133 Best Movies to Watch In Italian (Page 5)

Staff & contributors

When you think of Italian cinema, Federico Fellini and Spaghetti Westerns probably come to mind. But there are plenty of contemporary movies that reveal the country’s modern side. If youo want to brush up on your Italiano, here are the best movies featuring the Italian langage to stream.

Matewan’s premise makes it prime for drama and theatrics, much like the many historical epics released in the 1980s. But Matewan isn’t quite like those movies. Instead of soap and sentiment, it’s stone-faced and straightforward, dialogue-heavy even, though that’s not to call Matewan boring. There’s a quiet poetry to its cinematography that makes Kenehan and the miners’ struggle for rights all the more poignant and meaningful. As one critic put it, it’s like a charcoal sketch come to life, at once gritty and beautiful. Matewan also remains relevant to this day because of its advocacy. Workers are still largely exploited and unprotected, their interests placed behind profits. Watching Matewan reminds you just how long the fight for safe working conditions and fair pay has been, and how important it is to keep going.

Genre: Drama, History

Actor: Bob Gunton, Chris Cooper, David Strathairn, Davide Ferrario, Frank Hoyt Taylor, Gary McCleery, Gordon Clapp, Jace Alexander, James Earl Jones, Joe Grifasi, John Sayles, Josh Mostel, Ken Jenkins, Kevin Tighe, Maggie Renzi, Mary McDonnell, Michael Mantell, Nancy Mette, Tom Wright, Will Oldham

Director: John Sayles

Rating: PG-13

Set in 1970s Italian countryside, this is a quirky movie that’s full of plot twists.

Lazzaro is a dedicated worker at a tobacco estate. His village has been indebted to a marquise and like everyone else, he works without a wage and in arduous conditions.

Lazzaro strikes a friendship with the son of the marquise, who, in an act of rebellion against his mother, decides to fake his own kidnapping. The two form an unlikely friendship in a story that mixes magical realism with social commentary.

Genre: Drama, Fantasy

Actor: Adriano Tardiolo, Agnese Graziani, Alba Rohrwacher, Alessandro Genovesi, Alice Rohrwacher, Antonio Salines, Carlo Massimino, Carlo Tarmati, Daria Deflorian, Daria Pascal Attolini, David Bennent, Elisabetta Rocchetti, Gala Othero Winter, Leonardo Nigro, Luca Chikovani, Natalino Balasso, Nicoletta Braschi, Pasqualina Scuncia, Sergi Lopez, Tommaso Ragno

Director: Alice Rohrwacher

Rating: PG-13

Far From the Madding Crowd is a classic tale, but in terms of story, it has the familiar thread of a lady having to choose between multiple swoon-worthy suitors, which is a common story of many lengthy, overly melodramatic period dramas. However, with the restrained direction of Thomas Vinterberg, and the writing of David Nicholls, known best for his decades sprawling romance in One Day, the fifth film adaptation captures the magic of the classic countryside novel, elevating the old-fashioned romance with an easier, faster flow, and carried by the powerful performance of its cast. Fans of the novel or the 1967 adaptation might feel disappointed at how much was removed, but overall, Far From the Madding Crowd is an exemplary drama adaptation.

Genre: Drama, Romance

Actor: Belinda Low, Bradley Hall, Carey Mulligan, David Golt, Dorian Lough, Eloise Oliver, Harry Peacock, Hilton McRae, Jessica Barden, Jody Halse, Jon Gunn, Juno Temple, Mark Wingett, Matthias Schoenaerts, Michael Sheen, Pauline Whitaker, Richard Dixon, Sam Phillips, Stuart Davidson, Thomas Arnold, Tilly Vosburgh, Tom Sturridge, Victor McGuire

Director: Thomas Vinterberg

Rating: PG-13

In a small Italian town, a dog cleaner’s wholesome days dealing with elderly owners and eager children are balanced with a series of messy nights. The small and frail man finds himself targetted by the town’s black-sheep, a strong and fearless ex-convict. Dogman is about the line between being bullied and wanting to be part of something, it’s a beautiful and often thrilling character study from Italian genius filmmaker Matte Garone. Won the Best Actor award at Cannes.

