340 Best Movies In English On Netflix Australia (Page 10)

Staff & contributors

English is the language of Hollywood, and ocassionally even Nollywood and Bollywood. As far as the streaming landscape goes, English-language movies certainly outnumber the rest. To get started, here are the best English-language films to stream now.

It's difficult to portray Cinderella stories nowadays without making them feel cliche and irrelevant, but Mrs. Harris Goes to Paris seems to have achieved the impossible: it tells a well-worn tale without losing any of its charms, and Lesley Manville is the person to thank for this surprising triumph. As the titular Mrs. Harris, Manville is so sweet and likable —thoroughly convincing in her rags-to-riches journey—that it's impossible to watch her without grinning from ear to ear. Sure, the beats are predictable, polished to a fault even, but Manville makes every scene worth it. This is a feel-good movie if ever there was one, made even more enjoyable for fans of earnest performances, beautiful dresses, and clean, straightforward storytelling.

Genre: Comedy, Drama, History

Actor: Alba Baptista, Anna Chancellor, Barnabás Réti, Ben Addis, Bertrand Poncet, Christian McKay, Csémy Balázs, Declan Hannigan, Delroy Atkinson, Ellen Thomas, Freddie Fox, Guilaine Londez, Harry Szovik, Igor Szász, Isabelle Huppert, Jade Lopez, Jason Isaacs, Jeremy Wheeler, Lambert Wilson, Lesley Manville, Lucas Bravo, Panka Murányi, Philippe Bertin, Rose Williams, Roxane Duran, Saruul Delgerbayar, Vincent Martin, Wayne Brett, Zsolt Páll

Director: Anthony Fabian

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Stressed by adolescence, 16-year-old Craig Gilner checks himself into a mental-health clinic. Unfortunately, the youth wing is closed, so he must spend his mandated five-day stay with adults. One of them, Bobby, quickly becomes his mentor -- and him his protege, while Craig finds himself drawn to a fellow teen, Noelle, who just may be the cure he needs to forget an unrequited crush. Starring Keir Gilchrist and Zack Galifianakis, It's kind of a Funny Story is based on a novel of the same name.

Genre: Comedy, Drama

Actor: Aasif Mandvi, Adrian Martinez, Alan Aisenberg, Ato Blankson-Wood, Bernard White, Billy McFadden, Dana DeVestern, Daniel London, Emma Roberts, Jared Goldstein, Jeremy Davies, Jim Gaffigan, Karen Chilton, Keir Gilchrist, Lauren Graham, Leo Allen, Lou Myers, Macintyre Dixon, Matthew Maher, Molly Hager, Morgan Murphy, Roddy Skeaping, Rosalyn Coleman, Stewart Steinberg, Thomas Mann, Viola Davis, Zach Galifianakis, Zoë Kravitz, Zoe Kravitz

Director: Anna Boden, Ryan Fleck

Rating: PG-13

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This Mexican movie set between Queens, New York, and Monterrey, Mexico is a stunning and profound work of art.

Ulises is the leader of a street dancing group that loves Cumbia, an Afro-Colombian style of music. Dancing is an alternative to being sucked in into gang life, which Ulises and his bandmates have ties to.

Ulises is good, and his town starts noticing. But just when his community is flourishing and his dancing is becoming famous, a wrong-time/wrong-place situation has a gang force him to leave everything behind and immigrate to the U.S. He suddenly finds himself lonely and living a life of undocumented existence.

But that is not the progression of I’m no Longer Here, which intertwines scenes of Ulises thriving in Monterrey and alone in New York. The difference is stark and depressing, but the camerawork and great performances are a constant source of cinematic brilliance.

Genre: Drama

Actor: Fanny Tovar, Juan Daniel Garcia Treviño, Luis Leonardo Zapata, Xueming Angelina Chen

Director: Fernando Frias, Luis Fernando Frías de la Parra

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I think it’s safe to say you’ve never seen a Pinocchio adaptation quite like Guillermo del Toro's Pinocchio. It still largely stays true to the source material, which is to stay it’s still about a father grappling with the loss of his son and a boy figuring out where he figures in the world. But the movie departs from it in significant ways too. Instead of a fairy tale setting, for instance, this Pinocchio has 1930s fascist Italy as its background, lending the film a realism and historicism that weren’t there before.

Stars Ewan McGregor, Christoph Waltz, Tilda Swinton, and newcomer Gregory Mann lend their voice in this tender and stellar stop-motion animated movie.

