849 Best Movies In English On Itunes Canada (Page 12)

Staff & contributors

English is the language of Hollywood, and ocassionally even Nollywood and Bollywood. As far as the streaming landscape goes, English-language movies certainly outnumber the rest. To get started, here are the best English-language films to stream now.

Be prepared to have the expectations you form after reading Scrapper’s synopsis shattered: though it is about a 12-year-old dealing with grief following her mother's death, it’s remarkably upbeat. It gets that quality by positioning itself in the buoyant headspace of young Georgie, a resilient, cheeky youngster who retains much of her whimsical childlike spirit in spite of her profound bereavement. Director Charlotte Regan’s debut feature is bursting with imagination: there are surreal stylized touches all over the movie, from talking video-game-style spiders to magical realist metaphors of Georgie's grief. 

That’s not to say that Scrapper is flippant about the inherent tragedy of its story, though. As in The Florida Project, you can feel the escapist motivations of Georgie's colorful imagination, which only deepens the poignancy of her situation and the precarious relationship she forms with her father, a barely-old-enough manchild who only makes an effort to meet Georgie after her mother’s death. Amidst all the intentional artificiality of the filmmaking, their largely improvised interactions never ring false — a dynamic that’s also crucial to making the movie feel genuinely touching and real rather than saccharine and shallow. A very impressive debut, and a much-deserved recipient of Sundance’s World Cinema Grand Jury prize and a whopping 14 nominations at the BIFAs.

Genre: Comedy, Drama

Actor: Alin Uzun, Ambreen Razia, Asheq Akhtar, Aylin Tezel, Daniel Burt, Harris Dickinson, Laura Aikman, Lola Campbell, Matt Brewer, Olivia Brady, Sam Buchanan

Director: Charlotte Regan

Rating: NR

Read also:

, 2017

One of the sharpest horror films of the last decade, Julia Ducournau’s Raw follows in the footsteps of films like Carrie by translating coming of age anxieties into visceral full-throated terror. Justine is a beginner veterinary student leaving home for the first time. After a brutal hazing ceremony forces this young vegetarian to eat meat, she develops an insatiable hunger for flesh that begins to consume her.

Raw is as much an intense body-horror (not for the squeamish) as it is an astute psychological drama. Underneath its nightmarish sheen, Ducournau layers social commentary on sexuality, patriarchy, and deviance using the school’s sadistic initiations as metaphors for larger structures. All of this depth is paired with striking cinematography, crisp pacing, and an unforgettable performance from Garance Marillier as Justine.

Genre: Comedy, Drama, Horror, Mystery

Actor: Alexis Julemont, Alice D'Hauwe, Amandine Hinnekens, Benjamin Boutboul, Bérangère Mc Neese, Bouli Lanners, Charlotte Sandersen, Denis Mpunga, Ella Rumpf, Garance Marillier, Helena Coppejans, Jean-Louis Sbille, Joana Preiss, Julianne Binard, Laurent Lucas, Maïté Katinka Lonne, Marion Vernoux, Marouan Iddoub, Morgan Politi, Pierre Nisse, Rabah Nait Oufella, Sibylle du Plessy, Sophie Breyer, Thomas Mustin, Virgil Leclaire

Director: Julia Ducournau

Rating: R

Read also:
For public toilet cleaner Hirayama, “enjoy the little things in life” is more than just an adage: it’s a philosophy. Every day, he follows a strict routine of watering his plants, going to work, taking a break at a nearby shrine, and having dinner at his favorite stalls. It seems unexceptional, and yet Hirayama manages to find small, meaningful joys in between (and at) those very moments. A tree branch dancing in the breeze and shadows making funny shapes are enough to make him chuckle, while it seems like a good book and a trusty cassette are all he needs to be at peace. Hirayama’s mundane miracles are life-affirming, but make no mistake: this isn’t one of those cheesy films that push you to be happy no matter what. Director Wim Wenders (Paris, Texas, Wings of Desire) infuses the film with a certain gloom so that the overall tone is one of deep, poignant melancholy. Through vague clues about Hirayama’s past, we learn that his attempts at capturing joy might also be bids to escape a traumatic life. All this builds to a powerful ending that speaks to the complexity of human emotion. We can be happy and sad, peaceful and troubled, lonely and content all at the same time, and it’s okay. At the end of the day, we’ll still have our favorite book passage, our favorite singer, a great artwork, or a beautiful park to return to, and sometimes that’s all the reminder you need that life can be worth living.

