54 Best Movies In French On Kanopy (Page 4)

A funny, feel-good French movie about a man who joins a synchronized swim team to get over his depression. Comprised only of other middle-aged men, they decide they want to compete for the world championship. Sounds like an unlikely story? It's actually based on a real-life documentary from Sweden called Men Who Swim. If you get French humor, this will make you laugh (a lot), and if not, you'll surely enjoy the easygoing tone of Sink or Swim.

Genre: Comedy, Drama

Actor: Alban Ivanov, Alexandre Courtes, Anderz Eide, Audrey Quoturi, Benoît Poelvoorde, Benoît Poelvoorde, Caroline Grant, Charlotte Levy, Christian Gazio, Claire Nadeau, Élodie Hesme, Erika Sainte, Félix Moati, Felix Moati, Fiorella Campanella, Guillaume Canet, Guillaume Cloud-Roussel, Ibrahim Koma, Jean-Hugues Anglade, Jonathan Zaccaï, Karim Adda, Leïla Bekhti, Leila Bekhti, Marina Foïs, Marina Fois, Mathieu Amalric, Mathieu Torloting, Maximilien Poullein, Mélanie Doutey, Michèle Clément, Noée Abita, Philippe Katerine, Pierre Pirol, Sam Chemoul, Stéphane Rouabah, Vincent Darmuzey, Virgile Bramly, Virginie Efira, Xavier Alcan

Director: Gilles Lellouche

Rating: N/A

Loosely based on the 1909 novel, Martin Eden is a stunning film about the hollow success of individualism. The plot points remain the same: Eden, a self-taught sailor, wants to win the heart of the wealthy Elena Orsini. To do this, he strives to break into the upper class with his writing. However, in this film, writer-director Pietro Marcello adds another dimension to the anti-individualist story: he transports Eden from his original California setting to Naples—allowing for views of different cultures, languages, and classes. By intercutting between old film stock and lingering close-ups, Marcello draws from his documentary background to masterfully evokes the process of remembering. And in refusing to define the time period, Marcello recognizes that Eden's struggle is still ongoing today—and that his success is still hollow.

Genre: Drama, Romance

Actor: Aniello Arena, Carlo Cecchi, Carmen Pommella, Chiara Francini, Edoardo Sorgente, Elisabetta Valgoi, Franco Pinelli, Gaetano Bruno, Jessica Cressy, Lana Vlady, Luca Marinelli, Marco Leonardi, Maurizio Donadoni, Pietro Ragusa, Rinat Khismatouline, Sergio Longobardi, Vincenza Modica, Vincenzo Nemolato

Director: Pietro Marcello

Rating: TV-PG

Xavier Dolan’s emotionally charged directorial debut centers on the complex relationship between 16-year-old Hubert and his mother, brought to life by Dolan himself and Anne Dorval, respectively. The film paints an authentic and all-too-familiar picture of two people who love each other yet clash in similarly self-centered and stubborn ways.

The mother-and-son duo vacillate between love and hate in a screenplay full of drama. The cinematography, relying much on negative space, perfectly evokes a sense of disconnect and animosity. However, there is little subtlety to be found here, much like Hubert’s sexuality being embodied by a poster of River Phoenix displayed in his bedroom. The rawness and heightened telling of events indicate that this story is as fresh and unpolished as then 19-year-old Dolan’s own feelings about family dysfunction, particularly mommy issues. The heavy-handedness and moments of exaggeration in his quasi-autobiography are obvious, a fault of execution that one can attribute to lack of experience.

Still, the powerful visuals and dialogue hint at a vision of what more to expect in Dolan’s now-celebrated career. I Killed My Mother, by all accounts, fulfills its role as his promising directorial debut.

Genre: Drama

Actor: Anne Dorval, Benoît Gouin, Émile Mailhiot, Francis Ducharme, François Arnaud, Hugolin Chevrette, Johanne-Marie Tremblay, Laurent-Christophe De Ruelle, Manuel Tadros, Marianne Verville, Monique Spaziani, Niels Schneider, Patricia Tulasne, Pierre Chagnon, Suzanne Clément, Xavier Dolan

Director: Xavier Dolan

We remember the idea of the tortured artist, in part due to many works depicting life’s sorrows, but also due to the fact plenty of the greats fit this trope well. Camille Claudel is one such tortured artist, but her anguish has not led her to artistic acclaim. Instead, Isabelle Adjani’s take on the sculptor contemplates the ways her genius has gone unrecognized, in part due to her bout of insanity, but in part due to the maddening ways her art has been cut short by those that claim to love her. While it does take nearly three hours, and, like in real life, the film focuses more on her relationship with Rodin than her own art, Camille Claudel nonetheless remains a fascinating character study of a woman that just wanted to make art on her own terms.