Genre: Animation, Drama, Family, Fantasy, Music

Actor: Alfie Tempest, Ariana Molkara, Benjamin Valic, Burn Gorman, Cate Blanchett, Christoph Waltz, David Bradley, Ewan McGregor, Finn Wolfhard, Francesca Fanti, Gregory Mann, John Turturro, Peter Arpesella, Rio Mangini, Ron Perlman, Roy Halo, Scott Martin Gershin, Sky Alexis, Tilda Swinton, Tim Blake Nelson, Tom Kenny

Director: Guillermo del Toro, Mark Gustafson

Rating: PG

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After Jackie and Spencer, the dark satire El Conde is a surprise new entry in Pablo Larraín’s stacked filmography. Already, the film has prominent differences– it’s shot in black and white, starting with narration from an unseen and posh Englishwoman that makes the film’s events feel like entries in Bridgerton’s scandalous newsletter. The subject is far from the beloved wives of presidents and princes– it’s centered around a notorious Chilean dictator who remains unpunished for his crimes. However, as his fictional vampire version deals with his rightfully ruined legacy, El Conde proves to be a witty satiric twist to Larraín’s usual themes. Through familial squabbles over ill-gotten wealth, confessions and exorcism conducted by a nun, and certain foreign interventions, El Conde paints an everlasting greed that continues to haunt Larraín’s homeland.

Genre: Comedy, Fantasy, Horror

Actor: Aldo Parodi, Alessandra Guerzoni, Alfredo Castro, Amparo Noguera, Antonia Zegers, Catalina Guerra, Diego Muñoz, Dindi Jane, Eyal Meyer, Francisca Walker, Gloria Münchmeyer, Jaime McManus, Jaime Vadell, Marcelo Alonso, Marcial Tagle, Mateo Iribarren, Patricia Rivadeneira, Paula Luchsinger, Stella Gonet

Director: Pablo Larraín

Rating: R

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Demonstrating that a great stand-up routine should always stem from strong writing first and foremost, Brian Simpson makes common subjects for ridicule feel fresh again—just through how clever his writing is. Simpson seems to position himself from the same place where more controversial comedians punch down at women and at queerness. But he manages to push against expectations by keeping his focus on those who normally don't get the brunt of the criticism, or by drawing us toward broader cultural problems that make people act the way that they do. None of this is all that novel, of course, and Simpson does end up dwelling on certain subjects for too long. But every line he speaks feels considered and is deployed with the perfect matter-of-factness, keeping the laughs consistent without ever complaining or intentionally trying to provoke.

Genre: Comedy

Actor: Brian Simpson

Director: Baron Vaughn

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An instant classic, Beast of No Nation is a unique and uniquely-paced war drama which ranges in patterns from explosive visual storytelling to calm character studies. A child joins a rebel group consisting almost entirely of children and led by a charismatic leader credited as Commandant. As you get to witness the conflict through the child’s eyes, his own development and his commander’s, the film unfolds as an exploration of the never ending state of war in Africa. It takes you to varying conclusions, most of which you will have trouble admitting you’ve reached. As Commandant, Idris Elba is transfixing, and the whole cast of almost entirely non-actors, as well as the deeply authentic staging by True Detective and Sin Nombre director Cary Fukunaga, are enthralling.

Genre: Drama, War

Actor: Abraham Attah, Ama K. Abebrese, Andrew Adote, Cary Joji Fukunaga, Cornelius Keagon, David Dontoh, Emmanuel 'King Kong' Nii Adom Quaye, Emmanuel Affadzi, Emmanuel Nii Adom Quaye, Francis Weddey, Fred Nii Amugi, Grace Nortey, Idris Elba, John Arthur, Jude Akuwudike, Kobina Amissah Sam, Kurt Egyiawan, Nana Mensah, Nataliah Andoh, Opeyemi Fagbohungbe, Richard Pepple, Ricky Adelayitor

Director: Cary Fukunaga, Cary Joji Fukunaga

Rating: Not Rated

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With its origins as a full-length rock monologue, it's understandable if Tick, Tick... Boom! comes off as overly concerned with its protagonist's personal anxieties and not the larger social and health crises happening right outside his door. But while it really doesn't offer much insight into the AIDS epidemic, or even the art scene of 1990s New York, the helplessness that Jonathan Larson feels in the face of his own inability to save the world comes off as honest expression nonetheless. Andrew Garfield and a strong cast that includes Robin de Jesús and Vanessa Hudgens give purpose and energy to this somewhat messy character study that still manages to land its emotional beats.