Genre: Drama

Actor: Aki Kobayashi, Aoi Iwasaki, Aoi Yamada, Arisa Nakano, Atsushi Fukazawa, Bunmei Harada, Daigo Matsui, Gan Furukawa, Hairi Katagiri, Hiroto Oshita, Inuko Inuyama, Isao Matsui, Kisuke Shimazaki, Kōji Yakusho, Makiko Okamoto, Masahiro Koumoto, Mijika Nagai, Min Tanaka, Miyako Tanaka, Morio Agata, Morooka Moro, Motomi Makiguchi, Nao Takahashi, Naoko Ken, Nari Saitô, Nijika Tonouchi, Sayuri Ishikawa, Shunsuke Miura, Soraji Shibuya, Taijirō Tamura, Tamae Ando, Tateto Serizawa, Tokio Emoto, Tomokazu Miura, Tomoyuki Shibata, Yasushi Okuwa, Yoneko Matsukane, Yumi Asou, Yuriko Kawasaki

Director: Wim Wenders

Rating: PG

Read also:

Set against the backdrop of the Algerian Civil War in the 1990s, the film follows Nedjma, a young fashion student, as she navigates the challenges of pursuing her dreams while living under strict societal and religious constraints. Gripping and emotionally charged, the film paints a vivid picture of the oppressive climate and the courageous women who refuse to be silenced. The performances are outstanding, particularly Lyna Khoudri's portrayal of Nedjma, who brings a compelling blend of vulnerability and determination to her character. Director Mounia Meddour's storytelling is powerful and thought-provoking, shining a light on the resilience of women in the face of adversity and the importance of artistic expression as a form of resistance. 

Genre: Drama

Actor: Ahmed Benaissa, Aida Guechoud, Amira Hilda Douaouda, Khaled Benaissa, Lyna Khoudri, Nadia Kaci, Samir Elhakim, Shirine Boutella, Yasin Houicha, Zahra Doumandji

Director: Mounia Meddour

Read also:

Other People’s Children wrestles with some very tricky life experiences: bonding with a partner’s child in the agonizing knowledge that that attachment is entirely contingent on the fate of your romantic relationship; being a woman of a certain age and wanting a child but becoming keenly aware of the ticking of your body clock. For all the sharp points of pain the movie zones in on, though, there is remarkable cheerfulness in it, too. Writer-director Rebecca Zlotowski captures a wide spectrum of mood here, fusing lighthearted laughs and swooning romance with bitter disappointments and grief in a way that feels organic to life itself. The buoyant moments don’t undermine the sincere, intelligent consideration given to Rachel’s (Virginie Efira) perspective as a woman navigating a situation for which there are no real rules, and vice versa — because the film considers her as a whole from the outset. Neither reducing Rachel to her childlessness nor ignoring its emotional impact on her, this is a deeply empathetic movie that never questions the completeness of its protagonist’s life.

Genre: Comedy, Drama

Actor: Anne Berest, Antonia Buresi, Callie Ferreira-Goncalves, Chiara Mastroianni, Fadila Belkebla, Frederick Wiseman, Guillaume Verdier, Henri-Noël Tabary, Marlène Saldana, Mireille Perrier, Roman Kolinka, Roschdy Zem, Sébastien Pouderoux, Véréna Paravel, Victor Lefebvre, Virginie Efira, Yamée Couture

Director: Rebecca Zlotowski

Rating: NR

Read also:

, 2023

Just based off its title, Mutt is already a film that tackles a state of in-between, and perhaps what makes it already precious is how honest and personal it can get, while remaining a good fictional story. This striking debut took Chilean-Serbian filmmaker Vuk Lungulov-Klotz more than six years to make, at least from the initial stages of the script as he was working through his own transition, how that felt and how he dealt with it in life and art. That said, Mutt is a film that stands on its own feet, without the need for any such context: the script, the performances, the frantic pacing of it, they are all top-level stuff. A generous, open film that has its trans protagonist be who they are, whatever that may be, and gives as much insight as it allows for curiosity and empathy. If Mutt is educational in any way, it is through it's apt storytelling and truthfulness that bleeds through the screen; its significance for trans cinema cannot be overstated, but it is also once of the most accomplished debuts of 2023.

