69 Best Movies In English On Crave Canada (Page 4)

This documentary... man, where do I even begin? It captures the lives of the Friedmans and how their world turned upside down when their father, Arnold, and brother, Jesse, were both convicted of sexually abusing children. The filmmaker interviews victims, family members, and experts to strike you with the two sides of the story. The Oscar nominated film shows real footage from the family which makes it even more of an authentic experience. I won't tell you much more about it- but let me just say, this documentary will leave you speechless.

Genre: Crime, Documentary

Actor: Arnold Friedman, David Friedman, Elaine Friedman, Jesse Friedman, Seth Friedman

Director: Andrew Jarecki

Rating: Not Rated

A dramatic recreation of the last 10 years in the life of famed pianist Liberace (Michael Douglas), told primarily from the perspective of his young lover Scott Thorson (Matt Damon). Directed by Steven Soderbergh, the film follows from naive young Thorson’s early introduction to Liberace through his 6-year romance and live-in relationship with the celebrated luminary. Coming from a broken home and multiple foster families, Thorson finds newfound comfort in the fawning adoration and financial protection that Liberace provides to him, as they quickly become lovers and confidants. Much of the story re-enacts their often stormy, behind-the-scenes affairs in candid fashion—including the lengths to which Thorson alters himself physically to conform to Liberace’s standards. Both Douglas and Damon are excellent in their roles, with Douglas in particular providing a striking recreation of Liberace in both appearance and mannerism. He truly embodies the role, and provides the viewer with a genuine glimpse into the personal life of “Mr. Showmanship"—replete with all of his passions, concerns and insecurities. It’s an intimate depiction of a real-life May-December relationship, told with striking honesty, and ending with a remarkably touching tribute to Liberace in all of his campy yet sincere glory.

Genre: Drama, Romance

Actor: Adam J. Kassel, Amber Lee Ettinger, Anna Wendt, Anthony Crivello, Aussie Guevara, Austin Stowell, Ayesha Orange, Barbara Brownell, Becca Sweitzer, Boyd Holbrook, Brandon Henschel, Brian Blu, Brittany Perry-Russell, Bruce Ramsay, C.J. Stussi, Cal Rein, Casey Kramer, Cassandra M. Bellantoni, Cassidy Noblett, Charles Moniz, Charlotte Crossley, Cheyenne Jackson, Corey Eid, Dan Aykroyd, David Dustin Kenyon, David Koechner, Debbie Reynolds, Deborah Lacey, Dominique Kelley, Eddie Jemison, Eric Zuckerman, Ferly Prado, Fielding Edlow, Francisco San Martin, Garrett M. Brown, Greg Baine, Gregg Atwill, Gregory Niebel, Harvey J. Alperin, Hugo Pierre Martin, Jane Morris, Jason Williams, Jerry Clarke, Jimmy Scanlon, Joe Filippone, Johnny Carson, Josh Meyers, Kass Connors, Kc Monnie, Kelli Erdmann, Kelly Allen, Kiff VandenHeuvel, Kristin Lindquist, Krystal Ellsworth, Lance Patrick, Lenny Jacobson, Lisa Frantz, Matt Damon, Max Napolitano, Meredith Ostrowsky, Michael Douglas, Mike Jerome Putnam, Mike O'Malley, Natacha Bachour, Nellie Sciutto, Nick Lanzisera, Nicky Katt, Nikea Gamby-Turner, Pat Asanti, Patty Chong, Paul Borst, Paul Reiser, Paul Witten, Peggy King, Rachael Markarian, Randy Lowell, Richard Allan Jones, Rick L. Dean, Rob Lowe, Roby Schinasi, Ryan Novak, Scott Bakula, Shaun T. Benjamin, Stephanie Maura Sanchez, Thure Riefenstein, Timothy Skyler Dunigan, Tom Papa

Director: Steven Soderbergh

Rating: TV-MA

Survivors are often painted in a brave light; they’re applauded for their resilience and toughness, and in the case of school shootings, many of them are also expected to take up arms and fight the good fight. While this is of course laudable, many survivors are simply trying to get by. Unable to process trauma and inexplicable loss, they become withdrawn, depressed, and reckless—not exactly noteworthy traits, but understandable and equally deserving of empathy.

