149 Best Movies to Watch In Korean (Page 6)

Staff & contributors

If you haven’t already seen the South Korean movie Parasite, then you probably heard it was the first foreign-language film to win Best Picture at the 2020 Academy Awards. Thankfully, many more fantastic films from the the East Asian nation are making it to the global stage. Here are the best movies featuring the Korean language to stream now.

True to its name, Joy Ride is a raucous delight that has everything you want out of a road trip comedy and more. There’s love, sex, adventure, and even music, but most of all there’s friendship, the interesting complexities of which are explored against the backdrop of race. There’s something meaningful keeping everything together at the core, and first-time director Adele Lim—helped by a strong script and cast—does an excellent job of holding it down. The film is also just plain funny. There are physical gags and of-the-moment jokes, plus a couple of insider quips made for and by the Asian community. But apart from the hilarity and tenderness, the film also delivers in the visual department: it looks gorgeous, not only because the characters are tourists who embark on a jet-setting adventure, but because of the inspired animation and vibrant editing. 

Genre: Comedy

Actor: Alexander Hodge, Annie Mumolo, Ashley Park, Baron Davis, Chris Pang, Daniel Dae Kim, Darryl Quon, David Denman, Debbie Fan, Desmond Chiam, Isla Rose Hall, Kenneth Liu, Lori Tan Chinn, Meredith Hagner, Michelle Choi-Lee, Nathan Parrott, Ronny Chieng, Sabrina Wu, Sherry Cola, Stephanie Hsu, Timothy Simons

Director: Adele Lim

Rating: R

A Korean police comedy built on a premise so dumb it's brilliant: a group of bumbling cops who are so bad at their job that they accidentally start an amazing fried chicken restaurant while undercover. All of the suspense and excitement that should be going into their actual mission is spent on this new job that actually begins to give them coordination and a greater sense of purpose. There may not be much of a deeper meaning to be found here, but the characters are lovable enough—and the filmmaking sharp enough—to get you invested in their personal happiness, and to get you to appreciate how strong editing and performances can make even the smallest throwaway line spit-take hilarious.

Genre: Action, Comedy, Crime, Family

Actor: Choi Jeongeun, Gong Myeong, Gong Myoung, Han Jun-woo, Heo Joon-seok, Honey Lee, Jang Jin-hee, Jeong Jae-kwang, Ji Chan, Jin Sun-kyu, Jung Won-chang, Kim Eui-sung, Kim Ji-young, Kim Jong-soo, Kim Kang-hyun, Kim Nam-woo, Lee Dong-hwi, Lee Ha-nee, Lee Joong-ok, Lee Jung-ok, Na Chul, Oh Jung-se, Ryu Seung-ryong, Shin Ha-kyun, Shin Shin-ae, Song Young-gyu, Tae Won-seok, Yang Hyun-min, Yoo Je-yoon

Director: Lee Byeong-heon, Lee Byoung-heon

Rating: Not Rated

The emotional sterility of modern life comes under the microscope of this understated Korean drama in which a young woman who has built self-preserving walls around her lonely existence begins to wonder if the trade-off is worth it. Outside of the soul-sucking call center job at which Jina (Gong Seung-Yeon) excels, her interactions with others are purely parasocial: she streams mukbangs on her phone as she eats alone, wakes up to the blare of her always-on TV, and checks in on her aging father via the security camera she’s surreptitiously installed in his home. When she reluctantly agrees to train the chatty, warm newbie (Jeong Da-eun) at work, Jina is confronted with a direct challenge to her aloofness, but the provocation is easily ignored until a similarly withdrawn neighbor is discovered long after his death.

This triggers a quarter-life crisis for Jina that’s predictably resolved, but Aloners transcends the neatness of this arc thanks to its quietly persistent challenging of the instinct to contort oneself to fit an inhumane world. Hong Sung-eun’s thoughtful first-time direction and Gong’s nuanced performance as a young woman waking up to the creeping dehumanization of herself make Aloners a genuinely thought-provoking reflection on 21st-century life.