Genre: Drama

Actor: Alejandro Goic, Cole Doman, Jari Jones, Jasai Chase-Owens, Lio Mehiel, MiMi Ryder, Sarah Herrman

Director: Vuk Lungulov-Klotz

Rating: NR

Read also:

A young woman’s coming-of-age threatens to topple the uneasy hierarchy of her family in this striking debut from Croatian director Antoneta Alamat Kusijanović. The trigger for Julija’s (Gracija Filipović) angsty rebellion is the arrival of her parents’ enigmatic wealthy friend, Javi (Cliff Curtis), whom her controlling father Ante (Leon Lučev) is hoping to squeeze a juicy investment out of. Part of hot-headed Ante’s strategy involves playing on Javi’s still-simmering feelings for Ante's wife Nela (Danica Čurčić) — a dicey game to play when you have a temper like his. It’s also a very manipulative one, and the film lives in the atmosphere of claustrophobia that comes with being a woman in Ante’s life. Though her mother seems resigned to acceptance, Julija yearns for liberation, and it’s her burgeoning awareness of her own power as a woman that fires this drive for freedom. With its stunning Adriatic setting and haunting underwater sequences — the family are keen spearfishers — Murina is a film of natural beauty and human ugliness, a slow burn of a psychological drama that uses volatile teenage emotions as its incendiary fuel.

Genre: Drama

Actor: Cliff Curtis, Danica Curcic, Goran Grgić, Gracija Filipović, Jonas Smulders, Klara Mucci, Leon Lucev, Marina Redzepovic, Milan Štrljić, Zoran Tadić

Director: Antoneta Alamat Kusijanović

Read also:

Forget everything you know about the music biopic. One-on-one interviews, chronological storytelling, silent moments with the subjects—Moonage Daydream isn’t that kind of movie. Just as David Bowie isn’t your typical pop star, this documentary about him, directed by Brett Morgen, forgoes the usual beats for something extraordinary and fun.

Moonage Daydream is a concert, a light show, and a masterclass in collage editing. It's a feast for the senses, a fantastic neon fever dream that paints a picture of Bowie in his own words, drawn from archival footage, interviews, and concerts past.

Genre: Documentary, Drama, Music

Actor: Bing Crosby, Brian Eno, Catherine Deneuve, Charlie Chaplin, David Bowie, Dick Cavett, Elizabeth Taylor, Fred Astaire, Ginger Rogers, Iman, Jeff Beck, Keanu Reeves, Lou Reed, Maria Falconetti, Max Schreck, Max von Sydow, Mick Ronson, Mick Woodmansey, Mike Garson, Russell Harty, Tina Turner, Trevor Bolder

Director: Brett Morgen

Rating: PG-13

Read also:

I’m Not There is an unusual biopic in that it never refers to its subject, Bob Dylan, by name. Instead, Todd Haynes’ portrait of the singer mimics his constant reinvention by casting six separate actors to play as many reincarnations of the same soul. It’s an ingenious spin on a usually stale genre, one that liberates the film from the humdrum restrictions of a literal retelling of Dylan's life.

If there’s anyone who warrants such an inventive approach to biography, it’s Dylan, whose public and private personas are so numerous that it’s only by angling six different mirrors at him that Haynes can hope to catch some of his essence. Impressionistic editing toggles freely between these vignettes, each visually distinct: from the 11-year-old Woody Guthrie-obsessive (Marcus Carl Franklin) and the black-and-white Super 16mm-shot poet (Ben Whishaw) to the aging cowboy outlaw (Richard Gere), all by way of Christian Bale, Heath Ledger, and Cate Blanchett’s incarnations. To be sure, this is a somewhat challenging film, reflecting, in places, the enigmatic surrealism of Dylan’s lyrics and his refusal to be pinned down to one thing. But, as Blanchett’s embodiment says, “Mystery is a traditional fact,” and that’s no more true than of Dylan, making Haynes’ film a fascinatingly fitting spiritual biopic.

