270 Best Movies to Watch In Japanese (Page 4)

For public toilet cleaner Hirayama, “enjoy the little things in life” is more than just an adage: it’s a philosophy. Every day, he follows a strict routine of watering his plants, going to work, taking a break at a nearby shrine, and having dinner at his favorite stalls. It seems unexceptional, and yet Hirayama manages to find small, meaningful joys in between (and at) those very moments. A tree branch dancing in the breeze and shadows making funny shapes are enough to make him chuckle, while it seems like a good book and a trusty cassette are all he needs to be at peace. Hirayama’s mundane miracles are life-affirming, but make no mistake: this isn’t one of those cheesy films that push you to be happy no matter what. Director Wim Wenders (Paris, Texas, Wings of Desire) infuses the film with a certain gloom so that the overall tone is one of deep, poignant melancholy. Through vague clues about Hirayama’s past, we learn that his attempts at capturing joy might also be bids to escape a traumatic life. All this builds to a powerful ending that speaks to the complexity of human emotion. We can be happy and sad, peaceful and troubled, lonely and content all at the same time, and it’s okay. At the end of the day, we’ll still have our favorite book passage, our favorite singer, a great artwork, or a beautiful park to return to, and sometimes that’s all the reminder you need that life can be worth living.

Genre: Drama

Actor: Aki Kobayashi, Aoi Iwasaki, Aoi Yamada, Arisa Nakano, Atsushi Fukazawa, Bunmei Harada, Daigo Matsui, Gan Furukawa, Hairi Katagiri, Hiroto Oshita, Inuko Inuyama, Isao Matsui, Kisuke Shimazaki, Kōji Yakusho, Long Mizuma, Makiko Okamoto, Masahiro Koumoto, Mijika Nagai, Min Tanaka, Miyako Tanaka, Morio Agata, Moro Morooka, Morooka Moro, Motomi Makiguchi, Nao Takahashi, Naoko Ken, Nari Saitô, Nijika Tonouchi, Sayuri Ishikawa, Shunsuke Miura, Soraji Shibuya, Taijirō Tamura, Tamae Ando, Tateto Serizawa, Tokio Emoto, Tomokazu Miura, Tomoyuki Shibata, Yasushi Okuwa, Yoneko Matsukane, Yumi Asou, Yuriko Kawasaki

Director: Wim Wenders

Rating: PG

Without context, Minbo, or the Gentle Art of Japanese Extortion seemed like a goofy satire, especially when the silly trumpet score pops up, and unfortunate hotel employees Suzuki and Wakasugi flounder around trying to solve the hotel’s yakuza problem on their own. And when Nobuko Miyamoto shows up as the brilliant lawyer, it’s so satisfying to see her turn the tables on the yakuza purely through words, strategy, and knowledge of law. It’s hilarious, but Minbo doesn’t just poke fun– it demystifies the gangster as a cool and untouchable figure, portraying them instead as loudmouthed bullies that we can handle. It also shows us how much can be done, only if we, as a group, perhaps as a whole nation, can muster the courage to fight.

Genre: Comedy, Crime

Actor: Akio Tanaka, Akira Nakao, Akira Takarada, Guts Ishimatsu, Hideji Ōtaki, Hōsei Komatsu, Kōji Sekiyama, Masahiko Tsugawa, Minako Ogawa, Noboru Mitani, Nobuko Miyamoto, Shigeru Yazaki, Shirō Itō, Takehiro Murata, Tetsu Watanabe, Toshiro Yanagiba, Yasuo Daichi, Yuji Miyake

Director: Jūzō Itami

Known for his horror films, Kiyoshi Kurosawa shifts gears and presents a family drama in Tokyo Sonata. In the film, father Ryuhei, who’s expected to be the breadwinner, loses his prestigious job and chooses to hide his firing from his family. While this premise isn't overtly scary, the film understands the terror of being unable to maintain the current comforts of your family. And the consequences: lose your status (at best) or your life (at worst). Teruyuki Kagawa’s performance crystallizes that sense of losing control, as each expression on his face betrays how secretly afraid Ryuhei feels. The disasters that this family faces threaten to never stop, and Kurosawa executes them perfectly through excellent story structure and performance.

Genre: Drama, Family

Actor: Ayako Sugiyama, Denden, Hajime Inoue, Haruka Igawa, Jason Gray, Kai Inowaki, Kanji Tsuda, Kazuki Namioka, Kazuya Kojima, Kenji Kawahara, Kōji Yakusho, Kyoko Koizumi, Masayuki Itô, Takashi Kodama, Tao Tsuchiya, Teruyuki Kagawa, Toshiyuki Kitami, Yū Koyanagi, Yuya Takagawa

Director: Kiyoshi Kurosawa

Rating: PG-13

Satoshi Kon’s Perfect Blue is a chilling psychological thriller and a fantastic next step for those looking to explore anime’s dark side. Kon animates with Hitchcockian flair and is so successful at memorable compositions that Darren Aronofsky even lifted a scene from this into Requiem for a Dream. 