Genre: Drama, History, Romance

Actor: Alain Cuny, Aurelle Doazan, Danièle Lebrun, Gérard Depardieu, Hester Wilcox, Isabelle Adjani, Jean-Pierre Sentier, Katrine Boorman, Laurent Grévill, Madeleine Robinson, Maxime Leroux, Roch Leibovici, Roger Planchon

Director: Bruno Nuytten

Rating: R

You know Anthony Hopkins as the evil Hannibal Lecter, but in this film he gives a warm and heartfelt performance portraying real life New Zealand motorcycle legend Burt Munro who set a land speed record in 1967 on a hand-built 1920 Indian. It's a story of never giving up on your dream even in the face of ridicule and opposition. Hopkins' performance turns what could have been just another schmaltzy formulaic story line into true gold. You'll be cheering for Burt/Anthony by the end!

Genre: Adventure, Drama, History

Actor: Aaron Murphy, Alison Bruce, Annie Whittle, Anthony Hopkins, Antony Starr, Bruce Greenwood, Campbell Cooley, Charles Halford, Charles Pierard, Chris Bruno, Chris Williams, Christopher Lawford, Craig Hall, Daniel Sing, Diane Ladd, Eric Pierpoint, Gavin Grazer, Greg Johnson, Iain Rea, James Gaylyn, Jessica Cauffiel, Joe Howard, Juliana Bellinger, Latham Gaines, Mark Ruka, Michael Mantell, Mick Rose, Morgan Lund, Patrick John Flueger, Paul Rodríguez, Saginaw Grant, Tessa Mitchell, Tim Shadbolt, Todd Emerson, Walton Goggins, Wesley Dowdell, William Lucking

Director: Roger Donaldson

Rating: PG-13

On par with the best documentaries of the 21st Century thus far, “Requiem for the American Dream” is an essential viewing for the discerning viewer in search of a more complete understanding of how American society has evolved to such a dramatic point of polarization, and how both politics and big business have played a role in this process. In his introductory remarks to the film, celebrated intellectual and linguistics professor Noam Chomsky expounds: “Inequality has highly negative consequences on society as a whole, because the very fact of inequality has a corrosive, harmful effect on democracy.” Chomsky spells out his perspective regarding the modern political machine and the downfall of democracy, with a keen eye to the historical decisions and influences that have sabotaged the “common good” and shaped America’s current political, financial and social landscape.

Genre: Documentary

Actor: Noam Chomsky

Director: Jared P. Scott, Kelly Nyks, Peter D. Hutchison

Rating: Not Rated

After the sudden death of a teacher, 55-year-old Algerian immigrant Bachir Lazhar is hired at an elementary school in Montreal. Struggling with a cultural gap between himself and his students at first, he helps them to deal with the situation, revealing his own tragic past. A strong portrait without any weird sentimentality. 11-year-old actress Sophie Nélisse makes her brilliant debut.

Genre: Comedy, Drama

Actor: André Robitaille, Brigitte Poupart, Daniel Gadouas, Danielle Proulx, Denise Lamontagne, Émilien Néron, Evelyne de la Chenelière, Francine Ruel, Gabriel Verdier, Jose Arandi, Judith Baribeau, Jules Philip, Louis Champagne, Marie Charlebois, Marie-Ève Beauregard, Mohamed Fellag, Nathalie Costa, Nico Lagarde, Sophie Nélisse, Stéphane Demers, Vincent Millard

Director: Philippe Falardeau

Rating: PG-13

What happens to genius and complex filmmakers once they reach old age? Agnès Varda at 89 is one example. She maintains an interest in the same deep questions but portrays them in a casual way - basically tries to have a little more fun with things. She finds a friend in JR, a young artist with a truck that prints large portraits. Together they go around French villages (the French title is “Visages Villages”), connecting with locals and printing their photos on murals. Their interactions are researched, but not worked. In fact, they are deeply improvised. Because of this and because the movie is structured in an episode format, it will completely disarm you. And when you least expect it you will be met with long-lasting takes on mortality, loss, but also gender, the environment and the evasiveness of life and art.

Genre: Documentary

Actor: Agnès Varda, Amaury Bossy, Jean-Paul Beaujon, Jeannine Carpentier, JR, Yves Boulen

Director: Agnès Varda, JR

Rating: PG