364 Best Movies In English On Netflix Australia (Page 24)

Staff & contributors

English is the language of Hollywood, and ocassionally even Nollywood and Bollywood. As far as the streaming landscape goes, English-language movies certainly outnumber the rest. To get started, here are the best English-language films to stream now.

Jack Whitehall definitely has funny observations to make about life around him, and he clearly has a writer's ear for detail-oriented jokes. But he hardly allows his jokes to breathe during this special, constantly over-explaining the point or killing the momentum of a really smart, clever punchline with so many more unnecessary lines after the fact. This is really just Whitehall's style at this point, and those who already find his dorkiness endearing (which it really can be) should enjoy most of this. But for this writer, his jokes are just far too obvious and feel far too "performed." It feels like he's speaking at an audience, rather than for them.

Genre: Comedy

Actor: Jack Whitehall

Director: Chris Howe

Rating: R

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More a clip show than a real stand-up special—and certainly not a documentary about the New York-based comedy club—The Improv: 60 and Still Standing only really seems to be for the most hardcore devotees of American stand-up. But even if you are familiar with all the comics who make an appearance here, the film doesn't give their already brief routines enough time to breathe. They've ostensibly been instructed to prepare their best stuff or to just riff, and the resulting performances are very half-baked, with none of the comedians able to dive into any particularly funny or challenging material. They're all still lightly amusing in different ways, but this movie really could've just been a series of YouTube videos to commemorate The Improv's 60th anniversary.

Genre: Comedy, Documentary

Actor: Anjelah Johnson-Reyes, Bert Kreischer, Craig Robinson, Deon Cole, Fortune Feimster, Jeff Dunham, Jo Koy, Kevin Nealon, Mark Normand, Whitney Cummings

Director: Jeff Tomsic

Rating: R

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The Perfect Find follows Jenna (Gabrielle Union), a fashion editor trying to make a comeback after a public breakup and a high-profile firing. She lands a job at a new fashion magazine, but this is complicated when she falls for her charming and much younger coworker, Eric (Keith Powers), who just so happens to be the son of her boss. Admittedly, the plot is as cliche as can be, with a few shenanigans, quirky best friends, and an ex or two popping up in the third act. But it's also easy to fall for, especially with Union as the charismatic lead. The jokes about her character and Eric's age gap land well most times, and many parts of the film are beautiful enough, most notably: the talent, the color grading, and the eye-catching New York landscape. 

Genre: Comedy, Romance

Actor: Aisha Hinds, D.B. Woodside, Gabrielle Union, Gina Torres, Godfrey, Janet Hubert, Keith Powers, La La Anthony, Leigh Davenport, Numa Perrier, Remy Ma, Shayna McHayle, Sterling 'Steelo' Brim, Ts Madison, Winnie Harlow, Yrsa Daley-Ward

Director: Numa Perrier

Rating: R

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You ought to know what you’re getting into with a movie like The Out-Laws, a production from the Adam Sandler-founded Happy Madison banner that’s behind such lofty cinematic heights as Grown Ups and Paul Blart: Mall Cop. Even in that charitable frame of reference, though, The Out-Laws feels, even more than usual, like a tax write-off for its creators and a sweet solely-for-the-paycheck gig for its starry cast, who don’t have to do much by way of actual dramatic work here. The perfunctory editing and bland direction often seem disinterested in (or, perhaps, embarrassed by) most of the script’s attempts to be funny, and so the film rushes through its scenario, which is only mildly amusing to begin with. In a movie like this, that’s more of a blessing than a curse, even if it does mean some of its better moments get short shrift from the whistlestop treatment. All in all, even as Happy Madison vehicles go, this is an utterly forgettable 95 minutes — the kind you’ll barely even be able to recall by the time the credits roll.

Genre: Action, Comedy, Romance

Actor: Adam Devine, Anthony Belevtsov, Betsy Sodaro, Blake Anderson, Cale Schultz, Dean Winters, Derek Russo, Ellen Barkin, Haley Leary, Jackie Sandler, Jackson Beals, Julie Hagerty, Laci Mosley, Lauren Lapkus, Lil Rel Howery, Lynne Ashe, Michael Rooker, Mo Gallini, Montrel Miller, Nina Dobrev, Orelon Sidney, Otis Winston, Paul Eliopoulos, Peggy Walton-Walker, Pierce Brosnan, Poorna Jagannathan, Rebecca Covert, Reyn Doi, Richard Kind, Sunny Sandler, Tywayne Wheatt, Zele Avradopoulos

Director: Tyler Spindel

Rating: R

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In the sea of mommy-horror films, Run Rabbit Run would float somewhere in the middle. Despite Sarah Snook's imposing commitment to playing a mother haunted by her past, the story doesn't meet her halfway with a memorable script. The dynamic between mother and daughter gets stuck in an exhausting loop of sudden bursts of anger and angst followed by glaringly quick reconciliation. Twists and scares are present as Snook's character, also named Sarah, confronts the dark and disturbing truths of her past, but it feels more mandatory than useful. The potential for transforming gripping familial tension into horror is lost in a meandering mother/daughter fight.

