30 Best Movies In Italian On Itunes Australia (Page 2)

Set in 1970s Italian countryside, this is a quirky movie that’s full of plot twists.

Lazzaro is a dedicated worker at a tobacco estate. His village has been indebted to a marquise and like everyone else, he works without a wage and in arduous conditions.

Lazzaro strikes a friendship with the son of the marquise, who, in an act of rebellion against his mother, decides to fake his own kidnapping. The two form an unlikely friendship in a story that mixes magical realism with social commentary.

Genre: Drama, Fantasy

Actor: Adriano Tardiolo, Agnese Graziani, Alba Rohrwacher, Alessandro Genovesi, Alice Rohrwacher, Antonio Salines, Carlo Massimino, Carlo Tarmati, Daria Deflorian, Daria Pascal Attolini, David Bennent, Elisabetta Rocchetti, Gala Othero Winter, Leonardo Nigro, Luca Chikovani, Natalino Balasso, Nicoletta Braschi, Pasqualina Scuncia, Sergi Lopez, Tommaso Ragno

Director: Alice Rohrwacher

Rating: PG-13

This difficult movie is about a seventeen-year-old from the U.S. underclass who has to deal with an unplanned pregnancy. Autumn is creative, reserved, and quiet, but those are not qualities that her environment in rural Pennsylvania seems to value. On the opposite, she is surrounded by threats, including disturbing step-father and boss characters. 

Dangers escalate as Autumn decides to travel to New York to have an abortion. Never Rarely Sometimes Always is about unplanned pregnancies as much as it is about just how dangerous it is to be a teenage girl living in America.

Genre: Drama

Actor: Amy Tribbey, Brian Altemus, Carolina Espiro, Christian Clements, David Buneta, Denise Pillott, Drew Seltzer, Eliazar Jimenez, Lizbeth MacKay, Mia Dillon, Ryan Eggold, Salem Murphy, Sam Dugger, Sharon Van Etten, Sidney Flanigan, Sipiwe Moyo, Talia Ryder, Théodore Pellerin, Théodore Pellerin

Director: Eliza Hittman

Rating: PG-13

Kenneth Branagh’s third Hercule Poirot movie does everything it can to divorce itself from the quaintness of a typical Agatha Christie adaptation. Loosely based on the novel Hallowe’en Party, this outing swaps exotic locales for the claustrophobic confines of a gothic Venetian palazzo and flirts outright with horror. The film, shot through more Dutch angles than an Amsterdam maths class has ever seen, uses the genre's visual language to credibly suggest that this mystery might actually have paranormal undertones. Forcing Poirot to reconsider his die-hard loyalty to rational explanations is an interesting twist — it punctures the idea of him as a mystery-solving god and gives the film bigger questions to chew on than whodunnit.

What that does, however, is sap the satisfaction of watching him expertly crack the puzzle, because the movie spends so much time centering Poirot’s crisis of confidence. A Haunting in Venice’s tone switch to serious horror is also at odds with the campily bad accents and mostly overwrought acting from the (much less starry than usual) cast. It’s not the same kind of reliable guilty pleasure we expect these vehicles to be, then, but this outing of Branagh’s Poirot is at least an interesting experiment in expanding these stories' usual limits.

Genre: Crime, Mystery, Thriller

Actor: Ali Khan, Amir El-Masry, Camille Cottin, David Menkin, Emma Laird, Jamie Dornan, Jude Hill, Kelly Reilly, Kenneth Branagh, Kyle Allen, Lorenzo Acquaviva, Michelle Yeoh, Riccardo Scamarcio, Tina Fey, Vanessa Ifediora

Director: Kenneth Branagh

Rating: PG-13

With a particularly empowering tenderness and resilience, The Divine Order explores a glossed-over chapter in history wherein Swiss women could not vote until 1971. The hillside Swiss farming village in which Nora Ruckstuhl lives seems picture-perfect. But under the village’s close-knit and idyllic surface, change is stirring. When an emerging sense of autonomy pushes Nora to question her identity beyond being a complacent housewife, she publicly declares herself in favor of women’s suffrage and draws attention from both outspoken opponents and quiet supporters.

