47 Best Movies to Watch In Tagalog (Page 3)

Joy is a dutiful, overseas Filipino worker supporting her entire family back home. Ethan is a well-off bartender who has, time and again, put himself first before others. They couldn’t be any more different, yet in Hong Kong, their alien status and ambitious goals make them kindred spirits. What starts as a low-stakes bond quickly turns into an essential relationship, one that puts their personal commitments to the test. 

Hello, Love, Goodbye may appear formulaic at first, but it is heightened by a keen understanding of life overseas. It avoids romanticizing the migrant experience and sees it for what it truly is: a harsh but necessary means to an end. If this seems too severe, it’s also softened by an enchanting romance and some welcome comic relief in the form of the pair’s friends. Because of this nice mix, it’s no surprise that Hello, Love, Goodbye instantly broke domestic records and remains the highest-grossing Filipino movie of all time. 

Genre: Drama, Romance

Actor: Alden Richards, Jameson Blake, Jeffrey Tam, Jerome Ponce, Joross Gamboa, Kaka Bautista, Kakai Bautista, Kathryn Bernardo, Lito Pimentel, Lovely Abella, Maricel Laxa, Maxine Medina, Maymay Entrata, William Lorenzo

Director: Cathy Garcia-Molina, Cathy Garcia-Sampana

Rating: TV-PG

One day, Filipino romances will wean themselves away from the tropes that keep their stories circling back to the same conclusions, undermining the bold narrative ideas on which that they establish themselves. Nothing Like Paris still doesn't break free, but its commitment to a more serious, modern view of romance set against the loneliness of migration is surprising given director Sigrid Andrea Bernardo's previous collaboration with her lead actors (the inadvertently creepy I See You, set in Japan). Here, the possibility of romance built on little more than one's shared nationality and language is explored with real maturity, through two performers who prove that subtlety will always leave more room for complex emotion than ugly crying and cutesy, empty gestures.

Genre: Drama, Romance

Actor: Alessandra de Rossi, Dolly de Leon, Empoy Marquez, Jean-Marc Noirot-Cosson

Director: Sigrid Andrea Bernardo

Being a priest requires full devotion to God, so falling in love would naturally challenge a seminarian and make them question whether priesthood is the right path for them. I Love Lizzy portrays this conflict as the seminarian Jeff falls in love with Bicol tour guide Lizzy, on the break where he’s supposed to make his discernment. It’s an intriguing love story, especially as Jeff and Lizzy heal past wounds with each other, and Carlo Aquino adeptly navigates his second seminarian role with ease. However, it’s clear that more care and attention was given to Jeff’s storyline rather than Lizzy’s. Despite this, I Love Lizzy is a unique, if a bit uneven, take on the seminarian love story that continues to captivate the predominantly Catholic country today.

Genre: Romance

Actor: Barbie Imperial, Carlo Aquino, Meanne Espinosa, Robert Seña, Turs Daza

Director: RC Delos Reyes

Stories like Il Mare and Your Name/Kimi no Na Wa work because, unlike other romances, the conflict is understandably difficult. After all, how the heck can anyone fight against time and space? Love You Long Time takes a stab at the unique time-bending premise, with one main difference: the movie’s main lovers can talk to each other directly through an old pair of two-way radios. There’s no need for the two to depend on physical letters or texts. This difference is interesting – immediately, it allows Director JP Habac to play with cinematography, editing, and acting, to make us fall in love with the couple. Split between 2018 and 2022, the film makes meaningful points about the past and present, the years lost to the pandemic, and separation. However, without spoiling anything, the film’s third-act plot twists don’t land as well as they could have. Having them back to back made the plot nearly incomprehensible, and sadly, doesn’t resolve the conflict driving the film.

Genre: Drama, Romance

Actor: Ana Abad-Santos, Arlene Muhlach, Carlo Aquino, Meanne Espinosa, Patrick Quiroz

Director: Jaime P. Habac Jr.

The level of access that A Thousand Cuts gets to both the side of the press and of the administration is ultimately what makes it valuable. By being on the ground with journalists doing honest-to-goodness hard work, the film reframes Duterte's war on drugs (really a campaign to terrorize the poor into submission) as an information war between news outlets and government propaganda. Unfortunately, in the process, the film also winds up excluding the voices of working class people and how they both engage and are engaged by all this information. There should be a way to honor the work of these journalists without accidentally positioning them above the public they serve.