Genre: Drama, Horror, Thriller

Actor: Damon Herriman, Genevieve Morris, Greta Scacchi, Julia Davis, Katherine Slattery, Lily LaTorre, Michala Banas, Naomi Rukavina, Neil Melville, Sarah Snook, Trevor Jamieson

Director: Daina Reid

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Amid energetic lights and obnoxious airhorns, Katt Williams makes his way to the stage and quickly greets you with the gospel of crass. His descriptions and premises aren’t anything to write home about as his style is more a boisterous NSFW style that resembles a night of gossip. But for most of this set, you’ll just be thinking about how his performer voice sounds like a cartoon grandma, a southern Spongebob, and “Macho Man” Randy Savage preaching to you all at once. The set had a touchy mental health bit that sucked the life out the room for a moment, but would take an empowering turn in its final third as Williams talks about racism in 2024. It’s a mess, but it finishes strong, at least.

Genre: Comedy

Actor: Katt Williams

Director: Troy Miller

Rating: R

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Atlas is bad on every conceivable level. The writing is hackneyed, the cinematography is soulless, and the acting (save for a few) is one-dimensional. Only Jennifer Lopez and Sterling K. Brown are turning in serious performances, but somehow that makes the film worse, not better, because of how mismatched the energy is. If the acting wasn’t so serious, then Atlas could probably pass as camp—so bad and corny that it actually becomes fun to watch. If that’s the kind of film you’re looking for, then by all means, put on this Netflix film. But if you’re looking for genuine sci-fi fare, films with something meaningful and enlightening to say about the scary future of AI, then I suggest you look elsewhere.

Genre: Action, Science Fiction

Actor: Abraham Popoola, Amy Sturdivant, Briella Guiza, Gloria Cole, Gregory James Cohan, Howland Wilson, Jennifer Lopez, Justin Walker White, Lana Parrilla, Lesley Fera, Logan Hunt, Mark Strong, Mel Powell, Michelangelo Hyeon, Nicholas Walker, Paul Ganus, Samantha Hanratty, Simu Liu, Sterling K. Brown, Vaughn Johseph, Zoe Boyle

Director: Brad Peyton

Rating: PG-13

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All the little twists in the case of Mirna Salihin's murder are intriguing enough to speculate over, so Ice Cold is definitely a true-crime case worth revisiting. The problem is in how the documentary indulges sensationalist arguments and pure speculation with the same level of urgency as it does with expert counsel. A large part of the film has to do with how this trial started to become such a fixture in Indonesian public life, but it feels as if the movie would rather provoke even more baseless conspiracies through its gossipy tone than provide smarter analysis. There's an appeal to how simple this case is relative to other true-crime stories, but this shouldn't be an excuse to haphazardly throw opposing perspectives at each other for the sake of drama.

Genre: Crime, Documentary

Actor: Edi Darmawan Salihin, Jessica Wongso, Marcella Zalianty, Mirna Salihin, Otto Hasibuan

Director: Rob Sixsmith

Rating: PG-13

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Even if it knows to keep its ambitions modest, Holiday in the Vineyards still doesn't find much to do for its small cast. The actors do what they can and certainly seem like they're having fun play-acting a warm Christmas romcom, but when all is said and done there simply isn't anything particularly striking about the collection of romcom-isms assembled for this movie. Even the film's premise—which seems to promise a unique clashing of values between a small town and big capitalist business—resolves things with little more than a pat on the back. It's certainly sweet on the surface, but these people we're asked to to spend 107 minutes with still feel like strangers to us by the end.

Genre: Drama, Romance

Actor: Alan Toy, Annika Noelle, Carlos Solórzano, Cullen Douglas, Eileen Davidson, Gregory Zarian, Josh Swickard, Kaleina Cordova, Manuel Rafael Lozano, Omar Gooding, Paul Witten, Sol Rodríguez

Director: Alex Ranarivelo

Rating: PG

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The Spy Kids movies have always been knowingly corny, which hasn't changed for this latest installment—it's just that it also has an odd lack of color and personality to its generic action movie shenanigans. This is especially disappointing given the film's focus on video games, which it only seems to understand in their most surface level terms. And because there's a lack of definition in the movie's rules and logic, the plot progresses without any weight or sense of mounting excitement. These are just people going through the motions toward some unclear message about the value of honesty and kindness, which never really factor into the actual adventure and keep the status quo firmly unchanged.

