79 Best Movies In German On Itunes (Page 4)

Science Fair is simultaneously a feel-good documentary and a feel-bad one: while inspiring and reassuring for all the brilliant young minds it spotlights, it also has the potential to make your own life accomplishments look paltry in comparison. The former effect is the strongest, though — because you can’t watch high schoolers as young as 14 present pioneering, disease-curing research and inventions and not feel like the future is in good hands.

Science Fair is light on the actual science, which makes it an accessible watch and prevents the film’s focus from mimicking the cutthroat nature of ISEF, the international competition it follows. With a grand prize of $75k and lots of college application-boosting medals up for grabs, the competition amongst the kids is fierce, but Science Fair instead takes an empathetic, celebratory approach so that all of the kids feel like deserved winners. That’s especially true of the more disadvantaged teens: though the competition itself might not take into account all the hurdles they’ve had to overcome even just to get in the room, this compassionate doc definitely does. Even if the science is all Greek to you, it’s impossible not to appreciate and be moved by the determination and resilience of these kids.

Genre: Documentary

Director: Cristina Costantini, Darren Foster

Rating: PG

The film for which Kristen Stewart became the first American actress to win the César Award. The Twilight star turned indie prodigy plays next to another award favorite, Juliette Binoche, as her assistant. When rehearsing for the play that launched her career many years earlier, Binoche's character, Maria, blurs the line between fiction and reality, her old age and her assistant's young demeanor, and the romance story portrayed in the play and her own life. The movie itself is stylized as a play, adding another interesting layer of artistic creativity to the complex plot line. A film for film lovers.

Genre: Drama

Actor: Aljoscha Stadelmann, Angela Winkler, Ben Posener, Benoit Peverelli, Brady Corbet, Caroline De Maigret, Chloë Grace Moretz, Claire Tran, Gilles Tschudi, Hanns Zischler, Jakob Köhn, Jerry Kwarteng, Johnny Flynn, Juliette Binoche, Kristen Stewart, Lars Eidinger, Luise Berndt, Nora von Waldstätten, Nora Waldstätten, Ricardia Bramley, Sean McDonagh, Steffen Mennekes, Stuart Manashil

Director: Olivier Assayas

Rating: R

Before he was Jim Morrison, Iceman, or Batman, Val Kilmer made his big screen debut as Nick Rivers, the doltish American rock 'n' roll idol who is unwittingly embroiled in an East German underground resistance plot in Top Secret!. Skewering everything from WWII romances and Cold War spy thrillers to ‘60s popstar musicals, this delightfully silly spoof from the team behind Airplane! is jampacked with sight gags, double entendres, and multi-layered setpieces delivered at such a manic pace that you’ll need several rewatches to exhaust all of its comedy. Its lowbrow style means that some jokes are undoubtedly dated, but there’s a lot of timeless wit on display here, including zinging one-liners, tongue-in-cheek lampooning of cinematic clichés, and slapstick gags in the vein of masters of the form like Jacques Tati and Buster Keaton. Top Secret! is blessedly under no illusions as to what we want from a movie like this, so the fact that there’s no comprehensible plot in sight only adds to the enjoyment here.

Genre: Comedy, Drama

Actor: Andrew Hawkins, Billy J. Mitchell, Billy Mitchell, Charlotte Zucker, Chas Bryer, Christopher Villiers, Dimitri Andreas, Eddie Powell, Eddie Tagoe, Gertan Klauber, Harry Ditson, Ian McNeice, Janos Kurucz, Jeremy Kemp, Jim Carter, John J. Carney, John Sharp, Lee Sheward, Lucy Gutteridge, Mac McDonald, Marcus Powell, Michael Gough, Nicola Wright, Omar Sharif, Orla Pederson, Peter Cushing, Richard Bonehill, Richard Mayes, Steve Ubels, Susan Breslau, Sydney Arnold, Tristram Jellinek, Val Kilmer, Warren Clarke

Director: David Zucker, Jerry Zucker, Jim Abrahams

Rating: PG

A young lawyer has to defend a murderer after passing the bar only three months prior in this satisfying German drama. To make matters worse, the victim happens to be his mentor, a wealthy and seemingly kind-hearted business man. As for the perpetrator, he refuses to say a single word. Caspar, the lawyer, is from a German-Turkish background, which is a hint to where the complexity of this legal drama lies: in Germany's history and racial legacy. The Collini Case is satisfying to a fault, but if you’re looking for substance-filled entertainment, this is some of the best you’ll get.