Genre: Drama, Music

Actor: Al Vandecruys, Alison Folland, Andrew Shaver, Andrew Simms, Angela Galuppo, Arthur Holden, Ben Whishaw, Benz Antoine, Bill Croft, Bob Dylan, Brett Watson, Bruce Greenwood, Cate Blanchett, Catherine Colvey, Charlotte Gainsbourg, Christian Bale, Clarice Byrne, Craig Thomas, Daniel Richard Giverin, Danny Blanco Hall, David Cross, David Gow, Dennis St John, Dominic James, Don Francks, Emmanuel Schwartz, Eric Newsome, Eugene Brotto, Fanny La Croix, Garth Gilker, Gordon Masten, Graham Cuthbertson, Greg Kramer, Heath Ledger, Hélèna Laliberté, Holly Uloth, Ivan Freud, Jane Gilchrist, Jane Wheeler, Jason Cavalier, Jean-Loup Yale, Jennifer Rae Westley, Jesse Todd, Jessica Kardos, Jim James, Jodie Resther, Joe Cobden, Joey Burns, John Koensgen, Julianne Moore, Kathleen Fee, Kathryn Kostlivy, Kim Gordon, Kim Roberts, Kris Kristofferson, Kristen Hager, Kyle Gatehouse, Kyle Switzer, Larry Day, Leif Anderson, Leigh Ann Taylor, Lina Roessler, Lisa Bronwyn Moore, Lorne Brass, Maggie Castle, Marcus Carl Franklin, Marie-Julie Rivest, Mark Camacho, Matt Holland, Matthew Boylan, Matthew Harbour, Max Walker, Melantha Blackthorne, Michelle Williams, Nathalie Girard, Noel Burton, Patrick Costello, Paul Cagelet, Paul Johnston, Paul Spence, Pauline Little, Peter Friedman, Phyllis Gooden, Pier Paquette, Pierre Leblanc, Pierre-Alexandre Fortin, Richard Gere, Richard Jutras, Richard Robitaille, Richie Havens, Rob Burns, Roc LaFortune, Sharlene Royer, Shaun Balbar, Shawn Baichoo, Steve Godin, Susan Glover, Terry Haig, Thiéry Dubé, Tim Post, Trevor Hayes, Tyrone Benskin, Vito DeFilippo, Wyatt Bowen, Yolonda Ross

Director: Todd Haynes

Rating: R

Read also:

A plot straight out of a horror film: two young, but penniless foreigners find themselves stuck in a town ruled by miners and their drinking habits. This is the real story of Lina and Steph (surnames withheld), twenty-something women who have just been robbed out of their credit cards and cash in Bali. Their around-the-world trip takes them to Australia, by way of an agency that offers seasonal work, room, and board. The cost is small: you have to be "okay with a little male attention" in this particular place. A mining town called Coolgardie becomes synonymous with hell for the two women as seen through Pete Gleeson's camera that's inobtrustive, distant, "a-fly-on-the-wall". Precisely that distance makes exacerbates the ick factor when watching the documentary today, even if its content is not judgemental. Because of how easily the camera blends in to the surroundings, we're left to wonder exactly how deep racism and sexism run in that particular microcosmos. After all, according to the manager, customers “grow a new leg” when “fresh meat” comes to town.

Genre: Documentary

Director: Pete Gleeson

Read also:

There’s a vein of reality running through He Got Game that gives this Spike Lee joint a sense of pulsating immediacy. For one, the young basketball prodigy at its center is played by real-life pro Ray Allen, who shot the movie during the sport’s off-season period in 1997. The film also draws on a host of other ballers and ancillary figures — including coaches and commentators — to fully convince us of the hype around Jesus Shuttlesworth (Allen), a Coney Island high-schooler who’s been crowned America’s top college draft pick.

