Genre: Documentary
Director: Mauricio Albornoz Iniesta
Considering Spanish is the fourth most popular language in the world, it’s no surprise that there are so many great movies featuring español. If you want to brush up on your lingua skills, here are the best movies featuring the Spanish language to stream.
Genre: Documentary
Director: Mauricio Albornoz Iniesta
With the success of Knives Out, many filmmakers have gone back to make new films in the whodunit genre, which reached its peak between the 30s and 40s with Agatha Christie. A Deadly Invitation is one of these new murder mysteries, based on the novel of the same name by Carmen Posadas. Unfortunately, this Mexican film feels ill-timed, releasing months after the Glass Onion. Even if the source novel has been released in 2010, this film feels like a pale imitation of the Knives Out sequel, as it possesses plenty of the same plot points – as an eccentric millionaire invites their potential murderers for a party in the middle of nowhere, along with someone to solve said murder. There are some differences, specifically, the death actually occurs here, but these differences, along with the careless way each info is revealed, aren’t enough to make A Deadly Invitation feel unique.
Genre: Comedy, Mystery
Actor: Aarón Díaz, Helena Rojo, José María de Tavira, Juan Manuel Pernas, Juan Pablo de Santiago, Julio Casado, Manolo Cardona, Mariana Cabrera, Maribel Verdú, Pedro Damián, Regina Blandón, Stephanie Cayo
Director: José Manuel Cravioto
While Romancero's story certainly promises to grow deeper over the course of its six-episode run, the first two episodes that were watched for this review don't provide much reason to get invested. The series clings to the original appeal of binge-able streaming—it practically demands we watch it all in one sitting—but it also forgets to fulfill the episodic demands of television: that every installment communicate something coherent or at least add something to the whole. And while Romancero does have a persistent eeriness about it, even its horror elements don't create enough intrigue or a sense of danger (at least in these first episodes).
The show's decision to throw viewers directly into the action in medias res—no explanations, no initial character establishment—is exciting at first, but quickly saps the narrative of suspense. Similar to the two kids who are shown running from a horde of people in the night in the first episode, Romancero at first doesn't seem like it's heading towards anything in particular. It's a real case of either you're in or you're out, and for this writer, the show's opening moves aren't enough.
Genre: Drama, Horror, Mystery
Actor: Alba Flores, Belén Cuesta, Elena Matić, Guillermo Toledo, Julieta Cardinali, Ricardo Gómez, Sasha Cócola
Despite an engaging opening that promises to deepen the world already established in 2018's Bird Box, this new installment slips back into the usual routine before long. That is: cheap thrills and an overall lack of scares, not necessarily because of the fact that the creatures terrorizing this world are invisible, but because the film doesn't take advantage of the fear and paranoia that builds among the human characters. A stronger focus on religious belief (or simply blind fanaticism) should lead to more interesting character dynamics, but there isn't a single person here who's defined by anything beyond a few base traits. So despite the efforts of a game cast (including Babylon's Diego Calva and especially Barbarian's Georgina Campbell), the film just can't overcome how boring it is to watch blindfolded people reacting to nothing.
Genre: Drama, Horror, Science Fiction, Thriller
Actor: Alejandra Howard, Celia Freijeiro, Diego Calva, Georgina Campbell, Gonzalo de Castro, Leonardo Sbaraglia, Lola Dueñas, Manel Llunell, Mario Casas, Michelle Jenner, Milo Taboada, Naila Schuberth, Patrick Criado
Director: Àlex Pastor, David Pastor
This B-movie sci-fi-action-thriller from co-writer-director Robert Rodriguez starts out like a hammy pastiche of (the already overdone) Taken, but its interminable succession of galaxy-brain twists reveals other obvious influences — among them Inception, Memento, and Shutter Island. Fine ingredients, but the recipe is all wrong, as a gravelly-voiced, seemingly barely awake Ben Affleck sleepwalks his way through the cringy dialogue. Alongside William Fichtner in shady supervillain mode, Affleck is joined in that endeavor by Alice Braga as the psychic who is (seemingly) helping his Detective Rourke track down his (again, seemingly!) kidnapped daughter, though what Braga mostly does is hold the audience’s hand and explain the plot’s increasingly convoluted sci-fi elements to us. At one point, she tells Rourke that “pain keeps the mind awake” — and, while the excruciating script doesn’t seem to have that effect on Affleck (judging from his lethargic performance), it’s hard not to find yourself a little enlivened by Hypnotic’s sheer absurdity.