The Fallout shifts the focus on this side of survival by following Vada in the aftermath of a school shooting. Unlike her peers, she fails to cope positively and becomes increasingly self-destructive. But it's through this unsentimental portrayal that The Fallout achieves a frankness and rawness that few films like it have. 

Genre: Drama

Actor: Austin Zajur, Christine Horn, Elliott Roca, Jenna Ortega, John Ortiz, Julie Bowen, Lumi Pollack, Maddie Ziegler, Niles Fitch, Shailene Woodley, Will Ropp, Yindra Zayas

Director: Megan Park

Rating: R

The tired stereotype is that in horror films, it’s always the Black characters who are the first to die. The Blackening turns that on its head and gives us an interesting premise by asking, what if all the characters are Black? While it’s not the first film to do this (in fact, a lot of Black creatives are reclaiming horror and dominating the genre), it just might be the first to tackle the issue in a smart and funny way. This is a ridiculous parody filled with outsized performances and observational jokes, but it’s equally meta and socially aware as it literally (and thankfully) beats the stereotype to its final death. 

 

Genre: Comedy, Horror

Actor: Antoinette Robertson, Dewayne Perkins, Diedrich Bader, George Fisher, Grace Byers, James Preston Rogers, Jay Pharoah, Jermaine Fowler, Melvin Gregg, Sinqua Walls, X Mayo, Yvonne Orji

Director: Tim Story

Rating: R

A fun science fiction movie from the UK,  Frequently Asked Questions About Time Travel stars Chris O'Dowd and Anna Faris. The plot centers around two geeks and their cynical friend who go out for a couple of pints and end up having a night they won't soon forget. To go any deeper would court spoilers, but suffice to say there is time travel, witty banter, hilarious scenes and just an all-around good time.

Genre: Comedy, Drama, Romance, Science Fiction

Actor: Anna Faris, Arthur Nightingale, Chris O'Dowd, Dean Lennox Kelly, John Warman, Marc Wootton, Meredith MacNeill, Ray Gardner

Director: Gareth Carrivick

Rating: Unrated

Shot almost entirely in one take and on a tiny budget, and yet the central performance in this movie is still better than most big-budget dramas I’ve seen this year.

Two indigenous women, one upper-class and the other impoverished, meet on the day that the rich one gets an IUD and the other one, pregnant, finds herself kicked out of her home. They spend a few hours together: they talk, they take cabs, walk, etc; and you as a viewer, follow them throughout their intimate yet difficult moments.

If you like subtle movies that showcase how people live and interact with one another, beyond plot-obsessiveness, this is for you.

Genre: Drama

Actor: Aidan Dee, Anesha Bailey, Anthony Bolognese, Barbara Eve Harris, Charles Jarman, Charlie Hannah, Elle-Máijá Tailfeathers, Elle-Maija Tailfeathers, James Angus Cowan, Jay Cardinal Villeneuve, Kathleen Hepburn, Lissa Neptuno, Paul Jarrett, Sonny Surowiec, Tony Massil, Violet Nelson

Director: Elle-Máijá Tailfeathers, Elle-Maija Tailfeathers, Kathleen Hepburn

Rating: TV-MA

To call Going to Mars a somewhat shapeless documentary isn't a criticism. If anything, its flexibility of structure feels entirely appropriate for the woman at its center, who doesn't necessarily defy categorization so much as she remains on the pulse of history as it continues to shift in unexpected ways. Nikki Giovanni is a person who knows who she is and knows that she stands for the essential dignity of Black people, and it's inspiring to see how she not only remains hopeful and articulate through every critical moment, but that she insists on being ambitious for what Black people deserve to achieve in the future. As her son tells her at a speaking engagement, Giovanni doesn't just dream of going to space; she feels that it is her people's imperative to be there.

Directors Joe Brewster and Michèle Stephenson tell her (still ongoing) life story in a strikingly impressionistic way—cleverly playing with archival footage, but more importantly having Giovanni's candid words blending seamlessly into her poetry. This is a credit to how connected to the milieu Giovanni's work actually is, of course, but the film does a very good job defining her as someone who can bring beauty and grace out of every experience.