Mima is a pop idol who abandons her singing career to become an actress. Shaken by a series of murders, and a stalker who knows her every move, she begins to lose her grip on reality. The rest is a riveting ride into Mima’s unraveling psyche in the vein of Mulholland Drive or Black Swan. This 1996 film not only anticipates the reality busting thrillers of the early aughts but also presages the way our identities are splintered across the internet.

Genre: Animation, Drama, Thriller

Actor: Akio Suyama, Emi Motoi, Emi Shinohara, Emiko Furukawa, Hideyuki Hori, Jin Yamanoi, Junko Iwao, Kaori Minami, Kishō Taniyama, Kiyoyuki Yanada, Kōichi Tōchika, Makoto Kitano, Masaaki Okura, Masashi Ebara, Megumi Tano, Osamu Hosoi, Rica Matsumoto, Rofuto Purasu Wan Burazâzu, Shiho Niiyama, Shin-ichiro Miki, Shin'ichirō Miki, Shinpachi Tsuji, Shokkâ Ôno, Soichiro Hoshi, Takashi Nagasako, Teiya Ichiryusai, Tōru Furusawa, Yoku Shioya, Yosuke Akimoto, Yousuke Akimoto

Director: Kou Matsuo, Satoshi Kon

Rating: R

Surreal, strange, yet wondrous, Penguin Highway never takes a straightforward approach to its story. Penguins pop up out of nowhere, leading the nerdy and precocious Aoyama to study them via empirical observation and logical deduction. These studies don’t end up with a feasible explanation– in fact, by the final act, the film abandons all laws of physics. But the journey to that act feels intuitively right. This journey feels like an indescribable formative experience. Aoyama may be obsessed with growing up and committing to the reasonable adult mindset, but he is still a child. From fending off bullies to forming connections with others, his childhood imagination served him better than science could. The film reveres this discovery as well as it should.

Genre: Adventure, Animation, Comedy, Drama, Fantasy

Actor: Hidetoshi Nishijima, Kana Kita, Landen Beattie, Mamiko Noto, Megumi Han, Miki Fukui, Misaki Kuno, Naoto Takenaka, Rie Kugimiya, Winston Bromhead, Yu Aoi

Director: Hiroyasu Ishida

Rating: Not Rated

Fun and whimsical to its core, this animated film takes viewers on a visually captivating, surreal, and enchanting journey through a single night in Kyoto. The movie immerses you in an entertaining and eccentric world with its vibrant animation, characters, and offbeat humor following two unnamed characters only referred to as "The Girl with Black Hair" and "Senpai." The narrative weaves together various quirky encounters, love interests, and strange events, keeping you engaged and curious. Blending romance, comedy, and coming-of-age themes, Night Is Short, Walk On Girl is a joyous celebration of youth, adventure, and the unpredictable nature of life's unexpected twists and turns.

Genre: Animation, Comedy, Drama, Fantasy, Romance

Actor: Ami Koshimizu, Aoi Yuki, Chikara Honda, Daisuke Harada, Gen Hoshino, Hiroshi Kamiya, Hiroyuki Yoshino, Junichi Suwabe, Kana Hanazawa, Kazuhiro Yamaji, Kazuya Nakai, Masaaki Yuasa, Mugihito, Nobuyuki Hiyama, Ryuji Akiyama, Seiko Niizuma, Sōichi Nakaoka, Yuhko Kaida

Director: Masaaki Yuasa

Rating: PG-13

Serene and almost silent, Goodbye, Dragon Inn is a film contemplating an old movie theater in Taipei. In its heyday, this cinema was jam-packed and full of eager eyes watching the 1967 Wuxia classic Dragon Inn, but now it’s nearly empty for its last screening. Despite the lack of attendees, this cinema still has some life. Like the annoying audience members we're all familiar with, the moviegoers still noisily chew on popcorn, put their feet on the headrest in front of them, and refuse to remain silent when walking. Director Tsai Ming-liang affectionately captures moviegoers in their natural element, recreating an experience so nostalgic it makes me want to go back to the theaters. Watching this, post-pandemic in the age of streaming, reminds us of the ways we still try to connect in the cinema in real life.

Genre: Comedy, Drama

Actor: Chen Chao-jung, Chen Shiang-Chyi, Kiyonobu Mitamura, Lee Kang-sheng, Miao Tian, Miao Tien, Shih Chun, Yang Kuei-Mei

Director: Tsai Ming-liang

Rating: Not Rated

As time goes by, the youth doesn’t recognize how connected they are to previous tragedies, more so when it comes to war. Some even say that they have no part in it. Nobuhiko Obayashi’s later years have been preoccupied in countering this idea. Casting Blossoms to the Sky is the first of Obayashi’s anti-war trilogy, with the film inviting its audience to follow a journalist rediscovering the city of Nagaoka after the 2011 Tohoku earthquake. There’s a certain dreamlike approach to the way the various war stories are weaved together, with vibrant frames, simple CGI, and prominent green screen that grants some distance between the audience and the actual wartime reality, but it’s no less potent as Reiko interviews those that remember the scars of the past, and the rituals, practices, and art they’ve taken up in response. Casting Blossoms is a depressing story about war and disaster, one that is a tough one to watch. But it never forgets the humanity, the kindness and love that allowed Japan to recover, the very qualities we must protect and remember in ourselves.