Genre: Action, Drama, Mystery, Science Fiction, Thriller
Actor: Alice Braga, Ben Affleck, Bobby Hernandez, Bonnie Discepolo, Carrick O'Quinn, Corina Calderon, Dayo Okeniyi, Derek Russo, Gabriel 'G-Rod' Rodriguez, Hala Finley, J. D. Pardo, Jackie Earle Haley, Jeff Fahey, Justin Hall, Kelly Frye, Kelly Phelan, Lawrence Varnado, Nikki Dixon, Ryan Ryusaki, Sonia Izzolena, Steve Brudniak, William Fichtner, Zane Holtz
Director: Robert Rodriguez
Genre: Action & Adventure, Comedy, Crime, Drama
Actor: Alfonso Dosal, Andres Baida, Bruno Bichir, Ester Exposito, Juan Pablo Medina, Luis Gerardo Méndez, Mabel Cadena, Nicolás Furtado
It isn't even just because it's a sequel, but every bit of Your Christmas or Mine 2 seems like it was sourced from other films with more personality, resulting in a stew of holiday tropes driven entirely by contrivances and conflicts that should be more easily resolved. And yet there's something that keeps the film far more tolerable than insufferable, as both Asa Butterfield and Cora Kirk compensate for the artificiality of the drama with authentic emotion. There are funny moments throughout and a decent supporting cast (who are given precious little to do), but all this adds up to a film that still feels like it was meant to be played in the background.
Genre: Comedy, Drama, Romance
Actor: Alex Jennings, Angela Griffin, Anna Behne, Asa Butterfield, Christopher Sherwood, Cora Kirk, Daniel Mays, David Bradley, Jane Krakowski, Karl Markovics, Natalie Gumede, Ram John Holder, Rhea Norwood, Simon Hatzl
Director: Jim O'Hanlon
The Machine wants us to assume many unlikely things, with Bert Kreischer’s global fame being the most improbable. It also wants to be both high stakes as we follow Bert and his father (Mark Hamill) being chased by the mafia and comedic as they make lighthearted jokes along the way. But it never really achieves that balance. Though it looks sleek and high-budgeted, its contents are lopsided and messy, not once hitting the mark on its many targets. Moreover, it's based on a premise so thin, that it loses all credibility midway through the film. After that, it simply becomes a parody of itself. To be sure, there are some noteworthy moments in between, like when Kreischer and Hamill share genuine father-and-son moments, but for the most part, it’s just too overbearing to warrant anyone’s attention.
Genre: Action, Comedy, Crime
Actor: Aleksandar Srećković 'Kubura', Amelie Child-Villiers, Bert Kreischer, Brian Caspe, Dobrila Stojnic, Đorđe Simić, Iva Babić, Jess Gabor, Jimmy Tatro, Mark Hamill, Marko Nedeljković, Martyn Ford, Mercedes De La Cruz, Milena Predić, Miodrag Dragičević, Nikola Đuričko, Oleg Taktarov, Rita Bernard-Shaw, Robert Maaser, Set Sjöstrand, Stephanie Kurtzuba, Tea Wagner, Vladimir Gvojić
Director: Peter Atencio
Based on Mark Miller and Peter Gross' graphic novel American Jesus, The Chosen One opens with a tedious build-up and a predictable plot. The possibilities are endless when you have a superpowered Christ-like boy as a protagonist, but in four of the six episodes watched, the pacing only manages to come up with a myriad of miracles, a teenage love triangle, and strange voices in the wind. Even more potential is lost as side stories begin and never end, giving side characters backstories that only resurface to contextualize Jodie's story. The worst of these is when one of Jodie's spiritual possessions overshadows Tuka (the only native in his friend group), who is protesting the mistreatment of the Yaqui tribe. And although the Mexican setting and the secrets behind Jodie's powers were initially exciting, the show ends up feeling as narrow as its 4:3 ratio.
Genre: Drama, Sci-Fi & Fantasy
Actor: Bobby Luhnow, Carlos Bardem, Dianna Agron, Juanito Anguamea, Lilith Curiel
Set in the capital of Peru, How to Deal with a Heartbreak is a follow-up to the mildly successful romantic comedy How to Get Over a Breakup. The titles are pretty self-explanatory, but where the first film is strictly about romance, the sequel experiments with more tender themes like family and friendship. It features everyday characters meant to seem relatable and endearing, but halfway through watching, one can’t help but wonder why any of this matters. The stakes are so low and the premise so ordinary, it feels like a huge effort to simply care about the movie. Some rom-coms are saved by a funny script or a charming cast, but this has none of that. The most rousing part of the film is when one character (I won’t divulge who) dies, and so Maria Fe is forced to grapple with the heaviness of death. It’s the one moment in the movie that feels real, but sadly it’s tossed aside to make way for more generic fare.