Lee takes this premise to much more interesting places than sports movies usually go. The plot is a melodrama of sorts, in which Jesus’ incarcerated father Jake (a top-tier Denzel Washington) must convince his son to declare for the governor’s alma mater in exchange for a reduced sentence. The pair are estranged — Jake is in prison for the death of Jesus’ mother — making this as much a tense examination of family and forgiveness as it is a sports movie. And what a sports movie it is: Lee makes his love of basketball not just abundantly clear but also infectious, opening the film on soaring, balletic images of the sport that suggest it’s no mere game, but something unifying, artistic, and ultimately salvatory.

Genre: Drama

Actor: Al Palagonia, Arthur J. Nascarella, Bill Nunn, Bill Walton, Charles Barkley, Chasey Lain, Denzel Washington, Dick Vitale, George Karl, Hill Harper, Jennifer Esposito, Jill Kelly, Jim Boeheim, Jim Brown, John Turturro, Joseph Lyle Taylor, Kim Director, Leonard Roberts, Lonette McKee, Michael Jordan, Milla Jovovich, Ned Beatty, Ray Allen, Reggie Miller, Rick Fox, Robin Roberts, Roger Guenveur Smith, Ron Cephas Jones, Rosario Dawson, Roy Williams, Scottie Pippen, Shaquille O'Neal, Thomas Jefferson Byrd, Zelda Harris

Director: Spike Lee

Rating: R

Read also:

Starring Matthew Broderick and a young Reese Witherspoon as, respectively, Jim McAllister, a high school teacher and Tracy Flick, a notorious 'that girl' in his class. When Tracy decides to run for class president, we see the floodgates open as all sorts of bizarre and insane behavior pours out of the two. Quickly, it becomes clear that Tracy will do nearly anything to win, and as circumstances spiral out of control, madness descends - along with hilarity!

Genre: Comedy, Drama, Mystery, Romance

Actor: B.J. Tobin, Chris Klein, Colleen Camp, Delaney Driscoll, Frankie Ingrassia, Holmes Osborne, Jason Paige, Jeanine Jackson, Jessica Campbell, Jillian Crane, John Ponzio, Kaitlin Ferrell, Marilyn Tipp, Mark Harelik, Matt Golden, Matt Malloy, Matthew Broderick, Molly Hagan, Nicholas D'Agosto, Phil Reeves, Reese Witherspoon, Rohan Quine

Director: Alexander Payne

Rating: R

Read also:

Sandra Oh earned her breakout in this warm, candid Canadian indie, which — not uncoincidentally — shares its name with that of a decorative Chinese symbol associated with marriage. The movie’s title is also a reference to 22-year-old Jade Li’s (Oh) struggle to pursue her own ambitions and meet the clashing romantic and professional expectations her disapproving first-generation immigrant parents have for her. As she puts it, “Double happiness is when you make yourself happy and everyone else happy, too.”

An aspiring actress who dreams of playing Blanche DuBois, Jade is instead asked by unimaginative casting directors to adopt a pronounced Chinese accent for tiny bit parts. In essence, she’s typecast everywhere: on set, and at home, where she struggles to play the good daughter who’ll give up acting for a more conventional job and will only marry a man her parents approve of. It’s a jarring existence, but Double Happiness never feels claustrophobic because it gives Jade the freedom to finally be herself via witty, confessional monologues and fantasy sequences. There’s undoubtedly bittersweetness to this portrait of a young woman fighting to be herself on every front, but that it's nevertheless such an irresistibly charming, never-flippant watch is a testament to first-time director Mina Shum and Oh’s already mature talents.

Genre: Comedy, Drama, Romance

Actor: Alannah Ong, Callum Keith Rennie, Donald Fong, Frances You, Gene Kiniski, Sandra Oh, Stephen Chang

Director: Mina Shum

Read also:

Disclosure is a patient and articulate study of the ways movies have physically conditioned us to respond to certain expressions of queerness with fear, disgust, or laughter. But it also serves as a reminder that trans bodies have been represented on screen for as long as movies have existed—making it all the more unacceptable that we still often only see reductive and harmful stereotypes of trans people over 100 years since the birth of cinema. However, Disclosure is far from a "takedown" designed to make viewers feel bad. At the end of it all this remains a celebration film's power to dignify perspectives we rarely get to see through, and it's one of the nerdiest and most passionate trips through film history you could hope to have.