Genre: Crime, Drama, Thriller

Actor: Alexandra Maria Lara, Anne Haug, Axel Moustache, Bettina Lohmeyer, Catrin Striebeck, Elyas M'Barek, Esther Maria Pietsch, Falk Rockstroh, Felix Everding, Franco Nero, Frederik Götz, Hannes Wegener, Heiner Lauterbach, Ilknur Boyraz, Jannis Niewöhner, Levi Kirchhoff, Ludwig Simon, Lutz Blochberger, Manfred Zapatka, Margarethe Tiesel, Max Wagner, Omid Memar, Peter Prager, Pia Stutzenstein, Rainer Bock, Sabine Timoteo, Sandro Di Stefano, Sina Reiß, Stefano Cassetti, Stephan Schad, Tara Fischer, Thomas Limpinsel, Thomas Stecher, Tom Jahn

Director: Marco Kreuzpaintner

Rating: Not Rated

In Waltz with Bashir, director Ari Folman grapples with the trauma and dehumanization of war by examining the role he played in the 1982 Invasion of Lebanon. But his memories are fractured, so in an attempt to piece them back together, he visits his comrades and has them recall the events for him. The result is both poignant and painful, a horrific tell-all of what happens on both sides of the battleground. The film is a documentary, chillingly honest and straightforward, but it's also an animation gem that continues the legacy that Persepolis started and Flee continues. By combining the harshness of war with the lightness of animation, all three films effectively deliver their anti-war message with a much-needed human and personal touch. 

Genre: Animation, Documentary, Drama, War

Actor: Ari Folman, Mickey Leon, Ori Sivan, Ron Ben-Yishai, Yehezkel Lazarov

Director: Ari Folman

Rating: R

This 2009 Palme d'Or winner is filmed beautifully in black and white by Michael Haneke. In equal parts mysterious and disturbing, it is set in a northern German village in between 1913 and 1914 where strange events start to happen seemingly on their own. The people of the village, who feel as if they were punished, try to investigate it as the events start affecting them one by one. As they speculate on who is behind the acts that never stop, the film unfolds its slow but captivating plot. A brilliant and unique movie.

Genre: Drama, Mystery

Actor: Aaron Denkel, Anne-Kathrin Gummich, Arndt Schwering-Sohnrey, Birgit Minichmayr, Branko Samarovski, Burghart Klaußner, Burghart Klaussner, Carmen-Maja Antoni, Christian Friedel, Detlev Buck, Enno Trebs, Ernst Jacobi, Fion Mutert, Gabriela Maria Schmeide, Hanuš Polak jr., Janina Fautz, Jonas Jennerjahn, Josef Bierbichler, Kai-Peter Malina, Klaus Manchen, Krzysztof Zarzecki, Leonard Boes, Leonard Proxauf, Leonie Benesch, Levin Henning, Lilli Fichtner, Luzie Ahrens, Malin Steffen, Marcin Tyrol, Maria Dragus, Maria-Victoria Dragus, Marisa Growaldt, Mercedes Jadea Diaz, Michael Kranz, Michael Schenk, Miljan Chatelain, Paraschiva Dragus, Paula Kalinski, Rainer Bock, Roxane Duran, Sebastian Badurek, Sebastian Hülk, Sebastian Łach, Sebastian Pawlak, Simon Pawlowsky, Steffi Kuhnert, Stephanie Amarell, Susanne Lothar, Theo Trebs, Ulrich Tukur, Ursina Lardi, Vincent Krüger

Director: Michael Haneke

Rating: R

In rural Korea a policeman starts to investigate peculiar and violent events that most of the people in his village attribute to the arrival of a new Japanese resident. As the occurrences keep multiplying, and different perspectives in the film are shown, you start to lose touch with reality in the face of what can only be described as genius film-making. As critic Jada Yuan puts it, the film operates on a level “that makes most American cinema seem clunky and unimaginative”. For this reason, and while The Wailing is a true horror flick with a great premise, it’s also more than just that: it boosts a mind-boggling, interesting plot that will have you thinking about it long after the credits roll. Protip: grab the person next to you and make them watch this movie with you so you can have someone to discuss it with after!

