2234 Best Movies to Watch In English (Page 92)

Welcome to the Dollhouse tells the story of Dawn, an unpopular seventh-grader mercilessly bullied at school and ignored at home. Her day-to-day is painful to watch; her classmates make fun of her, her teachers never believe her, and her parents punish her, blatantly favoring her other siblings over her. But all this she puts up with, as if going through the murky in-between stage that is adolescence isn't confusing enough. Dawn finds no respite elsewhere, except perhaps in her friend Ralphy (another target of bullying) and her crush, the high schooler Steve.  

A Sundance jury winner back in '96, Welcome to the Dollhouse is as darkly funny as it is grim. It takes on a deadpan approach in handling its more serious topics; it doesn't make fun of them so much as it shines them in a new and blinding light. It's difficult to look away from this frank and well-balanced film; a sure good watch for anyone curious to know what it's really like to be a teenage loner.

Genre: Comedy, Drama

Actor: Angela Pietropinto, Bill Buell, Brendan Sexton III, Christina Brucato, Christina Vidal, Daria Kalinina, Elizabeth Martin, Eric Mabius, Heather Matarazzo, Ken Leung, Matthew Faber, Molly Howe, Rica Martens, Richard Gould, Siri Howard, Stacey Moseley, Teddy Coluca, Telly Pontidis, Victoria Davis, Will Lyman

Director: Todd Solondz

Rating: R

A documentary told entirely through animated avatars can be a hard sell, but instead of playing into the expected jokes, director Joe Hunting takes this digital environment extremely seriously, and that makes all the difference. He doesn't downplay how absurd it is to see what are essentially 3D characters going on dates and having bellydance classes together, and yet Hunting still takes time to emphasize how freeing this virtual existence is for all involved. It's disappointing that the film never addresses the many real concerns people have about purely online relationships (deception, exploitation, and abuse, among others), but as a positive and perhaps overly romanticized view of this new, 21st-century social space, the documentary remains fresh and vital.

Genre: Animation, Documentary

Actor: DragonHeart, Dust Bunny, DylanP, IsYourBoi, Jenny0629

Director: Joe Hunting

Rating: R

They Cloned Tyrone is a genre-bending gem. It combines Deep State conspiracy theories with sci-fi and social commentary, all while looking like a futuristic 1970s Blaxploitation film. It’s outrageous good fun and pleasing to look at (here is a film that knows how to properly light Black actors), but there are times when it feels too far fetched. The science can get wonky and its commentary on gentrification lacking, but all is forgiven when you have such a strong trio of leads. One of the smartest things They Cloned Tyrone does is pair Boyega with Teyonah Parris, who plays the call girl Yo-yo, and Jamie Foxx, who plays the pimp Slick Charles. They have a fun-loving no-nonsense chemistry about them that makes them easy to attach to and root for. They’re also just very funny, which might be expected of Foxx but it comes as a pleasant surprise for Parris, whose popular turns in Mad Men and WandaVision prove that she’s been severely underutilized as a comic.

Genre: Action, Comedy, Mystery, Science Fiction

Actor: Adam Cronan, Al-Teron, Austin Freeman, Big Boy, Bricine Brown, Charity Jordan, David Alan Grier, David Shae, Elliott Dixon, Eric Robinson Jr., J. Alphonse Nicholson, Jamie Foxx, Jason Burkey, Jason Louder, Jessica Fontaine, John Boyega, Joshua Mikel, Juel Taylor, Justin J. Jordan, Kiefer Sutherland, Leon Lamar, Marc Inniss, Mark Pettit, Megan Sousa, Michael A. Dean, Nick Arapoglou, Osahon Tongo, Robert Tinsley, Ryan Dinning, Shariff Earp, Shinar Frazier, Suzanne C. Robertson, Swift Rice, Tamberla Perry, Tangela Large, Teyonah Parris, Trayce Malachi

