2234 Best Movies to Watch In English (Page 148)

Staff & contributors

English is the language of Hollywood, and ocassionally even Nollywood and Bollywood. As far as the streaming landscape goes, English-language movies certainly outnumber the rest. To get started, here are the best English-language films to stream now.

While at first it seems like this third installment in Antoine Fuqua's series of Denzel Washington star vehicles is setting itself up to be a more serious and thoughtful story of personal absolution, it gradually becomes clear that The Equalizer 3 has no story to tell. Very, very little happens in this movie, and all the time we spend with Washington (still somehow compelling, even when he's on autopilot) drinking tea and chatting with locals doesn't lead to any character relationships worth caring for. Fuqua and screenwriter Richard Wenk seem to want to create a sense of familiarity with this Italian town, through which we should ideally see the things Robert McCall grows to value in his violent life. But even the prettiest landscapes (shot by Robert Richardson) can't make up for how empty and misjudged the writing is.

There are approximately two short action scenes in The Equalizer 3, neither of which has the clockwork precision of the fights in the first film, or the environmental inventiveness of the climax of the second film. And while an action movie can aspire to something beyond its action, the fact that this installment has abandoned it completely is a genuinely perplexing choice.

Genre: Action, Crime, Thriller

Actor: Adolfo Margiotta, Agostino Chiummariello, Andrea Dodero, Andrea Scarduzio, Arcangelo Iannace, Beatrice Aiello, Bruno Bilotta, Dakota Fanning, Daniele Ornatelli, Daniele Perrone, Danilo Capuzi, David Denman, Dea Lanzaro, Denzel Washington, Diego Riace, Eugenio Mastrandrea, Gaia Scodellaro, Gianluigi Scilla, Giovanni Scotti, Lucia Zotti, Luigi Catani, Marco Giuliani, Mariarosaria Mingione, Marta Zoffoli, Mauro Cremonini, Melissa Leo, Niccolò Senni, Remo Girone, Salvatore Ruocco, Simona Distefano, Sonia Ammar, Valerio Da Silva, Zakaria Hamza

Director: Antoine Fuqua

Rating: R

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After his brother's gruesome death at the infamous drug den, Trap House, Detective Grant Pierce is removed from the case to find its creator. He goes rogue and recruits a teenage drug dealer working for the Trap House with a plan to infiltrate. Whatever the film lacks in intrigue is not compensated by good writing or interesting traps/scares/twists that would befit its horror categorization. Even expectations to match its counterparts in the escape room genre are quickly lowered thanks to uninventive traps and shallow characters whose deaths weigh nothing in the grand scheme of the plot. The potential of a trap house horror/thriller to comment on addiction, race, poverty, or anything substantial outside of "crackheads are crazy" is ultimately wasted. Instead, there's stilted dialogue, caricatures of drug addicts, and a narrative that is hard to sit through, much less enjoy. 

 

Genre: Crime, Horror, Thriller, TV Movie

Actor: Anthony Timpano, Benjamin Wilkinson, Bruce Crawford, Fletcher Donovan, Gigi Saul Guerrero, Jaime M. Callica, Jason Tremblay, Peter Bundic, Ryan Mah

Director: Nicholas Humphries

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Nobody should doubt Tatiana Suarez's place in the world of mixed martial arts, and it goes without saying how inspirational she can be to young girls who feel they don't fit a traditionally feminine mold. But a documentary really should do more than just reiterate facts, farm motivational soundbites, and refuse to ask follow-up questions to the most interesting ideas revealed. By the end of The Unbreakable Tatiana Suarez, it feels as if the film has repeated the same few talking points over and over, which doesn't actually make Suarez herself look better, but makes her look more like a product to be endorsed. Any potential discussion that can be had about the dangerous nature of wrestling and MMA—or on how this kind of controlled, organized violence interacts with real domestic violence experienced by Suarez—is quietly dismissed.

Genre: Documentary

Actor: Tatiana Suarez

Director: Cassius Corrigan

Rating: PG-13

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What a waste of a premise, and what a waste of Woodley’s talents. Based on the short story “The Robot Who Looked Like Me” by Robert Sheckley, Robots has some clever things to say about the state of advanced tech and its role in society, but its clumsy, heavyhanded approach fumbles the execution. There’s an awkward and unfinished feel to Robots that doesn’t make anything about it believable—not the technology, not the convoluted story, and certainly not the romance. And except for Woodley, none of the characters seem likable. The male-dominated cast makes constant jokes about fatness and femininity, presumably for the sake of satire, but they end up participating in the very things they’re supposedly calling out. It’s not nearly as smart nor as charming as it thinks it is, and if you’re looking for an alternative, I would recommend the far superior German film I’m Your Man, which accomplishes everything Robots tries to be and more. 