Genre: Documentary

Actor: Kai Giovanni, Nikki Giovanni, Novella Nelson, Taraji P. Henson, Thomas Giovanni, Touré Neblett, Virginia Fowler

Director: Joe Brewster, Michèle Stephenson

After the devastating Happy Old Year, we were excited to see the next of what Nawapol Thamrongrattanarit has to offer. Fast & Feel Love is a surprising one, purely because of how silly and unserious the entire film is. The satirical film follows a sport stacker whose passion to be the fastest blinds him to all the day-to-day tasks and life goals that have been pushed towards his girlfriend, and the film plays this basic conflict as dramatically as other action films would, with dynamic cinematography, an over-the-top soundtrack, and dramatic voice overs. The joke does get stretched a tad too long, but it humorously pokes fun at the infantile ways men in action films act, while still recognizing how this mindset is the way we cope in adulthood.

Genre: Action, Comedy, Drama, Romance

Actor: Anusara Korsamphan, Keetapat Pongruea, Napak Traicharoendetch, Nat Kitcharit, Urassaya Sperbund, Wipawee Patnasiri

Director: Nawapol Thamrongrattanarit

With other available resources that tell a more well-balanced story of Tina Turner's life (notably, the 2021 documentary Tina), What's Love Got to Do with It shouldn't, by any means, be used seen as the definitive portrait of the American-Swiss singer. Still, while this 1993 biopic, insists on depicting violence instead of dissecting it, there's something to be said about how uncompromisingly it shows us what an abusive relationship can look like. As a plea to see beyond the public personas of celebrities, the film makes for an effective statement—especially because of a truly despicable turn from Laurence Fishburne, and the power that steadily builds within Angela Bassett.

Genre: Drama, History, Music

Actor: Angela Bassett, Barry Shabaka Henley, Bo Kane, Chi McBride, Cora Lee Day, Damon Hines, Daniel McDonald, Jackie O'Brien, Jenifer Lewis, Khandi Alexander, Laurence Fishburne, Michael Colyar, O'Neal Compton, Patricia Sill, Penny Johnson Jerald, Phyllis Yvonne Stickney, Rae'Ven Larrymore Kelly, Richard T. Jones, Rob LaBelle, Rose Jackson, Shavar Ross, Sherman Augustus, Suli McCullough, Timmy Cappello, Tina Turner, Vanessa Bell Calloway, Virginia Capers

Director: Brian Gibson

In this ensemble cast directed by Wes Anderson, we see a very dysfunctional family with three very unique siblings who grow apart from each other due to their father, a charismatic and ever-absent grifter. However, when he announces his immanent death, the whole family is forced to confront each other, themselves and their childhoods as they gather in their patriarchal home together for the first time in years. An absolutely gorgeously filmed movie, the usage of color, pattern and 60's rock music alone makes it worth seeing, and the beautiful story just sweetens the deal.

Genre: Comedy, Drama

Actor: Al Thompson, Alec Baldwin, Amir Raissi, Andrew Wilson, Anjelica Huston, Ben Stiller, Bill Murray, Brian Smiar, Brian Tenenbaum, Danny Glover, Dipak Pallana, Don McKinnon, Donal Lardner Ward, Ebon Moss-Bachrach, Eric Chase Anderson, Frank Wood, Gary Evans, Gene Hackman, Grant Rosenmeyer, Greg Goossen, Guido Venitucci, Gwyneth Paltrow, Irina Gorovaia, Jennifer Wachtell, Jonah Meyerson, Kalani Queypo, Keith Charles, Kumar Pallana, Larry Pine, Liam Craig, Luke Wilson, Max Faugno, Mel Cannon, Nova Landaeus-Skinnar, Owen Wilson, Pawel Wdowczak, Rex Robbins, Roger Shamas, Rony Clanton, Saidah Arrika Ekulona, Sam Hoffman, Seymour Cassel, Sheelagh Tellerday, Sonam Wangmo, Stephen Dignan, Stephen Lea Sheppard, Tatiana Abbey, Tom Lacy, Wes Anderson, 吉恩·哈克曼

Director: Wes Anderson

Rating: R

This movie will first confuse your perception of the narrative with a feud involving the two magicians (played by Hugh Jackman and Christian Bale), but you will soon be hooked by the twists and turns of the plot. The unveiling of the mystery will leave you in awe, however it is the storytelling and the process that Christopher Nolan puts together so beautifully that is the greatest thing about this movie.

