270 Best Movies to Watch In Japanese (Page 18)

Staff & contributors

Since the 1990s, Japanese filmmaking has been at the forefront of global cinema, and it seems we are entering another golden age. Here are the best movies to stream now featuring the Japanese language.

In Love and Deep Water is torn between multiple concepts. There’s a murder, sure, and a butler trying to figure out who’s the killer, but there also happens to be a romance plot where the same butler falls in love with the passenger that informs him of their partners’ infidelity. The film also tries to squeeze in comedy with the way the killers try to hide the dead body, the ridiculousness of some passengers, and cheeky but contextless commentary. While the romance is lovely, In Love and Deep Water isn’t the fun and chaotic murder mystery promised, as it drowns itself with interesting ideas that never really fully pans out.

Genre: Comedy, Mystery, Romance, Thriller

Actor: Airi Matsui, Aju Makita, Amane Okayama, Aoi Miyazaki, Hatsunori Hasegawa, Hidekazu Mashima, Ken Mitsuishi, Ken Yasuda, Kento Nagayama, Michiko Tomura, Miyu Hayashida, Nahana, Rinko Kikuchi, Ryo Yoshizawa, Saki Takaoka, Takashi Okabe, Tomu Miyazaki, Yasuomi Sano, Yoh Yoshida, Yoshimasa Kondô, Yuki Izumisawa, Yunho

Director: Yusuke Taki

Rating: R, TV-MA

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Love at its infancy can be pure and sweet, but sometimes, when it’s forced down, locked up inside without calm acceptance, this yearning can fester into something toxic, something too passionate to control. Ride or Die is based on the Gunjō manga, which portrays a relationship between two high school girl best friends made toxic when Nanae recruits Rei to seduce and murder Nanae’s abusive husband. Gunjō wasn’t a perfect representation of a lesbian relationship, but in the hands of a mostly male crew, the resulting lesbian road film adaptation is gorgeous, but feels a tad too long, and a tad too gratuitous with its sex and violence. Ride or Die has an intriguing, boundary-pushing premise about the dark side of devotion, but its execution makes the film an uneasy watch.

Genre: Drama, Romance, Thriller

Actor: Anne Suzuki, Artemis Snow, Honami Sato, Kiko Mizuhara, Sara Minami, Setsuko Karasuma, Shinya Niiro, Shunsuke Tanaka, Tetsushi Tanaka, Yôko Maki, Yui Uemura

Director: Ryuichi Hiroki

Rating: R

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Though it borrows from some of the oldest genre tropes—stoic but kind-hearted hero finding a heart in a community that needs his help—Jigen Daisuke still manages to carve out a visual identity that has one foot rooted in its Lupin III manga origins, and another in noir fiction. The world of the film is beautifully lit and feels bustling with activity, as are the frenetic action scenes that turn gleefully silly with the sheer amount of gunfire being sprayed everywhere. That said, the movie can't handle the number of plates it tries to spin, as side characters fail to develop more meaningfully and its more exciting parts are diluted by long stretches of drama that aren't as engaging as the film thinks they are. This feels like a sampler for the kinds of stories the title character could be involved in in the future, but little else.

Genre: Action, Crime, Drama, Thriller

Actor: Akihiko Sai, Eugene Nomura, Honami Sato, Kazuki Namioka, Kotoka Maki, Masatoshi Nagase, Mitsuko Kusabue, Rina Sakuragi, Takashi Sasano, Tetsuji Tamayama, Toru Baba, Yasukaze Motomiya, Yoji Tanaka, Yôko Maki, Yuuki Tsujimoto

Director: Hajime Hashimoto

Rating: PG-13

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With a premise that just seems inherently emotionally manipulative, it should take an especially sensitive touch to make a story like this work on screen. Unfortunately, See Hear Love—itself based on a South Korean webcomic—is both overdramatic and not nearly stylized enough in any meaningful way to help its subject matter evolve beyond melodrama. It remains a well-shot and decently acted film that, at the very least, treats its characters as adults and not as caricatures with disabilities. But the movie makes little effort to place these characters in believable situations that should shed a light on what it's like to live with blindness or as a Deaf person. See Hear Love takes the easiest (and slowest) way out, bringing its two lovers together under somewhat creepy circumstances, and having them endure cartoonishly exploitative "antagonists"—all for the sake of portraying the romance as grand and artificially tragic.

Genre: Drama, Romance

Actor: Dai Watanabe, Daikichi Sugawara, Mahiro Takasugi, Maika Yamamoto, Mari Natsuki, Masaya Kato, Motoki Fukami, Sayaka Yamaguchi, Tomohisa Yamashita, Tomoki Kimura, Yuko Araki

Director: John H. Lee

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Horror novels scare readers through the power of their imaginations, but sometimes, adapting these words straight on screen limits the fear factor. That’s what happened with Lumberjack the Monster. While the film crescendos nicely into the intense graphic violence director Takashi Miike is known for, the introduction is a bit shaky, alternating between the cops and protagonist Akira Ninomiya without a neat balance, and having to reveal key points of the mystery only through dialogue. The film does still retain some of novelist Mayusuke Kurai’s contemplations about the consequences of clinical psychopaths placed in critical roles, but Lumberjack the Monster feels a tad too uneven.

Genre: Crime, Drama, Thriller

Actor: Ariei Umefune, Chigusa Yasuzawa, Hinami Mori, Katsuya Kobayashi, Kazuya Kamenashi, Keisuke Horibe, Kentaro Furuyama, Kiyohiko Shibukawa, Masatoshi Kihara, Masayuki Deai, Minosuke, Nanao, Reon Yuzuki, Riho Yoshioka, Ryushin Tei, Shidô Nakamura, Shota Sometani, Yasushi Kimura

Director: Takashi Miike

Rating: R

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Fairytale parodies reimagine these classic tales to reexamine or question its related themes. Once Upon a Crime attempts to do this by imagining Little Red Riding Hood as a detective investigating the murder of a hairdresser in Cinderella’s ball. The campy glamor of the costumes and sets, as well as the incongruence of Little Red’s detective mindset, makes the film watchable. However, the film takes strange twists that stray too far from the original stories. And while the cut locks make an intriguing metaphor, the resulting ending betrays any sense of justice for the characters, most especially the abused Cinderella.

Genre: Adventure, Comedy, Crime, Fantasy

Actor: Atsuhiro Inukai, Jiro Sato, Kanna Hashimoto, Masaki Kaji, Midoriko Kimura, Miki Maya, Mirei Kiritani, Mizuki Yamamoto, Natsuna Watanabe, Takanori Iwata, Tomoharu Hasegawa, Tsuyoshi Muro, Yuko Araki, Yumi Wakatsuki, 室毅

Director: Yuichi Fukuda

Rating: PG

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