70 Best Movies to Watch In Russian (Page 4)

When German forces occupy Paris in 1942, a close-knit Jewish family tearfully sends their two youngest sons, Jo and Maurice, to escape the city on foot, with promises that they will all eventually be reunited in the Free Zone in the South. Told from the perspective of Jo – and based on the 1973 memoir of Joseph Joffo – what follows is a story of adventure, discovery, loss, love and the resilience of family bonds. A tapestry of cherished memories woven together with traumatic ones, the tone shifts again and again as Jo and his brother reach the bright shores of Nice––before they are driven to hiding again. Above all else, this is a story about the power of a family’s love, and of children who rise against the odds by their own courage and tenacity.

Genre: Drama, War

Actor: Émile Berling, Batyste Fleuria, Batyste Fleurial, Bernard Campan, César Domboy, Candide Sanchez, César Domboy, Christian Clavier, Coline Leclère, Dorian Le Clech, Elsa Zylberstein, Émile Berling, Eric Bougnon, Etienne Chicot, Fred Epaud, Frédéric Epaud, Holger Daemgen, Ilian Bergala, Jocelyne Desverchère, Joël Dupuch, Kev Adams, Luc Palun, Lucas Prisor, Patrick Bruel, Pierre Kiwitt, Vincent Nemeth

Director: Christian Duguay

Rating: Not Rated

Formally speaking, 20 Days in Mariupol is little more than a compilation of footage bravely collected by Mstyslav Chernov in Ukraine, excerpts of which may seem familiar from when they were broadcast by major news stations. Unsure of whether or not Chernov would survive long enough to pass on his footage, he shot as much as he could day-in and day-out, resulting in this numbing, relentless compilation of anguish and death. As a documentary, there isn't exactly a unifying idea to 20 Days in Mariupol, with Chernov's narration only meant to provide necessary context and a foreboding score that probably didn't have to impose itself as much as it does.

And yet it's hard to deny the importance of the very existence of this footage, especially in a time when genocide is occurring elsewhere in the world with far fewer cameras on the ground to counter the denialist propaganda of those in power. Chernov's decision to let the images speak for themselves, without feeling the need to dissect every major moment for political analysis, isn't reductive; it's a statement that nothing can rationalize the indiscriminate killing of civilians and children. That the footage becomes overwhelming and hard to watch isn't a reason for us to look away.

Genre: Documentary, War

Actor: Irina Kalinina, Liudmyla Amelkina, Mstyslav Chernov, Vasily Nebenzya, Vladimir Putin, Volodymyr Zelenskyy, Zhanna Homa

Director: Mstyslav Chernov

Rating: NR

Freediving is a particularly cinematic sport because it taps into something beyond what the human body is capable of. Skilled divers hold their breath for long enough to reach more than 100 meters deep, and watching footage of that incredible feat is exhilarating, to say the least. The Deepest Breath capitalizes on that very spectacle—being exposed to death and conquering it—and banks on using archival footage of world records and training. It's a smart move, as it keeps the spectator on edge, but it can also be a cruel way to put thrills over ethics. The editing is kept suggestive, but sometimes, shamefully, at the cost of misrepresenting Alessia Zecchini and toying with the viewer's expectations to the point of callousness.

Genre: Documentary

Actor: Alessia Zecchini, David Attenborough, Natalya Molchanova, Stephen Keenan

Director: Laura McGann

Rating: PG

While Shakespeare has written most of the romantic plays that dominate theater today, there was one play from across the English Channel that also keeps its hold in the public consciousness, namely Cyrano de Bergerac by Edmond Rostand. Cyrano, My Love depicts the process of creating the iconic play a la Shakespeare in Love, that is, by taking the actual play’s history and jumbling it up with the plot of Cyrano, with art reinventing life and vice versa. It’s a bit of a corny approach, but the way writer-director Alexis Michalik adapts his play is entertaining, leaning more on the frenzy of creation and collaboration rather than cramming Rostand’s romance with his wife into a cinematic plot. This makes Edmond a much more dynamic profile of the titular playwright.