Genre: Comedy
Actor: Ana María Orozco, Carlos Carlín, Christopher Von Uckermann, Gisela Ponce de León, Jason Day, Jely Reategui, Karina Jordán, Norma Martínez, Salvador del Solar
Director: Joanna Lombardi
Good ol’ fashioned live-audience sitcoms feel like a thing of the past, especially with Netflix’s whole season drops, and the binge-watching culture that has developed due to streaming. End of the Line brings back the sitcom approach, with Rodrigo Sant'anna and Roberta Rodrigues leading the comedic ensemble as a bickering driving divorced couple forced to share a space, but the fast-paced Brazilian show isn’t the laugh-out-loud, hilarious comedy of yesteryear. With an actual live audience that they actually show, it’s possible that some of the humor might be specific to the country. There are some moments that might pull out a chuckle or two, but most of the comedy feels more like clumsy improv, rather than well-written jokes based on characterization, set-up, and chemistry.
Genre: Comedy
Actor: Rodrigo Sant'anna
Cindy la Regia: The High School Years has interesting and relatable plot points. With her unfashionable and socially-unaware cousin moving into her home, Cindy has to introduce her to the rich and privileged world of San Pedro Garza García, while trying to adjust to co-ed high school, joining resume-friendly philanthropic organizations, and generally succeeding. It’s practically Clueless, but with other details scribbled in. Except… events in the first few days lead her to be ostracized, so she can’t actually introduce her to things. And her cousin isn’t actually socially inept. And emotional outbursts come and go without any build-up or warning. It’s possible that the show had to rush through its plot to ensure it fits the spry seven episode runtime, but Cindy la Regia: The High School Years feels like a cash grab for the successful 2020 Mexican film it’s based on.
Genre: Comedy, Drama
Actor: Carola Cuarón, Luciana Vale, Michelle Pellicer, Nahuel Escobar, Vincent Michael Webb
As far as documentaries go, The Lady of Silence doesn't deviate much from the true-crime formula. It follows a serial killer in charge of a series of attacks against elderly women from the late 1990s to 2003 in Mexico City. But the show stands out for highlighting just how unfamiliar the Mexican government was with understanding and handling serial killers at the time. There's also an insightful exploration into the socio-political implications of the case; political parties fueled the incompetence of the police, and the case remained ignored allegedly because women were the only victims. But it's jarring how much of the victims' stories are sidelined to make way for sensationalism. It's a tasteless and heartless choice made by the filmmakers.
Genre: Crime, Documentary
Actor: Aileen Wuornos, Jeffrey Dahmer, John Wayne Gacy, Juana Barraza, Ted Bundy
Director: María José Cuevas
As far as slashers go, Killer Book Club is a painfully run-of-the-mill entry. After a clown prank goes wrong, ending with a dead professor, a group of "horror-obsessed" friends are stalked by a killer clown. But, as they die - forgettably - one by one, the accusations are comically baseless, and the lacking tension dissipates because at no point do you doubt who will make it to the end. The overall result is underwhelming since there's no new take or critique on the numerous, poorly executed horror tropes littered throughout an already unimaginative plot.
Genre: Horror
Actor: Álvaro Mel, Carlos Alcaide, Hamza Zaidi, Priscilla Delgado, Veki Velilla
Director: Carlos Alonso-Ojea
After a strong first act that has lots of fun playing with fake identities donned by its characters (and with a particularly entertaining supporting turn from Bill Nighy), Role Play slows down significantly and only ends up spinning its wheels. In its attempt to inject some more drama into the central relationship between Anna (who goes by Emma with her family) and Dave, the film articulates itself awkwardly, overemphasizes the obvious, and loses precious time for the plot develop in interesting ways. By the third act, Role Play practically teleports itself into entirely new circumstances, where the emotional stakes are neither high enough or clear enough to begin with.
Genre: Action, Comedy, Romance
Actor: Angus McGruther, Bill Nighy, Connie Nielsen, Cornell Adams, David Oyelowo, Dominic Holmes, Erkan Sulcani, Jade-Eleena Dregorius, Jonathan Failla, Julia Schunevitsch, Kaley Cuoco, Lucia Aliu, Moritz Berg, Reagan Bryan-Gudgeon, Rudi Dharmalingam, Simon Delaney, Sonita Henry, Stacy Thunes, Steffen Jung, Stephanie Levi-John
Director: Thomas Vincent