Genre: Horror, Mystery

Actor: Bae Yong-geun, Cho Han-cheul, Chun Woo-hee, Do-won Kwak, Han-Cheol Jo, Heo Jin, Hur Jin, Hwang Jung-min, Hwang Seok-jeong, Hwang Suk-jung, Jang So-yeon, Jeon Bae-soo, Jeong-min Hwang, Jo Han-chul, Jo Yeon-hee, Jun Kunimura, Jung-min Hwang, Kim Do-yoon, Kim Hwan-hee, Kim Ki-cheon, Kim Ki-chun, Kwak Do-won, Lee Jung-eun, Lee Seon-hee, Lee Sun-hee, Lee Yong-nyeo, Moon Chang-gil, Park Seong-yeon, Park Sung-yeon, So-yeon Jang, Son Kang-gook, Sung-yeon Park, Woo-hee Chun, Yoo Soon-woong, 赵汉哲

Director: Hong-jin Na, Na Hong-jin

Rating: Not Rated, TV-MA

This is a hard movie to describe, but I’ll do my best without giving too much away. The movie takes place in three separate segments that eventually come together. Half of the story takes place in Germany, half in Turkey, with almost all of the central six characters spending time in both countries while either searching for each other or trying to redeem themselves. Daughters search for their mothers (and vice versa) and one character’s actions will eventually bring everything more-or-less full circle. The film is as much about the characters though as it is about the cultural exchange happening between the two countries. If you have even a passing interest in films from this part of the world, I recommend giving this one a try.

Genre: Drama

Actor: Ali Akdeniz, Annette Uhlen, Baki Davrak, Cengiz Daner, Erkan Can, Feridun Koç, Gökhan Kıraç, Gürsoy Gemec, Güven Kiraç, Hanna Schygulla, İdil Üner, Lars Rudolph, Nejat İşler, Nurgül Yeşilçay, Nursel Köse, Önder Çakar, Öznur Kula, Patrycia Ziolkowska, Tuncel Kurtiz, Turgay Tanülkü, Yelda Reynaud

Director: Fatih Akin

Rating: Unrated

Great Freedom is not an easy watch. Apart from the quiet stretches of time and the claustrophobic confines of its prison setting, it also has its lead, Hans Hoffman (played with delicate force by Franz Rogowski) imprisoned again and again and again, unjustly treated like dirt by both his warden and fellow inmates.

But as a Jewish gay man who has lived through the war, Hans is no stranger to these trappings. As such, he takes each day as it comes, open to love, pleasure, and friendship, or at least the potential of these, despite the circumstances. And so Great Freedom is also hopeful and romantic, glimmering with the human tendency to not just survive but to live. Slow but compelling, subdued but powerful, Great Freedom is an affecting balancing act that's well worth watching. 

Genre: Crime, Drama, Romance, War

Actor: Andreas Patton, Anton von Lucke, Fabian Stumm, Franz Rogowski, Georg Friedrich, Thomas Prenn, Thomas Stecher

Director: Sebastian Meise

As its title suggests, Steve James’ documentary isn’t shy about its sympathy for its subject. Physicist Ted Hall was just 18 when he was recruited to the Manhattan Project and underwent a crisis of conscience when it became apparent that the atomic bomb’s ostensible target — Nazi Germany — was on the brink of defeat. Concerned by the possibility that, post-WW2, the US would achieve a nuclear monopoly and become a new kind of imperialist power, Ted and friend Saville Sax leaked key information to the USSR.

James’ film takes a decidedly intimate approach: while it dips into archival interviews Ted gave before his death and provides background context via scholars, it’s mostly led by Ted’s wife Joan, a spirited interviewee. Her moving contributions expand the film’s scope, making it as much a portrait of a marriage as a study of the political impact his actions had. James also interviews their children — as well as those of his partner-in-espionage, Saville — to explore the conflicted personal legacy their actions left. In not limiting itself to a macro perspective, the film opens itself up to be more than a look in history’s dusty rear-view mirror, making it a welcome tonic to the Wikipedia-style approach commonly employed for subjects like this.