Genre: Comedy, History

Actor: Alexis Michalik, Alice de Lencquesaing, Antoine Duléry, Bernard Blancan, Blandine Bellavoir, Clémentine Célarié, Constance Labbé, Dominique Besnehard, Dominique Pinon, Guillaume Bouchède, Igor Gotesman, Jean-Michel Martial, Jeanne Arènes, Lionel Abelanski, Lucie Boujenah, Marc Andréoni, Marc Citti, Mathilde Seigner, Maud Baecker, Micha Lescot, Nicolas Briançon, Olivier Gourmet, Olivier Lejeune, Simon Abkarian, Sophie de Fürst, Thomas Solivérès, Tom Leeb

Director: Alexis Michalik

Rating: R

Although this adaptation of the 1960s TV show feels like four episodes of material crammed into a feature runtime, Shin Ultraman really does squeeze as much as it can out of every scene, sometimes to the point of exhaustion. Not only are the action scenes as ridiculous as they should be—still imitating the clunkiness and the theatricality of classic Japanese tokusatsu—but even sequences of exposition are made to feel urgent and breathless by breakneck comedic editing and by placing the camera in the weirdest positions for the quickest shots. And somehow, Shin Ultraman still doesn't feel like it's making fun of its source material. It's an honest-to-goodness sci-fi superhero movie that's much more insightful about the nature of international crises than Hollywood tends to be.

Genre: Action, Science Fiction

Actor: Akari Hayami, Bin Furuya, Daiki Arioka, Hajime Yamazaki, Hideaki Anno, Hidetoshi Nishijima, Issey Takahashi, Keishi Nagatsuka, Kenjiro Tsuda, Koichi Yamadera, Kōji Yamamoto, Kyūsaku Shimada, Masami Nagasawa, Ryo Iwamatsu, Soko Wada, Takumi Saitoh, Tetsushi Tanaka, Toru Masuoka, Yutaka Takenouchi

Director: Shinji Higuchi

Rating: NR

In 2013, following the Ukrainian government’s termination of an EU agreement (in blatant disregard of what its citizens have been calling for), a wave of peaceful protests start to crop up at the country’s capital. Things escalate when the police violently disperse the protestors, but the people of Ukraine are not so easily held down. They fight back, growing in number and conviction each time they do, until an all-out war finally breaks out. 

Winter on Fire documents this series of events, staying close to the ground and allowing bits of humanity to shine through its subjects. In between chilling clips of the clashes, we're shown intimate interviews with people of all walks of life. They're doctors, actors, students, bankers, lawyers, and clergymen, from various classes, races, religions, and genders. Despite their many differences, all of them share one hope: to secure a better future for the people of Ukraine. 

Genre: Documentary, War & Politics

Actor: Bishop Agapit, Catherine Ashton, Cissy Jones, Kristina Berdinskikh, Kurganskyi Eduard, Natan Hazin, Serhii Averchenko, Valery Dovgiy

Director: Evgeny Afineevsky

Rating: Unrated

Ballet has always captivated with its grace and poise, so of course it captivated cinema as well, with classics such as The Red Shoes and Black Swan centered on the dance, the culture, and of course, the drama. The juxtaposition of the ideal feminine form and the ugliness of competition, the sabotage, and the objectification are regular topics, but The American adds the national identity into its themes, tackling the anxieties of a young American in an academy that isn't friendly to outsiders. It's stunning. It gives justice to the journey of the real ballerina Joy Womack, portrayed excellently by Talia Ryder with breathtaking ease, and given dramatic flourish through the direction of James Napier Robertson. While it doesn’t quite surpass classic ballet films, Joika proves that real life ballet can be more emotional, more traumatic than any drama made about the dance.

Genre: Drama

Actor: Andrzej Andrzejewski, Andrzej Kłak, Borys Szyc, Charlotte Ubben, Diane Kruger, Edyta Torhan, Karolina Gruszka, Maciej Nawrocki, Marek Kasprzyk, Natalia Osipova, Natasha Alderslade, Oleg Ivenko, Robert Gulaczyk, Talia Ryder, Tomasz Kot

Director: James Napier

Far from a typical documentary, Skywalkers is as relentless and fast-paced as the climbers it follows. As Angela Nikolau and Ivan Beerkus illegally scale towers and skyscrapers with little more than the clothes on their back, Director Jeff Zimbalist throws viewers into the next thrilling scenario whether they’re ready to or not. It’s amazing how much of the breathless editing replicates the energy between Nikolau and Beerkus, regardless of whether they’re in action rooftopping or deep in an argument about trust and relationships. The film has a deep emotional core that makes it resonate more than it should; people might come in for the extremity of their sport, but they’ll leave learning something worthwhile about love.

Genre: Documentary, Romance, Thriller

Actor: Angela Nikolau, Ivan Beerkus

Director: Jeff Zimbalist

Rating: R