Director: Juel Taylor

Rating: R

As a first feature, The Unbelievable Truth had a startlingly new style at the time, with deadpan humor, intentional stilted dialogue delivery, interrupting intertitles, and randomly posed existential questions, but these stylistic touches was what made Hal Hartley a key figure in the early aughts of American indie filmmaking. It’s a surprising twist to the romantic comedy, the first where Hartley pays homage to his hometown of Long Island. The two leads form an unconventional relationship, that at first, seems objectionable with Josh having a criminal background, and Audry just barely coming of age, but as they recognize the genuine emotion inside of each other– the existential despair, the want of a normal life, and the soul seeking they try to find through art, science, and literature– the romance just works. This, the leap of faith in another person despite appearances, forms the current that makes the portrait of small town America feel real and hopeful, even with its nihilistic humor.

Genre: Comedy, Drama, Romance

Actor: Adrienne Shelly, Bill Sage, Christopher Cooke, David Healy, Edie Falco, Gary Sauer, Jeff Howard, Julia McNeal, Katherine Mayfield, Kelly Reichardt, Mark Chandler Bailey, Matt Malloy, Mike Brady, Paul Schulze, Robert John Burke, Tom Thon

Director: Hal Hartley

Rating: R

Joel Coen's minimalist vision of the Scottish play emphasizes that these monstrous acts of hubris and violence are carried out not because of madness or magical prophecy, but out of the rational yet selfish decisions made by grown adults. It's a distinctly character-focused interpretation of Shakespeare that should be insightful for students and fans alike, as Denzel Washington and Frances McDormand lend more sedate performances to what have become two of the grandest characters in theater history. The Tragedy of Macbeth weaken the impact of some of Shakespeare's most famous soliloquies due to the film's more hurried runtime, but it makes for a great tribute nonetheless. Come for the stunningly lit black-and-white sets, stay for the gleefully creepy performance by Kathryn Hunter as the three witches.

Genre: Drama, Fantasy, War

Actor: Alex Hassell, Bertie Carvel, Brendan Gleeson, Brian Thompson, Corey Hawkins, Denzel Washington, Ethan Hutchison, Frances McDormand, Harry Melling, Jacob McCarthy, James Udom, Jefferson Mays, Kathryn Hunter, Kayden Alexander Koshelev, Lucas Barker, Matt Helm, Max Baker, Miles Anderson, Moses Ingram, Nancy Daly, Olivia Washington, Peter Janov, Ralph Ineson, Richard Short, Robert Gilbert, Scott Subiono, Sean Patrick Thomas, Stephen Root, Susan James Berger, Wayne T. Carr

Director: Joel Coen

We mostly think of objects as just stuff to buy, to sell, to give, and to throw away, but for many musicians, their instruments are quite important to them. The Red Violin takes it to the extreme– with the titular instrument infused with the life force of a human– but the film justifies this passion, the pain, and the cost through one of the most beautiful violin scores ever made, and through an ambitious series of vignettes spanning across four centuries and five countries. As the object passes hands, and the owners live, and play, and die, The Red Violin suggests that while these artists’ lives are fleeting, there’s still something human and important in chasing the sublime, and this instrument is just proof of it.

Genre: Drama, Music, Mystery, Romance, Thriller

Actor: Anita Laurenzi, Arthur Denberg, Carlo Cecchi, Clotilde Mollet, Colm Feore, Dany Laferrière, David Gant, David La Haye, Dimitri Andreas, Don McKellar, Dorothée Berryman, Eva Marie Bryer, Florentín Groll, Gregory Hlady, Greta Scacchi, Herman Meckler, Hong Tao, Irene Grazioli, James Bradford, Jason Flemyng, Jean-Luc Bideau, Jody Shapiro, Johannes Silberschneider, Joshua Bell, Julian Richings, Monique Mercure, Rainer Egger, Rémy Girard, Russell Yuen, Samuel L. Jackson, Samuele Amighetti, Sandra Oh, Stuart Yung Sai-Kit, Sylvia Chang, Sylvia Stewart, Tommaso Puntelli, Wang Xiaoshuai, Wolfgang Böck, Zifeng Liu

