270 Best Movies to Watch In Japanese (Page 12)

When it comes to ghosts, plenty of films are centered around personal, unresolved business in the living world, but rarely do films examine how the spirit world would be, unless it’s for fantastical fights or horrific terror. The Parades instead focuses on a world of lost, but ordinary, and thankfully kind, souls. And as the film builds its calm world, Minako (and the viewers) get to meet the people who would form her eventual found family, whose various lives uncover the intimate and personal hopes of ordinary people, shaped by the events of their respective times. While the film doesn’t fully resolve all their stories, The Parades celebrates life, in all forms, and the powerful ways storytelling and community helps us go through it.

Genre: Drama

Actor: Akari Takaishi, Ayumu Nakajima, Azuki Terada, Daiken Okudaira, Denden, Go Ayano, Hana Kino, Haru Iwakawa, Hiroshi Tachi, Kentaro Sakaguchi, Kotone Hanase, Lily Franky, Mai Fukagawa, Masami Nagasawa, Nana Mori, Ron Mizuma, Ryusei Yokohama, Shinobu Terajima, Shun Sugata, Suon Kan, Takuya Wakabayashi, Tetsushi Tanaka, Yuina Kuroshima, Yukiya Kitamura

Director: Michihito Fujii

Rating: PG-13

Remember Bing Bong from Inside Out? This time, there’s a whole world of imaginary friends that don't fade into the recesses of a child’s mind– instead, they transfer to another place, ready to take on the imaginations of children around the world. That’s the basic premise of The Imaginary. Of course, Studio Ponoc’s third film has been at least partially inspired by Studio Ghibli, with some of its staff having their start there, and with the film’s dreamlike portals and strange cats, but the film takes a more straightforward approach to its story and analogies. As Rudger fights against Mr. Bunting, the film examines, well, imagination, but in all its forms– fodder for corporations to feed on, propaganda to calm the masses, but also as the innately human response to grief, as a mature solution to life’s troubles. The Imaginary may not be a stand-out, but we can’t help but applaud Studio Ponoc’s sincerity in celebrating human creativity.

Genre: Adventure, Animation, Drama, Family, Fantasy

Actor: Akira Terao, Atsuko Takahata, Hana Sugisaki, Ikue Otani, Issey Ogata, Kokoro Hirasawa, Kokoro Terada, Mitsuaki Kanuka, Riisa Naka, Rio Suzuki, Sakura Andô, Takayuki Yamada, Teiyu Ichiryusai

Director: Yoshiyuki Momose

Rating: PG

Borrowing heavily from yakuza films of the past, The Blood of Wolves feels like a movie plucked straight out of the 1970s and given a slick coat of 2010s neo-noir shine. The film never tries to reinvent the recipe it's working with, but it doesn't have to when its violence is still satisfyingly brutal, its plot endlessly twisty, and its morality grey. At the center is a brash and sleazy performance from the great Koji Yakusho, whom you can never really clock as being in control or out of his depth. It might only hold special value for hardcore fans of the genre, but it provides enough solid thrills for the more casual viewer.

Genre: Crime, Drama, Horror, Thriller

Actor: Abe Junko, Eiji Takigawa, Gorō Ibuki, Hajime Inoue, Issei Okihara, Joey Iwanaga, Junko Abe, Katsuya, Ken'ichi Yajima, Kenichi Takito, Kenichi Takitoh, Kōji Yakusho, Kyūsaku Shimada, Marie Machida, Megumi, Pierre Taki, Renji Ishibashi, Ryuji Sainei, Shidô Nakamura, Shun Nakayama, Takahiro Kuroishi, Takaki Uda, Takamitsu Nonaka, Taketo Tanaka, Takuma Otoo, Taro Suruga, Tomorowo Taguchi, Tomoya Nakamura, Tori Matsuzaka, Yôko Maki, Yosuke Eguchi, Yutaka Takenouchi

Director: Kazuya Shiraishi

Released a month directly after Kyoto Inferno, Rurouni Kenshin Part III: The Legend Ends continues Kenshin’s journey, the same journey that revived the samurai chambara genre in recent years. As Japan made its shift towards a modern society in the Meiji era, Kenshin fights in promise to his master’s teachings, to wield his sword for life, rather than for the violence that once was the basis of power. The Legend Ends continues Rurouni Kenshin’s cinematic style with all the outstanding fight choreography, excellent production design, and exceptional cinematography, making it a must watch for fans of the genre as well as action fans in general, but those new to the franchise or those who have only watched the films might still find themselves lost with regards to the way this arc was structured.