Genre: Drama, Fantasy, War

Actor: Akira Emoto, Bengal, Chōei Takahashi, Hirona Yamazaki, Hiroshi Inuzuka, Kanae Katsuno, Koji Ishikawa, Mansaku Ikeuchi, Masahiro Takashima, Masao Kusakari, Masayuki Yui, Mayuu Kusakari, Minami Inomata, Misako Renbutsu, Naoyuki Morita, Natsuki Harada, Saki Terashima, Seina Suzuki, Shiho Fujimura, Shirô Namiki, Sumiko Fuji, Takahito Hosoyamada, Takashi Sasano, Takehiro Murata, Takuro Atsuki, Tomoko Hoshino, Tōru Shinagawa, Toshie Negishi, Toshinori Omi, Toshio Kakei, Tsurutaro Kataoka, Yasuko Matsuyuki, Yuto Kobayashi

Director: Nobuhiko Obayashi

Directed by Kim Longinotto and Jano Williams, this documentary combines intimate interviews, fly-on-the-wall observation, and striking cinematography to present a compelling glimpse into the lives of three transgender individuals working as hosts in Tokyo's bustling Shinjuku district. With unprecedented access to the subjects' lives, the documentary delves deep into their emotional journeys, capturing their hopes, fears, and aspirations surrounding identity, gender, and societal acceptance.  An eye-opening documentary that wastes none of its 53-minute runtime, Shinjuku Boys challenges preconceived notions and invites viewers to empathize with individuals navigating a world that often marginalizes them. 

Genre: Documentary, Drama

Director: Jano Williams, Kim Longinotto

An offbeat film with a more than decent amount of suspense. To that it adds really good music and unexpected animation, to make for a very audacious, interesting and mostly fun film. It uses all this to show how life can change in a twist and how it can be influenced by weird connections of otherwise unrelated events.

Genre: Action, Drama, Mystery, Thriller

Actor: Armin Rohde, Beate Finckh, Franka Potente, Hans Paetsch, Heino Ferch, Herbert Knaup, Joachim Krol, Julia Lindig, Lars Rudolph, Ludger Pistor, Marc Bischoff, Monica Bleibtreu, Moritz Bleibtreu, Nina Petri, Peter Pauli, Sebastian Schipper, Suzanne von Borsody, Ute Lubosch, Utz Krause, Volkhart Buff

Director: Tom Tykwer

Rating: R

This Park Chan-Wook classic is the third part of a trilogy of films around the theme of revenge, following Sympathy for Mr. Vengeance and Oldboy. While ultimately unique, Lady Vengeance is a thriller set in a prison, in the vein of films such as the Japanese action drama Female Prisoner #701: Scorpion. After being framed and wrongly convicted for murder, our protagonist seeks out the true perpetrator of the crime –– but more than anything else, she seeks vengeance. 

This film’s run time is 115 minutes and every second is essential. There is often gratuitous violence perpetrated by men against women in film, however Lady Vengeance takes back control and for that reason it remains one of my favorite revenge films.

Genre: Drama, Thriller

Actor: Anne Cordiner, Bu-seon Kim, Byeong-ok Kim, Cha Soon-bae, Choe Hui-jin, Choi Hee-jin, Choi Jung-woo, Choi Min-sik, Go Su-hee, Ha-kyun Shin, Han Jae-duk, Hye-jeong Kang, Ji-tae Yu, Jin-Seo Yoon, Jin-seo Yun, Jun Sung-ae, Kang Hye-jeong, Kang Hye-jung, Kang-ho Song, Kim Bu-seon, Kim Byeong-Ok, Kim Byung-ok, Kim Ik-tae, Kim Jin-goo, Kim Keum-soon, Kim Shi-hoo, Kim Si-hoo, Kim Yoo-jung, Kim You-jung, Ko Chang-seok, Ko Su-hee, Koh Soo-hee, Kwon Yea-young, Lee Byung-joon, Lee Dae-yeon, Lee Seung-shin, Lee Yeong-ae, Lee Yong-nyeo, Lee Young-ae, Lim Su-gyeong, Min-sik Choi, Nam Il-woo, Oh Dal-su, Oh Gwang-rok, Oh Kwang-rok, Park Myung-shin, Ra Mi-ran, Ryoo Seung-wan, Seo Ji-hee, Seo Young-ju, Seung-Shin Lee, Seung-wan Ryoo, Shi-hoo Kim, Shin Ha-gyun, Shin Ha-kyun, Song Kang-ho, Su-hee Go, Toni Barry, Tony Barry, Won Mi-won, Yea-young Kwon, Yeong-ae Lee, Yoo Ji-tae, Yoon Jin-seo

Director: Chan-wook Park, Park Chan-wook

Rating: R