Genre: Documentary

Actor: Ajita Wilson, Alexandra Billings, Alexandra Grey, Angelica Ross, Anne Heywood, Arsenio Hall, Barbra Streisand, Bianca Leigh, Blanche Sweet, Brian Michael Smith, Caitlyn Jenner, Candis Cayne, Candy Darling, Carmen Carrera, Cathy Moriarty, Chaz Bono, Chloe Sevigny, Chris Sarandon, Christine Jorgensen, Crystal LaBeija, D'Lo, Dana Wynter, Daniel Sea, Daniela Sea, Daniela Vega, David E. Harrison, Divine, Dorian Corey, Dustin Hoffman, Eddie Redmayne, Edith Storey, Elliot Fletcher, Eric Gurry, Esme Percy, Ethel Lloyd, Flip Wilson, Gary Collins, Georges Du Fresne, Glenn Close, Hailie Sahar, Harry Langdon, Henry B. Walthall, Hilary Swank, Holly Woodlawn, Jack Doroshow, Jackie Curtis, James Garner, Jamie Clayton, Janet McTeer, Jared Leto, Jaye Davidson, Jazzmun, Jean Harlow, Jeffrey Tambor, Jen Richards, Jessica Crockett, Jim Carrey, Joan Rivers, John Gavin, John Lazar, John Lithgow, John Lone, Julie Andrews, Junior LaBeija, Katie Couric, Kim Kardashian, Lady Chablis, Laverne Cox, Leo Sheng, Lesley Ann Warren, Lilly Wachowski, Mandy Patinkin, Marquise Vilson, Mary Badham, Matthew McConaughey, Mercedes Ruehl, Michael Blodgett, Michael D. Cohen, Michaela Jaé Rodriguez, Milton Berle, Mya Taylor, Nick Adams, Octavia St. Laurent, Oprah Winfrey, Paris Dupree, Pepper LaBeija, Peter Scolari, Phil Donahue, Rain Valdez, Raúl Juliá, Ray Charles, Robert Preston, Roscoe 'Fatty' Arbuckle, Roscoe Arbuckle, Sandra Caldwell, Sean Young, Ser Anzoategui, Stephen Rea, Susan Stryker, Sylvia Rivera, T.C. Jones, Tim Moore, Tom Hanks, Trace Lysette, Veronica Redd, Vivian Vance, Wendy Williams, William Hurt, Yance Ford, Zackary Drucker

Director: Sam Feder

Rating: R

Read also:

In the movie Brazil, our hero Sam Lowery (Jonathan Pryce) lives in a dystopian world that relies on the cold productivity grind of machines. He’s in a constant battle between the high-level dominating powers that be and the low-level beatdown scums of society. Saving him from complete misery is a recurring dream he has of a beautiful woman. There, nothing else matters but love, which fills his draining soul and makes his life seem worthwhile. 

The way director Terry Gilliam handles a serious matter in such a comedic way is fantastic, and the amount of thought and effort he puts into creating every single bit of existence in this film is mind-boggling. With Brazil, he succeeds in establishing his own style, making a mark for himself in an age when plenty of auteurs compete for mere recognition.

Genre: Comedy, Drama, Science Fiction

Actor: Ann Way, Barbara Hicks, Bill Wallis, Bob Hoskins, Brian Miller, Bryan Pringle, Charles McKeown, David Gant, Derek Deadman, Derrick O'Connor, Don Henderson, Elizabeth Spender, Gorden Kaye, Harold Innocent, Howard Lew Lewis, Ian Holm, Ian Richardson, Jack Purvis, James Coyle, Jim Broadbent, John Flanagan, John Grillo, John Pierce Jones, Jonathan Pryce, Katherine Helmond, Kathryn Pogson, Kim Greist, Michael Palin, Myrtle Devenish, Nigel Planer, Oscar Quitak, Patrick Connor, Peter Vaughan, Ralph Nossek, Ray Cooper, Robert De Niro, Roger Ashton-Griffiths, Russell Keith Grant, Sheila Reid, Simon Jones, Terence Bayler, Terry Gilliam

Director: Terry Gilliam

Rating: R

Read also: