133 Best Movies to Watch In Italian (Page 7)

When you think of Italian cinema, Federico Fellini and Spaghetti Westerns probably come to mind. But there are plenty of contemporary movies that reveal the country’s modern side. If youo want to brush up on your Italiano, here are the best movies featuring the Italian langage to stream.

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91. The Adventures of Mark Twain, 1985

Structured like a series of vignettes based on the titular American writer's works, this stop motion animated film embraces how playful and bizarre the medium of clay can be, showing us everything from whimsical jumping frogs, to Adam and Eve, to Satan himself. But even if The Adventures of Mark Twain might get too weird even and rough around the edges even for a hardcore animation fan, there's an interesting emotional undercurrent here that deals with unanswerable questions on death and the meaning of life. Thanks to a lively and talented cast of voice actors, this fantastic voyage keeps itself grounded to something tangible and heartfelt, and never gets swept up too far into the clouds.

Genre: Adventure, Animation, Family, Fantasy

Actor: Carol Edelman, Chris Ritchie, Dal McKennon, Gary Krug, Herb Smith, James Whitmore, John Morrison, Michele Mariana, Tom Gasek, Will Vinton

Director: Will Vinton

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92. Shun Li and the Poet, 2011

	
Life can get tough if you move to another country. You have to adjust to the language, to the culture, and to the community you choose to move to, and that’s just if you decided to make the move intentionally. But some of these difficulties can be made much easier to bear with a good friend. Shun Li and the Poet is centered on a friendship between two immigrants in a Venetian island town, and although they come from other sides of the world, the kindnesses they share as strangers, and the intimacy they keep when they share more of their life stories, prove to be lovely. It might be a tad slow for some viewers, but the contemplation and celebration of their shared humanity makes for a lovely watch.Genre: Drama
Actor: Andrea Pennacchi, Giuseppe Battiston, Marco Paolini, Rade Serbedzija, Roberto Citran, Zhao Tao
Director: Andrea Segre

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93. Perfect Strangers, 2016

	
This is a movie with which you can easily connect. I have never experienced such deep connection and feelings towards characters. Seven friends get together for a dinner, and they decide to share every text message, email, and phone call they receive. The difference we all have to some degree between our public selves and private lives is the same one that comes out and threatens the balance between these long time friends.
The film may feel a bit claustrophobic for some but that same feeling allows you to laugh, to shiver, and to even feel the deepest sorrow alongside the characters. For me this is a must watch.Genre: Comedy, Drama
Actor: Alba Rohrwacher, Anna Foglietta, Benedetta Porcaroli, Edoardo Leo, Elisabetta De Palo, Giuseppe Battiston, Kasia Smutniak, Marco Giallini, Tommaso Tatafiore, Valerio Mastandrea
Director: Paolo Genovese
Rating: N/A, Not Rated

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94. Moonstruck, 1987

It’s easy enough to pitch Moonstruck with the promise of Cher and a young Nicolas Cage getting hot and heavy in 80s New York, but it’s so much more than its two outsized leads. Loretta (Cher) is on track to marry Johnny (Danny Aiello) when he tasks her with inviting his brother Ronny (Nicolas Cage) to their wedding. Before long Loretta and Ronny are having a whirlwind affair that threatens to derail everything.

Despite the somewhat risque premise, Moonstruck is a lighthearted, sentimental, romance fit for the holidays. A big cast playing the warm-hearted family rounds things out, and some of the best moments are digressions that explore the romantic entanglements outside of the central couple. At times Moonstruck feels a bit too big, too over-the-top, too cheesy, but it’s a New York slice cheesy, it’s a ‘That’s Amore’ cheesy, it’s a cheesy that tucks you in at night after a helping of manicotti and a big bottle of wine.

Genre: Comedy, Drama, Romance

Actor: Al Therrien, Amy Aquino, Anita Gillette, Ann McDonough, Antonia Minella, Betty Orsatti, Catherine Scorsese, Cathy Ladman, Charles Scorsese, Cher, Curt Hayward, Cynthia Dale, Danny Aiello, David Hummel, David S. Howard, Feodor Chaliapin Jr., Frank Gio, Gina DeAngeles, Helen Hanft, Helen Proimos, Joe Grifasi, John Christopher Jones, John Mahoney, Julie Bovasso, Leonardo Cimino, Lisa Howard, Lou Pitoscia, Louis Di Bianco, Louis Guss, Matt Myers, Mimi Cecchini, Mimi Lizio, Nada Despotovich, Nicholas Pasco, Nicolas Cage, Olympia Dukakis, Paul Benedict, Paula Trueman, Peter Austin Noto, Robert Weil, Robin Bartlett, Sonny Bono, Stephany Hitchcock, Tim Koetting, Tommy Hollis, Tony Azito, Vincent Gardenia

Director: Norman Jewison

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95. Einstein and Eddington, 2008

	
Eddington and Einstein is a TV movie co-produced by HBO and the BBC, and you can tell. It has a humble setup, costume design, and style of editing, but it’s elevated by a smart script and strong performances. You can’t go wrong with Tennant and Serkis, although it is unfortunate that they rarely share a screen here. The movie parallels their discoveries, shedding light into the drama of their personal lives as well—Einstein with his love for a woman other than his wife, Eddington with his forbidden love for his friend William. These parts tend to get soapy, but scenes where they almost seemed possessed with scientific knowledge more than make up for it. Another drawback is the terrible misuse of Rebecca Hall, relegated here as Woman Who Pushes Male Lead To Follow His Heart, but again, all is forgiven when you see Eddington and Einstein in action. You can almost hear the whir of their clockwork brains when they think of something new to ground Einstein’s theory of relativity.Genre: Drama, History
Actor: Andy Serkis, Anton Lesser, David Tennant, Donald Sumpter, Eleanor Tomlinson, Jim Broadbent, Jodhi May, Kika Markham, Lucy Cohu, Patrick Kennedy, Paul Brooke, Philip Whitchurch, Rebecca Hall, Richard McCabe
Director: Philip Martin
Rating: PG-13

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96. When Frank Met Carlitos, 2023

	
Based on the rumors, When Frank Met Carlitos is a fun reimagination of how the meeting between Carlos Gardel and Frank Sinatra went. While the meeting is entirely fictional, it’s an interesting what-if scenario, as the real-life Sinatra went into music because of American singer Bing Crosby, who in turn, was notably inspired by Gardel, the Il Muto. Split between their languages, Gardel and Sinatra still have a shared understanding, piecing together each other’s thoughts through shared loan words, and imparting knowledge through dramatic song. As the fictionalized versions of the best singers from the American continent interact, the TV special seems like a send-off from a wiser generation to their younger counterparts.Genre: Comedy, Drama, Music
Actor: Antonella Misenti, Oscar Lajad, Pablo Turturiello
Director: Natalia del Castillo

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97. The Yara Gambirasio Case: Beyond Reasonable Doubt, 2024

Many in this docuseries acknowledge that the developments to this case feel very much “like a movie.” Maybe that’s why the filmmakers leaned into that presentation style with the twists, phone conversation voiceovers, and jumping timelines. It’s a decent storytelling choice, but it also feels like the shock factor and media hullabaloo is the focus of the film sometimes. Much of the runtime is dedicated to the role of the media, which served as a tremendously unhelpful distraction to the investigation; thus giving the series a sense of focus on the one hand, but also weighing the series down with too much details and fluff cinema.

Genre: Crime, Documentary

Actor: Massimo Bossetti

Rating: TV-MA

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98. The Merchant of Venice, 2004

	
Anything Shakespeare would be a classic, of course, but for the longest time, British filmmakers avoided The Merchant of Venice, for a variety of reasons. The most prominent of those reasons was the antagonist Shylock, who, as a Jewish moneylender, was characterized with many anti-Semitic stereotypes, yet, was written with one of Shakespeare’s most eloquent speeches on his humanity. Director Michael Radford’s take on the play sidesteps this issue by an explanation and montage, reframing the entire play to be more sympathetic to Shylock. It's such an elegant solution, and with Al Pacino’s excellent performance, The Merchant of Venice becomes much more dramatic than comedic, and all the better for it.Genre: Drama, Romance
Actor: Al Pacino, Al Weaver, Allan Corduner, Anton Rodgers, Antonio Gil, Charlie Cox, David Harewood, Gregor Fisher, Heather Goldenhersh, Jean-François Wolff, Jeremy Irons, John Sessions, Joseph Fiennes, Jules Werner, Julian Nest, Kris Marshall, Lynn Collins, Mackenzie Crook, Ron Cook, Tony Schiena, Zuleikha Robinson
Director: Michael Radford
Rating: R

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99. The First Omen, 2024

	
Admittedly, being released in theaters a month after Immaculate, The First Omen can almost be accused of being derivative, with similar protagonists, plots, and themes. However, unlike Immaculate, this film captures a bit of the 1970s horror style that was best seen in the original 1976 Omen film, with the paranoia, the investigations, the Eastman Kodak-inspired color grading, and the number of the devil now depicted in striking modern images and clearer digital definition. And, considering that the Roe decision was overturned two years ago, the idea of a forced virgin conception is a great way to reintroduce Gen Z to the horror franchise, as the prequel, and today’s women, now have to deal with religion and authority reducing women only into vessels. The First Omen is a timely adaptation that takes familiar horror tropes and executes them well.Genre: Horror
Actor: Alessandra Fallucchi, Andrea Arcangeli, Anton Alexander, Bill Nighy, Charles Dance, Dobrila Stojnic, Dora Romano, Eva Ras, Ishtar Currie Wilson, James Swanton, María Caballero, Mario Opinato, Mia McGovern Zaini, Michelangelo Dalisi, Milena Božić, Miodrag Rakočević, Nell Tiger Free, Nicole Sorace, Rachel Hurd-Wood, Ralph Ineson, Sônia Braga, Sylvia Panacione, Tawfeek Barhom
Director: Arkasha Stevenson
Rating: R

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100. Supersex, 2024

	
The way we are introduced to sex does shape the way sex features in our lives, whether that be an unintended glimpse into the wrong room, or an accidental encounter to NSFW media, or a proper discussion towards sex. Being inspired by, but not entirely accurate to the life of prolific Italian porn star Rocco Siffredi, sex is central to Supersex not just as his job, but as the way his family, relationships, and his concept of love is irrevocably affected by it. It’s fixated on sex, yes, but showrunner Francesca Manieri stirs the discussion not towards how hot it can be, but towards the various ways sex affirms and negates his masculinity, as well as the conceptions that determine that, and how it can slip into vice rather than healthy pleasure. There are moments where the series falters, particularly the way it depicts internalized homophobia, but overall, Supersex is a well-meaning exploration of sex work and masculinity.Genre: Drama
Actor: Adriano Giannini, Alessandro Borghi, Enrico Borello, Gaia Messerklinger, Jade Pedri, Jasmine Trinca, Linda Caridi, Saul Nanni, Vincenzo Nemolato
Rating: TV-MA

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101. Sugar, 2008

19-year-old Dominican pitcher Miguel Santos, a.k.a. Sugar, dreams of making it into an American baseball team and pulling himself and his family out of poverty. He gets a chance to train for a team in Kansas, but on arrival struggles to be accepted in his new community.

Poignant and beautifully performed, Sugar is not the usual film about chasing the American dream, and it’s far from a typical baseball movie. It’s an honest portrayal, one that avoids sports-movie clichés in favor of an exploration of identity and the immigrant experience.

Genre: Drama

Actor: Algenis Perez Soto, Alina Vargas, Andre Holland, Ann Whitney, Braulio Castillo, Eddie Martinez, Ellary Porterfield, Jaime Tirelli, Jamie Tirelli, Joendy Pena Brown, Jose Rijo, Karl Bury, Karolina Wydra, Marla Frumkin, Michael Gaston, Rayniel Rufino, Richard Bull, Sándor Técsy, Santo Silvestre, Walki Cuevas, Wilson Daniel