Genre: Action, Drama, Mystery, Science Fiction, Thriller

Actor: Andy Serkis, Anthony De Marco, Brian Tahash, Chao Li Chi, Chi Chaoli, Chris Cleveland, Christian Bale, Christopher Neame, Daniel Davis, David Bowie, Edward Hibbert, Enn Reitel, Erin Cipolletti, Ezra Buzzington, Gary Sievers, Hugh Jackman, James Lancaster, James Otis, Jamie Harris, Jim Piddock, Jodi Bianca Wise, John B. Crye, Johnny Liska, Kevin Will, Mark Ryan, Michael Caine, Monty Stuart, Piper Perabo, Rebecca Hall, Ricky Jay, Robert W. Arbogast, Rock Anthony, Roger Rees, Ron Perkins, Russ Fega, Samantha Mahurin, Scarlett Johansson, Tim Pilleri, William Morgan Sheppard

Director: Christopher Nolan

Rating: PG-13

Big George Foreman ticks all the boxes of what a biopic should be. It shows us his troubled childhood, his bumpy rise to the top, and his eventual reconciliation with fame and boxing. It’s also nicely shot and polished, an accurately dressed period piece that looks and feels the part. But nothing about the film hits you as particularly new or exciting. Prickly topics like faith and infidelity aren’t so much explored as they are simply covered, and the dialogue sounds like something you’ve heard a thousand times. There’s also a sense that the filmmakers noticed this problem because halfway through, the movie switches into a more lighthearted tone, as if it were suddenly bored of itself. Sure, Big George Foreman is easy to follow and nice to look at, but its formulaic structure fails to distinguish itself from a long and ever-growing line of sports biopics.

Genre: Drama, History

Actor: Al Bernstein, Al Sapienza, Anthony Marble, Austin David Jones, Azaria Carter, Barry Hanley, Bill Martin Williams, Billy Slaughter, Brian Ibsen, Deion Smith, Deneen Tyler, Dwayne L. Barnes, Eric Hanson, Erica Tazel, Forest Whitaker, Greg Wattkis, Jasmine Mathews, John Magaro, Jonathan Mercedes, Joshua Wade, Judd Lormand, Julia Lashae, K. Steele, Kei, Khris Davis, Lara Grice, Lawrence Gilliard Jr., Madison Dirks, Martin Bats Bradford, Matthew Glave, Matthew Rimmer, Michael Harrity, Michael Papajohn, Philip Fornah, Raion Hill, Robert Cicchini, Robert Larriviere, Sam Trammell, Samantha Beaulieu, Shein Mompremier, Sonja Sohn, Sullivan Jones, T.C. Matherne, Tom Virtue

Director: George Tillman Jr.

Rating: PG-13

The broad, symbolic strokes of The Killing of Two Lovers—how its story is set up and the general atmosphere it evokes—are stunning to behold. It's a naturalistic story whose ordinary moments feel like they're being told at the end of the world, given how deliberately chilling Robert Machoian's direction is. Unfortunately, once you start getting into the details of the plot and its characters, their actions and decisions don't lead to particularly interesting insights about the separation and the couple's relationship to each other or their children. The end result is something that's clearly driven by a compelling mood more than anything, but whose resolution still feels anticlimactic.

Genre: Drama, Thriller

Actor: Arri Graham, Avery Pizzuto, Barbara Whinnery, Chris Coy, Clayne Crawford, Sepideh Moafi

Director: Robert Machoian

Rating: R

In the saturated sphere of sci-fi and superhero movies, Gray Matter just doesn’t cut it. The film, which was produced as part of the filmmaking workshop/reality show Project Greenlight, doesn’t add anything new, much less its own spin, to a story we’ve heard countless times: that of a young kid learning to harness her supernatural powers for the first time. If you’ve seen Carrie, Firestarter, or more recently Stranger Things, then you’ll be able to predict how most of Gray Matter turns out. It is watchable, sure, enjoyable even in the first few minutes where it promises a world chockful of lore, but it never fulfills that promise. To be fair, the performances are solid and the technicals maximize what limited resources the movie has (it looks more decent than you’d expect a small-budgeted sci-fi production to be), but the pros don’t outweigh the cons in this case. It’s simply too empty and generic to be elevated by anything else. 

Genre: Science Fiction

Actor: Andrew Liner, Garret Dillahunt, Jessica Frances Dukes, Mia Isaac

Director: Meko Winbush

Rating: PG-13