40 Best Movies In English On SHOWTIME (Page 3)

When Mikey Saber’s porn career takes a dip in California, he returns to an estranged wife in Texas, where he meets new and old friends alike and attempts to rebuild his life through a couple of odd jobs. Though Mikey eventually earns his keep, his vanity and eagerness to succeed at all costs threaten to get the best of him.

All this happens against a vibrant backdrop of local sights, beautifully lit and framed by director Sean Baker (The Florida Project, Tangerine). Quaint, naturalistic, and ever-so-subtly political, Red Rocket is another great entry into Baker’s impressions of the vexed American Dream.

Genre: Comedy, Drama

Actor: Bree Elrod, Ethan Darbone, Karren Karagulian, Shih-Ching Tsou, Simon Rex, Suzanna Son

Director: Sean Baker

Appropriately for its literary focus, The Lesson feels, in places, like the gripping adaptation of a bestselling psychological thriller. Unfortunately, though, its initial cleverness peters out in a contrived ending that ironically feels like it belongs to the pulpy airport fiction that one character accuses another of writing.

The Lesson’s early chapters (another way the movie’s form mirrors its content) crackle with tension, as Oxford grad and aspiring writer Liam observes the icy dynamics of the Sinclair family, whose son he’s been hired to provide university admission tuition to. The Sinclairs are still grieving the loss of another child, a process made more painful by the brittle ego of their patriarch — JM (Richard E. Grant), a celebrated author who happens to be Liam’s literary hero. Liam’s career ambitions complicate his position: he’s as much an enthusiastic student as he is a teacher here, and among the screenplay’s many suggestions is also Tom Ripley-style envy. The Lesson ultimately scuppers this complexity, though, as the writing eventually abandons its psychological study aspirations and swerves into melodrama, leaving the cast struggling to make it all believable. Still, while the ending may disappoint, there are juicy, intelligent ideas to be pondered over — not quite a bestseller, then, but definitely not airport fiction either.

Genre: Drama, Thriller

Actor: Crispin Letts, Daryl McCormack, Julie Delpy, Richard E. Grant, Stephen McMillan, Tomas Spencer

Director: Alice Troughton

Rating: R

War Pony is not easy to get through. The film, helmed by first-time directors Riley Kough and Gina Gammell, is slow to move and tackles weighty subjects like poverty, child abuse, and cultural appropriation. You’d be forgiven for asking if it was all too much, especially as the film makes its 12-year-old lead (a stellar LaDainian Crazy Thunder, who plays Matho) perform appalling things children are usually protected from. But ultimately, it also feels necessary. Kough and Gammell co-wrote the script with real-life Rez residents Franklin Sioux Bob and Bill Reddy, whose personal experiences inform much of the film’s story. Additionally, indigenous actors inhabit most of the screen and turn in naturalistic performances, adding to the film’s sense of urgency. And War Pony also weaves traces of magic into its realistic tale, making it an awe-inspiring and beautiful (albeit heavy) watch. 

Genre: Drama

Actor: Anjeliq Aurora, Ashley Shelton, Jordan Robinson

Director: Gina Gammell, Riley Keough

Rating: R

Golda Meir was Israel's only female Prime Minister and that's already reason enough a biopic celebrating her historical importance would be made. Oscar-winning Israeli director Guy Nattiv rose to the task and Meir's own grandson requested British actress Helen Mirren to play the role of his grandmother (a decision that was not left undisputed). However, Miren is a virtuoso of stoic, physically confined acting and delivers a strong performance as the elderly Golda in the wake of a militarized attack on Israel coming from Egypt and Syria. Instead of being caught in the web of global politics between the Arab world, Russia, and the United States, she navigates the terrain with sustained empathy, although not without failings. The film itself describes Golda as a hero outside of Israel and controversial in her own land, and it does well enough in embodying that very same controversy.

 

 

Genre: Drama, History, Thriller, War

Actor: Ben Caplan, Camille Cottin, Daniel Ben Zenou, Dominic Mafham, Dvir Benedek, Ed Stoppard, Ellie Piercy, Emma Davies, Helen Mirren, Henry Goodman, Jaime Ray Newman, Jonathan Tafler, Kit Rakusen, Liev Schreiber, Lior Ashkenazi, Mark Fleischmann, Muneesh Sharma, Ohad Knoller, Olivia Brody, Rami Heuberger, Rotem Keinan, Sam Shoubber, Sumit Chakravarti, Zed Josef

Director: Guy Nattiv

Rating: PG-13

Though it only really serves as a recounting of events from 1971 rather than a much thorough analysis, Attica is a great example of that type of documentary that can be incredibly difficult to pull off well: that is, the archival documentary mainly told with already existing material. Thanks to plenty of detail (and the good instinct to know how to deploy these details), this documentary avoids feeling like a mere history lesson and begins to feel almost as dramatic as a radio play. And the film knows better than to be detached from its subject; it makes sure to characterize the inmates of Attica as an intelligent, passionate group that set aside their differences to stand up for their rights—and were summarily punished for it.

Genre: Documentary

Actor: Clarence Jones, Elizabeth Gaynes, Herman Schwartz, James Asbury, John Johnson, Nelson Rockefeller, Richard Nixon

Director: Stanley Nelson, Traci A. Curry

At one point in The Whale, Brendan Fraser’s Charlie —  a morbidly obese, reclusive teacher — describes an act of abject cruelty as “not evil” but “honesty.” Darren Aronofsky seems to believe the same about his movie, but alas, he's gravely misled, because The Whale is flooringly glib. From the outset, the film actively and incessantly tries to choreograph audience disgust for Charlie, all so that it can pull off a manipulative “he’s human, actually” swing later on — a “twist” that won’t work if you, you know, already accept people’s humanity irrespective of their appearance. 

Cinematography, makeup, and score all conspire to paint Charlie as grotesque: the camera laboriously over-emphasizes his size and mobility issues, while histrionic music chimes in to frame trivial moments (like Charlie reaching to pick something up from the floor) as grand, tragic dramas. Even if you ignore all its needless cruelty, The Whale — which is adapted from a play — can never shed its stagy origins: the writing frequently reaches for transcendence, but its efforts are as subtle as its evidently retroactively-shoehorned-in-title. If it’s as sincere as it purports to be, this is one of the worst movies of recent years, and if it’s not — which is almost preferable — then it’s a landmark exercise in trolling.

Genre: Drama

Actor: Allison Altman, Brendan Fraser, Hong Chau, Jacey Sink, Sadie Sink, Samantha Morton, Sathya Sridharan, Ty Simpkins

Director: Darren Aronofsky