Genre: Crime, Drama, Thriller

Actor: Adamo Dionisi, Alida Baldari Calabria, Aniello Arena, Edoardo Pesce, Francesco Acquaroli, Giancarlo Porcacchia, Gianluca Gobbi, Laura Pizzirani, Marcello Fonte, Mirko Frezza, Nunzia Schiano

Director: Matteo Garrone

Rating: Not Rated

It’s always refreshing to see people in esteemed positions let their guard down, not to mention smoke a vape or gossip feverishly, as we mere mortals do. But Conclave is more than just a candid look at what goes down in a process as elaborate as a papal election. It’s a portrait of man’s innate thirst for power. And since it has more to do with humanity than divinity, it’s also rightfully silly. Cardinals are scrambling for votes and fighting over politics. They can be peaceful and reasonable, but they can also be petty and spiteful, just like any person pressured to vote for their future (or just like any person, period). Conclave is far from perfect—its intentions are murky at times and the visuals, though beautiful, are oddly sparse—but it works because no one in the film, not even the protagonist, is infallible. It’s a welcome reminder of our limitations, regardless of faith.

Genre: Drama, Mystery, Thriller

Actor: Balkissa Souley Maiga, Brian F. O'Byrne, Carlos Diehz, Garrick Hagon, Isabella Rossellini, Jacek Koman, John Lithgow, Joseph Mydell, Loris Loddi, Lucian Msamati, Madhav Sharma, Merab Ninidze, Ralph Fiennes, Roberto Citran, Romuald Kłos, Sergio Castellitto, Stanley Tucci, Thomas Loibl

Director: Edward Berger

Rating: PG

This is a gorgeous Danish period drama that’s based on a famous story and book in Denmark called Lykke-Per (or Lucky Per) by Nobel Prize-winning author Henrik Pontoppidan. Per, the son of an overbearing catholic priest, leaves his family house in the country side to seek a new life in Copenhagen. His passion about engineering was at the time contrary with the Christian faith, but manages to introduce him to the capital’s elite, and a chance at social ascension. Lykke-Per and A Fortunate Man are about nature versus nurture. Per’s passion about engineering and renewable energy (back in the 1920s) is set against his need to emancipate and the pride that was instilled in him by his upbringing.

Genre: Drama

Actor: Anders Hove, Benjamin Kitter, Bille August, Carsten Kressner, Claus Flygare, Eliza Rønsbæk, Elsebeth Steentoft, Esben Smed, Finn Nielsen, Hans Holtegaard, Jacob Holm, Jakob Højlev Jørgensen, Jens Albinus, Jesper Ole Feit Andersen, Johannes Nymark, Julie Christiansen, Karl Fischer, Katrine Greis-Rosenthal, Katrine Rosenthal, Laura Kjær, Margit Holzhaider, Mei Oulund, Mette Munk Plum, Mikael Holst Nørlund, Mikkel Hilgart, Morten Hauch-Fausbøll, Naja Spuur, Nicolai Dahl Hamilton, Ole Lemmeke, Paul Hüttel, Per Tofte Nielsen, Peter Hald, Peter Plaugborg, Petrine Agger, Rasmus Bjerg, Sara Viktoria, Sarah Viktoria Bjerregaard, Sophie Marie Jeppesen, Tammi Øst, Tammi Ost, Tommy Kenter

Director: Bille August

Rating: TV-14

If you're a fan of musical theater of any kind, Topsy-Turvy pays tribute to that notoriously tricky art form with a stunning attention to detail and a dedication to telling its story without any unnecessary drama whatsoever. It's hard not to get swept up in the humor, entertainment, and simple joy found in the writing process and in rehearsals of entire scenes. Come for the Oscar-winning costumes and makeup, stay for the wonderfully old-timey musical numbers, the brilliantly grounded performance from Jim Broadbent, and the sense of satisfaction of just watching everything finally come together to thunderous applause.