Genre: Comedy, Fantasy, Romance, Science Fiction

Actor: Barney Burman, Case Matthews, Casey Messer, Charles Grisham, Chelsea Edmundson, David Grant Wright, Emanuela Postacchini, Hank Rogerson, Jack Whitehall, Jackamoe Buzzell, Keith Campbell, Kevin Foster, Leslie Fleming-Mitchell, Nick Rutherford, Paul Jurewicz, Paul Rust, Richard Lippert, Samantha Ashley, Samantha Gonzalez, Shailene Woodley, Tiffany Adams

Director: Anthony Hines, Casper Christensen

Rating: R

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Ricky Stanicky has all the ingredients of a zany romp: an insane premise, a cast of well-oiled comedians, and most notably, a veteran of the game, Peter Farrelly (Dumb and Dumber, There’s Something About Mary), at the helm of it all. And yet Ricky Stanicky falls unbelievably flat. For starters, there is zero chemistry between the trio who we’re supposed to believe are lifelong friends. And despite his Rolodex of disguises, John Cena is a one-trick pony here who can’t carry this film on his own. The joke is that he’s big and scary but can act pretty soft, but it gets tiring eventually. If I were you, I’d save myself some time and watch this SNL skit where Emma Stone plays a serious actress hoping to make her big break in a porn video instead. It captures the essence of what Ricky Stanicky wants to be, but the difference is, it’s actually funny.

Genre: Comedy

Actor: Andrew Santino, Anja Savcic, Jermaine Fowler, John Cena, Lex Scott Davis, William H. Macy, Zac Efron

Director: Peter Farrelly

Rating: R

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For almost the entirety of its runtime, Old Dads feels like it has something it's desperately trying to prove. But while the millennial generation and a newfound popular interest in political correctness are ripe for satire, this film chooses the lowest hanging fruit possible to make jokes about—inventing one senseless situation after another in order to laugh at people's "sensitivity" with little energy or wit. The main cast has tried and tested talent, but the material they're working with feels more artificial and whiny than truly perceptive of today's generational clashes. The movie tries to manufacture some sort of dramatic realization by the end, but it hardly changes the protagonists anyway. A film need not be PC to be good, of course, but it should at least stand for something instead of simply standing against so much.

Genre: Comedy, Drama

Actor: Abbie Cobb, Angela Gulner, Bill Burr, Bobby Cannavale, Bokeem Woodbine, Bruce Dern, C. Thomas Howell, Cameron Kelly, Carl Tart, Chelsea Marie Davis, Cody Renee Cameron, Dash McCloud, Erin Wu, Jackie Tohn, Josh Brener, Justene Alpert, Justin Miles, Katie Aselton, Katrina Bowden, Leland Heflin, Miles Robbins, Natasha Leggero, Paul Walter Hauser, Rachael Harris, Reign Edwards, Rick Glassman, Rory Scovel, Steph Tolev, Tom Allen

Director: Bill Burr

Rating: R

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If you’re looking at posters and stills of this film thinking, “I know exactly what will happen here,” you’re right. Whatever it is, you’re right. Mother of the Bride is the type of vacation-wedding movie that’s been done a thousand times better before. But a generic premise is one thing; it’s easy to forgive cliches when you’re doing it right and giving the audience something else to look forward to, be it hilarity or romance. Being generic and lazy, however, is a different and less forgivable thing. Brooke Shields is the only one who feels like she’s truly acting here as she physically and emotionally throws herself into a character who is, sadly, too thinly written to deserve this much effort. If you’re still wondering whether the movie’s worth playing for the sake of Mother’s Day, just know that you’re better off reading Hallmark cards—they’re way less sappy and require only half the effort to go through.

Genre: Comedy, Romance

Actor: Benjamin Bratt, Brooke Shields, Miranda Cosgrove, Rachael Harris, Sean Teale

Director: Mark Waters

Rating: PG

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There is a clear and wide gap between what Maximum Truth wants to be and what it actually is. What it wants to be is a silly but smart sendup of right-wing activism and the rampant disinformation the movement propels. What it ends up being is an occasionally funny but mostly tiresome film that falls flat thanks to caricature performances and flimsy arguments that essentially work against the film's supposed ideals. In a self-contradictory twist, it actually helps the conservatives it claims to poke fun at by proving just how dumb liberal humor can be. The running gag about Rick being in the closet feels outdated at best and offensive at worst, while Simon being the typical airheaded jock does nothing to subvert the trope. It’s baffling that a film like this could come out in 2023; ultimately it just seems like a terrible waste of everyone’s time. 