As Nora discovers herself—what she does and doesn’t like; what her body looks like; what pleasure feels like—she also uncovers a yearning for better, for more: who is she not just as a spouse and mother, but also as a friend, a member of a greater community, an independent woman?

Genre: Comedy, Drama

Actor: Bettina Stucky, Ella Rumpf, Finn Sutter, Ingo Ospelt, Marie Leuenberger, Marietta Jemmi, Marta Zoffoli, Maximilian Simonischek, Nicholas Ofczarek, Noe Krejcí, Peter Freiburghaus, Rachel Braunschweig, Sibylle Brunner, Sofia Helin, Steffi Friis, Therese Affolter, Urs Bosshardt, Walter Leonardi

Director: Petra Biondina Volpe

Genre: Comedy, Drama

Actor: Alba Rohrwacher, Anna Foglietta, Benedetta Porcaroli, Edoardo Leo, Elisabetta De Palo, Giuseppe Battiston, Kasia Smutniak, Marco Giallini, Tommaso Tatafiore, Valerio Mastandrea

Director: Paolo Genovese

Rating: N/A, Not Rated

Loosely based on the 1909 novel, Martin Eden is a stunning film about the hollow success of individualism. The plot points remain the same: Eden, a self-taught sailor, wants to win the heart of the wealthy Elena Orsini. To do this, he strives to break into the upper class with his writing. However, in this film, writer-director Pietro Marcello adds another dimension to the anti-individualist story: he transports Eden from his original California setting to Naples—allowing for views of different cultures, languages, and classes. By intercutting between old film stock and lingering close-ups, Marcello draws from his documentary background to masterfully evokes the process of remembering. And in refusing to define the time period, Marcello recognizes that Eden's struggle is still ongoing today—and that his success is still hollow.

Genre: Drama, Romance

Actor: Aniello Arena, Carlo Cecchi, Carmen Pommella, Chiara Francini, Edoardo Sorgente, Elisabetta Valgoi, Franco Pinelli, Gaetano Bruno, Jessica Cressy, Lana Vlady, Luca Marinelli, Marco Leonardi, Maurizio Donadoni, Pietro Ragusa, Rinat Khismatouline, Sergio Longobardi, Vincenza Modica, Vincenzo Nemolato

Director: Pietro Marcello

Rating: TV-PG

Genre: Comedy, Crime

Actor: Al Hunter Ashton, Andrew MacLachlan, Cynthia Cleese, David Simeon, Geoffrey Palmer, Jamie Lee Curtis, Jeremy Child, John Cleese, Kate Lansbury, Ken Campbell, Kevin Kline, Llewellyn Rees, Maria Aitken, Mark Elwes, Michael Palin, Michael Percival, Neville Phillips, Pamela Miles, Patricia Hayes, Peter Jonfield, Robert Putt, Roger Brierley, Roger Hume, Roland MacLeod, Sharon Marino, Stephen Fry, Tom Georgeson

Director: Charles Crichton

Rating: R

In this ensemble cast directed by Wes Anderson, we see a very dysfunctional family with three very unique siblings who grow apart from each other due to their father, a charismatic and ever-absent grifter. However, when he announces his immanent death, the whole family is forced to confront each other, themselves and their childhoods as they gather in their patriarchal home together for the first time in years. An absolutely gorgeously filmed movie, the usage of color, pattern and 60's rock music alone makes it worth seeing, and the beautiful story just sweetens the deal.