Genre: Documentary, Drama

Actor: Ann Harding, Dwight D. Eisenhower, Harry S. Truman, J. Robert Oppenheimer, Joseph Stalin, Mickey O'Sullivan, Theodore Hall, Walter Huston

Director: Steve James

If you’ve been paying close attention to Royal Families in general, then get a snack and settle in, because A Royal Affair’s got it all for you: the steamy scenes, dirty, affair-laden hands, the corsets, and a stunning backdrop of 18th Century Europe. Quite literally deranged and mentally incapable King Christian of Denmark (Mikkel Boe Folsgaard) marries the brave Princess Caroline of Great Britain (Alicia Vikander), only to find out that he isn’t cut out for the wedded life. Enlightenment comes in the form of Dr. Johann Struensee (Mads Mikkelsen), a German physician to the infantile King and true-born reformer. Mostly saddened by her unfortunate fate, the now-Queen Caroline finds herself falling in love with the intellectual; thus, beginning a whirlwind of events that shakes up the entire Kingdom.

Genre: Drama, History, Romance

Actor: Alicia Vikander, Bent Mejding, Cyron Melville, Daniel Bambas, David Dencik, Frederik Christian Johansen, Harriet Walter, Ivan G'Vera, Ivan Vodochodský, Jacob Ulrik Lohmann, John Martinus, Julia Wentzel Olsen, Karel Polišenský, Klaus Tange, Kristian Fjord, Laura Bro, Mads Mikkelsen, Michaela Horká, Mikkel Boe Følsgaard, Mikkel Boe Følsgaard, Morten Holst, Nikolaj Arcel, Petr Janiš, Rosalinde Mynster, Søren Malling, Søren Spanning, Tereza Terberová, Thomas W. Gabrielsson, Trine Dyrholm, William Jøhnk Nielsen, Zinnini Elkington

Director: Nikolaj Arcel

Rating: R

When German forces occupy Paris in 1942, a close-knit Jewish family tearfully sends their two youngest sons, Jo and Maurice, to escape the city on foot, with promises that they will all eventually be reunited in the Free Zone in the South. Told from the perspective of Jo – and based on the 1973 memoir of Joseph Joffo – what follows is a story of adventure, discovery, loss, love and the resilience of family bonds. A tapestry of cherished memories woven together with traumatic ones, the tone shifts again and again as Jo and his brother reach the bright shores of Nice––before they are driven to hiding again. Above all else, this is a story about the power of a family’s love, and of children who rise against the odds by their own courage and tenacity.

Genre: Drama, War

Actor: Émile Berling, Batyste Fleuria, Batyste Fleurial, Bernard Campan, César Domboy, Candide Sanchez, César Domboy, Christian Clavier, Coline Leclère, Dorian Le Clech, Elsa Zylberstein, Émile Berling, Eric Bougnon, Etienne Chicot, Fred Epaud, Frédéric Epaud, Holger Daemgen, Ilian Bergala, Jocelyne Desverchère, Joël Dupuch, Kev Adams, Luc Palun, Lucas Prisor, Patrick Bruel, Pierre Kiwitt, Vincent Nemeth

Director: Christian Duguay

Rating: Not Rated

This sociologically revealing documentary follows the attempts of the largely “snow-white” staff of Amsterdam’s Stedelijk art museum to refresh the institution’s collection, just 4% of which was by women artists at the time of filming. The museum also featured exactly zero works by artists of color — another embarrassing truth that the Stedelijk’s staff, headed up by (white) museum director Rein Wolfs, work frantically to rectify by acquiring new works and “turning the mirror around” on the canon to contextualize whiteness as a distinct category of its own, rather than “the standard” (as the museum’s own Charl Landvreugd puts it). 

Though it features discussions on such worthy topics as artistic canons (who defines them?), linguistic nuances (should works with problematic titles be renamed?), and how to decide which art will be put into storage to make room for works that better reflect Amsterdam’s diverse population, this documentary is less interested in delving into the dark side of art history itself than the human behavior that arises when confronted with such uncomfortable truths. More than anything, what director Sarah Vos is perceptively spotlighting here is the intense discomfort and self-consciousness of the museum’s white staff when confronted with these historic issues — when, in a sense, the mirror is “turned around” on them.

Genre: Documentary

Director: Sarah Vos