115 Best Movies In English On Hulu (Page 4)

Science Fair is simultaneously a feel-good documentary and a feel-bad one: while inspiring and reassuring for all the brilliant young minds it spotlights, it also has the potential to make your own life accomplishments look paltry in comparison. The former effect is the strongest, though — because you can’t watch high schoolers as young as 14 present pioneering, disease-curing research and inventions and not feel like the future is in good hands.

Science Fair is light on the actual science, which makes it an accessible watch and prevents the film’s focus from mimicking the cutthroat nature of ISEF, the international competition it follows. With a grand prize of $75k and lots of college application-boosting medals up for grabs, the competition amongst the kids is fierce, but Science Fair instead takes an empathetic, celebratory approach so that all of the kids feel like deserved winners. That’s especially true of the more disadvantaged teens: though the competition itself might not take into account all the hurdles they’ve had to overcome even just to get in the room, this compassionate doc definitely does. Even if the science is all Greek to you, it’s impossible not to appreciate and be moved by the determination and resilience of these kids.

Genre: Documentary

Director: Cristina Costantini, Darren Foster

Rating: PG

As the third instalment in Paul Schrader's "man in a room" trilogy after First Reformed (2017) and The Card Counter (2021), Master Gardner rounds up the issues at stake in a most profound way. For anyone who's seen a film either scripted by Schrader (such as Taxi Driver) or directed by him, there will be no surprises here: lost men, despairing men, men who are desperate to believe in something. But the salvation of love lurks around the corner and the new film makes no exception. An unconventional couple, Joel Edgerton and Quintessa Swindell (as Maya) make up the beating heart of this suspenseful drama with an emotional push and pull delivered in small doses. What could have been a kitschy, insensitive work blossoms into a treatise on how gentle the harshness of life can be. 

Genre: Drama, Romance, Thriller

Actor: Amy Le, Eduardo Losan, Esai Morales, Ja'Quan Monroe-Henderson, Jared Bankens, Joel Edgerton, Matt Mercurio, Quintessa Swindell, Rick Cosnett, Sean Richmond, Sigourney Weaver, Suzette Lange, Timothy McKinney, Victoria Hill

Director: Paul Schrader

Rating: R

It may not teach us anything that we don't already know by now, but the documentary Totally Under Control—filmed in secret, in defiance of the Trump administration—still stands as a valuable historical document so that the same mistakes can be avoided in the future. Boiled down to simple terms by doctors and other experts, the film's explanation of the United States' failure to adequately contain their own COVID-19 outbreak is always science- and fact-oriented first. And in its own classy, level-headed way, the film emphasizes that every politician, celebrity, and media outlet has a crucial part to play in making sure nobody panics and chases any counterproductive agendas. It should be obvious by now that we're all on the same team.

Genre: Documentary

Actor: Alex Gibney, Andrew Cuomo, Anthony Fauci, Barack Obama, Deborah Birx, Donald Trump, Joe Kennedy III, John R. Bolton, Michael Bowen, Mike Pence, Narendra Modi, Scott Becker, Taison Bell

Director: Alex Gibney, Ophelia Harutyunyan, Suzanne Hillinger

Like many American narratives, the history of space exploration is rife with long-buried secrets that are finally coming to the surface. The Space Race is an attempt to collect those secrets and weave a fresh new history that finally celebrates the heroes we should’ve learned about years ago. There are interviews with the likes of space pioneer Ed Dwight (who is responsible for unforgettable lines like “I’m not part of history, but a mystery” and “I had the capability, but not the opportunity) and the first Black man to fly into space, Guion Bluford, as well as surprising information about confidential test pilots, political involvement, and the undeniable influence of Afrofuturistic art and media in the field. But education aside, what gives the documentary an edge is that it’s not afraid to question and at times attack NASA and the government for their racist past. We see celebrated astronaut Victor Glover reconcile his loyalty to his nation with his anger over the murder of George Floyd, for instance. At the same time, others like Dwight wanted to “just talk about space, not the struggle” but were tokenized both by the government and the opposition for their gains. Despite its compact run time, The Space Race covers all these nuances and more to provide a richly detailed and lovingly told new history of space exploration in America.

Genre: Documentary

Actor: Charles Bolden, Ed Dwight Jr., Guion Bluford

Director: Diego Hurtado de Mendoza, Lisa Cortés

Rating: PG-13

In an age where recent horror films mostly use the jump-scare as a crutch to make their CGI-spawned (not to mention generic) creatures seem scary, The Babadook portrays real scares, relatable characters and a moving story. Jennifer Kent (director and writer) sets this on the backdrop of heavily Lars von Trier-inspired cinematography, elevating The Babadook from a shot at an amazing horror to a resemblance of an art house film. The unease felt during this film only increases as it creeps towards its conclusion. Whenever the Babadook (the monster of the film) is seen lurking in the peripherals of the camera, appearing in television sets and the shadows to create a sense of omnipresence that disturbs the viewer on a deeper, more primal level than that of so many recent horror films could even hope to reach. It leaves the audience with the sensation that they are being lowered onto a lit candle, spine-first. In short; the seamless acting, the beautiful shots, the slow-burning terror together creates a masterpiece that strides past any horror film of the past decade (maybe even further) and stands toe-to-toe with the greats without even breaking a sweat.

Genre: Drama, Horror

Actor: Adam Morgan, Barbara West, Ben Winspear, Benjamin Winspear, Carmel Johnson, Cathy Adamek, Chloe Hurn, Craig Behenna, Daniel Henshall, Essie Davis, Hayley McElhinney, Jacquy Phillips, Michael Gilmour, Michelle Nightingale, Noah Wiseman, Peta Shannon, Pippa Wanganeen, Stephen Sheehan, Terence Crawford, Tiffany Lyndall-Knight, Tim Purcell

Director: Jennifer Kent

Rating: Not Rated

Somewhere in Queens has the familiar feel of an indie dramedy. It’s intimate and unassuming, casually funny and effortlessly moving. It has the low-key charm that evades more large-scale productions, lending the film that rare poignancy that makes something feel special. 