Director: François Girard

Rating: R

The Western had its heyday in the 60s, but the decades have proven that there’s still stories from the deserts that we haven’t heard yet, and gems that twist the genre on its head. The Proposition is a unique Western, being from the East, in Australia where the Brits have started to form colonies. As the British Empire builds society, and the police start to enforce the King’s justice, writer Nick Cave and director John Hillcoat crafts a bloody tale, where promises between men are betrayed for the State, where vengeance can only be met through brutality, and where the line between civility and savagery is drawn and moved by the will of an angry majority. The Proposition is quite violent, but it’s performed well, scored by a moody, moving soundtrack, and it surprisingly contemplates Australia’s bloody past.

Genre: Action, Adventure, Crime, Drama, Thriller, Western

Actor: Bogdan Koca, Boris Brkic, Bryan Probets, Danny Huston, David Gulpilil, David Vallon, David Wenham, Emily Watson, Gary Waddell, Guy Pearce, Iain Gardiner, Jeremy Madrona, John Hurt, Leah Purcell, Mick Roughan, Noah Taylor, Oliver Ackland, Ralph Cotterill, Ray Winstone, Richard Wilson, Robert Morgan, Tom Budge, Tom E. Lewis

Director: John Hillcoat

Rating: R

At first glance, The Madness of King George seemed like a history lesson about King George III. Like plenty of British royalty dramas, the film has all the opulent trappings in its sets and costumes, as well as some of the best actors from the British isles. However, unlike other depictions of the monarchy, the film depicts the king not as a benevolent ruler or oppressive tyrant– instead, King George III is terribly human, with his memory failing, being unsettled by loss, and concern over his health, which involves having to look at his urine. But the historical satire, based on the 1991 stage play, still manages to have the same mockery towards the opportunistic court, while still retaining sympathy for the very nobility it mocks, through original playwright Alan Bennett’s adept writing, as well as the excellent performance of the stacked ensemble cast.

Genre: Comedy, Drama, History

Actor: Adrian Scarborough, Alan Bennett, Amanda Donohoe, Anthony Calf, Barry Stanton, Caroline Harker, Charlotte Curley, Clive Brunt, Colin McPhillamy, Cyril Shaps, David Leon, Dermot Keaney, Geoffrey Palmer, Helen Mirren, Iain Mitchell, Ian Holm, Janine Duvitski, Jeremy Child, Jim Carter, Joanna Hall, John Wood, Julian Rhind-Tutt, Julian Wadham, Michael Grandage, Nicholas Irons, Nicholas Selby, Nick Sampson, Nigel Hawthorne, Paul Corrigan, Peter Woodthorpe, Robert Swann, Roger Ashton-Griffiths, Roger Hammond, Rupert Everett, Rupert Graves, Selina Cadell, Struan Rodger

Director: Nicholas Hytner

Rating: PG-13

American cyclist Greg LeMond, who in 1986 won the Tour de France has been a legend in the sports world, but filmmaker Alex Holmes presents him to the wider audience with a brand-new inspirational documentary. The Last Rider is everything this kind of film can be—its hook is courage and hard work that pays off, its mode of storytelling is personal, intimate interviews, and its framework is a "modern hero" kind of narrative. By stringing together conversations with LeMond himself, his friends, family, and colleagues, Holmes tells a chronologically-sound, emotional version of a landmark career. For many, the 1986 or 1989 win wouldn't mean much (unless you're a sports fan or French), but the educational bits of The Last Rider make for good trivia material. If you need a courage boost, here's the story of a professional cyclist, injuries, perseverance, and fame, to cheer you up.

Genre: Documentary

Actor: Cyrille Guimard, Greg LeMond, Kathy LeMond, Pedro Delgado, Perico Delgado

Director: Alex Holmes

Rating: PG-13