Genre: Action, Action & Adventure, Adventure, Comedy, Family, Science Fiction

Actor: Billy Magnussen, Connor Esterson, D.J. Cotrona, Everly Carganilla, Gina Rodriguez, Jersey Johnston, Joe Schilling, Neal Kodinsky, Patricia Vonne, Solar Dena Bennett, Zachary Levi

Director: Robert Rodriguez

Rating: PG

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Whether you enjoy it or not, edgy, offensive comedy has become a legitimate style of its own—which means there's a way to get it right. Matt Rife has confidence and a decent range of tricks to keep his routines dynamic, but far too much of this set is spent simply pointing out different things and people who piss him off, for reasons that he doesn't articulate very well. Insults can be funny if they're cleverly written enough but Rife only ever sounds like he's trying to prove himself to his haters, not through his own creativity but by bragging that he has a Netflix special now. Even for comedians who like to punch down, you have to have some humility; anything less is just a drunken rant.

Genre: Comedy

Actor: Matt Rife

Director: Erik Griffin

Rating: R

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Given the nature of the subject (the discovery of a species that predates humans), this installment of the Unknown documentary movies has more fanfare than its predecessors. The narrative never transcends positing that a Homo Naledi is just like Homo Sapiens, but not really. The experts' enthusiasm is often unsettling when you quickly realize that no opposing view is mentioned. In other installments, the balance of arguments for and against discoveries made the narrative compelling. However, Cave of Bones is suspiciously wrapped in (and warped by) the need to have Homo Naledis feel different from humans. What is initially fascinating eventually lends itself to fatigue when discoveries and philosophized theories are repeatedly aggrandized. 

Genre: Documentary

Actor: Lee Berger

Director: Mark Mannucci

Rating: PG

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For almost the entirety of its runtime, Old Dads feels like it has something it's desperately trying to prove. But while the millennial generation and a newfound popular interest in political correctness are ripe for satire, this film chooses the lowest hanging fruit possible to make jokes about—inventing one senseless situation after another in order to laugh at people's "sensitivity" with little energy or wit. The main cast has tried and tested talent, but the material they're working with feels more artificial and whiny than truly perceptive of today's generational clashes. The movie tries to manufacture some sort of dramatic realization by the end, but it hardly changes the protagonists anyway. A film need not be PC to be good, of course, but it should at least stand for something instead of simply standing against so much.

Genre: Comedy, Drama

Actor: Abbie Cobb, Angela Gulner, Bill Burr, Bobby Cannavale, Bokeem Woodbine, Bruce Dern, C. Thomas Howell, Cameron Kelly, Carl Tart, Chelsea Marie Davis, Cody Renee Cameron, Dash McCloud, Erin Wu, Jackie Tohn, Josh Brener, Justene Alpert, Justin Miles, Katie Aselton, Katrina Bowden, Leland Heflin, Miles Robbins, Natasha Leggero, Paul Walter Hauser, Rachael Harris, Reign Edwards, Rick Glassman, Rory Scovel, Steph Tolev, Tom Allen

Director: Bill Burr

Rating: R

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If you’re looking at posters and stills of this film thinking, “I know exactly what will happen here,” you’re right. Whatever it is, you’re right. Mother of the Bride is the type of vacation-wedding movie that’s been done a thousand times better before. But a generic premise is one thing; it’s easy to forgive cliches when you’re doing it right and giving the audience something else to look forward to, be it hilarity or romance. Being generic and lazy, however, is a different and less forgivable thing. Brooke Shields is the only one who feels like she’s truly acting here as she physically and emotionally throws herself into a character who is, sadly, too thinly written to deserve this much effort. If you’re still wondering whether the movie’s worth playing for the sake of Mother’s Day, just know that you’re better off reading Hallmark cards—they’re way less sappy and require only half the effort to go through.

Genre: Comedy, Romance

Actor: Benjamin Bratt, Brooke Shields, Miranda Cosgrove, Rachael Harris, Sean Teale

Director: Mark Waters

Rating: PG

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The fourth Kandasamys installment may only appeal to viewers who've been there from the beginning, but no matter your history with the South African Indian series, The Baby really offers far too little. With unconvincing third-act drama and extremely loose connection tissue between scenes, it becomes very difficult to see what the point of all this is, unless you are truly charmed by the bickering of this dysfunctional family. Unfortunately there isn't any wit to the clashing of personalities here; these are characters who aren't even trying to get on the same page, so set in their stubborn ways that it becomes infuriating to watch them butt heads for no good reason.

Genre: Comedy, Drama

Actor: Jailoshini Naidoo, Koobeshan Naidoo, Madhushan Singh, Maeshni Naicker, Mariam Bassa, Mishqah Parthiephal

Director: Jayan Moodley

Rating: PG-13

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