381 Best Movies to Watch In Spanish (Page 14)

Staff & contributors

Considering Spanish is the fourth most popular language in the world, it’s no surprise that there are so many great movies featuring español. If you want to brush up on your lingua skills, here are the best movies featuring the Spanish language to stream.

"Imagine a nightmare when you had to relive your adolescence," says Cecilia Aldarondo at the beginning of her third film, You Were My First Boyfriend. Indeed, the scene recalls a teen prom that could easily be yours (if you were one of the unpopular girls): neon lights, prettier dresses that are never yours, disapproving looks, and the impression that everyone around you is having the time of their lives, while you sit awkwardly in a corner. This image sets the tone for a self-exploration in documentary form that relies on a simple, yet imaginative premise, what if you could re-enact the formative events from back then, but do so today, by directing actors to step in for your past selves. Aldarondo approaches the topic sincerely and with curiosity. Not a pang of nostalgia there, but the heartfelt doc manages to reflect on the pasts that shape us in a witty way to promote self-acceptance and, ultimately, healing.

Genre: Documentary, Drama

Actor: Cecilia Aldarondo, Gabriel Kristal, Laura Gallegos, Melissa Baker, Sarah Baker Butterfield

Director: Cecilia Aldarondo

Rating: PG

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Whores’ Glory leads us through the hidden world of prostitution in three different countries. The lack of narration is an excellent choice here—all too often, it’s easy to accept preconceived notions about this type of work. Instead, what leads us through the film are words from the sex workers themselves and their clientele. In some ways, these words reveal their differences. The workers pray, worry about money, and share their troubles with each other, but it’s their employers and clientele who reveal their misogyny. Overall, while the Western soundtrack and glamorizing shots can be distracting, it’s clear that the film gives respect to sex workers and prioritizes their perspective.

Genre: Documentary, Drama

Director: Michael Glawogger

Rating: Not Rated

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He may be out of office, but films about Donald Trump's racist and xenophobic immigration policies will continue to feel urgent for the ripple effect they've left on so many immigrants—and these films aren't just coming from within the United States either. A Spanish production, Upon Entry boils down a presidential term's worth of discrimination to just a few hours in the lives of a couple being interrogated at the airport. Directors Alejandro Rojas and Juan Sebastián Vásquez shoot in a style that almost feels like they're telling the story in real-time, with very few bursts of emotion and lots of quiet agonizing in the claustrophobia of windowless rooms. Every interaction is fraught with tension, as the couple, Diego and Elena, keep weighing if they should stand up for themselves or submit to the authorities' bullying.

The film eventually makes a bid for more drama by putting the couple's relationship and mutual trust into question, but this choice brings the movie dangerously close to validating the psychological manipulation used by the immigration officers. It momentarily loses sight of the bigger picture: that all this relationship drama is beside the point. Still, as a portrait of how discriminatory laws not only lock people out but tear them apart from each other, it's a potent, painful watch.

Genre: Drama, Thriller

Actor: Alberto Ammann, Ben Temple, Bruna Cusí, Colin Morgan, David Comrie, Gerard Oms, Laura Gómez

Director: Alejandro Rojas, Juan Sebastián Vásquez

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Based on the short story “God Sees the Truth, But Waits” by Leo Tolstoy, The Woman Who Left is a film about people with nowhere to go. Set in 1990s Philippines, the film follows Horacia, an ex-convict seeking revenge on her former lover who masterminded her unjust 30-year imprisonment. Along the way, she meets various people—a hunchback balut vendor, vagabonds, and an epileptic trans woman, among others—all downtrodden in their own unique ways and united only by their nightly wanderings, with whom Horacia’s true nature is revealed and reconfigured with every encounter.

Lav Diaz’s signature slow cinema minimalism and sharp chiaroscuro lighting allow for a meditative experience, further enhancing the film’s immersive quality. Despite its bleak atmosphere, The Woman Who Left remains hopeful amidst moral quandaries, where things eventually fall into their rightful place, albeit in unexpected ways.

Genre: Drama

Actor: Charo Santos-Concio, John Lloyd Cruz, Kakai Bautista, Lao Rodriguez, Mae Paner, Michael De Mesa, Nonie Buencamino, Shamaine Buencamino

Director: Lav Diaz

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No one likes to be replaced. Even when it gets difficult, hardwork and years put in effort to take and keep these roles makes it feel precious, and that’s exactly how househelp Raquel feels in The Maid. It’s a funny domestic comedy, with a scowling Catalina Saavedra ready to protect the role she’s held onto for years, but Saavedra and writer-director Sebastián Silva crafts an empathetic, realistic character study of a woman so worn down from poverty, power imbalance, and having had no breaks that the rare instance of compassion feels like a threat. La Nana doesn’t quite critique the entire system that keeps Raquel in her role, but it’s a rare film that acknowledges the importance of rest and empathy in order to feel human.