Genre: Comedy

Actor: Andrew Friedman, Beth Grant, Blake Anderson, Brandon Wardell, Brenda Koo, Brianna Baker, David Stassen, Dylan O'Brien, Ike Barinholtz, Ithamar Enriquez, Jena Friedman, Jon Barinholtz, Josh Meyers, Kelvin Yu, Kiernan Shipka, Mark Proksch, Matt Corboy, Max Minghella, Mia Serafino, Robert Belushi, Scott MacArthur, Seth Rogen, Sunil Narkar, Tiya Sircar

Director: David Stassen

Rating: R

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It's admirable how A Taste of Love keeps to the gentle pace of a slice-of-life story instead of blowing things up with unnecessary drama, but it's ultimately just too thinly drawn for any of its moments to become charming in their simplicity. There's nothing particularly wrong with any of its plot threads—emotionally they're all pretty level-headed and easy to understand—they just don't seem to coexist for any reason, or within any larger framework. As a result, spending time with this film doesn't just feel like hanging out with total strangers, but hanging out with people who are strangers to each other as well.

Genre: Comedy, Romance, TV Movie

Actor: Adam Hose, Ashley Dulaney, Darla Delgado, Demi Castro, Erin Cahill, Gina Yeena Salas, Jeremy King, Jesse Kove, Jim R. Coleman, Jody Pucello, Lily Jane, Martin Kove, Meghan Colleen Moroney, Rod Grant, Sasha Andreev, Steve Heinz, Susan Gallagher, Tymberlee Hill

Director: Conrad de la Torres III, Michael E. Brown

Rating: G

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The fourth Kandasamys installment may only appeal to viewers who've been there from the beginning, but no matter your history with the South African Indian series, The Baby really offers far too little. With unconvincing third-act drama and extremely loose connection tissue between scenes, it becomes very difficult to see what the point of all this is, unless you are truly charmed by the bickering of this dysfunctional family. Unfortunately there isn't any wit to the clashing of personalities here; these are characters who aren't even trying to get on the same page, so set in their stubborn ways that it becomes infuriating to watch them butt heads for no good reason.

Genre: Comedy, Drama

Actor: Jailoshini Naidoo, Koobeshan Naidoo, Madhushan Singh, Maeshni Naicker, Mariam Bassa, Mishqah Parthiephal

Director: Jayan Moodley

Rating: PG-13

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Locked In is the latest in a long line of B-movie psychological thrillers that seem to place much more importance on the kind of twisty structures they can pull off, rather than the actual content of their stories. Formal experimentation is just as valuable of course, but when a story like this—that relies on the shock of how these various character relationships turn against each other—can't give us characters with any sort of real interiority, the flashback-heavy narrative just begins to seem like unnecessary noise. Trying to keep up with basic emotional beats shouldn't be this complex, and after a while you begin to realize that these people are simply doing things outside any proper context, suspended in a world with no weight or specificity.

Genre: Thriller

Actor: Alex Hassell, Anna Friel, Famke Janssen, Finn Cole, Karl Collins, Rose Williams

Director: Nour Wazzi

Rating: R

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I appreciate what Famous, the movie, tries to do with its small budget. To portray the wealthy and luxurious life Famous, the character, supposedly leads, the movie opts for clean minimalist designs and tasteful close-ups that don’t betray the scruffy studio it’s actually set in. And the music, produced by Friyie, provides a nice ambiance to Famous and Wayne’s fraught relationship. But those are the only good things you could say about this film; everything else is a flat-out mess. The story feels limp, the acting forced, the dialogue loaded with exposition, and the overall execution clunky. Also, tell me why doesn’t Famous rap even once in a movie centered around him? We’re constantly told that Famous is a celebrated rapper, but not once are we made privy to his skills. What was the reason? This choice, like pretty much everything about the movie, is just baffling.

Genre: Drama

Actor: Brendan Jeffers, Farid Yazdani, Jas Dhanda, Lovina Yavari, Patrick Kwok-Choon, Ric Reid

Director: Martha McGrath

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