All these boost an otherwise simple story of family and acceptance. Couple Leo and Ange (a very compelling Ray Romano and Laurie Metcalf) are getting on in years, and watching them navigate the common pitfalls of people their age is both funny and heartwarming to watch. This is cleverly paralleled with their son Sticks’ (Jacob Ward) coming-of-age journey, which is just as expected but tender as ever. 

Theirs is a tight-knit family that fights as much as they love, and watching them in a modest production like this isn't just feel apt but authentic and dear too, like an old family picture come to life.

Genre: Comedy, Drama

Actor: Caryn Richman, Danny Garcia, David St. Louis, Elizabeth Yu, Erik Griffin, Geoffrey Owens, J. C. MacKenzie, Jackson Pace, Jacob Ward, James Ciccone, Jennifer Esposito, Jennifer Simard, Joe Caniano, Jon Manfrellotti, June Gable, Karen Lynn Gorney, Katie Kreisler, Lauren Biazzo, Laurie Metcalf, Matt Romano, P. J. Byrne, Ray Romano, Sadie Stanley, Sebastian Maniscalco, Seth Barrish, Tony Lo Bianco

Director: Ray Romano

Rating: R

When categorizing Lars von Trier's oeuvre, critics speak of a "Depression Trilogy" bookended by Antichrist and Nymphomaniac, but Melancholia is the one that really embodies the concepts and worries nested at the heart of this project. The Danish director may be known for his provocative approach to filmmaking and disregard of taboos, but with this film, he makes room for vulnerability. On the character of Justine (Dunst) he places the weight of the world, only after allowing her to be weak, small, and socially unacceptable at her own wedding celebration. A rather subversive decision, but vesting these expectations in someone as wide-ranging as Kirsten Dunst assures an absolute win, even if there remain some questionable characteristics that align too well with abstract male fantasies of what a woman in distress would look like.

Genre: Drama, Science Fiction

Actor: Alexander Skarsgård, Brady Corbet, Charlotte Gainsbourg, Charlotte Rampling, Christian Geisnæs, Jesper Christensen, John Hurt, Katrine A. Sahlstrøm, Kiefer Sutherland, Kirsten Dunst, Stellan Skarsgård, Udo Kier

Director: Lars von Trier

Rating: R

Partially based on the 860-page memoir, "A White House Diary", and on the actual audio recordings Claudia Alta Taylor Johnson made during her time as first lady, The Lady Bird Diaries is an intimate reworking of a past we still know very little about. Told from the vantage point of First Lady Johnson candidly and in detail, the audio track shapes the whole film. All the archival footage is nicely complemented by hand-drawn animations to fit the missing images, but all the visuals are always in service of the narration. In this way, the documentary becomes a piece of history and an archive in itself, its illustrative functions – a crucial storytelling tool for posteriority.

Genre: Documentary

Director: Dawn Porter

Surreal, off-putting, and extremely disturbing, Infinity Pool plays with the concepts of cloning and the death penalty to craft an examination on colonial tourism. It’s a thematically rich horror film, with hazy neon-lit sex scenes and absolutely terrible behavior, enabled by their wealth and advanced technology that could have been put to better use. Mia Goth, in particular, is strikingly unhinged, as Gabi taunts and lures James into bigger and more terrible crimes, crimes that he can only pay off with the wealth of his father-in-law. And Alexander Skarsgård as James believably gets sucked into this extremely libertine lifestyle, fuelled by the nepotistic anxiety of not living up to his own potential. The film presents a scary notion that pushed by wealth and playground tactics, one will willingly kill their own conscience, again and again, to belong to their cohort.

Genre: Horror, Science Fiction, Thriller

Actor: Alexander Skarsgård, Amanda Brugel, Amar Bukvić, Caroline Boulton, Cleopatra Coleman, Géza Kovács, Jalil Lespert, Jeff Ricketts, John Ralston, Mia Goth, Roderick Hill, Romina Tonković, Thomas Kretschmann

Director: Brandon Cronenberg

Rating: R

As its title suggests, Steve James’ documentary isn’t shy about its sympathy for its subject. Physicist Ted Hall was just 18 when he was recruited to the Manhattan Project and underwent a crisis of conscience when it became apparent that the atomic bomb’s ostensible target — Nazi Germany — was on the brink of defeat. Concerned by the possibility that, post-WW2, the US would achieve a nuclear monopoly and become a new kind of imperialist power, Ted and friend Saville Sax leaked key information to the USSR.

James’ film takes a decidedly intimate approach: while it dips into archival interviews Ted gave before his death and provides background context via scholars, it’s mostly led by Ted’s wife Joan, a spirited interviewee. Her moving contributions expand the film’s scope, making it as much a portrait of a marriage as a study of the political impact his actions had. James also interviews their children — as well as those of his partner-in-espionage, Saville — to explore the conflicted personal legacy their actions left. In not limiting itself to a macro perspective, the film opens itself up to be more than a look in history’s dusty rear-view mirror, making it a welcome tonic to the Wikipedia-style approach commonly employed for subjects like this.

Genre: Documentary, Drama

Actor: Ann Harding, Dwight D. Eisenhower, Harry S. Truman, J. Robert Oppenheimer, Joseph Stalin, Mickey O'Sullivan, Theodore Hall, Walter Huston

Director: Steve James