Genre: Comedy, Drama

Actor: Agustín Silva, Alejandro Goic, Andrea García-Huidobro, Anita Reeves, Catalina Saavedra, Claudia Celedón, Claudia Paz, Delfina Guzmán, Juan Pablo Larenas, Luis Dubó, Luis Wigdorsky, Mariana Loyola

Director: Sebastián Silva

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The poetic title of this debut feature from Chilean filmmaker Francisca Alegría does not tell a lie: a cow does indeed sing. More than one, in fact, because the film uses an entire herd — plus a flock of birds and a school of fish — as a kind of Greek chorus to comment on human mistreatment of animals and the wider environment. The Cow Who Sang never approaches sanctimonious territory, gently weaving from these ideas an expansive and evenly empathetic worldview. The magical realism that allows the animals to speak is the same device that brings the long-dead Magdalena (Mia Maestro) back to life — and, as her family’s fraught history is gradually revealed, it’s movingly suggested that the objectification that the cows and the local polluted river are subjected to is part of the same culture of devaluation that marred the lives of Magdalena and her female descendants. If there’s one complaint to be had, it’s that the relatively short runtime limits the film's ability to really expound on its many threads — the bond Magdalena instinctively forges with her trans granddaughter, for example. Ultimately, though, its symbolic storytelling and emotionally articulate cast allow The Cow Who Sang to communicate much of its sweeping philosophy to profound effect.

Genre: Drama

Actor: Alfredo Castro, Camilo Arancibia, Enzo Ferrada, Fernanda Urrejola, Leonor Varela, Luis Dubó, Marcial Tagle, Mía Maestro

Director: Francisca Alegría

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Education isn’t always a guarantee, especially in less privileged areas that are underfunded, overlooked, and underprioritized, in the belief that these kids wouldn’t amount to much in the end. That being said, sometimes, what changes that fate is having a teacher that believed in his students and encouraged them to learn more than what they were expected. Stand and Deliver is a dramatization of the real life Jaime Escalante, who transformed a math program in an east LA high school to the point where his entire class ace California’s calculus test. The film definitely takes some dramatic liberties, but it does capture a sense of his quiet determination, the personality that pushed him to believe in and connect with students differently. While Escalante’s program eventually ended due to admin changes and staff in-fighting, Stand and Deliver is a reminder of the importance of nurturing ganas, or desire, in the classroom.

Genre: Drama

Actor: Andy Garcia, Betty Carvalho, Bodie Olmos, Carmen Argenziano, Edward James Olmos, Eliot, Estelle Harris, Graham Galloway, Ingrid Oliu, Irene Olga López, Karla Montana, Lou Diamond Phillips, Lydia Nicole, Manuel Benitez, Mark Phelan, Rosanna DeSoto, Vanessa Marquez, Virginia Paris, Will Gotay

Director: Ramón Menéndez

Rating: PG

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To the untrained eye, a TV interview is just that: an interview, a simple (and at times rehearsed) back-to-back between a reporter and their subject. But Scoop is a thrilling reminder of how complex this process can get, beginning with the legwork to the questioning, and even after airing. In the UK, that quest for truth is complicated by stringent palace rules and the fact that the BBC, which McAlister and her colleagues work for, is a publicly funded institution. How free is the free press when a Royal can call off a story before it airs? And how far are reporters willing to go to protect their piece? Scoop is bolstered by a smart script and a wealth of strong performances—Sewell is almost unrecognizable as Prince Andrew and Gillian Anderson is commanding as anchor Emily Maitlis. But the movie won’t be as strong as it is without Piper leading it; she’s entirely entrancing as she works her way from underestimated underdog to compelling champion.

Genre: Drama

Actor: Alex Waldmann, Amanda Redman, Andrew MacBean, Aoife Hinds, Billie Piper, Charity Wakefield, Charlie Roe, Charlotte Avery, Christopher Fairbank, Colin Wells, Connor Swindells, Gillian Anderson, Gordon Warnecke, Harriet Benson, Jonathan Rhodes, Jordan Kouamé, Kate Fleetwood, Keeley Hawes, Lia Williams, Mark Noble, Mia Threapleton, Nicholas A. Newman, Nicholas Murchie, Paul Popplewell, Raffaello Degruttola, Richard Goulding, Romola Garai, Rufus Sewell, Tim Bentinck, Vangelis Christodoulou, Zach Colton

Director: Philip Martin

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With an acrobat in a sanitarium, elephant trunks spouting blood, and a religious cult whose patron saint is a rape victim, Santa Sangre isn’t going to be an easy watch, especially with the avant-garde direction of the iconic Alejandro Jodorowsky. It’s tough to watch the explicit scenes, both of Fenix’s childhood circus reality and his adult hallucinations, with the hallucinations visually recalling his childhood trauma. But through these terrifying, freaky images, Jodorowsky takes his own memories and crafts it into a twisted, but deeply personal psychosexual nightmare, confronting the exploitative nature of faith and family through various circus acts. Santa Sangre is one of its kind.