Director: Anna Boden, Ryan Fleck

Rating: R

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102. Studio 54, 2018

	
New York’s hottest club was Studio 54. It has everything– the lights, the exclusivity, the drugs, the tax evasion legal issues that brought its founders to jail… But in all seriousness, the documentary about the notorious studio-turned-disco already has an interesting story to tell, and while it’s done with the usual Netflix flair, but director Matt Tyrnauer keeps focus on the actual club, rather than the notoriety surrounding it, by interviewing the crew behind Studio 54 rather than the famous celebrities, and thankfully, former studio owner and one half of the duo Ian Schrager finally opened up to talk about the whirlwind success he went through nearly half a century ago. The documentary may be a bit more tame than the real life club, but Studio 54 is a long overdue documentary that’s refreshingly candid, if a bit more calmer than expected.Genre: Documentary
Actor: Andy Warhol, Bianca Jagger, Bill Murray, Boy George, Divine, Donald Rubell, Farrah Fawcett, Ian Schrager, Jack Benny, John Belushi, John Travolta, Liza Minnelli, Michael Jackson, Mikhail Baryshnikov, Nile Rodgers, Ronald Reagan, Steve Rubell, Walter Cronkite
Director: Matt Tyrnauer
Rating: TV-MA

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103. Pavarotti, 2019

A biopic is only as big as the personality at its center, and what a personality Pavarotti had. The Opera singer that crossed into the mainstream from his humble upbringings in Modena, Italy, exuded happiness and had a great outlook on life. And even as the attention he would eventually attract takes its tole, he's able to maintain his positivity and his dedication to his art. This documentary on his life and his work will be even more interesting to you if like me you didn't know who Pavarotti was, or the impact he's had.

Genre: Documentary, History, TV Movie

Actor: Andrea Griminelli, Angela Gheorghiu, Bono, Harvey Goldsmith, José Carreras, Lang Lang, Luciano Pavarotti, Madelyn Renée Monti, Nicoletta Mantovani, Plácido Domingo, Vittorio Grigolo, Zubin Mehta

Director: Ron Howard

Rating: PG-13

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104. Martin Eden, 2019

Loosely based on the 1909 novel, Martin Eden is a stunning film about the hollow success of individualism. The plot points remain the same: Eden, a self-taught sailor, wants to win the heart of the wealthy Elena Orsini. To do this, he strives to break into the upper class with his writing. However, in this film, writer-director Pietro Marcello adds another dimension to the anti-individualist story: he transports Eden from his original California setting to Naples—allowing for views of different cultures, languages, and classes. By intercutting between old film stock and lingering close-ups, Marcello draws from his documentary background to masterfully evokes the process of remembering. And in refusing to define the time period, Marcello recognizes that Eden's struggle is still ongoing today—and that his success is still hollow.

Genre: Drama, Romance

Actor: Aniello Arena, Anna Patierno, Autilia Ranieri, Carlo Cecchi, Carmen Pommella, Chiara Francini, Denise Sardisco, Edoardo Sorgente, Elisabetta Valgoi, Franco Pinelli, Gaetano Bruno, Giustiniano Alpi, Jessica Cressy, Lana Vlady, Luca Marinelli, Marco Leonardi, Maurizio Donadoni, Pietro Ragusa, Rinat Khismatouline, Sergio Longobardi, Vincenza Modica, Vincenzo Nemolato

Director: Pietro Marcello

Rating: TV-PG

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105. Kontroll, 2004

A story about inspectors on the Hungarian subway and their struggle to get travelers to pay up. Skinheads with attack dogs, drunks and freaks are the harsh reality of these working-class heroes, who themselves of course are quite the weird bunch. Dark post-soviet humor, refreshingly politically incorrect characters and an abstract parallel love story which barely makes sense even at the end. Kontroll is a movie you will regret having waited 10 years to see.

Genre: Comedy, Crime, Drama, Thriller

Actor: Balla Eszter, Bence Mátyássy, Csaba Pindroch, Enikő Eszenyi, Eszter Balla, György Cserhalmi, Győző Szabó, János Derzsi, János Kulka, Lajos Kovács, Péter Scherer, Sándor Badár, Sándor Csányi, Szabó Győző, Zoltán Mucsi, Zsolt Nagy

Director: Nimród Antal

Rating: R

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