Genre: Drama

Actor: Ahn Jeong-bin, Geum Hae-na, Geum Hannah, Gong Seung-yeon, Jeong Da-eun, Ju Seok-tae, Kim Hae-na, Kwak Min-kyu, Park Jeong-hak, Seo Hyun-woo

Director: Hong Sung-eun

On Jeju Island, there lives a fierce group of elderly women who free-dive and catch sea creatures for a living. They’re called Haenyo, considered indigenous because of the ingenious ways they’ve kept the South Korean tradition alive for decades. In this beautiful documentary, Director Sue Kim follows them under the sea and beyond as they fight to preserve their way of life, which is threatened by global warming (the creatures have gone deeper to avoid warm waters), corporate interests (Fukushima’s radioactive waste, if dumped in the ocean, would affect the community), and waning public interest (only a handful of the Haenyo are under 70 years old). There’s also the issue of payment and protection, because as one freediver puts it, “What’s the use of being recognized by UNESCO if we can’t earn enough to sustain ourselves?” The Last of the Sea Women tackles all this and more using the most gorgeous shots I’ve seen in a while.

Genre: Documentary

Actor: Jang Soon-duk, Jeong Young-ae, Kang Joo-hwa, Lee Geum-ok, Woo Jeong-min

Director: Sue Kim

Rating: PG

There are some connections that transcend definition, becoming more important and fundamental to one’s life than that of a romantic relationship. Not many people are lucky to have experienced it, but nevertheless it’s true. Soulmate is the Korean adaptation of the 2016 Chinese directorial debut, and while it’s faithful to the source material, there’s a focus to this rendition that elevates the film, with a greater emphasis on the titular soulmates rather than the boy that tore them apart. Because of this, Soulmate is much more emotionally devastating, neatly shifting some character revelations in order to grant the weight each moment deserves.

Genre: Drama, Romance

Actor: Byeon Woo-seok, Heo Ji-na, Hyun Bong-sik, Jang Hye-jin, Jeon So-nee, Kang Mal-geum, Kim Da-mi, Lee Suk-hyeong, Nam Yoon-su, Oh Min-ae, Park Choong-seon, Park Seong-yeon

Director: Min Yong-keun

Rating: NR

Miso may be living day to day on her meager earnings as a cleaner, but she is decidedly content. She insists that all she needs to get by are cigarettes, whiskey, and time with her boyfriend, so when a spike in rent and prices invites her to reassess her priorities, she doesn’t budge. Instead of forgoing these luxuries, she gives up her tiny place and couch surfs with her old bandmates. What follows is a reunion of sorts, where darkly humorous epiphanies are had on both ends about adulthood, responsibilities, and what it really means to be happy in an increasingly indifferent, profit-oriented world.  

Microhabitat treads on very grave themes, and the images it conjures can be unsettling. But it is also surprisingly light on its feet, displaying sharp satire and sweet empathy for its unyielding protagonist. Miso is portrayed with a smartness and softness that evades rational judgment, and this endearment makes the story, especially the ending, all the more painfulul, poignant, and impactful.

Genre: Drama, Romance

Actor: Ahn Jae-hong, An Jae-hong, Cho Soo-hyang, Choi Deok-moon, Esom, Hwang Mi-young, Jang Sung-kyu, Kang Jin-ah, Kim Hee-won, Kim Jae-hwa, Kim Jae-rok, Kim Kuk-hee, Kim Yae-eun, Lee Seong-wook, Lee Sung-wook, Lee Yo-sup, Lee Yong-nyeo, Park Ji-young, Woo Moon-gi

Director: Jeon Go-woon

Rating: Not Rated

At first, Little Forest seemed to just be a gentle film extolling the beauty of the countryside. Many a story has been based on that idea, and sure enough, the film does have aesthetic, gorgeous shots of the orchard, the lake, and the garden Hye-won ran back to, albeit with much more delicious food making scenes. But, as we get to learn more about her, the script subtly unfolds to reveal a personal family drama at the center. Moving back home, therefore, isn’t just to take a vacation– it becomes a meditative break for Hye-won to recreate, and thus, understand the choices her mother made, and it becomes a potent reminder of not just the pain, but also the good things that she left behind. Little Forest has plenty of the familiar countryside virtues of self-sufficiency, mindfulness, and community, but it approaches these themes in a more compelling way.

Genre: Drama

Actor: Jeon Guk-hyang, Jin Ki-joo, Jung Jun-won, Kim Tae-ri, Moon So-ri, Ok Su-boon, Park Won-sang, Ryu Jun-yeol

Director: Yim Soon-rye