Genre: Drama, Music

Actor: Adam Pascal, Alex Lacamoire, Alexandra Shipp, André De Shields, Andrew Garfield, Bebe Neuwirth, Ben Levi Ross, Bernadette Peters, Beth Malone, Bradley Whitford, Brian Stokes Mitchell, Chad Beguelin, Chita Rivera, Christopher Jackson, Chuck Cooper, Danielle Ferland, Danny Burstein, Daphne Rubin-Vega, Eddy Lee, Ehizoje Azeke, Eisa Davis, Elizabeth Chestang, Gizel Jimenez, Howard McGillin, Ilia Jessica Castro, Jeanine Tesori, Jelani Alladin, Joanna Adler, Joel Grey, Joel Perez, Jonathan Larson, Jonathan Marc Sherman, Joshua Henry, Judith Light, Judy Kuhn, Ken Holmes, Laura Benanti, Lin-Manuel Miranda, Marc Shaiman, Mason Versaw, Micaela Diamond, Michaela Jaé Rodriguez, Nick Blaemire, Phillipa Soo, Phylicia Rashād, Renée Elise Goldsberry, Ricardo Zayas, Richard Kind, Robin de Jesús, Roger Bart, Ryan Vasquez, Sheila Tapia, Stephen Schwartz, Stephen Sondheim, Steven Levenson, Tariq Trotter, Tom Kitt, Utkarsh Ambudkar, Vanessa Hudgens, Wilson Jermaine Heredia

Director: Lin-Manuel Miranda

Rating: PG-13

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Surprisingly heartwarming and enjoyable, The Unbearable Weight of Massive Talent turns its over-the-top premise into a tribute to the one and only Nicolas Cage. Playing an unfulfilled and broke version of himself, Cage’s next gig is an appearance at eccentric billionaire Javi Gutierrez’s (Pedro Pascal) birthday party. They strike up an instant bond over their love of film. However, the CIA suspects Gutierrez’s involvement in a political kidnapping, forcing Cage to investigate his friend. The film brilliantly employs those 90s-esque action tropes that Cage’s movies are known for - the car chases, the sunglasses, and the eccentric characters. Cage himself fully commits to the premise, but Pedro Pascal adeptly matches his energy with his easy-going charm. Their moments together and their shared love for cinema makes this a great watch.

Genre: Action, Comedy, Crime, Drama

Actor: Alessandra Mastronardi, Björn Freiberg, Caroline Boulton, Cesare Taurasi, David Gordon Green, Demi Moore, Eli Jane, Enrique Martínez, Ike Barinholtz, Jacob Scipio, Jaime Ordóñez, Joanna Bobin, Katrin Vankova, Kristian Flores, Kristian Ventura, Lily Mo Sheen, Manuel Tallafé, Mario Perez, Neil Patrick Harris, Nicholas Wittman, Nicolas Cage, Paco León, Pedro Pascal, Rebecca Finch, Ricard Balada, Sharon Horgan, Tiffany Haddish

Director: Tom Gormican

Rating: R

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Like a Wes Anderson movie, The Last Black Man in San Francisco takes artistic risks and nails every one of them. There are many quirky, aesthetically well-studied, and even funny aspects to this moving story.

Jimmie has been maintaining a typical San Francisco Victorian house, regularly painting the windows and watering the plants. One small problem: other people live there and they don’t want him around. It turns out this was once Jimmie’s family house, having been built by his grandfather in 1948, and he misses it deeply.

This story is based on writer Jimmie Fails’ life, as he tried to reclaim his family home in SF. However, it’s not a movie that limits itself to gentrification. It transcends that to being about the universal yearning to find a place to call home.

Genre: Drama

Actor: Andy Roy, Daewon Song, Danny Glover, Finn Wittrock, Isiain Lalime, Jamal Trulove, Jello Biafra, Jimmie Fails, John Ozuna, Jonathan Majors, Mari Kearney, Mike Epps, Rob Morgan, Thora Birch, Tichina Arnold, Tonya Glanz

Director: Joe Talbot

Rating: R

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In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

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, 2023

The mythology surrounding Sylvester Stallone: the action hero is so big and successful that many people, including myself, often forget about Sylvester Stallone: the prolific writer. He failed to bag roles as a young actor in the 1970s, so he whipped out a script (in a span of three days!) that became the iconic film Rocky. Later on, after witnessing the power of elderly entertainers, Stallone rewrote a screenplay that would become the ongoing franchise The Expendables. He’s a hunk in many people’s eyes, nothing more and nothing less, but Sly successfully steers you away from that one-dimensional reputation and reintroduces you to the dramatist and artist Stallone has been all along. The film begins as an immigrant story (Stallone hails from Italy), then turns into a rags-to-riches story (he grew up in a tough New York neighborhood without formal education) before finally transforming into an honest and earnest meditation on superstardom and artistry. Going in, I was wary that this would be just another puff piece on a Hollywood has-been. And while it does have its fair share of schmaltz, I now believe it's a well-deserved and long overdue ode to Stallone’s unwavering commitment to the power of movies. 

