilling second act twist that occurs when they get discovered. However, the film gets dragged down by the slow pace and random comedic scenes that don’t add to the thematic stakes, sometimes even distracting the viewer from the dismal conditions the titular wife is forced into.

Genre: Drama, Romance

Actor: De Ly Luu, Kaity Nguyễn, Ngọc Diệp, Quốc Huy, Thuan Nguyen

Director: Victor Vũ

The big ideas swirling at the center of The Creator are about human heartlessness versus AI compassion, man’s coldness versus robot warmth. Unfortunately, the movie winds up being an unwitting example of the former: visual effects take precedence over emotion here, meaning you rarely feel any of the intended poignancy of this story about a soldier driven between warring sides by love.

Part of that effect might be because the premise is an iffy one to swallow, as The Creator drops during a time when the once-theoretical threats posed by AI start to become disconcertingly real. But mostly, the sterile feeling of the film is a product of the writing, as a shallow script prevents most of the cast from ever making their characters compelling. Though its lifelike effects are something to marvel at, The Creator never quite convinces us that any of its humans are real — a pretty gaping flaw for a movie that wants to sell us on the idea that robots might one day be sentient.

Genre: Action, Adventure, Drama, Science Fiction

Actor: Allison Janney, Amar Chadha-Patel, Anjana Ghogar, Brett Bartholomew, Brett Parks, Chananticha Chaipa, Charlie McElveen, Dana Blouin, Eoin O'Brien, Gemma Chan, Ian Verdun, Jeb Kreager, John David Washington, Karen Aldridge, Ken Watanabe, Leanna Chea, Mackenzie Lansing, Madeleine Yuna Voyles, Marc Menchaca, Mariam Khummaung, Mav Kang, Michael Esper, Monthatip Suksopha, Natthaphong Chaiyawong, Niko Rusakov, Pat Skelton, Pongsanart Vinsiri, Rad Pereira, Ralph Ineson, Robbie Tann, Sahatchai Chumrum, Sawanee Utoomma, Scott Thomas, Sturgill Simpson, Syd Skidmore, Teerawat Mulvilai, Veronica Ngo

Director: Gareth Edwards

Rating: PG-13