Genre: Comedy, Drama, History, Music

Actor: Adam Searles, Akemi Otani, Alison Steadman, Allan Corduner, Andy Serkis, Angela Curran, Anna Francolini, Ashley Artus, Ashley Jensen, Bríd Brennan, Cathy Sara, Charles Simon, David Neville, Debbie Chazen, Dexter Fletcher, Dorothy Atkinson, Eiji Kusuhara, Eleanor David, Eve Pearce, Francis Lee, Gary Yershon, Gemma Page, Geoffrey Hutchings, Heather Craney, Jim Broadbent, John Warnaby, Jonathan Aris, Julia Rayner, Julian Bleach, Kacey Ainsworth, Kate Doherty, Katrin Cartlidge, Keeley Gainey, Kenneth Hadley, Kevin McKidd, Lavinia Bertram, Lesley Manville, Lorraine Brunning, Louise Gold, Mark Benton, Martin Savage, Mary Roscoe, Matt Bardock, Matthew Mills, Mia Soteriou, Michael Simkins, Michelle Chadwick, Monica Dolan, Naoko Mori, Nicholas Boulton, Nicholas Woodeson, Nick Bartlett, Paul Barnhill, Paul Rider, Richard Attlee, Richard Coyle, Roger Heathcott, Ron Cook, Rosie Cavaliero, Sam Kelly, Sarah Howe, Shirley Henderson, Sophie Duval, Stefan Bednarczyk, Steve Speirs, Sukie Smith, Teresa Gallagher, Theresa Watson, Timothy Spall, Togo Igawa, Vincent Franklin, Wendy Nottingham

Director: Mike Leigh

Two best friends chase the ultimate high in this Italian movie set in the 90s. Vittorio and Cesare are inseparable, they get in trouble together, fight together, and party together. Suddenly, they start moving at different speeds and one of them wants out, effectively abandoning the other. 

Don’t be Bad is director Claudio Caligari’s last movie before his death, the last installment in his catalog of well-crafted drug-centered stories.

Genre: Crime, Drama

Actor: Alessandro Bernardini, Alessandro Borghi, Angelica Cacciapaglia, Elisabetta De Vito, Emanuel Bevilacqua, Emanuela Fanelli, Giulia Greco, Luca Marinelli, Luciano Miele, Manuel Rulli, Massimo De Santis, Roberta Mattei, Silvia D'Amico, Silvia D'Amico Bendico, Valentino Campitelli

Director: Claudio Caligari

Certified Copy starts straightforward enough as it follows an unnamed shopkeeper (Juliette Binoche) and a writer (William Shimell) taking a stroll around picturesque Tuscany, debating the merits of authenticity and simplicity. They’re strangers flirting under the guise of an intellectual debate, and for a while, you think you’re watching a film like Before Sunrise, that is until a mysterious, almost magical, shift occurs, and suddenly, you’re witnessing something entirely different. For better or worse, director Abbas Kiarostami never makes it clear what happens, and that very mystery gives you a lot to think about. Are they pretending to be copies or is it the other way around? Neverending questions run through your head as you watch them banter, but whatever actually happens might be beside the point. At the moment, you get deeply felt, wonderfully rendered, as-real-as-can-be performances from Binoche and Shimell, and you can’t help but surrender.

Genre: Drama, Romance

Actor: Adrian Moore, Agathe Natanson, Andrea Laurenzi, Angelo Barbagallo, Filippo Trojano, Gianna Giachetti, Jean-Claude Carrière, Juliette Binoche, William Shimell

Director: Abbas Kiarostami

Rating: NR

We mostly think of objects as just stuff to buy, to sell, to give, and to throw away, but for many musicians, their instruments are quite important to them. The Red Violin takes it to the extreme– with the titular instrument infused with the life force of a human– but the film justifies this passion, the pain, and the cost through one of the most beautiful violin scores ever made, and through an ambitious series of vignettes spanning across four centuries and five countries. As the object passes hands, and the owners live, and play, and die, The Red Violin suggests that while these artists’ lives are fleeting, there’s still something human and important in chasing the sublime, and this instrument is just proof of it.

Genre: Drama, Music, Mystery, Romance, Thriller

Actor: Anita Laurenzi, Arthur Denberg, Carlo Cecchi, Clotilde Mollet, Colm Feore, Dany Laferrière, David Gant, David La Haye, Dimitri Andreas, Don McKellar, Dorothée Berryman, Eva Marie Bryer, Florentín Groll, Gregory Hlady, Greta Scacchi, Herman Meckler, Hong Tao, Irene Grazioli, James Bradford, Jason Flemyng, Jean-Luc Bideau, Jody Shapiro, Johannes Silberschneider, Joshua Bell, Julian Richings, Liu Zifeng, Monique Mercure, Rainer Egger, Rémy Girard, Russell Yuen, Samuel L. Jackson, Samuele Amighetti, Sandra Oh, Stuart Yung Sai-Kit, Sylvia Chang, Sylvia Stewart, Tan Zeng-Wei, Tao Hong, Tommaso Puntelli, Wang Xiaoshuai, Wolfgang Böck, Zhi Qiao, Zifeng Liu

Director: François Girard

Rating: R