Genre: Documentary

Actor: Al Pacino, Anthony Hopkins, Arnold Schwarzenegger, Brian Dennehy, Bruce Willis, Burgess Meredith, Burt Young, Carl Weathers, Chazz Palminteri, David Caruso, Dinah Shore, Dolph Lundgren, Estelle Getty, Frank Stallone, Frank Stallone Jr., Henry Winkler, Jack Lemmon, James Cagney, Jason Statham, Jennifer Flavin Stallone, Jet Li, John Herzfeld, John Wayne, Marlon Brando, Mickey Rourke, Milo Ventimiglia, Mr. T, Perry King, Peter O'Toole, Peter Riegert, Quentin Tarantino, Richard Crenna, Robert De Niro, Sage Stallone, Sandra Bullock, Scarlet Rose Stallone, Sharon Stone, Sistine Rose Stallone, Sophia Rose Stallone, Steve Austin, Steve Reeves, Sylvester Stallone, Talia Shire, Teri Hatcher, Terry Crews, Woody Allen

Director: Thom Zimny

Rating: R

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A sleek revision of the classic Charlotte Brontë novel, the 2011 version of Jane Eyre features Mia Wasikowska as the titular governess and Michael Fassbender as her employer-and-lover-with-a-secret, Rochester — both lending stunningly aggrieved performances to the tale of their burgeoning love affair. The film is somber yet wonderfully polished as it plays out their individual complexities and growing passions. This film is also notable as the sophomore directorial effort of Cary Fukunaga, who would go on to great acclaim for his work on the first season of True Detective as well as Beasts of No Nation. Fans of Fukunaga’s work are just a likely to enjoy this one as are devotees of well-crated adaptations of classic literature.

Genre: Drama, Romance

Actor: Amelia Clarkson, Angela Curran, Ben Roberts, Cary Joji Fukunaga, Craig Roberts, Edwina Elek, Eglantine Rembauville-Nicolle, Emily Haigh, Ewart James Walters, Freya Parks, Freya Wilson, Georgia Bourke, Harry Lloyd, Holliday Grainger, Imogen Poots, Jamie Bell, Jayne Wisener, Joe Van Moyland, Joseph Kloska, Judi Dench, Lizzie Hopley, Mia Wasikowska, Michael Fassbender, Ned Dennehy, Romy Settbon Moore, Rosie Cavaliero, Sally Hawkins, Sally Reeve, Sandy McDade, Simon McBurney, Sophie Ward, Su Eliott, Su Elliot, Su Elliott, Tamzin Merchant, Valentina Cervi

Director: Cary Fukunaga, Cary Joji Fukunaga

Rating: PG-13

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Jaane Jaan is one of those thrillers where you hope that the main characters would get away with murder. Based on the 2005 Japanese novel, the Hindi adaptation still has the cat-and-mouse dynamic between the relentless detective and math genius protecting the suspect, along with their elaborate chess-like mind games. However, the film changes a major plot point from the novel, and without spoiling too much, it turns the math teacher, now named Naren, into a less sympathetic character. Given today’s sensibilities, it’s easy to understand why the change was made. After all, just because someone’s a genius, it doesn’t mean that they’re someone to be admired. Jaane Jaan still keeps up the exciting thrills and suspense of the original novel, but in making its changes, it becomes unclear who the film is rooting for.

Genre: Crime, Drama, Thriller

Actor: Jaideep Ahlawat, Kareena Kapoor Khan, Karma Takapa, Lin Laishram, Naisha Khanna, Saurabh Sachdeva, Suhita Thatte, Ujjwal Chopra, Vijay Varma

Director: Sujoy Ghosh

Rating: R

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, 2019

Girl won four awards at the Cannes Film Festival last year and was nominated to 9 Magritte Awards. It was also Belgium’s entry to the Oscar for best foreign-language film. When a dance school accepts her, Lara has the opportunity to realize her dream and become a professional ballerina. The dancing takes a toll on her body, but her biggest obstacle is that she was born into the body of a boy. Girl illustrates the trans teenage experience with sensitivity, slowly and humanly making Lara’s anguish become the viewer’s. Based on a true story.

Genre: Drama

Actor: Alexia Depicker, Alice de Broqueville, Angelo Tijssens, Arieh Worthalter, Chris Thys, Daniel Nicodème, Els Olaerts, Hélène Theunissen, Ingrid Heiderscheidt, Katelijne Damen, Lukas Dhont, Magali Elali, Naomi Velissariou, Nele Hardiman, Oliver Bodart, Pieter Piron, Rilke Eyckermans, Steve Driesen, Tijmen Govaerts, Valentijn Dhaenens, Victor Polster

Director: Chad Faust, Lukas Dhont

Rating: N/A, R

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