Genre: Drama, Horror, Thriller

Actor: Adan Jodorowsky, Axel Jodorowsky, Blanca Guerra, Brontis Jodorowsky, Faviola Elenka Tapia, Gloria Contreras, Gustavo Aguilar Tejada, Guy Stockwell, Héctor Ortega, Hilario 'Popitekus' Vargas, Jacobo Lieberman, Jesús Juárez, Joaquín García Vargas, Sabrina Dennison, Sergio Bustamante, Teo Jodorowsky, Teo Tapia, Thelma Tixou, Valérie Crouzet, Zonia Rangel Mora

Director: Alejandro Jodorowsky

Rating: NC-17

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It’s not easy to abandon the past. Even if you want to shed your new identity, the memory of what you’ve done still linger in other people’s minds, especially if guns and violence are involved. Old Henry is one of the few Westerns that actually examines that. Of course, it holds some of the classic Wild West gunslinging, horse riding, and hunting down an outlaw, but the film actually expands on these. The film doesn’t stop on the cool moments– it considers the emotional weight of the kills, the blood on the gunslinger’s hand, and the past that inevitably haunts him, through an unexpected twist that plays with the genre’s tropes. Old Henry is much more somber than badass compared to classic Westerns, but it’s this approach that proves that there’s so much more to the genre that has yet to be explored.

Genre: Western

Actor: Brad Carter, Gavin Lewis, Max Arciniega, Richard Speight Jr., Scott Haze, Stephen Dorff, Tim Blake Nelson, Trace Adkins

Director: Potsy Ponciroli

Rating: NR

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When Big Tech and trolls have all but villainized the internet, it's hard to forget that good can come out of it sometimes. But Missing makes a case for its usefulness by making it the sole means by which an 18-year-old tries to find her missing mother. Played by Storm Reid, June Allen is endlessly creative in the digital sphere, which makes sense given she's from a generation that grew up with cutting-edge technology. She makes use of geotrackers, earth cams, and even digital watches to get ahead of the authorities, who for their part, are tied down by legalities and red tape. Missing shows us the potential of the internet, what it can do if used resourcefully and for good, and it's a refreshing take given the (understandably) many films that are fearful of tech. 

Missing embraces all this newness and builds a solid thriller out of it, making it a worthy and possibly seminal entry in the screenlife genre. 

Genre: Drama, Mystery, Thriller

Actor: Amy Landecker, Briana McLean, Dalila Ali Rajah, Daniel Henney, Danielle Nottingham, Esteban Dager, Jalil Jay Lynch, Jameel Shivji, Jasmin Savoy Brown, Javier Grajeda, Jill Remez, Jill Smith, Joaquim de Almeida, Karina Noelle Castillo, Kelly Stables, Ken Leung, Kimberly Cheng, Lisa Yamada, Mauricio Mendoza, Megan Suri, Michael Segovia, Monica Bhatnagar, Nia Long, Oscar Camacho, Rick Chambers, Rita Rucker, Roy Abramsohn, Scott Menville, Sean O'Bryan, Sharar Ali-Speakes, Storm Reid, Thomas Barbusca, Tim Griffin, Tracy Vilar, Wolfie Trausch, Zeke Alton

Director: Nicholas D. Johnson, Will Merrick

Rating: PG-13

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When a regime falls, what follows isn’t a clean slate– it lingers, and it haunts those that were able to survive, part due to what was done to them and part to what they have done. Marshland ostensibly is a police procedural investigating a series of women murdered in rural Spain, but it’s also a clash of ideologies between New Spain, that wants to unearth the injustices that haven’t been acknowledged, and Old Spain, that wants to let sleeping dogs lie. The two plot threads don’t weave together as neatly as it could be, but La Isla Minima still works on both fronts, recreating that feeling of betrayal within that key transition period of Spain.

Genre: Crime, Mystery, Thriller

Actor: Adelfa Calvo, Ana Tomeno, Ángela Vega, Antonio de la Torre, Javier Gutiérrez, Jesús Carroza, Jesús Castro, Manolo Solo, Mercedes León, Nerea Barros, Raúl Arévalo, Salva Reina

Director: Alberto Rodríguez

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