Genre: Action, Adventure, Drama, Fantasy

Actor: Akifumi Uchida, Ayumi Beppu, Emi Takei, Hidekazu Mashima, Hiroko Yashiki, Kaito Oyagi, Kazufumi Miyazawa, Kenichi Takitoh, Kentarō Shimazu, Kota Yamaguchi, Mantaro Koichi, Maryjun Takahashi, Masaharu Fukuyama, Masataka Kubota, Min Tanaka, Mitsu Murata, Munetaka Aoki, Nayuta Fukuzaki, Ryosuke Miura, Ryunosuke Kamiki, Takeru Sato, Takeru Satoh, Tao Tsuchiya, Tatsuya Fujiwara, Tomomi Maruyama, Tôru Kizu, Yosuke Eguchi, Yu Aoi, Yukiyoshi Ozawa, Yuria Eda, Yûsuke Iseya

Director: Keishi Ohtomo, Keishi Otomo

Rating: R, TV-MA

Prior to being defined by that fateful bombing in 1945, Hiroshima was like any other city outside of Tokyo; small but full, quiet but busy, and in the midst of a slow-but-sure journey to modernization. We experience the rich and intimate details of this life through the kind-hearted Suzu, who herself is stuck between the throes of old and new. She is an ambitious artist but also a dedicated wife; a war-wearied survivor and a hopeful cheerleader. Set before, during, and after the Second World War, the film starts off charmingly mundane at first, but it quickly gives way to inevitable grief in the second half. One stark tragedy follows another as it becomes increasingly clear how much we lose our humanity in war. In This Corner of the World is the rare film outside of the Hayao Miyazaki canon that captures the latter's heart for detail while still being graciously its own.

Genre: Animation, Drama, Family, History, Romance, War

Actor: Asuka Ohgame, Barbara Goodson, Christine Marie Cabanos, Daishi Kajita, Daisuke Ono, Hisako Kyoda, Kei Tomoe, Kenta Miyake, Kira Buckland, Kohei Kiyasu, Kosuke Sakaki, Manami Sugihira, Manami Tanaka, Mayumi Shintani, Megumi Han, Miki Hase, Minori Omi, Nanase Iwai, Natsuki Inaba, Non, Nozomu Sasaki, Rena Nōnen, Rio Kawakami, Risa Sakurana, Shigeru Ushiyama, Sunao Katabuchi, Tengai Shibuya III, Tomoko Shiota, Tsubasa Miyoshi, Tsuyoshi Koyama, Yoshimasa Hosoya, Yukitomo Tochino, Yuuki Hirose

Director: Sunao Katabuchi

Rating: PG-13

We sacrifice so much for our dreams, so if it all fails, whether that be because of ourselves or because of extenuating circumstances, sometimes, a bit of perspective is needed to get back up. The Taiwanese-Japanese romantic drama 18×2 Beyond Youthful Days is centered on two young adults that meet in a karaoke bar in Tainan, one who hopes to pass the summer with some money, and the other hoping to fulfill her dream of travelling the world. It’s a familiar coming-of-age concept, but it’s done so bittersweet and beautifully as the adult Jimmy recalls each moment they shared while on the journey to fulfill their promise to meet each other after they reach their dreams. 18×2 Beyond Youthful Days doesn’t tread new paths, but the film’s way of depicting memories as well as the charming chemistry of the leads transforms the real life travelogue into a moving testament of the connections we form while travelling.

Genre: Drama, Romance

Actor: Chen Yan-Fei, Chu Chung-heng, Chu-Ping Liu, Figaro Tseng, Greg Hsu, Haru Kuroki, Hitomi Kuroki, Joseph Chang, Kaya Kiyohara, Kitamura Toyoharu, Kuan-Yi Li, Liao Hui-Jen, Shunsuke Michieda, Takashi Yamanaka, Yu Fang, Yutaka Matsushige

Director: Michihito Fujii

It won’t be a surprise that a movie titled Violent Cop would have a police officer smacking people left and right. But upon its release, Violent Cop surprised viewers when comedian Beat Takeshi took it upon himself to direct a moody, serious neo-noir where blood splatters come sparingly, knives are drawn on occasion, and the camera is much more interested in lingering between the men inflicting violence rather than flashy choreography– and somehow end up with a pretty solid effort. The film does have a somewhat familiar plot, but its bleak, depressing portrayal of how mundane violence has become makes Violent Cop such a brutal debut to watch.

Genre: Action, Crime, Thriller

Actor: Akira Hamada, Bang-ho Cho, Hakuryu, Ittoku Kishibe, Kazuyoshi Ozawa, Ken Yoshizawa, Ken'ichi Endô, Koichi Ueda, Kunihiko Ida, Maiko Kawakami, Makoto Ashikawa, Nobuyuki Katsube, Sei Hiraizumi, Shirō Sano, Susumu Terajima, Takeshi Kitano, Taro Ishida

Director: Takeshi Kitano

Rating: NR