Genre: Comedy, Drama

Actor: Al Thompson, Alec Baldwin, Amir Raissi, Andrew Wilson, Anjelica Huston, Ben Stiller, Bill Murray, Brian Smiar, Brian Tenenbaum, Danny Glover, Dipak Pallana, Don McKinnon, Donal Lardner Ward, Ebon Moss-Bachrach, Eric Chase Anderson, Frank Wood, Gary Evans, Gene Hackman, Grant Rosenmeyer, Greg Goossen, Guido Venitucci, Gwyneth Paltrow, Irina Gorovaia, Jennifer Wachtell, Jonah Meyerson, Kalani Queypo, Keith Charles, Kumar Pallana, Larry Pine, Liam Craig, Luke Wilson, Max Faugno, Mel Cannon, Nova Landaeus-Skinnar, Owen Wilson, Pawel Wdowczak, Rex Robbins, Roger Shamas, Rony Clanton, Saidah Arrika Ekulona, Sam Hoffman, Seymour Cassel, Sheelagh Tellerday, Sonam Wangmo, Stephen Dignan, Stephen Lea Sheppard, Tatiana Abbey, Tom Lacy, Wes Anderson, 吉恩·哈克曼

Director: Wes Anderson

Rating: R

As a supernatural horror, The Pope’s Exorcist doesn’t bring anything new to the table. It employs more or less the usual elements you’d expect from the genre, and to be fair, it does occasionally fright you with its bloody jumpscares and demonic screeches. But as a drama, the film is surprisingly watchable thanks to a committed and compelling performance from Crowe. The movie works best when it removes itself from its horror trappings and follows Crowe’s Gabriele as he moves through the ins and outs of the Vatican. When he challenges the church’s authority, when he defends his practice, when he inserts jokes in serious conversations because “the devil hates jokes,” these are when The Pope’s Exorcist shines and entertains. They’re also proof the film shouldn’t take itself too seriously when its star is having this much fun. 

Genre: Horror, Thriller

Actor: Alessandro Gruttadauria, Alex Essoe, Andrea Dugoni, Bianca Bardoe, Carrie Munro, Cornell John, Daniel Zovatto, Derek Carroll, Ed White, Edward Harper-Jones, Ella Cannon, Franco Nero, Gennaro Diana, Jordi Collet, Laurel Marsden, Matthew Sim, Pablo Raybould, Paloma Bloyd, Peter DeSouza-Feighoney, Ralph Ineson, Russell Crowe, Ryan O'Grady, Santi Bayón, Tom Bonington, Victor Solé

Director: Julius Avery

Rating: R

Whodunnits are the cornerstone of murder mysteries, and their occasional resurgence is usually a reprieve from films with more complicated structures and twists. See How They Run gives the Agatha Christie mystery spoof a go, dissecting the cozy mystery conventions anew. With quirky British humor, solid acting, and good period-piece visuals, the familiarity and predictability culminate into an easy, well-paced watch. With no desire to reinvent the genre, the film seems to implore its audience to indulge in self-indulgence. Enjoy watching a piece of cinema for the sake of it.

Genre: Comedy, Crime, Mystery, Thriller

Actor: Adrien Brody, Angus Wright, Ania Marson, Charlie Cooper, David Oyelowo, Gregory Cox, Harris Dickinson, Jacob Fortune-Lloyd, Lucian Msamati, Maggie McCarthy, Paul Chahidi, Pearl Chanda, Philip Desmeules, Pippa Bennett-Warner, Reece Shearsmith, Ruth Wilson, Sam Rockwell, Saoirse Ronan, Shirley Henderson, Sian Clifford, Tim Key, Tolu Ogunmefun

Director: Tom George

Rating: PG-13

While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.

There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.

Genre: Action, Crime, Thriller

Actor: Adolfo Margiotta, Agostino Chiummariello, Andrea Dodero, Andrea Scarduzio, Arcangelo Iannace, Bruno Bilotta, Dakota Fanning, Danilo Capuzi, David Denman, Denzel Washington, Diego Riace, Eugenio Mastrandrea, Gaia Scodellaro, Gianluigi Scilla, Giovanni Scotti, Lucia Zotti, Marco Giuliani, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Sonia Ammar, Valerio Da Silva

Director: Antoine Fuqua

Rating: R