Genre: Documentary

Actor: Amal Clooney, George Clooney, Leni Robredo, Maria Ressa, Patricia Evangalista, Pia Ranada

Director: Ramona S. Diaz

As the first original Filipino film on Prime Video, Ten Little Mistresses can often feel stuck as an entertaining pitch for a film rather than a fully fleshed out story. Like many mystery-comedies, this is a movie that relies on its star power and its big twists over any convincing narrative or thematic ideas. But oddly enough, the sooner you accept this, the easier the film goes down. As a loud and proud example of camp comedy, even its most ridiculous and incongruous elements feel like an authentic expression of Filipino humor; it never tries to pander to a Western audience that might be expecting something more familiar to their sensibilities. And with a cast this dedicated to out-chewing the scenery from each other, it's hard not to get swept up in the insanity of it all.

Genre: Comedy, Mystery

Actor: Adrianna So, Agot Isidro, Angie Castrence, Arci Muñoz, Carmi Martin, Cherry Pie Picache, Christian Bables, Dolly Dulu, Donna Cariaga, Eugene Domingo, Iana Bernardez, John Arcilla, Kate Alejandrino, Kris Bernal, Pokwang, Sharlene San Pedro

Director: Jun Robles Lana

With their personal life offered for consumption, carefully curated for viewers and sponsors, the social media influencer has become a fascinating character to study, especially with the job becoming Gen Z’s top career aspiration. As If It’s True examines this character through Gemma Stone, using the fake relationship trope to examine the lengths to which she would cling to her clout. John Roger’s debut feature blurs the line between real and the fake, not just for Gemma and James but also for the viewers, and it brings up much to say about how this aspiration can ruin people. However, the lines are blurred too much, as the ideas don’t mesh cohesively as it could. As If It’s True is an interesting character study, but the film hasn’t allowed itself to see the human side of the people highly incentivized to be fake for views.

Genre: Drama, Romance

Actor: Adrianna So, Ashley Ortega, Jan Silverio, Khalil Ramos, Marnie Lapus

Director: John Rogers

If Red Ollero's first special on Netflix doesn't have the most consistent laughs or the most original punchlines to make, it still serves as a good introduction for users of the platform to crass, everyday Filipino humor. Whether due to editing or Ollero's writing itself, there are a number of times during his set when he stays on a topic for far too long without adding much insight to it or building on things he's already said. But as the special goes on, there's still something to be taken from how Ollero treats the mundane with an almost hyperfixation. Intentionally or not, he sketches out an absurd view of ordinary life in the Philippines with the self-assurance of someone who doesn't care whether you're grossed out or not.

Genre: Comedy

Actor: Red Ollero

Director: Ryan Puno

A remake of the 2018 South Korean film of the same name, Keys to the Heart never really seems like it comes together as a thematic whole. In its bid to be a modest slice of life—as a story that just happens to feature boxing and classical music amid family conflict—its separate parts wind up feeling underdeveloped. So despite admirable work from its cast and big emotional moments that are treated with a surprising level of sensitivity, there's always a sense that the film is constantly trying to be a soap opera instead of simply being a messier, more organic thing.

Genre: Drama

Actor: Althea Pinzon, Apollo Abraham, Bart Guingona, Dolly de Leon, Elijah Canlas, Katya Santos, Lao Rodriguez, Michelle Dee, Rafael Francisco, Tirso Cruz III, Zanjoe Marudo

Director: Kerwin Go

Built entirely around the star power of its lead performers, A Very Good Girl does, indeed, provide ample opportunities for both Kathryn Bernardo and Dolly de Leon to chew the scenery with wild abandon. But even their most campily delivered one-liners are only entertaining in the moment, as the film twists itself into increasingly complicated (and still oddly sanitized) knots to keep its thrills going. It ends with an incredibly muddled view of the kinds of violence perpetrated by the wealthy and the less fortunate, as if the studio funding the movie prevented it from becoming the bolder, edgier story it seems to want to be.

Genre: Comedy, Drama, Thriller

Actor: Althea Ruedas, Ana Abad-Santos, Angel Aquino, Chie Filomeno, Dolly de Leon, Donna Cariaga, Gabby Padilla, Gillian Vicencio, Iwa Moto, Jake Ejercito, Joji Vitug, Kaori Oinuma, Kathryn Bernardo

Director: Petersen Vargas

Rating: NR